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202
JAZZ
ENSEMBLE
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VOCAL SOLO WITH JAZZ ENSEMBLE
H Feeling Good—Bricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd," this
fabulous standard is popular again with a stunning
rendition by Michael Buble. Capturing the bluesy
flavor of this version, here is a vocal solo feature
sure to bring down the house. It can also be used
as an alto sax feature. Highly recommended! Vocal
in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . .M 50.00
H Fever—Cooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make sure
you have enough fire extinguishers on hand just in
case. Vocal in A minor/C minor.
2212082 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
H Fly Me to the Moon—Bart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at a
moderate tempo, this vocal feature will be at home
on any concert. Vocal in Ab.
2249415 Jazz Ensemble & Vocalist . . .M 50.00
H Fly Me to the Moon—arr. Quincy Jones. For
the first time, here is Quincy Jones' arrangement
originally written for the 1964 Sinatra/Basie studio
collaboration It Might As Well Be Swing. This
chart was also used a few times during the 1965
Sinatra/Basie summer tour and then at the famous
1966 "Live at the Sands" concert. This publication
comes from the original parts. Alto 1 and Tenor
1 double on flute. As was customary for these
recordings, Harry "Sweets" Edison would play fills
throughout the arrangement and typically didn't
have a part. The fill spots are in the trumpet 4 part,
although they are not written out. Vocal Key: C.
Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . . . . . .MA 65.00
The Frim Fram Sauce—arr. Rick Stitzel. This
clever and catchy jazz standard has been notably
recorded by Diana Krall, but also in the past by
Nat King Cole and Louis Armstrong. Arranged in
a comfortable swing style, this is a terrific feature
for a vocalist or tenor saxophone soloist. Highly
recommended! Vocal Key: F
10667338 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
The Girl from Ipanema—Antonio Carlos Jobim/
arr. Roger Holmes. Made famous by Astrud Gilberto
and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back
your singer, either male or female.
2314219 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
God Bless the USA—Lee Greenwood/arr.
Mark Taylor. A patriotic anthem for the ages, this
contemporary ballad has already established itself
as a standard! Beautifully scored for vocal soloist
and jazz ensemble, this arrangement makes a
powerful statement for singer and band alike. It's
the ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
Hallelujah I Love Her So—Ray Charles/arr. Victor
Lopez. Ray Charles' good-time, happy, swingin' and
infectious tune is immortalized here by Victor Lopez
as a vocal solo feature chart with lyrics provided to
accommodate female or male vocalists. The tempo
is around 142 bpm with a few stop-time sections,
and there are no horn solos, just a swingin' vocal
part and ensemble all the way. Optional parts are
provided as vocal substitutes for any C, B-flat, or
E-flat instruments, and trombone. The vocal range
is from B-flat below middle C to third space B-flat.
We're proud to say this one is highly recommended!
10753965 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . .ME 54.00
Have Yourself a Merry Little Christmas—arr.
Dave Wolpe. This sentimental Christmas favorite
will never go out of style, and Dave Wolpe's
satisfying arrangement is a great way to feature
your vocalist during the holidays. Vocal in G.
2188910 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 48.00
Haven't Met You Yet—Buble, Chang & Foster/arr.
Scott Ragsdale. Michael Buble sang this hit song and
now it's time for your vocal soloist and jazz ensemble!
Arranger Scott Ragsdale captured the essence of the
Buble arrangement with his terrific adaptation of this
familiar tune. The vocal range is from F below middle
C up to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on a cool
tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . . . . . .M 54.00
How High the Moon—Morgan Lewis/arr. Dave
Wolpe. All jazz students should know this great
tune! Dave's straight-ahead, swingin' vocal solo
feature is written in two keys to accommodate both
female and male voices. There are also brief solos
for trombone and trumpet. The version in C has
an optional shout chorus with the ensemble. Low
vocals in C, high vocals in F.
2701962 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
I Can't Believe That You're in Love with Me—
Jimmy McHugh/arr. Darmon Meader. Feature
your vocal quartet or SATB vocal ensemble with
your jazz ensemble! Plus, this chart also includes
an additional part for vocal soloist if you prefer. A
medium-swing arrangement by Darmon Meader,
the musical director and chief arranger of the
sensational jazz vocal group, The New York Voices,
this was arranged for them with jazz ensemble. The
solo vocal range is from G below middle C up to F
top line, treble clef. The lead trumpet range is to
high D above the staff. Jazz vocal quartets/groups
are happening!
10069098 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . .MA 62.00
10067398 Octavo . . . . . . . . . . . . . . . . . . .2.95
I Could Write a Book—Richard Rodgers/
arr. Darmon Meader. Have a jazz vocal group or
quartet? Here is a stunning chart arranged by
Darmon Meader, the musical director and chief
arranger of the jazz vocal group New York Voices.
This stellar tune is scored for SATB voices and jazz
ensemble. Also included are female or male solo
parts in the event you want to perform it as a vocal
solo feature. The vocal group arrangement and the
jazz ensemble chart are both superb. Solo vocal
ranges: female part is G below middle C to top
space E; male part is D below middle C to G above
treble staff. Check out this outstanding chart!
Highly recommended!
10049782 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . .MA 62.00
I've Got You Under My Skin—Cole Porter/
arr. Dave Wolpe. Dave Wolpe delivers a classic
swing vocal feature chart in the Sinatra style.
Arranged in two keys for flexibility, this one
features a full band interlude in the middle and
a trombone solo in the shout chorus. High key is
Eb (range is Bb below middle C to top line F), low
key is Bb (range is F below middle C to third line
Bb). There is an alternate tenor saxophone solo
part included that substitutes for the vocal solo.
Highly recommended!
10028161 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
I've Grown Accustomed to Her (His) Face—
arr. Scott Ragsdale. Check out this great
setting for vocal solo with jazz ensemble on
this wonderful standard! It's creatively scored
with a straight-eighth groove and the lyrics
accommodate female or male vocalists. There's
also an alto sax solo with a written solo provided
and the lead trumpet range is to written A above
the staff. Don't have a vocal soloist? No problem,
this one has optional parts for any C, B-flat, or
E-flat instrument, and trombone to be used as
substitutes for the vocal solo part. The vocal
range is from low G below middle C to third line
B-flat. Anyway you use it, it's great!
10756406 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . .ME 54.00
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Victor Lopez.
Swingin' and singin' with big band! This vocal
feature chart with a hard swing feel practically plays
itself. The key is F minor, the vocal range is middle
C to 3rd space C, and the lead trumpet range is
to written F top line. The solo space is for tenor,
trombone, alto, and trumpet, or optional vocal scat,
all written out. It's Ellington, it's Lopez, it's great!
Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . . . . . .ME 54.00
It Had to Be You—Isham Jones/arr. Rick Stitzel.
Few standards have maintained the staying power
of this popular ballad, having been recorded by
such luminaries as Frank Sinatra and Bing Crosby
to more recent versions by Harry Connick Jr.,
Barbra Streisand, and Michael Buble. This silky-
smooth chart is a perfect choice for your vocal or
tenor sax soloists. Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 55.00
It's Only a Paper Moon—Harold Arlen/arr. Jerry
Nowak. Natalie Cole's Unforgettable album met with
incredible popularity and acclaim, and this great
old standard is hot! Jerry Nowak's solid, medium
swing chart cooks all the way, and is a fantastic
feature for your vocal soloist! Vocal in Eb.
2262590 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
Jingle Bells—arr. John Clayton. Adapted from the
chart he did for Diana Krall, and recorded with the
Clayton-Hamilton Jazz Orchestra on her Christmas
Songs CD, here is John Clayton's joyous, uptempo
swing chart on this holiday favorite. These jinglin'
bells never sounded so good! Now includes
complimentary Smack Dab in the Middle CD. Vocal
keys: B-flat, B and C.
10052515 Jazz Ensemble
& Vocalist . . . . . . . . . . . .MA 60.00
EXCELLENT
JAZZ CHARTS
with CHOIR or
VOCAL ENSEMBLE
Great for combined performances with your school's choir or
vocal ensemble!
I Can't Believe That You're in Love with Me—Jimmy McHugh/
arr. Darmon Meader. Feature your vocal quartet or SATB vocal ensemble with
your jazz ensemble! Plus, this chart also includes an additional part for vocal
soloist if you prefer. A medium-swing arrangement by Darmon Meader, the
musical director and chief arranger of the sensational jazz vocal group, The New
York Voices, this was arranged for them with jazz ensemble. The solo vocal range
is from G below middle C up to F top line, treble clef. The lead trumpet range is to
high D above the staff. Jazz vocal quartets/groups are happening!
10069098 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . . . .MA 62.00
I Could Write a Book—Richard Rodgers/arr. Darmon Meader.
Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon
Meader, the musical director and chief arranger of the jazz vocal group New York
Voices. This stellar tune is scored for SATB voices and jazz ensemble. Also
included are female or male solo parts in the event you want to perform it as a
vocal solo feature. The vocal group arrangement and the jazz ensemble chart
are both superb. Solo vocal ranges: female part is G below middle C to top
space E; male part is D below middle C to G above treble staff. Check out this
outstanding chart! Highly recommended!
10049782 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . . . .MA 62.00
H
On a Clear Day (You Can See Forever)—Burton Lane/arr. Darmon Meader.
Jazz vocal quartet, jazz choir or an individual vocal soloist...any way you like it,
this is a great chart! It's arranged by Darmon Meader, the musical director and
chief arranger for the New York Voices. This chart is for SATB choir and jazz
ensemble, but also includes a solo vocal part for performances by a vocal soloist
and jazz ensemble. A swing chart with wonderful jazz harmonies throughout, it
has a written vocal scat solo plus a written tenor sax solo. The lead trumpet range
is to written B above the staff. If you have the vocalists, it doesn't get better than
this! Highly recommended!
10093219 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . . . .MA 62.00
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