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t All Is Well—Michael W. Smith &
Wayne Kirkpatrick/arr. Jamey Ray.
From Voctave's album The Spirit of the
Season, this Christmas favorite shimmers with
contemporary a cappella harmonies. Lush
and beautiful divisi textures that work for more
advanced choirs or a cappella groups are on
display in this well-crafted arrangement that
evokes all the splendor and mystery of the season.
11198935 SATB divisi, or SSAATTBB . . . . . 2.50
DL Ave Rose Spinis (from Magnificat)—
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Michael John Trotta. Straightforward rhythms,
dissonances, and close harmonies depict the
clear and radiant divine essence of this a cappella
meditation on the angel Gabriel's greeting to Mary.
A poetic translation is included, allowing the work
to be performed in Latin or English.
11192979 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.50
L Away—James R. Murray/arr. Mark Burrows.
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This artful unaccompanied setting of Away in a
Manger opens with a gentle original "away" theme
that connects the verses and leads to a satisfying
close. The carol sections are full of rich harmonies,
with lovely independent vocal lines for each voice
and nice modulations. This is very achievable for
choirs wanting to delve into a cappella singing.
11195909 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.20
D The Boar's Head Carol—arr. Marshall Webb.
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This popular traditional English carol is given
an updated arrangement with some old English
pronunciation and very accessible counterpoint.
The use of Latin text along with English gives it a
true renaissance feel. This will be a fun addition to
any holiday concert.
11348182 SATB divisi, or SSAATTBB . . . . . 2.25
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Come and Dance—Toby Young. A great
rhythmic ostinato unifies this energetic a cappella
setting of a Jennifer Thorpe text that celebrates
the festivities of the Christmas season. Toby
Young's lively melodies are full of syncopated
rhythms and sung with quite a bit of independence
of line, often supported by colorful harmonies in
the accompanying voices.
11195468 SATB. . . . . . . . . . . . . . . . . . . . . . . 4.25
lL Coventry Carol—arr. Mark Burrows. A beautiful
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treatment of the traditional English carol, this a
cappella arrangement with oboe is rewarding to
sing and fully realizes the drama of the text.
11343540 SATB with Oboe Obbligato . . . . . 2.05
D Cradle Hymn—arr. David Chase. This lovely
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a cappella setting of the traditional melody and the
Isaac Watts text bridges the sound between the
Old English carols and the High Lonesome sound
of the Appalachians. The optional violin obbligato
is reminiscent of the fiddle so present in the
Appalachian music community.
11171321 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.10
11170206E Instrumental Parts
Fiddle Part ePrint . . . . . . . . . . . . . 5.00
D Dance of the Sugar Plum Fairy—
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arr. Mark Brymer. Performed a cappella or
accompanied, this selection captures the
mysterious, moody feel of the popular Pentatonix
arrangement of this iconic work from "The
Nutcracker." With a variety of vocal articulations,
this piece will add a fresh twist to any
holiday program.
11203905 SATB opt. A Cappella . . . . . . . . . 2.25
11203906 SAB opt. A Cappella. . . . . . . . . . . 2.25
11203907 SSA opt. A Cappella. . . . . . . . . . . 2.15
11203908 P/A CD . . . . . . . . . . . . . . . . . . . . 26.99
D Ecce Ancilla (from Magnificat)—
Lt Michael John Trotta. A simple prayer of a
servant, this a cappella work masterfully captures
Mary's response to the angel Gabriel. "Behold, I
am the servant of the Lord. May it be done to me
according to your will." A translation allows this
work to be performed in Latin or English.
11192980 SATB A Cappella Version. . . . . . . 2.50
11202061 SATB Piano
Accompaniment Version . . . . . . . 2.75
L A Festive Pat-a-Pan—arr. Tom Fettke &
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Thomas Grassi. A cappella choirs rejoice! This
creative setting of the festive French carol hits all
the right notes. Rhythmic ostinatos, added "fa-la-
las," optional body percussion, and some divisi
to really broaden the texture - this one has all the
ingredients to be your holiday concert highlight!
11196237 SATB divisi . . . . . . . . . . . . . . . . . . 2.20
lt Gaudete!—Annabel Rooney. This is an upbeat
original setting of the well-known Latin Christmas
text. Rambunctious, hearty, and in a sophisticated
modal style, it is suitable for both church and
concert performance by experienced choirs.
11342522 SATB. . . . . . . . . . . . . . . . . . . . . . . 3.00
t Go Tell It on the Mountain—arr. Jamey Ray.
Straight off of their The Spirit of the Season album,
here is Voctave's spectacular arrangement of the
traditional Christmas spiritual. With soulful solos
throughout, this gospel-influenced setting has
divisi choral harmonies all the way through that
shimmer with contemporary a cappella freshness
and appeal. A wonderful way to showcase your
choir this holiday season!
11348190 SSAATTBB . . . . . . . . . . . . . . . . . . 2.75
L Gonna Sing About a Baby—Greg Gilpin.
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Here's an original Christmas a cappella spiritual
with intuitive harmonies and just the right amount
of repetition in the catchy chorus to make the
piece both easy to learn and easy to memorize.
Call-and-response verses toss joyful syncopations
between sections of the choir, and quickly
changing dynamics enhance the style.
11197214 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.05
11197215 Three-Part Mixed . . . . . . . . . . . . . 2.05
D Hurry Now to Bethlehem—Ruth Morris Gray.
t This fun original Christmas piece in the style of a
spiritual has syncopation and optional percussion
for shaker or other instruments. Optional solos
are sprinkled throughout, creating call-and-
response moments. The use of multi-meter and
repetition make it easy and fun to learn, creating
an impressive performance.
11348131 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.25
11348132 Three-Part Mixed . . . . . . . . . . . . . 2.25
lD I Heard the Bells on Christmas Day—
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Johnny Marks/arr. John Leavitt. This stellar
new version of the Christmas classic is a
must-do holiday anthem. Updated with colorful
choral effects, the result is an exuberant sonic
experience that will leave the audience wanting
more. Arranged with flexibility in mind, this piece
can be performed unaccompanied or with either
handchimes (handbells) or piano, or both!
11347579 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.15
11347580 Handbell Part . . . . . . . . . . . . . . . 35.00
t A Joyous Carol of the Bells—
Mykola Leontovich/arr. Vicki Tucker Courtney.
Do you love Carol of Bells, but wish it were a little
longer? Combining the ever-popular Carol with new
melodic material, this a cappella gem is sure to be
a favorite selection at your holiday concert! This
arrangement presents a new introductory section
of material in the same style before going into the
standard harmonization we all know and love.
10984579 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.25
11365816 SA . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
L Let It Snow! Let It Snow! Let It Snow!—
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Jule Styne/arr. Mark Hayes. This sophisticated
a cappella arrangement is delightful from start
to finish. Sprinkled with divisi jazz harmonies
throughout, the middle transitions to a light and
lovely jazz waltz, which leads to an expressive
final verse that swings towards a grand finale. An
impressive wintertime feature!
11196272 SATB divisi . . . . . . . . . . . . . . . . . . 2.35
lt Mary Had a Baby—arr. Stacey Gibbs.
This selection is a powerful concert arrangement
of the well-known Christmas spiritual. Featuring a
trio or small group that has the artistic freedom so
important in this style of music, this piece allows
for improvisation when interpreting the setting.
11348344 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.25
t A Medieval Fa La La—Reginal S. Wright.
Madrigal marries Deck the Hall in this beautifully
crafted arrangement well suited for developing
choirs of all ages. Use handbells, vibraphone,
or piano along with hand drum for a delightful
and novel opening or processional for your next
holiday concert.
11197750 SA with opt. Handbells
& Hand Drum . . . . . . . . . . . . . . . . 1.95
11365819 TB with opt. Handbells
& Hand Drum . . . . . . . . . . . . . . . . 1.95
t My King Is Comin' Soon—Kyle Pederson.
This genre-bending piece blends elements of rock,
gospel, spiritual, and the spoken word. Useful for
the Advent season or school concert anytime,
the text invites chorus and listener to imagine a
world of mercy, justice, peace, and compassion.
Commissioned by the Wartburg Choir and Dr. Lee
Nelson, it was premiered at Christmas at Wartburg
in 2019.
11349187 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.85
L My Love Is Always Here—Alexandre Desplat.
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This lovely a cappella lullaby doubles as a Nativity
carol that may be programmed for Christmas or
at any time of year. Simple and sincere, traditional
choral writing leads singers through a warm
progression of sonorities that allow room for
expressive word stress. This song can be heard
coming from the church in the Christmas scene at
Godric's Hollow in "Harry Potter and the Deathly
Hallows, Part 1."
11346413 SATB or SATBB . . . . . . . . . . . . . . 2.05
Lt O Christmas Tree—arr. Kirby Shaw.
Fast, syncopated, and fun, it's not the traditional
version you remember! A steady shaker anchors
this contemporary jazzy reimagining of the beloved
German Christmas carol. A cappella vocables
decorate a rhythmic eight-bar introduction that
returns as a cheerful interlude between verses.
Great for caroling and holiday concerts!
11197225 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.05
t O Come, All Ye Faithful—John Francis Wade/
arr. Jamey Ray. Another fresh take on a classic
Christmas carol from the fabulous a cappella group
Voctave! From their album Snow, this arrangement
features harmonic twists and turns, contemporary
harmonies, some extended range, and plenty of
divisi that your advanced choir will just love to learn
and perform. A true Christmas highlight!
11198938 SATB divisi, or SSAATTBB . . . . . 2.50
D O Magnum Mysterium (from Venite
Lt Adoremus)—Michael John Trotta. A wonderfully
expressive a cappella setting of the traditional
Christmas text. Carefully prepared dissonances
and use of close harmonies thoughtfully paint
the text as a sense of awe and wonder permeate
the setting. The work concludes with the opening
material sung on "Alleluia" with a soaring soprano
descant. May be performed in English or Latin.
11192977 SATB. . . . . . . . . . . . . . . . . . . . . . . 2.50
NEW A CAPPELLA
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