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CONCERT
BAND
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FOLK & MULTICULTURAL medium & medium-advanced /
CONCERT MARCHES beginning band & very easy
Folk &
Multicultural Music
Medium and
Medium-Advanced
Albanian Dance—arr. Shelley Hanson. This high-
energy setting of the Albanian tune Shota brings the
festive mood of a raucous folk dance to your concert
hall. Lively and rhythmically infectious, this piece is
sure to please musicians and audiences alike.
2481850 Band Set & Score . . . . . .MA 70.00
All the Pretty Little Horses—arr. Andrew
Boysen, Jr. The second movement of Three Folk
Song Settings for Band, this hauntingly beautiful
setting provides a lyrical contrast to the two outer
movements. The touching lullaby, thought to be of
African-American origin, is displayed in a way that
is both memorable and well crafted.
10453121 Band Set & Score . . . . . . .M 78.00
H American Folk Rhapsody No. 1—Clare
Grundman. The first of four American Folk
Rhapsodies, this superb work, originally written in
1948, is a wonderful example of both U.S. school
band literature and the exceptional writing/arranging
skills of Clare Grundman. Including: My Little Mohee
(more commonly known as On Top of Old Smokey);
Shantyman's Life; Sourwood Mountain and Sweet
Betsy from Pike, this is an outstanding, proven work
for both concert and contest.
147249 Band Set & Score . . . . . . .M 90.00
H American Folk Rhapsody No. 2—Clare
Grundman. With light-hearted yet tasteful settings
of Billy Boy and Skip To My Lou played off against
a lyrical yet moving setting of Shenandoah, it is
easy to understand why this ingenious work by
Clare Grundman continues to be so popular. An
exceptionally nice work!
147330 Band Set & Score . . . . . . .M 85.00
H American Riversongs—Pierre La Plante. This
marvelous work is a moving tribute to an earlier
time, when our rivers and other waterways were the
lifelines of our growing nation. Featuring Down The
River; Shenandoah (Across The Wide Missouri); The
Glendy Burk and a delightful Creole bamboula tune,
this piece is an inspiring program selection that will
give an emotional, nostalgic touch to your program.
2255933 Band Set & Score . . . . . . .M 85.00
As I Walked Through the Meadow—arr. Pierre
La Plante. This well-known writer is renowned for
his mastery at adapting tuneful folk songs into
Grainger-esque settings. This pastoral setting
will give your ensemble a chance to display its
musicianship and expressive playing. The main
theme returns after the middle section, building
to a climax before ending quietly and wistfully.
Beautifully sensitive change-of-pace programming.
11001925 Band Set & Score . . . . . . .M 79.00
Country Gardens—arr. Percy Grainger /ed.
Brant Karrick. The importance of the music of
Percy Grainger to the concert band world is
immeasurable. Even this simple tune from one
of his greatest works displays his genius with
harmony, counterpoint, and color. It's an excellent
way to introduce younger students to his music!
10360955 Band Set & Score . . . . . . .M 78.00
Danza la Habana—Ruth Brittin. You will find
this piece intriguing as it explores the musically
rich traditions of Cuba. This habanera will provide
many opportunities for your percussionists as well
as great space for solo players.
11198526 Band Set & Score . . . . . . .M 85.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Folk Song Celebration—arr. Chris M. Bernotas.
This tribute to folk songs features the traditional
sound of a British-style march in the original
Celebration March, and two revered folk songs:
the beautifully scored and emotional Skye Boat
Song and the rousing Tarantella Napoletana.
This masterfully scored piece will transport your
audience on an exciting musical journey. Many
teaching opportunities are presented, including
meter changes, divisi, and shifting styles. It will
have your audience smiling and clapping along!
11354936 Band Set & Score . . . . . . .M 70.00
H Funiculi, Funicula—Luigi Denza/arr. Reed. Wow!
This Alfred Reed arrangement is destined to be a
classic. It's a very familiar and popular Neapolitan
song of the 1880's arranged as a tarantella and set
for the full resources of the modern concert band.
It has the feel of a classic European concert march
with tremendous appeal and a variety of performance
uses. This is perfect as an encore selection!
2304947 Band Set & Score . . . . . . .M 68.00
Gaelic Dance and Ayre—Carl Strommen. A
definite winner! A bright and lively gigue turns to a
lyrical air that then returns to the original material;
this interesting composition will add a worldly flavor
to your next concert. With moving and expressive
woodwind and brass lines with minimal exposed
parts, this is a great composition to reinforce
listening skills and dynamics while also developing
basic six-eight playing abilities.
11205094 Band Set & Score . . . . . . .M 70.00
Icelandic Folk Suite No. 1—arr. Kenley
Kristofferson. This rich work adds much to
international concert band repertoire. The first
movement tells a musical tale of an encounter with
an elf maiden, mixing moments of sprightliness
with a dreamlike middle section. The slower second
movement features an expressive alto saxophone
solo with a lushly scored accompaniment. The
movements can be performed separately or
together in any order.
11201793 Band Set & Score . . . . . . .M 75.00
Mountain Thyme—Samuel R. Hazo. Written
as a musical memorial, this beautifully emotional
setting is a reworking of the traditional folk song The
Braes of Baquhidder, also known as Wild Mountain
Thyme, by Scottish writer Robert Tannahill. With a
varied tapestry of colors, textures and dynamics,
this stunning musical work takes full advantage of
the depth and power of the modern wind band.
10348112 Band Set & Score . . . . . . .M 75.00
My Lagan Love—Bill Locklear. This Irish folk
tune evokes an almost magical beauty. Its melodic
simplicity lends itself to great freedom in choosing
from a lush harmonic pallet. In this setting, the
sparse opening harmonies and the solo presentation
of the melody in alto saxophone (cued in oboe)
precede a gradual thickening of the harmonic
textures. The full ensemble presents the melody
again with fresh and new harmonic treatment,
which leads to a highly dramatic musical moment,
and ends with quiet intensity, like the beginning.
11315249 Band Set & Score . . . . . . .M 65.00
O Waly Waly—arr. Christopher M. Nelson. More
commonly known as The Water Is Wide, this setting
utilizes fresh orchestration and several touching
solo moments throughout. The original melody is
presented in several keys and textures, all evoking
a sense of memory and reverence that create the
perfect answer for any ensemble looking for an
expressive number for their next concert or festival.
11198235 Band Set & Score . . . . . . .M 70.00
The Parting Glass—arr. Matt Conaway. This
haunting and beautiful setting of the traditional Irish
farewell song will provide a memorable and moving
moment at your next performance. Reflective solos,
lush harmonies, and sensitively scored percussion
all combine to create this soundscape of memories,
loss, and hope that's the perfect showcase for your
mature musicians.
11001918 Band Set & Score . . . . . . .M 79.00
Reluctant Joys—arr. Brant Karrick. Six African-
American spirituals, laments, and plantation songs
are woven into a musical tapestry capturing their
simple elegance and charm. By incorporating fresh
musical ideas with harmony, accompaniment,
meter, and counterpoint, these appealing melodies
are presented in a new and enjoyable setting.
11200171 Band Set & Score . . . . . .M 100.00
Scottish Dance—Keith Christopher. This work is
based on the tune, Ye Banks and Braes O Bonnie
Doon. The buoyant ebb and flow of the melody
is crafted from the pentatonic scale. This setting
makes for a lively and engaging experience,
complete with stomps, slaps, and claps that seem
to conjure up images of a Scottish barn dance.
11315250 Band Set & Score . . . . . . .M 65.00
Songs of Old Kentucky—Brant Karrick. Exhibit
the proud heritage of American folk music with this
setting of tunes from the Cumberland Mountain
region. From traditional ballads to knee-slapping
fun songs, you'll find them all in this well-written
presentation of John Riley, The Lonesome Scenes
of Winter, Sourwood Mountain, Frog Went
A-Courtin' and Loving Hannah.
10032526 Band Set & Score . . . . . . .M 78.00
Concert Marches
Beginning Band
& Very Easy
l 6-Note Parade—Joseph Compello. Intended for
very young bands, this march uses the first six
notes in a creative way that enables young students
to develop independent part playing and introduces
some imitation. With a short percussion solo, this
composition is exactly what you need to introduce
the march style to your students!
11349198 Band Set & Score . . . . . . . B 48.00
Achieve—Larry Clark. March style is a very
important part of band heritage and this well written
original allows the youngest musicians to perform
it with great results. Using only the first six notes of
the B flat scale and basic rhythms no harder than
repeated eighth notes, the composer has created
an upbeat and energetic work that is impressive,
entertaining and, above all, educational.
10908000 Band Set & Score . . . . . . . B 50.00
H Activity March—Harold Bennett/arr. Clark. As
traditional marches go, this one just can't be beat!
Players and audience alike will like the snappy
rhythms and tuneful phrases, and Larry Clark's
arrangement presents nothing that can't be
learned by students at the easy level. Incorporate
America's band heritage into your next concert
with this great march!
2416097 Band Set & Score . . . . . . VE 50.00
All for One, One for All—Carol Brittin Chambers.
This concert march was written specifically for
young musicians. As the title indicates, the jubilant
and upbeat spirit portrays a strong sense of unity
that emanates throughout the piece. It's perfect for
reinforcing march style in a manner that will stand
out in any contest or festival program.
11001010 Band Set & Score . . . . . . VE 55.00
Andalucia—Victor Lopez. Andalucia has always
been a very musical land and the unique music and
exotic dances have inspired composers throughout
history. This tradition continues with this inspired
work, flavored by the colorful blended sounds of the
flamenco traditional march styles. Full of fire and
energy it will spice up any young band concert!
10218260 Band Set & Score . . . . . . VE 56.00
The Bold Brigade—Carol Brittin Chambers. This
march-like piece, using only the first six notes
learned, portrays the confident spirit of military
troops working together. A steady pulse using half,
quarter, and eighth notes with doubled melody,
harmony, and bass lines makes this patriotic piece
one that students will play with pride!
11205050 Band Set & Score . . . . . . . B 48.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Boulder Ridge March—Chris Ferguson. Here is
an excellent introduction to the march style. It is
spirited and features a lovely countermelody in the
upper woodwinds. Your percussionists will have fun
opportunities with auxiliary instruments, and even
your low voices will get some exposure! Marches
have it all, and this is no exception!
11346000 Band Set & Score . . . . . . . B 45.00
Cadets in Step!—Matthew R. Putnam. In the
various branches of the military, one of the first
things that a young cadet learns to do is to march
in step. This march is written in the standard three-
part form, with no break strain, and will reinforce
the importance of keeping a strict tempo and
playing crisp, measured rhythms. Very well suited
for contest or festival adjudication.
11001024 Band Set & Score . . . . . . VE 50.00
Cadets' Cavalcade—Joseph Compello. The
inspiration for this very playable march is a
spirited parade featuring proud and prancing
horses. The regal style can be performed
successfully in a variety of tempos, which helps
add to the majestic and mature nature of this
appealing piece. Elementary bands can really
shine at their very first concert with this bold and
impressive work.
11104930 Band Set & Score . . . . . . . B 48.00
Crystal Creek—Matthew R. Putnam. This
traditional march for beginning band is perfect for
introducing march style. It introduces students to the
trio, without modulation, as well as some common
accidentals. Students and audiences alike will want
to hear this musical little march again and again!
11198522 Band Set & Score . . . . . . VE 50.00
Cuckoo for Quarter Notes—Joseph Compello.
A pun on the familiar phrase "Cuckoo for Cocoa
Puffs," this light piece written for first-year band
students is obviously full of quarter notes and
features the familiar call of a cuckoo bird as the
melody. Percussion interludes are included to give
young wind players an opportunity to rest while also
giving percussionists some time in the spotlight.
Teach quarter notes in a fun and creative way with
this concert selection!
11205058 Band Set & Score . . . . . . VE 48.00
