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STRING
ORCHESTRA
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FOLK & MULTICULTURAL medium & medium-advanced
Folk & Multicultural
Medium &
Medium-Advanced
Ani Ma'amin—Traditional/arr. John Leavitt.
Arranged now for string orchestra, this traditional
Hebrew song and its text provided comfort to the
victims and survivors of the Holocaust, serving as
a beacon of hope for the future and for mankind. A
powerful musical moment for the concert stage.
10494180 String Orchestra,
Percussion Optional . . . . .M 50.00
Appalachian Festival—Chris Thomas. The folk-
style melodies of old-time Appalachian music are
captured in this lively work for string orchestra!
Strummed rhythms, syncopation, and a spirited
accelerando lend excitement and energy to this
concert selection perfect for any time of year.
11175137 String Orchestra . . . . . . . .M 57.00
Arabian Dreams—Soon Hee Newbold. Here's a
thrilling musical journey that fires the imagination
and evokes images such as those in the "1001
Arabian Nights!" Set as one continuous work,
the music moves from the exotic sounds of a
fiery sunrise to the magnificent power of an
Arabian stallion galloping at full speed across the
expansive desert!
2474326 String Orchestra . . . . . . . .M 60.00
Baile de Lila—Chris Thomas. This vibrant work
brings the sound and spirit of mariachi to the string
orchestra! Feature principal players accompanied
by strummed passages, catchy syncopated
figures, and energetic melodies. The piece also
includes parts for an optional guitar ensemble for
an authentic flavor.
11203094 String Orchestra . . . . . . . .M 65.00
Blackberry Blossom—Gary Gackstatter. Feature
your top player on this famous American tune!
The first time through, the soloist takes the lead
accompanied by some pizzicato and the occasional
foot stomp. The second time through, first violins
play most of the tune along with the soloist. The
third and final time through the soloist gets some
nice variations on the tune. And, oh yes, the faster
the better!
2702541 String Orchestra . . . . . . . .M 48.00
Bossa Rojo—Bert Ligon. Beginning with a
dramatic familiar Latin figure, everyone will
recognize the rhythm and groove with enthusiasm!
Melodic material appears in all parts and is
designed for fun and successful performances.
An improvisation section is included where soloists
can improvise over the familiar progression or play
the provided solos. Piano and drum set parts are
included. The change of pace will be appreciated
by players of any level.
10310635 String Orchestra,
Percussion Required . . . . .M 55.00
Chicharra—Nicolas Repetto. A syncopated motive
in the viola and cello sections starts this diabolical
journey of dance and lyricism. The driving rhythms
and lyrical lines are infused with elements of the
tango, including the chicharra technique of playing
behind the bridge! A contrasting B section in 6/8
is almost waltz-like, showing the softer side of this
dance journey before resuming the original melody
with rhythm and fire.
11202207 String Orchestra . . . . . . . .M 55.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Dance of Youth—arr. Xinyu (Maggie) Francis-Ma.
This joyful dance contains wonderful stylistic
influences from the Xinjiang province of China.
From syncopated accompaniment figures to
soaring lyric melodies, this arrangement has it
all. There is one key change in the middle from A
minor to G minor and back. Excellent for teaching
chromaticism, augmented seconds, and a variety of
bow strokes. Violin 1 and cello require shifting.
11355494 String Orchestra . . . . . . . .M 35.00
H
Danza Final from "Estancia"—Ginastera/arr.
Robert Longfield. Now available for strings, Alberto
Ginastera's well-known finale to his "Estancia"
ballet is steeped in South American folk style.
The familiar cross rhythms give this malambo an
infectious feel - a classic work for contest and
festival consideration.
10059481 String Orchestra,
Percussion Optional . . . .MA 55.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
The Devil's Tango—Leonard Ingrande. Presented
beautifully through heart-pounding grooves in the
low basses and devilish contours in the melody
with the movement of a tango. A variety of
rhythms are reinforced along with sweeping
sixteenth-note figures in the high strings. Perfect
for concert or contest!
11348706 String Orchestra . . . . . . . .M 48.00
El Relicario: Paso Doble—Traditional/arr. Robert
Longfield. One of the most famous and best-loved
paso dobles ever written in a setting for string
orchestra! Fiery rhythms and sweeping Spanish
melodies make this an outstanding change of pace
for concert or festival performance.
10756566 String Orchestra,
Percussion Optional . . . . .M 40.00
Fantasia Espanola—Soon Hee Newbold. Soon
Hee Newbold explores the world of Spanish music
with fiery results! Syncopated rhythms propel the
passionate melodies which pass from one section
to another, while pizzicato and col legno bowing
create castanet accompaniments. There's even a
strumming, guitar-like pizzicato effect in both first
and second violins. A tango interlude leads to a
furious finish. A show-stopper!
2480774 String Orchestra . . . . . . . .M 60.00
Hemispheres—Richard Meyer. This multicultural
piece explores world music using a unique and
exciting format. Two side-by-side orchestras
share one conductor, with one group performing
traditional American songs and the other playing
folk songs from the Middle East. Whether you split
your orchestra in two or combine with another
orchestra, Hemispheres is sure to educate your
students and your audience. Also playable by one
orchestra in a traditional setup.
10738926 String Orchestra . . . . . . .MA 62.00
Irish Junkyard Jam—Brian Balmages. Featuring
string quartet and orchestra, this tour de force
follows a few straggling Irish musicians (the quartet)
who find themselves in a junkyard picking up scrap
instruments. As the quartet begins to find their
groove, they are joined by the rest of the orchestra
and the party is on! While not based on a specific
folk song, the piece draws on elements ranging
from a traditional pub band to Irish step dance. Fun,
and playable on acoustic or electric instruments.
10996001 String Orchestra . . . . . . .MA 70.00
H
Irish Legend—Robert Kerr & Soon Hee Newbold.
Showcase your strings with fire and flair in the style
of Riverdance and traditional Celtic music! Written
by Robert Kerr and arranged for strings by Soon
Hee Newbold, this air and jig is a dramatic finale
to any concert. Dazzling violin solos (both lyrical
and technical) and highly rhythmic passages
accompanied by drum set really set this work apart.
Optional piano and harp add to the sound of a work
destined to bring down the house. A great closer!
10047958 String Orchestra . . . . . . . .M 70.00
La Cascara—Jeremy Woolstenhulme. This work
is on fire from the opening measure to its final
ending. Rhythmically complex, it includes some two
against three patterns and meter changes as well
as position work in all sections. A vigorous workout,
definitely worth the effort!
11000017 String Orchestra,
Percussion Optional . . . .MA 58.00
Libertango—Astor Piazzolla/arr. James Kazik.
Published in Italy in 1974, this arrangement retains
all the excitement of what is already considered a
modern tango classic.
10461611 String Orchestra . . . . . . . .M 55.00
H Maharaja—Doug Spata. Add some sizzle to your
next concert with some Bollywood style! Maharaja
combines rhythms and motifs from Indian music
with exciting melodies. Slurred pizzicato imitates
the sound of tabla drums while finger snaps and
triplet flourishes add to the South Asian flavor.
Teachers will appreciate challenging their students
with advanced fingerings and rhythms throughout
the piece and audiences will thrill to this unique
musical experience.
10280360 String Orchestra . . . . . . . .M 49.00
Milonga del Angel—Astor Piazzolla/arr. Jim
Palmer. This lyrical arrangement of an Argentinian
tango is a wonderful introduction to the music of
Astor Piazzolla. The melody is first introduced by
the violas and then passed smoothly to the first
violins. Along with beautiful harmonies, interesting
rhythms, and the variety of dynamics, the piece
includes many opportunities to teach shifting,
glissando, balance, and phrasing. A perfect choice
for festival or any concert performance.
10997712 String Orchestra . . . . . . . .M 58.00
H Mock Morris—Percy Grainger/arr. Sandra
Dackow. "Always merry and bright" is how
Grainger described this cheerful tune! Composed
in the style of the traditional English Morris Dance,
this completely original work has all the energy and
spirit of a Brandenburg Concerto. Delightful!
2353696 String Orchestra . . . . . . . .M 60.00
Northumbrian Suite—arr. Ian David Coleman.
Folk songs have a long and mysterious history.
Their origins are unknown; they have come down
to us mainly through an oral tradition passed from
generation to generation. Many of the folk songs
we have come to know and love are rooted in the
ancient region of northern England and southern
Scotland known as Northumbria. The three folk
songs in this suite reflect this vibrant, wild and
deeply historic region. Includes When the Boat
Comes In; Dives and Lazarus and The Keel Row.
10696540 String Orchestra . . . . . . . .M 60.00
Por una Cabeza—Carlos Gardel/arr. Christopher
Selby. Por una Cabeza is a popular tango that
originally appeared as a song written in 1935
by composer Carlos Gardel. It has appeared in
a number of films, including Steven Spielberg's
"Schindler's List." This arrangement for string
orchestra explores a number of musical and
technical elements, including dynamic contrast,
major and minor tonalities, arco and pizzicato
technique, varied articulation, and musical form.
11175221 String Orchestra . . . . . . .MA 46.00
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