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32
CONCERT
BAND
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CONCERT & CONTEST medium-easy
Flying Fortress—Robert W. Smith. This stunning
fanfare was inspired by the historic and legendary
Boeing B-17 aircraft. Beginning with a powerful
timpani statement, the brass section responds
with a resonant introductory theme. Strong
melodic lines and woodwind flourishes make this
piece sound more mature than the grade level
indicates. A majestic work for any concert, festival
or ceremonial performance.
11100366 Band Set & Score . . . . . . . . . .80.00
l Forevermore—Christina Huss. Lyrical in style,
but with motion, the tuneful and thoughtful melody
will charm and captivate your students. Beginning
with a sax melody and well-scored low voices,
the orchestration of this work is effectively used
throughout. You will also find some good lines for
your mallet players. Program something thoughtful
like this beautiful work!
11346024 Band Set & Score . . . . . . . . . .65.00
Forge—Robert Langenfeld. Just as the process of
forging turns metal into something spectacular, this
piece uses the same idea of shaping and hammering
sound into a finely crafted musical product. Metallic
percussion, short fanfares, and long melodic phrases
are put through this same process, constantly
refining the musical material until the final product
emerges in an impressive presentation. This flexible
version will provide directors with adaptable parts for
a variety of situations.
11308317E Flexible Arrangement ePrint. . .75.00
Foundry—John Mackey. The first piece for
band at this grade level by this popular and
most creative composer. The concept of this
fascinating work is to introduce percussionists to
the idea that there are more imaginative ways to
perform other than with the traditional percussion
instruments. Using "found" percussion
instruments in addition to creative wind parts,
the piece creates a life of its own to the delight of
musicians and audiences!
10282825 Band Set & Score . . . . . . . . .145.00
Gadget—Randall D. Standridge. Intriguing sound
effects from the percussion section bring this
dynamic piece to life. The winds provide energy
with contrasting melodic and rhythmic lines,
creating tension through dissonance. Sure to be
a concert favorite, especially for those who are
mechanically minded.
10312049 Band Set & Score . . . . . . . . . .65.00
l Gallowglass—Randall D. Standridge. The ancient
Irish gallowglass clans are illustrated in this exciting
cinematic work. A slow opening gives way to a
Celtic dance that includes additional effects such
as stomping and clapping. The compound meter
and memorable melodies are sure to delight players
and audiences alike. Features reproducible parts
and digital streaming rights.
11349005 Band Set & Score . . . . . . . . . .75.00
l Gently—Brian Hogg. This lyrical piece in three
begins with a gentle flute and the addition of
a clarinet and saxophone. Dark colors and
interesting harmonic moments help to give
the melody and soaring counterlines a solid
foundation. There are plenty of moments for
musical playing in this lovely work.
11347373 Band Set & Score . . . . . . . . . .85.00
H
Ghost Fleet—Robert Sheldon. An exhilarating
work! The music is as compelling as the title! First
the music depicts the calm, rolling waves, but then
trumpet fanfares summon long-forgotten warships
back to the high seas and their former days of glory!
Many exciting sounds are created by your students,
especially in the percussion section. Warning bells
clang, battles ensue and the music rises to an
intense and powerful climax! An outstanding choice
for concert and contest!
2470385 Band Set & Score . . . . . . . . . .78.00
Ghostories—Steven J. Pyter. Here is a musical
homage to all the tales of otherworldly apparitions
that gave everyone goosebumps as a child. The
evocative music takes an eerie journey through a
series of musical vignettes, each representing a
spooky story that might be told around a campfire
or when the power goes out. Come listen as we
summon up ghosts and spirits, but listeners
beware... leave the lights on!
11177121 Band Set & Score . . . . . . . . . .52.00
The Great Clipper Race—Matthew R. Putnam.
This work depicting a great nautical race is full
of strong melodic content, moments reminiscent
of great British band music, and plenty of drama!
All parts are written with the success of students
in mind, and with the flexibility of the scoring you
have a great opportunity to perform a dramatic,
programmatic work no matter what instumentation!
This piece comes with a letter for proof of copyright
permission as well as a digital download coupon so
you can get the music to your students.
11212510 Band Set & Score . . . . . . . . . .60.00
H
The Great Locomotive Chase—Robert W.
Smith. You'll love this fascinating and exciting
work by the talented Robert W. Smith that brings
the thrill of America's history alive! Inspired by a
Civil War-era train chase, this programmatic work
depicts what became known as "the boldest
adventure of the war." In addition to being superb
musical programming filled with wonderful effects,
the extensive historical notes in the score assist
teachers with collaborative teaching on American
history. It's not just great music, it's great learning
as well!
2439396 Band Set & Score . . . . . . . . . .62.00
The Great Steamboat Race—Robert W. Smith.
You'll be swept back in time as this programmatic
work recounts the tale of a race between two
Mississippi River paddleboats. The tune Waitin' for
the Robert E. Lee sets the boats in motion while
a unique sound using plastic milk jugs, and the
creative scoring brings it all together in a most
appealing way. Good old fashioned charm and
story-telling blends well with innovative writing that
makes this a superb choice for any concert setting.
Very highly recommended!
2474530 Band Set & Score . . . . . . . . . .62.00
Greek Folk Song Suite—Franco Cesarini. The
passion and infectious rhythms of Greek folk are
what this fine three-movement work for band
is all about! Each movement has its own unique
character and charm, but you will surely be carried
away by the third movement, that recalls the sirtaki,
the most popular Greek dance, characterized by a
grand accelerando. "My Big, Fat Greek Wedding"
and the spin-off television show has made Greek
culture familiar to audiences everywhere, so it's a
great time to program captivating Greek folk music!
2475060 Band Set & Score . . . . . . . . .145.00
Greenwillow Portrait—Mark Williams. This
outstanding work has rapidly become a standard
in the literature, appearing on many state lists.
2195055 Band Set & Score . . . . . . . . . .65.00
A Haunted Trilogy—Jim H. Johnson. This is
guaranteed to become a favorite of students and
audiences alike. Set as a trilogy of three short
movements, your band can play one for a quick
novelty piece, or all three. March of the Gremlins
opens the suite with an eerie march. Tarantella
for Trolls continues the spooky musical fun with
a slightly twisted little dance. Goblin's Gavotte
closes our haunted suite with an ominous romp.
It's mischievously impish, looming, conniving, and a
great learning piece for chromatics in three different
styles. Boo!
11206749 Band Set & Score . . . . . . . . . .59.00
Haunting Old Mountain Melody—Ed Kiefer. An
excellent choice for your library. This hauntingly
beautiful work will stretch the musicianship of
your ensemble. You will find this to be teeming
with musicality and opportunities for lyrical playing.
The harmonic palette is strikingly refreshing and
perfectly complements this old mountain melody.
11198548 Band Set & Score . . . . . . . . . .65.00
Heart of Gold—Brian Balmages. A standout!
This highly energetic work uses a simple melody
combined with fantastic orchestration for amazing
results. A fantastic opportunity to teach 7/8 in a
fun, engaging way, the piece is based on 2+2+3
groupings and has modest technical demands
so students can focus on meter. Directors will be
excited at how quickly students grasp the concept
and are able to dive into the rich musical lines
woven throughout. So much fun!
11203028 Band Set & Score . . . . . . . . . .60.00
l Heartbreak Trail—David Bobrowitz. This
composition is a memorial to the Trail of Tears,
the forced relocation of Native American tribes in
the 1830s. After a light orchestration, the second
section, with its focus on rhythms and articulation,
gives a glimmer of hope before returning to the
original theme and then fading to nothing. This
powerful work invites students to think, and
audiences will find this work compelling.
11349214 Band Set & Score . . . . . . . . . .60.00
Heaven's Light—Steven Reineke. The
inspirational nature of this lovely ballad will surely
reach the hearts of your audience. With exceptional
writing for the mallets (or optional piano), and
beautiful solos for clarinet and flute, this is just
the right piece to bring expressive performance
elements to the fore. Close, lush harmonies and
memorable melodies make this a wonderful choice
for any performance situation. Lovely!
2478378 Band Set & Score . . . . . . . . . .72.00
Heaven's Morning Breaks—Brooke Pierson.
This selection is well suited for an ensemble that is
learning the intricacies of lyrical playing. This work
is based on the hymn tune Abide with Me, which
comes in full force in the second half of the piece
in a bold and majestic fashion. The use of space,
color, and harmonic flavor give this piece depth.
11217472 Band Set & Score . . . . . . . . . .90.00
Heaven's Morning Breaks—Brooke Pierson.
This flexible version of the original composition,
centered around the hymn Abide With Me (to the
tune of Eventide), is both reflective and joyful. The
warm colors will bring your audience in, and the
bold statement of the hymn tune at the end rounds
off this piece in majestic fashion.
11217474 Band Set & Score
Flexible Instrumentation. . . . . .90.00
The Heavens Are Telling—Ludwig van
Beethoven/arr. Chris Sharp. Originally composed
as a vocal solo with piano, this classical piece has
been orchestrated here for developing bands and
brings a special flavor to concert band programs.
It features new sections based on the Pathetique
piano sonata and serves as a great tribute to this
monumental composer. Perfect for concerts and
assessment performances.
11202328 Band Set & Score . . . . . . . . . .60.00
Heroes and Quests—John Prescott. The story
of a hero on a quest is one that spans centuries
of mythology and cultures around the world.
This descriptive music mirrors these legends,
establishing a heroic theme that is then subjected
to several variations of trials and tribulations.
Ultimately the hero returns in a full and transformed
restatement of the theme for an uplifting and
triumphant conclusion.
11177123 Band Set & Score . . . . . . . . . .70.00
Hiding in the Shadows—Robert Thurston.
Written to reinforce light dynamics and delicate
articulations, this is a great piece that is chock-full
of quirky and masterful writing. Fugues, harmonic
intrigue, and drama fill this sneaky new work for
developing band. A unique work with stand-out
dynamic and melodic aspects. This one's a winner!
11198552 Band Set & Score . . . . . . . . . .65.00
House of the Rising Bells—arr. Tyler Arcari. Open
your next holiday concert with this impactful and
clever pairing of two folk tunes: House of the Rising
Sun and Ukrainian Bell Carol. It begins ominously
and proceeds to combine both tunes in a special
way. Arranged for developing band, this is sure
to add something unique to your winter program.
This flexible version of the original allows directors
to adapt to situations with varying instrumentation
- the piece is broken down into five parts that are
playable by most members of the band.
11220574 Band Set & Score . . . . . . . . . .60.00
l How Can the Tree but Wither?—Ralph Vaughan
Williams/trans. Carl Holmquist. Bring the music of
Ralph Vaughn Williams to your ensemble with this
transcription. You will love the harmonies and the
attention to scoring that the transcriber provides in
this lyrical piece.
11349040 Band Set & Score . . . . . . . . . .80.00
H A Hymn for Band—Hugh M. Stuart. This lovely
composition has become one of the classic
repertoire pieces for young bands. Even though it
is heavily cross-cued, making it suitable for smaller
bands, this beautiful work is rich in melodic content,
varied scoring, and marvelous counterlines and
harmonies. An effective performance vehicle that
also teaches legato style and musical sensitivity.
2161032 Band Set & Score . . . . . . . . . .65.00
l
Hymn to the Dawn—Kimberly Archer. Composed
in memory of the composer's first composition
teacher, this moving work conveys a sense of
beauty and longing. Although the title suggests
moving forward, the music is meant to reflect the
unresolved nature of our relationships with loved
ones who have now passed on. This is for an
adaptable band and features five to six parts with
optional percussion.
11332165 Band Set & Score . . . . . . . . . .60.00
Hypnotic Fireflies—Brian Balmages. You're in an
open field during a warm summer night, and the
flashing and blinking of fireflies is spellbinding. The
same may be said for this remarkably descriptive
piece. Through the use of metallic percussion,
including an amplified Slinky, an essential piano
part and a constant eighth note pulse, it's simple to
imagine thousands of lightening bugs before your
eyes. The music builds and develops throughout
the piece as the bold melody is supported by
effective scoring. A truly stunning composition!
10312651 Band Set & Score . . . . . . . . . .65.00
If It Were Easy...—Richard L. Saucedo. A musical
tribute that evokes a wide range of emotions and
moods. Prominent is the idea that goals worth
achieving are not always easy, and the dedication
and perseverance needed to reach those goals
is worth the effort. Beginning quietly, the resolve
is set, building gradually as the effort intensifies,
leading to a glorious full-band chorale of triumph
before tapering to a delicate finish.
11205771 Band Set & Score . . . . . . . . . .70.00
Important!
EMBRACING
ADMINISTRATIVE
LEADERSHIP in
MUSIC EDUCATION
John Clinton. In this important
text you'll find practical answers
to real-world problems every
music education administrator
faces. Clear, straightforward
prose discusses leadership, team
building, and integrity. Also, the
hard issues of music education are
addressed: being in the middle,
knowing your territory, dealing
with difficult people, and too many
meetings. Hiring and retaining good
teachers, as well as the difficult
issues of termination, budgets,
and staying engaged in teaching
are also covered. An excellent
guide toward more effective and
satisfying leadership as a music
education administrator.
10561356 Book . . . . . . . . . . . . . . 24.95
