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STRING
ORCHESTRA
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LIGHT CONCERT medium-easy / medium & medium-advanced /
FOLK & MULTICULTURAL very easy
Serendipity Suite—Richard Meyer. Great for
fostering pride in one's section and dynamite for
a recruiting concert, each movement of this suite
is designed to highlight different instruments of the
string orchestra with style and flavor, emphasizing
the unique qualities of each. With titles such as Fit
as a Fiddle, Sol-La Viola, Cello Pudding and Oasis
for Basses, this piece answers an important and
greatly overlooked motivational need in today's
music for students.
2244762 String Orchestra . . . . . . . . . . .85.00
Tico Tico—Zequinha de Abreu/arr. Lipton.
Perhaps the most famous example of Brazilian
Choro music, this piece is made accessible to
high school players in this sterling arrangement
featuring a whistle and a section that uses strings
as percussion instruments. Highly recommended!
10312102 String Orchestra . . . . . . . . . . .50.00
Viva Violas—Richard Meyer. Take out the
castanets because the violas are taking the stage,
Spanish style! It begins in a paso doble reminiscent
of a vigorous Spanish guitar solo, then moves into
a major-key allegretto where the violas even get a
chance to glissando!
2475430 String Orchestra . . . . . . . . . . .60.00
l Wellerman—Larry Moore. A fun and lively
arrangement of the popular New Zealand sea
shanty written for young string orchestras. A
wonderful opportunity to teach cut time and scale
technique. The comfortable key of G, all first
position and frequent doubling make this a very
accessible work.
11355983 String Orchestra . . . . . . . . . . .55.00
Light Concert Selections
Medium &
Medium-Advanced
H 221B Baker Street—Jeffrey Bishop. The title of
this exciting musical depiction is, of course, the
residence of Sherlock Holmes. The three musical
motifs depict Sherlock Holmes, Dr. Watson and the
arch-villain Professor Moriarity. The music moves
from thoughtful to intense and is fun to play!
10069432 String Orchestra . . . . . . . .M 50.00
7th Street Beat—Lauren Bernofsky. A beatbox
piece for orchestra! Beatbox percussion sounds
imitate effects normally made by a drum set, and
these vocal syllables are woven into the parts of
each section of the orchestra. The same parts are
also written out separately for a guest "soloist" or
two. A section for optional improvisation - either
instrumental or vocal - makes this piece extra-fun
and creative!
10997954 String Orchestra . . . . . . . .M 55.00
Basses Loaded—Carrie Lane Gruselle. Let your
bass section shine and groove in this upbeat medley
of funk, swing and good ol' fashioned rock n' roll!
Opportunities for improvisation are included (with
written parts as well) and an optional drumset part
really adds to the flair. While the basses show off,
the other sections of the orchestra also experience
the contagious rhythms and melodies as they get
down and rock out. An absolute showstopper!
10066376 String Orchestra . . . . . . . .M 55.00
l Birthday Tango—Mildred Hill/arr. Stephen Chin.
An interesting and out-of-the-box arrangement of
everybody's favorite birthday song. After a brief
whirlwind of an introduction, the work starts with
a slower yet beguiling version of Happy Birthday
in minor key. This leads to yet a more energetic
variation and concludes with the version in the
major key that everyone knows. Perfect for
reinforcing chromaticism and the key of G minor.
11355430 String Orchestra . . . . . . . .M 40.00
Blackberry Blossom—Gary Gackstatter. Feature
your top player on this famous American tune!
The first time through, the soloist takes the lead
accompanied by some pizzicato and the occasional
foot stomp. The second time through, first violins
play most of the tune along with the soloist. The
third and final time through the soloist gets some
nice variations on the tune. And, oh yes, the faster
the better!
2702541 String Orchestra . . . . . . . .M 48.00
Bossa Rojo—Bert Ligon. Beginning with a
dramatic familiar Latin figure, everyone will
recognize the rhythm and groove with enthusiasm!
Melodic material appears in all parts and is
designed for fun and successful performances.
An improvisation section is included where soloists
can improvise over the familiar progression or play
the provided solos. Piano and drum set parts are
included. The change of pace will be appreciated
by players of any level.
10310635 String Orchestra,
Percussion Required . . . . .M 55.00
A Boy and a Girl—Eric Whitacre. An orchestration
of the popular choral work. Inspired by the tender,
delicate poem "A Boy and a Girl" by Octavio Paz.
Score and parts.
11176458 String Orchestra . . . . . . . .M 70.00
Downtown Funk—Michael Hopkins. Liven up
your next concert with this funky number! Featuring
interesting and challenging parts for everyone, it is
sure to be a crowd pleaser. This is a great piece for
working on syncopated rhythms, short crisp bow
strokes, and playing in the key of G minor. Some
shifting is required in the first violin, cello, and bass
parts. Hand claps and the optional drum set add a
fun, energetic groove.
10906077 String Orchestra . . . . . . . .M 56.00
El Relicario: Paso Doble—Traditional/arr. Robert
Longfield. One of the most famous and best-loved
paso dobles ever written in a setting for string
orchestra! Fiery rhythms and sweeping Spanish
melodies make this an outstanding change of pace
for concert or festival performance.
10756566 String Orchestra,
Percussion Optional . . . . .M 40.00
Frost on the Plow—Samuel Gelfer. An energetic
composition perfect for introducing some fiddlin'
fun to your concert! The relentless pace and
syncopated bass accompaniment depict a stormy
winter season, melting into spring. Players will
encounter fiddle techniques such as shuffle-
bowing, chops, and double-stops at a brisk tempo.
Each section is given interesting melodic lines, and
optional guitar adds an authentic folk music feel.
11202203 String Orchestra
with optional guitar . . . . . .M 55.00
The Haunted Ballroom—Chris Thomas. The
stately spirits of soirees past appear, dancing the
midnight waltz in The Haunted Ballroom. Dazzle
your audience with this chilling yet lighthearted
tune, perfect for fall and Halloween concerts.
The piece offers a variety of fun chromatics,
quirky col legno effects, and harmonic glissandi.
Certain to be a "spooktacular" addition to your
next concert program!
10877069 String Orchestra . . . . . . . .M 55.00
Hoedown Showdown—Neridah Oostenbroek.
This energetic western-style romp showcases
a melody that weaves its way through every
section accompanied by open string drones and
syncopated rhythms. Lively and infectious!
11203108 String Orchestra . . . . . . . .M 60.00
Midnight Christmas Eve—Paul O'Neill & John
Olivia/arr. Bob Phillips. The lights, the tree, and
quiet anticipation of Christmas are captured in
this beautiful rock ballad. As seen in the Trans-
Siberian Orchestra stage show The Christmas
Attic, this lyric piece will add depth to any holiday
or winter concert. While an easy piece for high
school orchestras, the optional electric violin and
guitar parts provide the perfect chance to feature
an electric instrument and a more advanced player.
11192885 String Orchestra . . . . . . . .M 65.00
Milonga del Angel—Astor Piazzolla/arr. Jim
Palmer. This lyrical arrangement of an Argentinian
tango is a wonderful introduction to the music of
Astor Piazzolla. The melody is first introduced by
the violas and then passed smoothly to the first
violins. Along with beautiful harmonies, interesting
rhythms, and the variety of dynamics, the piece
includes many opportunities to teach shifting,
glissando, balance, and phrasing. A perfect choice
for festival or any concert performance.
10997712 String Orchestra . . . . . . . .M 58.00
H
Plink, Plank, Plunk!—Leroy Anderson. Pizzicato
playing is fascinating to play and to watch, but
coming from the skilled pen of Leroy Anderson, it
becomes an event! Let your kids put down their
bows and dazzle the audience with this one! (All
sections get to make the "squeak" special effect!) If
you're going to program a novelty piece for strings,
your students and audience deserve one from this
American master.
4533071 String Orchestra . . . . . . . .M 59.00
Power Shift—Kathryn Griesinger. Work on shifting
technique with a powerhouse rock performance!
Driving, accented bass lines and syncopated
melodies energize this original piece that follows
the form and style of pop song standards. Carefully
written melodies give every instrument the chance
to practice shifting to third position and beyond,
as well as harmonics, extended C-sharp finger
patterns, and pizzicato riffs. Add a rocking drumset
for a dynamite presentation.
10846068 String Orchestra,
Percussion Optional . . . . .M 52.00
Swamp Thang—Richard Meyer. Hotter than a
Cajun barbecue, this tour de force for the advanced
string orchestra is a workout for all of your students
(and their conductor!) Conjuring up images of the
Deep South, this jazzy rondo never lets up from start
to finish, featuring the most sumptuous syncopations
and intriguing instrumentation to hit the student stage
in a long time. A great closer or encore!
10738930 String Orchestra . . . . . . .MA 56.00
Folk & Multicultural
Very Easy
Angeline the Baker—arr. Jim Palmer. This well-
known American fiddle tune is great for young string
ensembles. Students will enjoy an introduction to
easy shuffle technique, the interesting bass line, and
melodies passed to every section of the orchestra.
11200418 String Orchestra . . . . . . . . . . .45.00
An Appalachian Carol—arr. Janelle Zook
Cunalata. Based on the traditional spiritual Rise Up,
Shepherd, and Follow, this lively carol combines
Appalachian folk style with the joy of the season.
Students will learn call-and-response form and
alternating melody and accompaniment. Syncopated
rhythms, steady bass line, and old-time fiddle riffs
will transport players and audiences to the snowy
Smoky Mountains for a winter celebration. Includes
violin 3 (viola in treble clef) and alternate viola (violin
2 in alto clef) parts for flexible ensembles.
10846050 String Orchestra . . . . . . . . . . .42.00
H
Ash Grove—Michael Hopkins. Your students will
love playing this arrangement of the traditional
Welsh folk song! Written at the very easy level, all
the parts have an interesting variety of material.
This is an excellent piece to teach bow distribution
and control. An optional piano part is included.
10023956 String Orchestra . . . . . . . . . . .48.00
H
Celtic Dance—Mark Williams. Young string
players will love getting a hold of this playable
original dance in the Celtic style. Written in E dorian
mode, the work uses only the notes of a one-octave
D major scale, and makes a fine introduction to
modal harmonies.
2442465 String Orchestra . . . . . . . . . . .46.00
De Colores—Traditional/arr. Douglas E. Wagner.
Offering variety and multicultural flavor, this upbeat,
joyous folk song will be at home on any concert
program. Though scored for less-experienced
players, there is a remarkable fullness and
sophistication to the overall ensemble texture.
10453848 String Orchestra,
Percussion Optional . . . . . . . .46.00
Jasmine Flower—arr. Douglas Wagner. Here is
a very beautiful setting of the traditional Chinese
folk song Molihua. This tune is a vital part of
Chinese New Year celebrations and was featured
at the 2004 Summer Olympics. The soothing
pentatonic melody is reminiscent of the simple
beauty of the lovely white jasmine blossom and its
delightful scent. Players will encounter no technical
impediments in performance. The independent
piano accompaniment and optional percussion
create the perfect musical landscape for this
multicultural offering. Very nice!
10014643 String Orchestra,
Percussion Optional . . . . . . . .46.00
BEST
SELLERS
String Orchestra
Lighter Selections
Medium to Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Milonga del Angel—
Astor Piazzolla/arr. Jim Palmer.
10997712 String Orchestra . . . . . . . . . . . . M 58.00
Swamp Thang—Richard Meyer.
10738930 String Orchestra . . . . . . . . . . . MA 56.00
Downtown Funk—Michael Hopkins.
10906077 String Orchestra . . . . . . . . . . . . M 56.00
El Relicario: Paso Doble—
Traditional/arr. Robert Longfield.
10756566 String Orchestra,
Percussion Optional . . . . . . . . . M 40.00
7th Street Beat—Lauren Bernofsky.
10997954 String Orchestra . . . . . . . . . . . . M 55.00
R
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