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34
CONCERT
BAND
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CONCERT & CONTEST medium-easy
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Kickstart—John Prescott. This driving, energetic
and exciting original work is the perfect vehicle to
show off your percussion section. Solid scoring and
comfortable ranges make this very accessible while
making your developing band sound professional.
Wind players have an excellent opportunity to
reinforce articulations and dynamics, and the low
brass will enjoy the opportunity to show off! A
3/4 section in the middle will give the band a fun
exercise in rhythmic counting.
11343840 Band Set & Score . . . . . . . . . .52.00
11343841 Additional Score . . . . . . . . . . . .7.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Kingsgate Castle—Michael Story. A stunning
work in a traditional overture form beginning in 3/4
with a bright tempo. There is a beautiful contrasting
section at a moderately slow speed before returning
to the excitement. With strong melodic lines,
contemporary harmonies, and a heroic fanfare, your
students will enjoy the work they put into this piece.
11354894 Band Set & Score . . . . . . . . . .63.00
Korean Folk Rhapsody—James Curnow. This
familiar Korean folk tune is arranged in a series of
variations through different styles and textures. A
very effective setting scored with flexible options for
bands with instrumentation challenges.
10283920 Band Set & Score . . . . . . . . . .55.00
La Madre de Los Gatos—Brian Beck. The
wonderful style of the "paso doble" is evident at
the very start of this original concert band piece.
You can tell by the tempo markings, Allegro con
passione and Prestissimo con fuego!, that this
work contains the passion and fire that will grab the
attention of audiences wherever it's performed.
10279974 Band Set & Score . . . . . . . . . .58.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Lament—Chris Sharp. This work marks the 20th
anniversary of the September 11 attacks. Poignant
in tone, it begins with groups of woodwinds and
then brass. The second section is also dark, but
the combination with movement in the percussion
section is very effective. The climactic moment is a
full-band setting of the hymn tune A Mighty Fortress
before a haunting ending.
11349008 Band Set & Score . . . . . . . . . .70.00
The Last Ride of the Pony Express—David
Shaffer. Bring a slice of American history alive
in your concert! From April 1860 to October
1861, the Pony Express was the fastest way
to get a message across the Western half of
the U.S, and this riveting work rings with the
excitement and danger faced by the daring few
brave enough to make that ride. Colorful sounds,
invigorating rhythms, and characteristic Western
effects will connect with your audience. This is
an outstanding choice for concert or festival.
Very highly recommended!
2478382 Band Set & Score . . . . . . . . . .74.00
A Lasting Legacy—Gary P. Gilroy. A short and
powerful percussion statement sets up a celebratory
fanfare to open this vibrant salute to an outstanding
band director. Then a stately ceremonial section
recognizes that it is the teacher that is "graduating"
this time. The reverent atmosphere continues until
the opening theme returns for a grand finale and a
brilliant display of musical fireworks.
11177073 Band Set & Score . . . . . . . . . .52.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Legacy—Richard L. Saucedo. This dynamic work
features an intense rhythmic drive along with a
soaring melody that serves as an inspirational
focal point. It features creative layering effects and
textures throughout, along with terrific interplay
between the winds and percussion. Compatible
in performance with the intermediate version for
younger players.
11356293 Band Set & Score
Advanced Version . . . . . . . . . .85.00
11356295 Band Set & Score
Intermediate Version . . . . . . . .75.00
l
The Legend of Devils Tower—Rob Grice. In
1906, President Theodore Roosevelt proclaimed
Devils Tower as the first national monument in
the United States. This iconic landmark is known
throughout the world for its fictional, mythical,
and mystical significance. A sense of mystery is
reflected in the opening lyrical moment that gives
way to a powerful fast-paced statement.
11332710 Band Set & Score . . . . . . . . . .60.00
l
The Legend of Greensleeves—John Prescott.
Rescored for bands with reduced instrumentation,
this unique setting of this well-known song
will be the highlight of concert programs at
Christmastime and throughout the year as well.
The wistful quality of the legend is captured
here by a hypnotizing and rhythmic ostinato with
creatively lush harmonies. Imaginative colors
including easy optional singing create a dreamlike
quality throughout, and the hauntingly beautiful
ending will leave audiences breathless.
11219559 Band Set & Score
Reduced Instrumentation. . . . .50.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l The Light Remembered—Gary Gackstatter. This
lyrical and heartfelt work is an emotional piece,
at times contemplative and at times joyous. The
typical ABA form is turned around and the joyous
section is a nice rhythmic contrast, transforming our
emotions and memories into sound.
11348668 Band Set & Score . . . . . . . . . .70.00
Light Up the Sky—Scott Watson. A colorful
musical display that reflects the thrill and
excitement of a dazzling fireworks show.
Contributing to the striking atmosphere of the
pyrotechnic display are lively syncopated rhythms,
mixed meter, and energetic, colorful, and at times
explosive percussion. To light the fuse, just give a
downbeat and stand back!
11205925 Band Set & Score . . . . . . . . . .70.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l The Lighthouse Keeps Watch—Brooke Pierson.
Opening with lyrical and emotional moments, you
will be sure to showcase your band's sensitive
playing. It also features a hopeful up-tempo section.
It is packed with dynamic, dramatic, and intense
musical moments and will definitely check off all of
the boxes that make for a great work. This is sure
to delight players and audiences!
11354940 Band Set & Score . . . . . . . . . .70.00
Lightning Field—John Mackey. Inspired by a
massive work of art in which steel rods are placed
over a large expanse of desert, drawing lightning
strikes and creating powerful man-made electrical
storms. This work draws on the ancient impulse
to summon nature's power and a strong feeling
of barely contained energy ripples throughout,
enhanced by using thunder sticks to create the sound
of man-made thunder surrounding the audience.
10516033 Band Set & Score . . . . . . . . .145.00
Little English Suite—Clare Grundman. A timeless
and classic work by one of the great all-time band
composers. Four traditional English folk songs
are presented in an appealing and well designed
setting, perfect for any ensemble. Included are the
rollicking The Leather Bottel, followed by the lyric
Roving and We Met and concluding with the grand
and stately Vicar of Bray. Priceless!
951103 Band Set & Score . . . . . . . . . .95.00
Lone Eagle—Robert Sheldon. A soaring and
majestic work that will stand out at any concert or
festival program. Active and spry from the start, this
uplifting overture features colorful energetic themes
that are contrasted with calm and serene moments
of quiet lyricism. A total musical offering that will
have bands sounding their very best.
11193994 Band Set & Score . . . . . . . . . .70.00
The Long Look Back—Jon Bubbett. Written to
describe the composer's emotions at watching
both his children leave the nest, this heartfelt
lyrical work is perfect for a moment of reflection
on your program. Soaring melodies, soloists, and a
combination of textures come together to create a
moving statement. Beautifully written, this work will
sound full and lush.
11198598 Band Set & Score . . . . . . . . . .65.00
Madonna of the Western Trail—Richard
Summers. Inspired by 12 monuments of the
same name which exist along the Old Trail Road,
or National Road, this piece evolves as you follow
the path of a traveling pioneer woman and her
family. Featuring an expressive middle section
inside two faster Spanish-influenced sections, this
concert opener or contest and festival selection
also features a short trumpet solo. Use this to
teach about ABA compositional form or as an
interdisciplinary lesson on the American West. An
excellent choice!
11205104 Band Set & Score . . . . . . . . . .65.00
Maelstrom—Larry Neeck. Perfect for concert
or contest, this dynamic work will showcase the
musical capability and finesse of your band. Intense
and powerful, it features brisk melodic themes
punctuated by propulsive low brass/low woodwind
and percussion lines. Musical mixed meters and
special woodwind and percussion effects heighten
the intensity, contrasting an ethereal middle section.
11001810 Band Set & Score . . . . . . . . . .59.00
A Maid in Bedlam—arr. Randall D. Standridge.
A stunningly beautiful Scottish folk song that
tells a tale of longing, loss, and redemption. This
arrangement begins in the style of an intriguing folk
dance that evolves into a mournful, lyrical moment.
It then takes on a more familiar character as it pays
homage to classic British folk song settings from
generations of composers.
11177077 Band Set & Score . . . . . . . . . .52.00
H Majestia—James Swearingen. An absolutely
exquisite work! Opening with a lovely solo flute
passage, this outstanding concert/contest selection
features lush harmonies, driving tutti passages,
strong percussion lines, broad, lyrical, flowing
melodies and an exciting finale, all within a very
playable framework. This work by Jim Swearingen
significantly adds to and expands his already high
stature as a composer of school band music, and
we recommend it highly!
2125680 Band Set & Score . . . . . . . . . .72.00
Make Our Garden Grow—Leonard Bernstein/
arr. Joseph Kreines. From Leonard Bernstein's
1956 operetta Candide, the remarkably beautiful
closing number has gone on to become a beloved
and familiar classic, taking on a life all its own.
Arranged here for younger bands, this setting
allows all the natural beauty of the melody to
shine through as the music moves from delicate
scoring in the opening to a powerful climax by the
full ensemble.
10771690 Band Set & Score . . . . . . . . . .65.00
Mars—Holst/arr. Bocook. Jay Bocook lends his
arranging talents to Holst's most famous piece of
music, and you can bet the result is exceptional!
This version is musically exciting, well-paced
and very approachable for developing bands. Jay
Bocook condenses the piece to an appropriate
length for bands at this level, but he still manages
to all of the various transitions and motives from
the original. Your band will feel invincible when they
play this one!
2390540 Band Set & Score . . . . . . . . . .65.00
Metamorphosis—Andrew Boysen, Jr.. The title
refers to the transformation of a caterpillar into a
butterfly. The piece opens with a beautiful statement
which then morphs into something new in the
faster middle section. The triumphant final section
emerges with lively percussion and ensemble
swells, simulating the butterfly getting ready to take
flight. This imaginative work ends peacefully as the
butterfly floats off into the distance.
10458633 Band Set & Score . . . . . . . . . .65.00
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