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CONCERT
BAND
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CONCERT & CONTEST medium-easy
Arith-Metric No. 1—Brian Balmages. An
exciting piece that explores self-paced developing
music for literally any combination of instruments.
Inspired by Terry Riley's In C, the piece includes
short fragments that performers move through at
their own pace. Explore pacing, development, and
orchestration with this piece that works for any
possible combination of instruments!
11219889 Band Set & Score Full Flex . . .50.00
Armenian Rhapsody—arr. Johnnie Vinson.
The music of Armenia, with its rich history of folk
songs, has a fascinating uniqueness and distinctive
flavor. This appealing setting uses five traditional
Armenian melodies in a rhapsodic approach.
Bold statements and driving rhythmic figures are
combined and contrasted with beautiful yet simple
melodies in a work that provides both excitement
and variety.
10759079 Band Set & Score . . . . . . . . . .75.00
H As Summer Was Just Beginning—Larry
Daehn. Inspired by the inscription on a James Dean
statue, this gently flowing work is simply gorgeous!
Highlighted by scoring that shimmers and phrases
that ebb and swell, the expression inherent in the
composition is limitless!
2314334 Band Set & Score . . . . . . . . . .68.00
As the Last Light Fades—Jeremy Bell. Here is
a programmatic work capturing the gradual shift
when the sunset gives way to a brief moment of
twilight. The music conveys the feeling of peace
and tranquility that one can only really experience
in nature, an ethereal and almost transcendent
connection, undisturbed by the disruptions of the
modern world.
11206764 Band Set & Score . . . . . . . . . .72.00
l As We Search—Joseph Benjamin Earp. This
programmatic composition, inspired by ghost
stories, musically tells the story of a missing 19th-
century woman who is searched for every night
by villagers. Using exposed instrumental lines, a
developing three-note theme, and contemporary
harmonic and percussive elements, this work is a
great as a unique programming selection.
11349204 Band Set & Score . . . . . . . . . .70.00
Ascensions—Rob Romeyn. Here is an aggressive
concert or festival work of unbridled energy and
power! Ascending melodic themes and harmonic
structures create tension, and memorable
melodic material is shared throughout the entire
ensemble. Contemporary harmonies, contrasting
styles, dynamics, textures and the aforementioned
"ascensions" create a dramatic and fresh
compositional approach. This is musical adrenaline
and excitement at its best!
11206725 Band Set & Score . . . . . . . . . .59.00
H
At Morning's First Light—David Gillingham. This
is very well written! With skillful craftsmanship, David
Gillingham offers you an opportunity to program a
work that captures the serenity and beauty of
daybreak. From the opening thin layers of sound, a
broad, sweeping feel emerges, sprinkled with active
lines depicting nature awakening. Developing bands
will learn much from performing this work, and will
most certainly grow musically. Lovely!
2702071 Band Set & Score . . . . . . . . . .75.00
At Morning's First Light—David R. Gillingham.
From the opening thin layers of sound, a broad,
sweeping feel emerges, sprinkled with active lines
depicting nature awakening. Developing bands
will learn much from performing this work and
will most certainly grow musically. This adaptable
version provides excellent practicality regarding
instrumentation and ensemble size. Lovely!
11307464 Band Set & Score . . . . . . . . . .60.00
H
At the Crossroads—Robert W. Smith. Written
as a concert opener for developing bands, this is
an exciting original work! A stately introduction,
melodic lines in the low brass/woodwinds, layered
textures and bold fanfares are some of the
highlights you'll find in At The Crossroads. Another
great piece from Robert W. Smith, who is becoming
one of today's premiere composers at this level!
2321891 Band Set & Score . . . . . . . . . .57.00
Ave Maria—Franz Biebl/arr. Cameron. Adapted
from the choral setting, this moving work never
fails to leave a lasting impression on audiences.
The ascending melodic lines combined with the
gradual crescendo creates an emotional climax
that is simply overwhelming.
2475258 Band Set & Score . . . . . . . . . .60.00
H Aventura—James Swearingen. This writer
simply gets better and better! Swearingen's
music for the intermediate level band has such
style and grace. Opening with a haunting,
chorale-like setting, this surges into a fast,
contemporary section punctuated by sharp brass
accents and exciting percussion lines. Lyrical
woodwind passages precede a nice middle
section which spotlights solos for flute and
baritone. The finish is strong and vibrant, making
this the contest winner you are looking for!
2138808 Band Set & Score . . . . . . . . . .72.00
Awakening Hills—Richard Saucedo. Morning
breaks and the countryside comes alive in this
powerful piece for band. Integrating dynamic
ensemble passages, lots of percussion and brief
solos for alto saxophone and flute, Saucedo crafts
an exuberant work that does not overwhelm young
players. This will leave your audience impressed.
2476647 Band Set & Score . . . . . . . . . .65.00
The Awakening—Mark Lortz. This highly
descriptive piece is based on three of Leonardo da
Vinci's most well-known works. The first, Vitruvian
Man, is a striking musical representation of the
human body. Mona Lisa lyrically depicts the gentle
and subtle beauty of this famous painting. Finally,
The Flying Machine musically soars, reflecting
Leonardo's lifelong fascination with flight.
11177175 Band Set & Score . . . . . . . . . .70.00
Bardic Air and Reel—Larry Clark. Sound larger
than life with this brilliantly scored overture for
developing band. There are chances for beautifully
expressive playing with ample opportunity to teach
grace notes and traditional "snaps." This is an
accessible work for young band that is reminiscent
of great band works of the past. Your students will
ask to play this one over and over!
11198502 Band Set & Score . . . . . . . . . .65.00
Be Still, My Soul—arr. James Swearingen.
This beautiful hymn setting is dramatic, reflective
and musically very powerful. While the band
parts certainly stand on their own, optional
use of antiphonal trumpets, organ, and choir
are included should you desire to provide your
audience with a spectacular performance that
won't soon be forgotten.
10609467 Band Set & Score . . . . . . . . . .74.00
Be Thou My Vision—arr. Larry Clark. Presented
as a set of variations, this glorious arrangement
of the Irish hymn is a gorgeous selection for any
concert or contest. A Celtic feel is maintained
throughout, heard as bagpipe drones and as a lively
jig. The broad, full ending is sure to leave a lasting
impression. Beautiful!
10031200 Band Set & Score . . . . . . . . . .95.00
Beginning Anew—John M. Pasternak. This
thoughtful piece is a reflection on the past and
hope for a prosperous future. It has just the right
amount of drama and excitement to make it a
perfect addition to your festival repertoire. Soaring
counterlines and exciting dynamic moments will
make this piece a memorable experience for sure!
11198504 Band Set & Score . . . . . . . . . .65.00
Bend the Iron—John M. Pasternak. Journey out
west by train with this exciting work for concert
band! Reminiscent of old western films, this
overture is perfect for any concert program as well
as festival adjudication. The piece features soaring
fanfares and ample opportunities for expressive
playing. Your students will truly enjoy this musical
panorama of the valley!
11198506 Band Set & Score . . . . . . . . . .90.00
Benediction—John Stevens. Originally scored
for brass choir, this marvelous version for full band
features flowing melodies and counterlines in a rich
chorale-like setting. The solo part at the beginning
and end is scored for euphonium, but is cued for
clarinet, trumpet or trombone. Great for teaching
a lyric style of playing, and also as an effective
performance piece.
10095453 Band Set & Score . . . . . . . . . .60.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Berceuse—Alexander Ilyinsky/arr. Michael J.
Miller. This lullaby from Alexander Alexandrovich
Ilyinsky's orchestral suite has a truly unique
pentatonic sound that gives it a wide appeal. There
is a push and pull between lighter verdant scenes
and thicker, darker-sounding textures. An excellent
way to introduce orchestral music into your band
room without a monumental challenge.
11345994 Band Set & Score . . . . . . . . . .65.00
l The Better Angels of Our Nature—Paul Murtha.
A simple yet elegant setting provides a poignant
underscoring for the moving words of Abraham
Lincoln's first inaugural address in this work for
band with narrator. The inspirational message is
always as timely as it was on March 4, 1861.
11356297 Band Set & Score . . . . . . . . . .65.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Beyond Reach—Adrian B. Sims. Reminiscent of
a movie soundtrack, this is an action-filled journey
depicting the trek towards an unseen opponent.
This work is full of unforgettable melodic lines
and explores a unique variety of harmonic twists
and turns. Filled with anticipation, hope, fear, and
bravery, the adventurers unabashedly charge into
combat, ultimately emerging victorious!
11354930 Band Set & Score . . . . . . . . . .70.00
Beyond the Darkness—James Swearingen.
This musical journey, with its careful and effective
scoring, is as bold and dramatic as the title. The
full sounding chords with punctuated percussion
lead to an up-tempo section, highlighted by
contemporary melodies layered over a thrilling
mixture of driving rhythms.
10369226 Band Set & Score . . . . . . . . . .58.00
H Blessed Are They—Johannes Brahms/arr.
Barbara Buehlman. This sublime work, originally
composed for chorus and orchestra, has all the
depth and beauty associated with the music
of Johannes Brahms. This skillfully crafted
arrangement for concert band has become a staple
in literature for developing bands.
576637 Band Set & Score . . . . . . . . . .55.00
Blinding Light—Peter Sciaino. A must-have
addition for your library! This dynamic concert
work is great for opening or closing your program.
Thrilling brass fanfares, changing time signatures,
soaring melodies, and a driving tempo will lead
your audience and performers to a passionate and
vigorous conclusion.
11198508 Band Set & Score . . . . . . . . . .85.00
Blue and Green Music—Samuel R. Hazo. The
stunning artwork of Georgia O'Keeffe is no more
apparent than in her famous 1921 painting entitled
"Blue and Green Music." Subtle and bold colors
are captured in this musical representation of the
artwork. Based on a single theme that is manipulated
and varied throughout, the piece progresses from
delicate mallet percussion effects up to climactic
impact points for the entire ensemble. Ms. O'Keeffe
explained her idea that "music could be translated
into something for the eye." This piece translates it
back into something for the ear.
10281804 Band Set & Score . . . . . . . . . .75.00
BEST
SELLERS
Concert and Contest
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Foundry—John Mackey.
10282825 Band Set & Score. . . . . . . . . . . . . 145.00
The Cave You Fear—Michael Markowski.
10484694 Band Set & Score. . . . . . . . . . . . . 120.00
This Cruel Moon—John Mackey.
10766522 Band Set & Score. . . . . . . . . . . . . 165.00
Sheltering Sky—John Mackey.
10316759 Band Set & Score. . . . . . . . . . . . . 145.00
3, 2, 1...—Brian Balmages.
11002163 Band Set & Score. . . . . . . . . . . . . . 60.00
Lightning Field—John Mackey.
10516033 Band Set & Score. . . . . . . . . . . . . 145.00
On a Hymnsong of Philip Bliss—
David R. Holsinger.
2219178 Band Set & Score. . . . . . . . . . . . . . 70.00
Moscow, 1941—Brian Balmages.
10008925 Band Set & Score. . . . . . . . . . . . . . 60.00
Imaginarium—Randall D. Standridge.
10550041 Band Set & Score. . . . . . . . . . . . . 100.00
The Great Locomotive Chase—
Robert W. Smith.
2439396 Band Set & Score. . . . . . . . . . . . . . 62.00
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