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CONCERT
BAND
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CONCERT & CONTEST medium-easy
City of Lights—Brad Ciechomski. Colorful and
descriptive, this piece pays tribute to the first city
to use public electric lights. As such, the element
of electricity is incorporated into the music, starting
with harmonic tensions that create a feeling of
electrical interference. Aleatoric material along with
electric sounds that can be downloaded make for
a decidedly unique selection that will stand out on
any program.
11204835 Band Set & Score . . . . . . . . . .75.00
Coffin Races—Jason K. Nitsch. Take a frightful
ride with this spooky thriller! Perfect for Halloween
concerts, this new work makes use of sound effects
and color from within the concert band. Similar in
style to Danse Macabre, students and audiences
alike will have a wonderfully spooky time!
11198514 Band Set & Score . . . . . . . . . .65.00
Come, Thou Fount of Every Blessing—arr.
Randall Standridge. Standridge has arranged this
reverent and somewhat sad-sounding hymn in
honor of the life and influence of his grandmother,
who passed away in 2012. Moving from moments
of quiet beauty though hugely magnificent waves of
sound, this compelling piece is a great example of
the expressiveness and power that can be achieved
by a fine concert band work. The final statement
of the melody by a solo clarinet wraps up this
memorable hymn-tune arrangement in a reverent,
quiet way.
10457934 Band Set & Score . . . . . . . . . .70.00
H Come, Sweet Death—J. S. Bach/arr. Reed. One
of the most widely performed of all chorales. The
richness of texture, flowing lines and deep feeling
exhibited by this magnificent work make it a superb
addition to any band library.
987073 Band Set & Score . . . . . . . . . .60.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Coming Back—Tyler Arcari. Uplifting and hopeful,
a majestic opening gives way to a light and tuneful
melody. The overall tone of this piece is bright and
optimistic with an ending that is rhythmic and joyous.
11346008 Band Set & Score . . . . . . . . . .65.00
Companions of the Crown—Gavin Lendt. Join
with these adventurers as they venture forth,
promoting the royal creed as they spread justice
and righteousness throughout the land. This march
for band has a definite fantasy flair and uses modal
and minor keys to emphasize its medieval quality.
Your students will be thoroughly engaged by this
imaginative musical fantasy.
11201779 Band Set & Score . . . . . . . . . .75.00
Conquest—Mark Lortz. Dark and intense, the
mysterious introduction sets an ominous tone. A
dampened bass drum pulse creates a resolute
heartbeat as opposing forces gather. The forces
then collide with intense brass, brisk woodwinds, and
unrelenting percussion parts, all depicting the fierce
battle scene. The uncompromising sounds of victory
then ends the piece with a triumphant flourish.
10981995 Band Set & Score . . . . . . . . . .52.00
Precious Lord, Take My Hand—Randall D. Standridge.
This setting of the classic hymn tune is sure to bring out the
best in your players and audience. Written to be effectively
played by a small (as few as thirteen) or a large ensemble,
this work provides musical opportunities, orchestral color,
and a beautiful melody that is sure to be a hit at your next
concert. This publication comes with reproducible parts
and digital permissions.
11220742 Band Set & Score . . . . . . . . . . . . . . . . M 65.00
Providence—Randall D. Standridge. The natural beauty
of Providence Canyon serves as the inspiration for this
lyrical work that paints a beautiful musical landscape.
Soaring melodies and colorful orchestration combine
with passionate harmony to provide a perfect vehicle
for expression at your next concert. Involved percussion
writing also helps to distinguish this work from other lyrical
selections. This features reproducible parts and digital
sharing and streaming rights.
11349000 Band Set & Score . . . . . . . . . . . . . . . . M 80.00
Romanesque—James Swearingen. The James
Swearingen classic "Romanesque" is a wonderful example
of fine lyrical writing. Your musicians will marvel at the
opportunity to perform music that sounds above grade
level, yet is highly accessible in every way possible.
Musical lines that reach out with emotion, beautiful
harmonies, and great flexible orchestration combine to
present the experience of creating art and beauty through
the precious gift of music. Very lyrical!
11314533 Band Set & Score Build-a-Band. . . . ME 60.00
l South Shore Soliloquy—Robert Sheldon. This heartfelt
elegy begins with a beautiful melody and chorale section.
Musical moments are plentiful, and a poignant trumpet
solo only increases the emotional impact of this work.
11354944 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
l Star Light, Star Bright—arr. Leslie Gilreath. This lovely
lyrical arrangement of Twinkle Twinkle, Little Star pays
tribute to the tune we played as beginners and reminds us
of the time when we started on our instruments.
11348661 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
l Star Light, Star Bright (5-Part Flex Band)—
arr. Leslie Gilreath. This touching lyrical work is a flexible
version of that beloved tune that many us played as
beginners. Program this for a look at all of the progress
that your students have made!
11348663 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
Such Small Things (Flexible Band with Adaptable
Parts)—Nathan Daughtrey. Here we have a heartfelt,
brightly colored piece that really shines! This short, lyrical
piece will evoke many emotions from your players and
audience. The combination of colors from the percussion
and sweeping lines of the winds come together very nicely!
The flexible writing will ensure that you will be able to
perform this piece with a variety of ensembles in different
performing situations. A great lyrical addition!
11312365 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
Sweet New Moon—Yukiko Nishimura. Beautiful! This
really is a heartfelt work that is melodically mature and will
challenge your students to reach tap into their musical
potential. Lush harmonies, well-placed suspensions, and
thoughtful scoring make this piece an easy choice for
programming quality lyrical works.
11346064 Band Set & Score . . . . . . . . . . . . . . . . M 75.00
Under a Winter Sky—Yukiko Nishimura. This lovely
ballad about the winter season is perfect for teaching
blend, balance, and phrasing to developing band students.
With soaring melodies, beautiful harmonic moments, and
gentle percussion, this is a true depiction of the scenery
of a windless and clear winter morning. The many inner
melodies will develop listening while also introducing the
lyrical ballad style to your performers.
11349215 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
l Unsinkable Farewell (Nearer My God To Thee)—
Josh McInnish. The RMS Titanic was not unsinkable, but
this hymn played in the final fatal moments, is unsinkable
and resonates even stronger today. Josh McInnish's
arrangement of this old Methodist hymn opens with the
sound of the ocean, and includes the refrain of a Fanny
Crosby hymn at the end. This beautiful musical setting
will convey the love and loss of that tragic moment in our
world's history.
11355442 Band Set & Score . . . . . . . . . . . . . . . ME 80.00
The Water Is Wide (Full Flex - for any combination of
instruments)—Traditional Scottish/arr. Greg Danner.
Dating back to the 1700s, the Scottish folk song The Water
is Wide was initially known as O Waly, Waly. This free
setting connects original music with the source melody in a
continuous unfolding of melodic and motivic material. This
is a great example of lyrical writing and careful scoring that
will bring a new level of musicality to any size ensemble.
11315215 Band Set & Score . . . . . . . . . . . . . . . ME 60.00
We Gather Together—Scott Stanton. This well-known
Dutch hymn is scored for small bands with limited
instrumentation, but will sound great with bands of all
sizes! Dedicated to the frontline responders and essential
workers who keep us safe, this is the perfect "welcome
back" piece for both the band and your returning audience.
With Build-A-Band scoring, you get to create unique
sounds using the strengths of your instrumentation, and
by following the suggested flexible interplay between
sections. This beautiful arrangement includes optional
vocal parts for performers and/or audience. Piano, bass,
guitar, and percussion can strengthen your sound as well.
Perfect for distance learning situations!
11314535 Band Set & Score Build-a-Band. . . . ME 60.00
We Will Remember Them—Douglas E. Wagner.
Guided by their deeply personal sense of duty and
obligation to heal and help, our first responders deserve our
gratitude and respect. This tribute is a beautiful, impactful,
and lyrical celebration of these heroes in our society.
11354896 Band Set & Score . . . . . . . . . . . . . . . ME 58.00
When Jesus Wept—William Billings/
arr. Charles J. Torian, Jr. This work is built on one of the
composer's most known canons and is a flowing, musical
representation of this classic. Soloists, muted brass
sections, and effective counterpoint attempt to capture the
text by making the musical paint the words with a palette
of sound.
11316891 Band Set & Score . . . . . . . . . . . . . . . . M 65.00
l
Where the Heavens Meet Earth—Jeremy Bell.
A beautiful, lyrical work for young band. Featuring flowing
melodic lines and a beautiful four-note motive that
transfers throughout the ensemble, the piece is a perfect
mid-program work to feature the colors of the different
instrumental sections, permitting opportunities to teach
about blend and balance within the group.
11354950 Band Set & Score . . . . . . . . . . . . . . . ME 65.00
Where the Waters Meet (O Waly, Waly)—
arr. Carol Brittin Chambers. Feature a trombonist and
trumpet player with this beautiful adaptation of O Waly,
Waly. Lush harmonies, emotional moments of impact,
and fine percussion writing make this more than a simple
lyrical piece. The climactic moment results in a beautiful
chorale that brings out the colors of the ensemble. An
excellent choice!
11346090 Band Set & Score . . . . . . . . . . . . . . . . M 75.00
Yorkshire Ballad—James Barnes/
arr. Clarence E. Barber. A flexible ensemble arrangement
based on the second edition rescored by the composer,
playable by any SSATB combination of woodwind, brass,
and string players with optional percussion. Since its
publication, it has become one of the composer's most
popular works and has been arranged for a variety of
ensembles. The composer writes, "I composed this little
piece so that younger players would have the opportunity
to play a piece that is more or less in the style of
[Grainger's] Irish Tune from County Derry."
11355739E Band Set & Score ePrint . . . . . . . . . . . M 60.00
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