Editors' Choice lNew for 2021 HBasic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
240
JAZZ
ENSEMBLE
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JAZZ COMBO CHARTS
Jazz Combo Charts
All Levels
H Absolute Zero—Bob Turner. This modern fusion,
flexible instrumentation combo chart features two
solo sections with a written solo for trumpet 1 in
the first section and a written solo for tenor sax in
the second section. Chords are written into all horn
parts to allow for open soloing by any player or you
can simply play the chart as written and find a great
groove! Flexibility is the key to this chart. It can be
played with a 4, 5 or 6 horn ensemble and rhythm
section. Additional horn parts are included so it can
be played with virtually any combination of horns.
10454489 Combo (Flexible
Instrumentation) . . . . . . .ME 50.00
Afro Blue—Mongo Santamaria/arr. Michael
Mossman. Even though this is scored by Michael
Philip Mossman for just six horns in the Little Big
Band Series, the writing is sophisticated and full
sounding. Written in 3/4, but featuring an Afro-
Cuban 6/8 groove, this marvelous chart includes
solos for tenor or trumpet. Instrumentation: 3
saxes, 2 trumpets, 1 trombone, rhythm section
with optional additional parts for alto sax, tenor sax
and trombone.
10074146 Jazz Ensemble
(Little Big Band). . . . . . . . .M 45.00
Afternoon in Paris—John Lewis/arr. Michael
Philip Mossman. This John Lewis standard is
flexibly arranged for four horns and rhythm section
in this small-group chart. Set in a medium swing
style, the chart includes background figures behind
the soloists and ensemble soli sections. Much
more than just a head chart! Additionally, online
recordings from the publisher include rhythm-
section-only tracks. Check out this arrangement of
a familiar jazz standard!
11105236 Combo with Online Audio Access
(Four Horns
& Rhythm Section) . . . . . .M 40.00
All Blues—Miles Davis/arr. Michael Sweeney.
This masterful jazz standard from Miles Davis'
Kind of Blue album is notated here in 3/4 for young
players. Inexperienced jazz players will have fun
and enhance their musical skills while learning
to listen, phrase, and improvise in a small-group
environment. Flexibly scored for four+ horns, three
rhythm, and optional guitar, it's ideal for available
combinations of instruments. With suggested
solos and chord/scale sheets in all keys included,
it's well suited to emerging small-group players.
For additional listening, online audio tracks are
available from the publisher. Here's a great musical
introduction to Miles Davis!
11100205 Combo with Online Audio Access
(Four-Plus Horns
& Rhythm Section) . . . . . . E 25.00
H Alright, Okay, You Win—Wyche & Watts/
arr. John Berry. Made famous by Peggy Lee and
recorded by countless jazz artists, this wonderful
standard is a fun chart for combos to swing with.
Scored for four horns and rhythm section, with
flexible instrumentation.
2470892 Combo (Septet) . . . . . . . . . E 25.00
Angled Angels—arr. Bob Turner. This holiday
chart is a down-and-dirty funk chart based on the
traditional favorite Angels We Have Heard on High.
With a nice feel, it features syncopated rhythms,
an interesting chord progression, and a written
or improvised solo for tenor saxophone. Flexible
instrumentation is a highlight in that it can be played
with four, five or six winds with rhythm section.
Additional parts are included so that it can be played
with virtually any combination of winds and rhythm
section. Also available as a standard big-band chart
(Pepper number 10517622), this will be a favorite
for holiday concerts and community events!
10517614 Combo (Flexible
Instrumentation) . . . . . . .ME 50.00
Attitude Dance—arr. Mark Taylor. Celebrating
more than 40 years of funk and soul, the
unmistakable sound of Tower of Power still sounds
as fresh and impressive as ever. This adaptation
for six horns (3 saxes, 2 trumpets, 1 trombone) and
rhythm section features the blazing horn lines and
driving groove of the original. Optional parts are
included for alto sax, tenor sax and trombone 2.
10283054 Jazz Ensemble
(Little Big Band). . . . . . . . .M 45.00
Bags' Groove—Milt Jackson/arr. Mark Taylor.
Milt Jackson's signature blues tune has become
a well-known jazz standard, and Mark Taylor's
arrangement makes it sound great in this six horn,
little big band format. Featuring a nice, medium
swing feel, and the flexibility for open solos with
backgrounds, this will be fun to perform and easy
to prepare. Instrumentation: 3 Saxes; 2 Trumpets; 1
Trombone plus Rhythm Section. Optional parts are
included for Alto and Tenor Saxes and Trombone.
Suggested solos and chord/scale sheets are also
included. Highly recommended!
10317260 Jazz Ensemble
(Little Big Band). . . . . . . .ME 45.00
Be Cool—Bob Turner. This tune simmers on low
- but don't let that fool you. The melody is slick,
and when set against the backdrop of the brass hits
you have a great chart that is accessible to many
groups due to the flexible combo instrumentation.
There is a solo for tenor sax that is written or can
be improvised. Program this chart for some great
variety in your next program.
11208215 Combo Combo Flexible
Instrumentation. . . . . . . .ME 50.00
H
Behind You—Gordon Goodwin. As performed
by Gordon Goodwin's Little Phat Band, the
instrumentation is tenor sax, trumpet, trombone,
piano, guitar, acoustic bass, and drums. This one
is a funky shuffle and the tempo is around 170 bpm
with some very clever counterpoint. All parts have
solo space.
10355572 Combo (3 Horns
& Rhythm Section) . . . . .MA 45.00
H Besame Mucho—arr. John Berry. This Latin
favorite arranged for small groups features flexible
instrumentation options, easy scoring and brief
solos written into all the parts. The parts include:
Part 1 - Trumpet or Alto Sax; Part 2 - Alto Sax or
Trumpet; Part 3 - Tenor Sax, Alto Sax or Trombone;
Part 4 - Trombone or Tenor Sax, plus Piano, Bass,
Drums and optional Guitar. Also included are
suggested solos and scale/chord sheets in all keys.
Accessible for younger players!
10461412 Combo (Septet) . . . . . . . . . E 25.00
Billie's Bounce—Charlie Parker/arr. Mike Tomaro.
Here's a fresh take on the bebop blues classic by
Charlie Parker. In the Little Big Band format, it starts
out in a funk style then alternates with swing. The
soloists have an opportunity to improvise in both
styles. The small-band instrumentation is: six horns
(ATB saxes, two trumpets and one trombone) plus
four rhythm with optional additional parts included
for alto, tenor and trombone.
10617898 Jazz Ensemble
(Little Big Band). . . . . . . . .M 45.00
OPTIONAL REDUCED
INSTRUMENTATION
CHARTS
New TITLES for 2021
If you have less than perfect jazz band instrumentation, take a
look at these new charts! While scored for standard jazz ensemble
instrumentation, they will sound full and complete with as few as 3
or 4 saxes (AAT or AATT), 2 or 3 trumpets, and 1 or 2 trombones,
plus piano, bass and drums. Many are also playable with expanded
instrumentation. Check out more than 500 charts like these at
JWPEPPER.COM.
'Round Midnight—
Bernie Hanighen, Cootie Williams & Thelonious Monk/arr. Rick Hirsch.
11355028 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 48.00
All the Goss—Lachlan Davidson.
11347393 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Alone Together—Howard Dietz & Arthur Schwartz/arr. Mike Kamuf.
11355032 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 52.00
Billy Boy—arr. Victor Lopez.
11355016 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Danzon—Terry White.
11343822 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 42.00
l Drop Somethin' (Flexible Jazz Ensemble)—Debra Stempien & Greg Turner.
11348678 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
Easy to Love—Cole Porter/arr. Paul Baker.
11355026 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 48.00
The First Noel (Flexible Jazz Ensemble)—
arr. Debra Stempien & Greg Turner.
11348690 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 48.00
l Groanin'—Lachlan Davidson.
11347391 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Invitation—Bronislau Kaper & Paul Francis Webster/arr. Erik Morales.
11355034 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 52.00
l Isotopical—Daryl McKenzie.
11347387 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 46.00
l Jumpin' June—Patrick Thompson.
11348680 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 45.00
The Moment of Truth—Roger Schmidli.
11347395 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
My Groove, Your Move—Hank Mobley/arr. Terry White.
11355020 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 42.00
My Man Sam (For Sammy Nestico)—Gordon Goodwin.
11355036 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 52.00
l Samba Quente—Patrick Thompson.
11348688 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 45.00
Son of the Chicken—Kris Berg.
11355024 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 48.00
Stompin' at the Savoy—Benny Goodman, Chick Webb & Edgar Sampson/
arr. Mike Kamuf.
11355030 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 48.00
l Supertootsville—Patrick Broadbent.
11347385 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 46.00
Uptown Throwdown—Zachary Smith.
11355022 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 42.00
The Zimmy Shimmy—Debra Stempien & Greg Turner.
11348692 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 48.00
