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CONCERT & CONTEST medium
O Waly Waly—arr. Christopher M. Nelson. More
commonly known as The Water Is Wide, this setting
utilizes fresh orchestration and several touching
solo moments throughout. The original melody is
presented in several keys and textures, all evoking
a sense of memory and reverence that create the
perfect answer for any ensemble looking for an
expressive number for their next concert or festival.
11198235 Band Set & Score . . . . . . . . . .70.00
H October—Eric Whitacre. This rich serenade is
full of beautiful melodies and warm harmonies.
The solos for oboe and baritone add wonderful
color to the work as well. This is a gorgeous piece
appropriate for any concert setting.
2450583 Band Set & Score . . . . . . . . .125.00
Off & Running!—Gary P. Gilroy. Mix things up with
both your repertoire and time signatures! Students
will love the heavy percussive sound, and your
percussionists will have lots of work to go around!
11352626 Band Set & Score . . . . . . . . . . .0.00
The Offerings of Nadab and Abihu—Brian
Beck. The ominous nature of this piece provides
an excellent opportunity for groups to expand
their musical vocabulary. The suspenseful music
creates a growing sense of danger in the air.
Accidentals, chromatic passages, and changes
in styles combine with dark colors, minor chords
and eerie melodic lines to act as a warning of dire
consequences ahead.
11205961 Band Set & Score . . . . . . . . . .70.00
Only in Sleep—Eriks Esenvalds/arr. Phillip
Littlemore. A vision of childhood experienced
through dreams, this is a work of subtly powerful
expressiveness. The oboe soloist sets the tone for
this moving and powerful work and it is sure to be
every bit as popular as the choral original.
11316789 Band Set & Score . . . . . . . . .125.00
Our Kingsland Spring—Samuel R. Hazo. Samuel
Hazo's very successful work for younger players
features a balance between light and delicate
writing contrasted with broad chorale-like passages
for the entire ensemble. This adaptation by the
composer now allows smaller bands to experience
the beauty of Our Kingsland Spring.
10530810 Band Set & Score . . . . . . . . . .55.00
Paine Mountain Legacy—Michael Sweeney.
Striking and engaging, attention is immediately
drawn to the masterful integration of percussion
and winds and the unique scoring that is the
hallmark of this noted composer's works. Fanfare-
like passages create a celebratory spirit that is
irresistible, while a brief chorale section offers a
reverent moment of respect before closing with a
fireworks display of sparkling musical effects.
11205761 Band Set & Score . . . . . . . . . .80.00
The Parting Glass—arr. Matt Conaway. This
haunting and beautiful setting of the traditional Irish
farewell song will provide a memorable and moving
moment at your next performance. Reflective solos,
lush harmonies, and sensitively scored percussion
all combine to create this soundscape of memories,
loss, and hope that's the perfect showcase for your
mature musicians.
11001918 Band Set & Score . . . . . . . . . .79.00
Pas Redouble—Camille Saint-Saens/arr. Arthur
Frackenpohl. A work that has become a standard
of the literature for concert band and is certain to
remain one for many years.
746370 Band Set & Score . . . . . . . . . .75.00
Perthshire Majesty—Sam Hazo. Lovely and
grand, this original ballad by Sam Hazo really sings
of Scotland! A magnificent musical landscape
of County Perthshire, Scotland, this one has a
beautifully lush Scottish sound. A lyrical soprano
sax solo opens the piece and is joined by a rich
complement of woodwinds and brass. It's an
enchanting work that radiates warmth and is
the winner of the 2003 William Revelli Memorial
Composition Contest sponsored by the National
Band Association.
2477722 Band Set & Score . . . . . . . . . .75.00
Pieces of Eight—Gary P. Gilroy. Driving sixteenth
notes in the mallets and muted trumpets give this
piece energy and excitement from the get-go! This
bright, huge-sounding piece with give your students
a fun rhythmic workout.
11352627 Band Set & Score . . . . . . . . . . .0.00
Pikes Peak—Brian Balmages. Dramatic music
leads from the base to the summit, encountering
legends and history along the way. Numerous
reports of Big Foot and spectacular views are
envisioned in musical moments of uncertainty with
beautiful chorales. America, the Beautiful appears
in bits before it's fully realized, reflecting the "purple
mountain majesties" that inspired its writing. A
different kind of patriotic or festival piece.
11002248 Band Set & Score . . . . . . . . . .95.00
Pixelated World—Brian Balmages. Tackle
the complex issue of screen addiction with this
intriguing work that contrasts the real world around
us with the pixelated digital world experienced
through our devices. Powerful sections yield to
softer, muted moments as the listener is pulled
between actual and virtual realities. A powerful and
thought-provoking piece that will surely stimulate
discussions in your ensemble.
11203044 Band Set & Score . . . . . . . . .100.00
Ponderosa—Carl Strommen. The broad, chorale-
like opening of this adventure brings to mind the
wide and pristine prairies of the frontier American
West. Full of great melodic lines and fun-to-play
sections, this saucy take on an old American sound
is sure to excite audiences and students alike.
11198570 Band Set & Score . . . . . . . . . .90.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Portals—Robert W. Smith. This meaningful work
is inspired by the digital portals that we all use
today to communicate. Featuring soloists as well
woodwind and brass choirs, this joyous composition
builds to a bold and majestic full ensemble
statement and an exciting conclusion. Optional
middle school parts are included, allowing for full
pyramid concert performance. This will be a valued
addition to your next concert as we celebrate the
combined musical voices of our world.
11355445 Band Set & Score . . . . . . . . . .85.00
Prairie Dances—David Holsinger. Taking a page
from Bernstein and Copland in both rhythms and
harmonies, Holsinger has fashioned this portrait of
the cattle region of Texas. Full of the rambunctious
rhythms of the cowboy towns and a brief view of the
wide plains, this is an engaging piece for performer
and audience alike.
2409795 Band Set & Score . . . . . . . . . .90.00
Precious Lord, Take My Hand—Randall D.
Standridge. This setting of the classic hymn tune
is sure to bring out the best in your players and
audience. Written to be effectively played by a small
(as few as thirteen) or a large ensemble, this work
provides musical opportunities, orchestral color,
and a beautiful melody that is sure to be a hit at
your next concert. This publication comes with
reproducible parts and digital permissions.
11220742 Band Set & Score . . . . . . . . . .65.00
H
Prelude and Fugue in B Flat Major—J. S.
Bach/arr. Moehlmann. Preserving the rich texture
of the original by using the modern symphonic
band to its fullest potential in capturing the sound
of a huge concert pipe organ, this proven Baroque
transcription is exceptionally strong!
4133146 Band Set & Score . . . . . . . . . .77.00
Moving at the Speed of Sound (Legacy Reduced Instrumentation
Series)—Mark Lortz. This vivid fanfare, rescored for bands with reduced
instrumentation, features rousing brass motives, dynamic woodwind flourishes
and active percussion, all combining to create an explosive concert opening
statement. Beginning quietly, the action builds quickly, accelerating into a
spinning sonic dynamo that truly befits the title. Every section has actively
rhythmic parts that keep the action moving forward. Technical demands kept at
a very playable level, while occasional time signature changes dart and weave
throughout this musical thrill ride.
11219553 Band Set & Score Reduced Instrumentation. . . . . . . . . . . . . . M 60.00
Overture for the Heroes—Gary D. Ziek.
This vibrant and soaring original work opens with a bright fanfare intro that
quickly transitions into a heroic theme over driving percussion. A gentle and
reflective middle section features the lyrical capabilities of the woodwind section
before passing on to the brass. The piece culminates in a dramatic recapitulation
of the main theme with slight rhythmical variations. This piece actively engages
all sections of the band and utilizes the strengths of each instrument family. An
excellent choice for a concert, contest, or as a program opener!
11343842 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 52.00
11343843 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7.00
l Prevailing Winds—Amy Webb.
A great overture where everyone has something exciting and fun to play. With
a march-like feel, catchy melody, and simple form, you will be able to easily put
together this excellent start to any concert.
11344522 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 65.00
Repeat the Sounding Joy—Steve Parsons.
Joy to the band! This lovely work begins with a holiday fanfare with punchy brass,
using the Joy to the World theme which continues throughout. Key changes help
to vamp up the energy while imitation and shifting textures help to keep things
interesting. A great opener for a holiday concert!
11346052 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Sonic Radiance—Larry Clark.
"Radiant" truly describes this bright and melodic piece. It begins with a fanfare
gesture that is a fragment of the main theme, which eventually becomes the main
building unit of the piece. With a lyrical section that serves as a masterclass in this
style of writing, you can be sure that your band will achieve great musical highs!
11346058 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 90.00
Starfire Fanfare (Flexible Band)—Randall D. Standridge.
This exciting work for young band helps introduce and reinforce 6/8 time.
With only five iterations of 6/8 rhythm, and using primarily the first six notes
(with a few accidentals for color) and a reproducible rhythm sheet included,
this is an excellent way to teach this meter to your developing musicians.
Optional click and backing tracks as well as parts you may duplicate make this an
ideal choice for ensembles looking for ultimate flexibility in live or online rehearsal
and performance.
11219013 Band Set & Score Flexible Band . . . . . . . . . . . . . . . . . . . . . . . VE 60.00
l Stone Mountain Overture (for Flexible Ensemble)—
Claude T. Smith/arr. Joseph Benjamin Earp.
Beautifully written to ensure success with younger ensembles, this composition
is wonderfully developed with captivating rhythmic themes and dynamics. This
flexible arrangement allows ensembles to perform the work with as few as ten
musicians, providing accessibility and flexibility for numerous instrumentation
needs while still sounding full!
11349369 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 85.00
Tidewater Fanfare—Mark Lortz.
A nonstop tour de force of energy and excitement! Sweeping woodwind lines,
powerhouse brass writing, driving percussion and gripping harmonic tension
combine to make this a work that will be a favorite of players and audiences
alike and the highlight of every contest or concert program. An excellent tool for
reinforcing technique and articulations. Trumpet 1 goes up to high C.
11343846 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
11343847 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8.00
A Woodland Celebration—Robert Sheldon.
Perfect for opening or closing a concert for first-year band students, this trotting
work lends a light rhythmic style to a tuneful melody. As soon as young students
can play a concert B-flat scale and learn the concert A-flat note, this piece is easily
playable. Second clarinet does not go over the break, and second trumpet and
horn have limited ranges as well.
11354928 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 52.00
