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JAZZ
ENSEMBLE
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BLUES & SWING medium
H Along Came Betty—Benny Golson/arr. Alan
Baylock. A real jazz classic, this chart kicks! The
features include a medium swing style, a written or
improvised solo for tenor sax, meaningful ensemble
passages, exceptional soli lines, superb phrases,
and a lead trumpet range to written B-flat. An
outstanding Benny Golson jazz standard arranged
to perfection! Highly recommended!
10513907 Jazz Ensemble . . . . . . . . . . . .52.00
H April in Paris—Vernon Duke/trans. Jeff Hest. This
chart is simply about style! And with style is exactly
how Count Basie and his orchestra played it! From
the silky smooth sax soli on the head to the Pop Goes
The Weasel trumpet solo to the "...one more time..."
repeat of the last phrase, every detail of this jazz
standard has been transcribed and reconstructed by
Jeff Hest. A remarkable, authentic way to tell your
audience what swing is really all about!
2422855 Jazz Ensemble . . . . . . . . . . . .60.00
Avalon—Vincent Rose/arr. Mike Hammonds.
This big-band version of a 1920s chart is a real
powerhouse! Featuring a melody that's tuneful and
playable by all, the arrangement begins in a small-
group style that builds to a kick section featuring
the big, brash sound of the large ensemble that
gives everybody a chance to blow! With reasonable
tempos and ranges in all parts, this is an excellent
choice for your next festival or concert performance!
11206952 Jazz Ensemble . . . . . . . . . . . .55.00
Back Alley Shuffle—Doug Beach. Featuring
killer ensemble work, a strong melody, a wonderful
sax soli, an open solo section with written or ad
lib solos, and a memorable finish, this hard-driving
shuffle will ignite any program! It swings hard, has
an infectious groove, and is fun to hear and play. A
great workout for everyone in the band, this one is
highly recommended!
10499217 Jazz Ensemble . . . . . . . . . . . .55.00
Back Burner—Carmine Pastore. This swinger
cooks all the way through! It's the kind of chart
that perks right along so your jazzers can really
dig in and nail it! A suggested solo for trumpet is
included. You're going to love that shout chorus!
2468288 Jazz Ensemble . . . . . . . . . . . .50.00
Basie-Straight Ahead—Sammy Nestico. In this
educational edition of the classic Basie - Straight
Ahead, the ranges and technical demands have
been modified, but you'll still hear and feel all the
excitement of the original chart recorded by Count
Basie in 1968 which is also available.
543157 Jazz Ensemble . . . . . . . . . . . .55.00
Bernie's Tune—Bernie Miller/arr. Dave Wolpe.
This swinger features tenor sax 1 and muted
trumpet 2 and is arranged by one of the best, Dave
Wolpe. Featured are excellent written-out solos
for both horns, a superb shout chorus, and a lead
trumpet range hitting a written high B above the
staff. This great chart also features optional parts
for expanded instrumentations. You'll want this
outstanding chart! Highly recommended!
10355576 Jazz Ensemble . . . . . . . . . . . .52.00
H Better Get Hit in Your Soul—Charles Mingus/
arr. Andrew Homzy. Written in a fast 3/4, this
gospel-inspired burner is as fun to play as it is to
listen to. There's great interplay between sections
of the band as layers of sound move in and out.
Also included are hand claps and some "play any
note you want" opportunities to really liven things
up. The flexible solo section allows you to customize
this to fit the strengths of your band. Also included
are optional parts for flute, clarinet and French horn.
Highly recommended!
10034434 Jazz Ensemble . . . . . . . . . . . .55.00
The Big Beat—Gregory Yasinitsky. As the title
suggests, this is a swinger with hints of classic Gene
Krupa drum patterns. The tempo is around 200 bpm,
there's lots of action for the trombones, written or ad
lib solos for trumpet, tenor, trombone, and drums,
and a huge shout chorus. Add great dynamics,
well-notated rhythm section parts, and options for
augmented instrumentations and you have a chart
that really delivers. Highly recommended!
10756390 Jazz Ensemble . . . . . . . . . . . .52.00
A Big Cuppa Joe—Paul Murtha. Featuring
a churning swing style and a catchy riff-based
melody, this well-crafted chart spins its way
through every section of the ensemble. In the solo
section, written samples are provided for tenor,
trumpet, and trombone, however with the easy
changes and open format, anyone in the band can
take a solo. This chart is highly caffeinated and a lot
of fun!
11100136 Jazz Ensemble . . . . . . . . . . . .55.00
Big Dipper—Thad Jones/arr. Mike Carubia. Here
is one of Thad Jones' most popular compositions
rescored in the key of F concert to make it more
accessible to developing jazz ensembles. An
audience-friendly blues chart that is very playable
and features plenty of mid-range full ensemble
sections, it also includes written or improvised solos
for piano, tenor sax and trumpet. A true Thad Jones
classic! An optional flute part is included and the
written ranges are: Trumpet 1 to B-flat; Trombone
to F; Alto Sax to C.
10311505 Jazz Ensemble . . . . . . . . . . . .50.00
Billie's Bounce—Charlie Parker/arr. Mike Tomaro.
Here's a fresh take on the bebop blues classic by
Charlie Parker. In the Little Big Band format, it starts
out in a funk style then alternates with swing. The
soloists have an opportunity to improvise in both
styles. The small-band instrumentation is: six horns
(ATB saxes, two trumpets and one trombone) plus
four rhythm with optional additional parts included
for alto, tenor and trombone.
10617898 Jazz Ensemble
(Little Big Band). . . . . . . . . . . .45.00
Birk's Works—Dizzy Gillespie/arr. Mike Tomaro.
In this classic minor blues tune from Dizzy Gillespie,
Mike Tomaro starts this version as a funky mambo,
but then shifts the style to swing and back again
to the mambo feel. This well-paced arrangement
features a great feel plus solos for trumpet and
tenor. There is tons of variety in this excellent chart
that will show off your band's ability to play and
change from style to style!
2481646 Jazz Ensemble . . . . . . . . . . . .60.00
Blackwing Blues—Doug Beach. With a sit-up-
and-take-notice introduction, Blackwing Blues is a
straight-ahead shuffle chart played at about 138
bpm that provides an abundance of teaching and
performance opportunities. With the melody in the
sax section and strong support from the brass, it
falls into a comfortable groove that progresses to
a stop-time interlude before the solos. The strong
melody, solid ensemble writing, blues-based
changes, and an open written or improvised solo
section all combine to create a really nice chart.
Highly recommended!
10999958 Jazz Ensemble . . . . . . . . . . . .55.00
Blue Monk—Thelonious Monk/arr. Mark Taylor.
One of the signature tunes from jazz legend
Thelonious Monk is this quirky and iconic blues!
This great-sounding version for big bands maintains
the medium swing feel and "Monk-isms" from
the original, but the arranger's own stamp of
originality is exemplified with crafty ensemble lines,
rhythmic twists, and some powerful full ensemble
statements in mixed meters. Solos are included for
tenor, trumpet and drums, along with marvelous
writing for the entire band. Suggested solos are
included along with chord/scale sheets in all keys.
Highly effective!
10317217 Jazz Ensemble . . . . . . . . . . . .55.00
Blue Skies—Irving Berlin/arr. Mark Taylor. Here's
a creative and unique version of this familiar Irving
Berlin standard that alternates between samba and
swing styles. Featuring intricate and effective six
horn scoring with solos for tenor sax and/or guitar,
this is a terrific full-blown production for little big
band. Scored for 6 horns (3 saxes, 2 trumpets, 1
trombone) plus rhythm section with optional parts
included for alto sax, tenor sax and trombone.
10374154 Jazz Ensemble (Little Big Band) 45.00
Boogie Woogie Bugle Boy—Raye & Prince/arr.
Stephen Bulla. Originally a hit back in 1941 for the
Andrews Sisters, this classic has stood the test of
time and is hard to beat for its entertainment value.
This updated version has all the excitement of
the original and the ranges are moderate for the
trumpets. There are solos for trumpet and baritone
sax in this outstanding chart that will appeal to
your audiences and ensemble. Get out the saddle
oxfords, bobby socks and pleated skirts for this one!
2481643 Jazz Ensemble . . . . . . . . . . . .55.00
Boplicity—Davis & Evans/arr. Mike Tomaro.
The landmark album by Miles Davis, Birth Of The
Cool, introduced the unique sound of the nonet
instrumentation. Without straying from the intent
of the music, and working directly with the original
score, Mike Tomaro has adapted this tune from
the album for standard instrumentation, making it
accessible to today's jazz ensembles. The style is
laid-back swing, and it includes solos for baritone
sax, trumpet and piano, as in the original version.
A jazz standard for your library!
2701398 Jazz Ensemble . . . . . . . . . . . .55.00
Bye Bye Blackbird—Ray Henderson/arr. Rich
Sigler. This swinging chart is a great vehicle for
a tenor sax soloist with jazz band. The solo part
ranges from written melody to a written jazz solo,
all very accessible, and it especially swings when
the tenor soloist trades fours with the ensemble.
The ensemble and soloist are equally featured
throughout. The lead trumpet range is to written
G top of staff and optional parts are included for
expanded instrumentation. A great jazz standard for
developing jazz groups!
10997194 Jazz Ensemble . . . . . . . . . . . .48.00
Canal Street Commotion—Mike Carubia.
This chart features the sound of a New Orleans
funeral band historically known as the "Second
Line" behind the family and casket. It's a time
for celebration coming after the initial mourning
period. It's lots of fun to play in the style of a funky,
marching, dixieland band. The harmonic form
is the blues and there is room made for soloing
both inside the ensemble and for featured soloists.
The saxophone section features soprano lead
and optional flute and tuba parts are included. A
change-of-pace highlight with attitude!
10518317 Jazz Ensemble . . . . . . . . . . . .48.00
Catwalk—Andrew Neu. Inspired by the music of
Henry Mancini and the spy movies of the 1960s,
Catwalk is a cool jazz, minor swing tune featuring
alto saxophone, trumpet and guitar on the melody
at first, then written or improvised solos for alto sax
and trumpet. Dynamic contrasts provide a potent
vehicle for the individual sections and the full
ensemble. Not your typical swing chart, this is a
super choice as a change-of-pace chart!
10879769 Jazz Ensemble . . . . . . . . . . . .55.00
H Count Bubba—Gordon Goodwin/arr. Paul
Murtha. Paul Murtha has adapted this monster
chart from Gordon Goodwin's Big Phat Band to
an easier level while maintaining all the intensity
and drive of the original. The trombones take
the lead at the top followed by the trumpets then
saxes, until finally the entire ensemble cuts loose.
It includes suggested or improvised solos for
trumpet and alto saxophone. Exceptional sounds
for developing players! Highly recommended!
10052541 Jazz Ensemble . . . . . . . . . . . .45.00
H Dat Dere—Bobby Timmons/arr. Erik Morales. A
soulful tune with a catchy title and melody! Erik
Morales captures composer Bobby Timmons'
medium swing groove. At a moderate tempo,
with a slightly mysterious intro, the saxes grab the
melody and it builds from there. A written (or ad
lib) alto solo is provided with a fat shout chorus.
This is an outstanding chart in every respect!
Highly recommended!
10277767 Jazz Ensemble . . . . . . . . . . . .52.00
The Defibrillator—Adrien Re. Nothing makes you
get into a groove like a shuffle and this one has
a fierce back-beat that will hook you right at the
top! A very hip melody line, written-out solos for
tenor sax and 1st trombone, lead trumpet range to
written A above the staff and a power-house shout
chorus are but a few of the features. A hot bari sax
part, too! This is nothing but fun to play! Optional
expanded instrumentation.
10093163 Jazz Ensemble . . . . . . . . . . . .52.00
BEST
SELLERS
Blues & Swing
Medium
Buy jazz charts that work! These selections,
listed in order of their popularity, are chosen
most often by directors.
Work Song—Nat Adderley/arr. Erik Morales.
10513905 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
Sing, Sing, Sing—
Louis Prima/trans. Mike Lewis.
2411486 Jazz Ensemble. . . . . . . . . . . . . . . . . 60.00
Things Ain't What They Used to Be—
Mercer Ellington/arr. Alan Baylock.
10513911 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
Dat Dere—
Bobby Timmons/arr. Erik Morales.
10277767 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
Moanin'—
Charles Mingus/arr. Andrew Homzy.
10041748 Jazz Ensemble. . . . . . . . . . . . . . . . . 55.00
Out of the Doghouse—Erik Morales.
10068803 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
A Big Cuppa Joe—Paul Murtha.
11100136 Jazz Ensemble. . . . . . . . . . . . . . . . . 55.00
Moten Swing—
Buster & Benny Moten/arr. Ernie Wilkins.
2387306 Jazz Ensemble. . . . . . . . . . . . . . . . . 60.00
Shiny Stockings—
Frank Foster/arr. Greg Yasinitsky.
10071900 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
Along Came Betty—
Benny Golson/arr. Alan Baylock.
10513907 Jazz Ensemble. . . . . . . . . . . . . . . . . 52.00
Y O U R M U S I C . O U R N E T W O R K .
Y O U R M U S I C . O U R N E T W O R K .
Y O U R M U S I C . O U R N E T W O R K .
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