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STRING
ORCHESTRA
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CLASSICAL medium-advanced & advanced
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Apocalyptic—Anton Bruckner/arr. Kirk Moss.
All the power and force of the Finale of Bruckner's
Eighth Symphony is masterfully captured in this
authentic and first-ever arrangement for string
orchestra. Mature players will have the opportunity
to expand on their shifting and vibrato technique
as well as overall musicianship by exploring varying
bow weights and speeds to create the wide variety
of tone and dynamics that are required. An optional
timpani part greatly enhances the intensity. A great
addition to the classical repertoire!
11349253 String Orchestra,
Percussion Optional . . . .MA 60.00
Capriccio Espagnol—Nikolai Rimsky-Korsakov/
arr. Robert D. McCashin. This resetting for string
orchestra has successfully kept the composer's
intent, and to a great extent, the sounds and colors
of the original orchestration. While requiring some
substantial string forces, it's fully approachable
by able high school groups. It consists of five
connected movements based on Spanish themes.
A terrific addition as a primary work for any concert!
10500790 String Orchestra . . . . . . .MA 95.00
10500791 Additional Score . . . . . . . . . . .12.00
H Capriol Suite—Peter Warlock. This staple of the
string orchestra repertoire, composed in 1927, is
based on a suite of six Renaissance dances. Each
dance offers a different mood and rhythm, and together
they form an excellent concert work. Original edition.
427864 String Orchestra . . . . . . . . A 50.00
7180581 Additional Score . . . . . . . . . . . .7.50
Charterhouse Suite—Ralph Vaughan Williams/
arr. James Brown. Ralph Vaughan Williams'
charming suite of dances in the English style is a
mainstay of the string orchestra concert repertoire.
Adapted in collaboration with the composer from
the 1921 Suite of Six Short Pieces. The scoring
is colorful and lighthearted, providing artistic and
pedagogical opportunities for moderately advanced
students. New edition and engraving.
10873332 String Orchestra . . . . . . . . A 90.00
5022231 Additional Score . . . . . . . . . . .27.00
H Concerto in D Minor—J. S. Bach/arr. Larry
Moore. Everyone is familiar with this one! The
standard piece known as the "Bach Double"
features two capable violin soloists. Arranged for
string orchestra with optional piano (or harpsichord),
the viola, cello and bass sections play throughout
as the two solo violin parts alternate between tutti
sections and solo sections.
2445864 String Orchestra
1st Movement. . . . . . . . .MA 45.00
5962279 Additional Score . . . . . . . . . . . .5.00
Dance of the Tumblers—Nikolai Rimsky-
Korsakov/arr. Todd Parrish. Shifting is required for
1st violins, cellos, and basses, while 2nd violins and
violas get exceptionally rich parts of sixteenth notes
and melody throughout. This energetic dance will
be a welcome challenge for advanced orchestras.
10453655 String Orchestra . . . . . . .MA 62.00
10453704 Additional Score . . . . . . . . . . . .8.00
H
Danza Final from "Estancia"—Ginastera/arr.
Robert Longfield. Now available for strings, Alberto
Ginastera's well-known finale to his "Estancia"
ballet is steeped in South American folk style.
The familiar cross rhythms give this malambo an
infectious feel - a classic work for contest and
festival consideration.
10059481 String Orchestra,
Percussion Optional . . . .MA 55.00
10083437 Additional Score . . . . . . . . . . . .5.00
Day of Wrath—Giuseppe Verdi/arr. Deborah
Baker Monday. Day of Wrath (translated from the
Latin "Dies Irae") with its dramatic extremes of
emotion is a great choice for any concert or festival.
This setting by Verdi in his Requiem Mass was first
performed in 1874. Repeated 16th notes are used
extensively along with divided parts to create a full,
sonorous effect with huge dynamic contrasts from
the fortissimo opening to the morendo ending.
10738939 String Orchestra . . . . . . .MA 49.00
10738971 Additional Score . . . . . . . . . . . .9.00
Elsa's Procession to the Cathedral—Richard
Wagner/arr. Matthew Moreno. Introduce your
orchestra and audience to this passionate
arrangement from Wagner's famous opera,
"Lohengrin." This transcription keeps the textures
and colors amazingly true to the full operatic
score while featuring solo violin and cello. Equally
powerful for chamber orchestras or large string
orchestras, this work is sure to make a profound
impact at your performance. Stunning!
10366801 String Orchestra . . . . . . .MA 65.00
10366802 Additional Score . . . . . . . . . . . .5.00
Fantasia on Greensleeves—Ralph Vaughan
Williams/arr. Ralph Greaves. Here is the original and
beloved fantasia that calls for string orchestra, harp,
and two soloists-usually flutes but often substituted
with violins. This lush arrangement of the English
folksong is a classic in the string repertoire and a
wonderful example of the Vaughan Williams sound.
A must-have for every orchestra library!
5051438 String Orchestra - included parts
4/4/3/4/2 . . . . . . . . . . . .MA 31.25
8059068 Violin 1 . . . . . . . . . . . . . . .MA 1.75
8059069 Violin 2 . . . . . . . . . . . . . . .MA 1.75
8059067 Viola . . . . . . . . . . . . . . . . .MA 1.75
8059064 Cello . . . . . . . . . . . . . . . . .MA 1.75
8059063 Bass . . . . . . . . . . . . . . . . .MA 1.75
8059065 Flute 1 and 2 . . . . . . . . . .MA 1.75
8059066 Harp . . . . . . . . . . . . . . . . .MA 1.75
625509 Additional Score . . . . . . . . . . . .7.25
Fidelio Overture—Ludwig van Beethoven/arr.
Todd Parrish. The Fidelio Overture was written
in 1814 to open Beethoven's only opera by the
same name. This string orchestra arrangement is
transposed from the original E major to the more
approachable key of D major. It retains the original
opening which alternates between powerful majestic
bursts and lyrical harmonic progressions, finishing
with the energetic presto to the end. Optional
timpani gives this arrangement a symphonic quality
that closely resembles the original.
11202215 String Orchestra . . . . . . .MA 60.00
11202216 Additional Score . . . . . . . . . . . .9.00
Finale from "Symphony No. 5"—Pyotr Ilyich
Tchaikovsky/arr. Brian Holmes. The finale of
Tchaikovsky's Symphony No. 5 is a fantastic
orchestral movement. It is very grand in nature and
appears to reflect Tchaikovsky's nationalist writing
tendencies. The arrangement for string orchestra
captures the powerful melodies originally heard in
winds and brass. Beautiful melodies are introduced,
building to a majestic return of the opening theme.
The movement closes with a strong and exciting
finale. Includes optional timpani.
10846058 String Orchestra,
Percussion Optional . . . .MA 55.00
10846059 Additional Score . . . . . . . . . . . .8.00
l Finlandia—Jean Sibelius/arr. Lynne Latham.
This rousing work will most certainly enhance the
tone production of your group! This arrangement
keeps the dramatic character of the original but
is changed to D minor. An excellent choice for
community or collegiate string orchestras as well
as advanced school ensembles!
11355743 String Orchestra . . . . . . .MA 50.00
Fugue for String Orchestra—Paul Creston.
Paul Creston's writing has been a hallmark of
contemporary American music, ranging from
chamber and orchestral music to stage and film
music. This movement remains one of his most
notable for school string orchestra, adapted from
a string quartet by the composer himself. Here's
a perfect opportunity to introduce your students to
fugal writing in a contemporary style.
2052033 String Orchestra . . . . . . . . A 50.00
2107076 String Pack/Additional
String Set . . . . . . . . . . . . . . . . .6.00
5743992 Additional Score . . . . . . . . . . . .7.00
H
Ghosts of Brandenburg—Richard Meyer.
Imagine a fantasy based on all six of the
Brandenburg Concerti! This arrangement captures
the spirit of the original works, but sets most of
them in minor keys or uses darker tones, pizzicato,
and meter changes J.S. Bach may never have
imagined. This is inventive and challenging work
will take your intermediate strings on a nine-minute
journey that will build their endurance along with
their musicality.
10050371 String Orchestra . . . . . . .MA 62.00
10050372 Additional Score . . . . . . . . . . . .8.00
Hebrides Overture—Felix Mendelssohn/arr. Jason
Librande. Now string orchestras alone can enjoy this
massive work of the orchestral repertoire for contest
or any concert performance. Mendelssohn's classic
melody follows the ebb and flow of the ocean waves
as each section adds its voice to a vivid musical
portrait. The overture requires skill in bow control
and ensemble work with advanced rhythms, but
the result is dynamic and just as compelling as its
counterpart for full orchestra.
10280407 String Orchestra . . . . . . .MA 55.00
10280408 Additional Score . . . . . . . . . . . .8.00
H Hoe Down—Aaron Copland. Hoe Down has
become one of Aaron Copland's most recognized
orchestral works. Here is the string orchestra version
based on the original, for advanced string players.
167221 String Orchestra . . . . . . . . A 45.00
2476148 Additional Score . . . . . . . . . . . .8.95
BEST
SELLERS
String Orchestra
Classical
Medium-Advanced
& Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Symphony No. 2 "Romantic"
(First Movement)—
Howard Hanson/arr. Todd Parrish.
10997986 String Orchestra . . . . . . . . . . . . .A 70.00
10997987 Additional Score . . . . . . . . . . . . . . . 10.00
Capriol Suite—Peter Warlock.
427864 String Orchestra . . . . . . . . . . . . .A 50.00
7180581 Additional Score . . . . . . . . . . . . . . . . 7.50
Symphony No. 6 (First Movement)—
Ludwig van Beethoven/
arr. Robert D. McCashin.
10877067 String Orchestra . . . . . . . . . . . MA 60.00
10877068 Additional Score . . . . . . . . . . . . . . . . 5.00
Academic Festival Overture—
J. Brahms/arr. Robert D. McCashin.
2480768 String Orchestra . . . . . . . . . . . MA 65.00
2482047 Additional Score . . . . . . . . . . . . . . . . 6.00
Charterhouse Suite—
Ralph Vaughan Williams/arr. James Brown.
10873332 String Orchestra . . . . . . . . . . . . .A 90.00
5022231 Additional Score . . . . . . . . . . . . . . . 27.00
Allegro Moderato (from "Symphony No. 3")
—Camille Saint-Saens/
arr. Deborah Baker Monday.
10752882 String Orchestra . . . . . . . . . . . MA 65.00
10752883 Additional Score . . . . . . . . . . . . . . . . 5.00
New World Symphony—
Antonin Dvorak/arr. Deborah Baker Monday.
10454944 String Orchestra . . . . . . . . . . . MA 56.00
10454945 Additional Score . . . . . . . . . . . . . . . . 6.00
Finale from "Symphony No. 5"—
Pyotr Ilyich Tchaikovsky/arr. Brian Holmes.
10846058 String Orchestra,
Percussion Optional . . . . . . . . MA 55.00
10846059 Additional Score . . . . . . . . . . . . . . . . 8.00
Allegro con Brio from "Symphony No. 8"—
Antonin Dvorak/arr. Robert D. McCashin.
10592137 String Orchestra . . . . . . . . . . . MA 55.00
10592138 Additional Score . . . . . . . . . . . . . . . . 5.00
Fidelio Overture—
Ludwig van Beethoven/arr. Todd Parrish.
11202215 String Orchestra . . . . . . . . . . . MA 60.00
11202216 Additional Score . . . . . . . . . . . . . . . . 9.00
BASIC LIBRARY
Whether you're building a library or
selecting music for your next performance,
Pepper's Basic Library directs you to the
time-honored, proven repertoire.
Look for our Basic Library H
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