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SACRED CHRISTMAS
D O Come, All Ye Faithful—John Francis Wade/
arr. Mac Huff. Fresh and contemporary, this
beloved carol sparkles with a festive flair that
brings renewed attention to the lyrics and the
excitement of the Christmas season. With a full
instrumentation and pop/gospel vocal harmonies,
mixed and treble choirs of all ages can proclaim
"O come, let us adore Him!"
11204887 SATB . . . . . . . . . . . . . . . . . . . . . 2.10
11204888 SAB . . . . . . . . . . . . . . . . . . . . . . 2.10
11204889 SSA . . . . . . . . . . . . . . . . . . . . . . 2.10
11204890 P/A CD. . . . . . . . . . . . . . . . . . . 26.99
L O Come, O Come, Emmanuel—arr. Kyle
Pederson. An original chant-like tune is used for
the opening section, singing the Latin text "Veni,
veni, Rex Gentium." Then the cello takes that
melody as the choir sings the
VENI EMMANUEL
tune with English text. In the final section, both
texts and tunes occur simultaneously, building to
a powerful climax before the piece closes softly,
as it began.
11199578 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
11199579 Cello Part . . . . . . . . . . . . . . . . . . 5.00
O Come, O Come Emmanuel—arr. Jamey
Ray. Voctave's arranger Jamey Ray has created
a hauntingly beautiful setting of this traditional
Christmas hymn in an arrangement that is
accessible to any choir. The piano motive and
chromatic accompaniment surround this well-
known melody with lush harmonies and choral
lines to create an elegantly simple selection
that will speak to the hearts of all during the
Christmas season.
11001264 SATB . . . . . . . . . . . . . . . . . . . . . 2.00
11198823 SAB . . . . . . . . . . . . . . . . . . . . . . 2.00
L O Holy Night—Adolphe Adam/arr. Tim Harbold.
This soulful, gospel-style setting of the favorite
carol O Holy Night is a treat for mixed choirs.
Gorgeous smooth harmonies and a stylized
piano accompaniment bring a freshness to the
standard, and the option to feature a soloist for
the opening bars helps to establish the style. A
lovely arrangement that will shine in both concerts
and worship services.
11196162 SATB Divisi . . . . . . . . . . . . . . . . 2.55
D
O Holy Night—Placide Clappeau & Adolphe
Adam/arr. Masa Fukuda. This Christmas classic
comes alive with a featured soloist and beautiful
choir harmonies. The beautiful accompaniment
track is fully orchestrated.
11176107 SAT . . . . . . . . . . . . . . . . . . . . . . 3.50
L O Little Town of Bethlehem—R. Daniel Holt.
This is an evocative setting of the traditional carol
text, with earthy percussion and modal tonality.
Truly beautiful and highly interesting, with simple
and effective vocal writing, this will be a unique
addition to Christmas programs in concert or
church. Can be performed with keyboard only or
with keyboard and harp.
11195646 SATB . . . . . . . . . . . . . . . . . . . . . 2.55
HD O Magnum Mysterium—Morten Lauridsen.
t An exemplary composition to display the
musicianship of better a cappella choirs, this
choral opus evokes the mystery of the Nativity
with rich melodic and harmonic colors. Emotive
and deeply fulfilling, it has become Lauridsen's
most performed work.
1985530 SATB . . . . . . . . . . . . . . . . . . . . . 1.90
HD O Magnum Mysterium—Evan Ramos. Easy
t and absolutely beautiful for a cappella voices,
this setting of the beloved Latin Christmas text
is a succinct and lyrical selection that will create
a moment of wonder in your concert or worship
service. Simple, elegant, and haunting, this piece
is a wonderful choice for developing choirs.
10990309 SAB . . . . . . . . . . . . . . . . . . . . . . 1.95
10871862 SSA . . . . . . . . . . . . . . . . . . . . . . 1.95
10586916 TTB . . . . . . . . . . . . . . . . . . . . . . 1.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
O Magnum Mysterium—Jonathan Reid.
This beautiful addition to the treble repertoire
utilizes the time-honored Latin Nativity text
but can be performed as a lovely concert work
at any time of year. Singers will appreciate the
rich contemporary harmonies, lyrical lines, and
gentle sensitivity that lend an element of maturity
without excessive difficulty.
11365817 SSA . . . . . . . . . . . . . . . . . . . . . . 1.95
Pat-a-Pan—Bernard de la Monnoye/arr. Shawn
Kirchner. Here is a lively and intricate setting
of the classic French carol that builds to a
powerful close. In imitation of the flute and drum
mentioned in the carol, the singers play back and
forth repeating "tu-re-lu-re-lu" and "pat-a-pat-a-
pan" on interludes throughout the piece. After a
straightforward first verse, the second presents
the melody mysteriously, in pianissimo octaves,
while a "tu-re-lu-re-lu" ostinato trades off in the
inner parts. The third verse presents the melody
in a three-part canon, and finally, anchored by a
powerful three-part treble texture reminiscent of
Britten's This Little Babe, the fourth verse rises to
a powerful and rafter-raising conclusion.
11202992 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
L Resmiranda—Mitchell Covington. There are
numerous settings of RESMIRANDA in the English
choral tradition-the most well known being by
Benjamin Britten. This setting by composer
Mitchell Covington combines the English carol
text with a seventeenth century text by Thomas
Pestel. Scored for mixed chorus with piano,
the work would be a marvelous addition to
your Lessons and Carols, Epiphany worship, or
holiday concert.
11202058 SATB . . . . . . . . . . . . . . . . . . . . . 2.55
DL See, Amid the Winter's Snow—arr. Dan
Forrest. This arrangement of
HUMILITY with the
time-honored text by Edward Caswall swells
with emotion in the stunning unfolding of
the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10607050 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
10907678 SSAA . . . . . . . . . . . . . . . . . . . . . 2.25
10907681 TTBB . . . . . . . . . . . . . . . . . . . . . 2.25
D See the Star!—Ruth Morris Gray. Loosely
based on the Christmas carol We Three Kings,
this carol setting is anything but traditional! Set in
the style of a spiritual, this syncopated setting can
be performed a cappella or accompanied - your
choice! Both are effective, with sparkling rhythms
and interesting choral lines for each section.
Accessible and festive!
11166229 Three-Part Mixed
opt. A Cappella . . . . . . . . . . . . . 2.10
11205022 Teaching P/A CD. . . . . . . . . . . 22.99
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
The Shepherd's Spiritual—arr. Donald
Moore. Here's a swingin' gospel treatment
of Rise Up, Shepherd, And Follow that your
ensemble will enjoy singing year after year! It's a
great confidence-builder, an exciting audience-
pleaser, and just plain fun for all involved,
especially when you use the tambourine part!
11365813 SA or Two-Part. . . . . . . . . . . . 1.95
10583538 SSA . . . . . . . . . . . . . . . . . . . . 2.25
3126398 TB. . . . . . . . . . . . . . . . . . . . . . 1.95
D Silent Night—arr. Dan Forrest. A gentle
L instrumental introduction sets the stage for this
setting of the classic Christmas carol, continuing
under the familiar text with a quiet intensity as
it builds to the strong statement of purpose:
"Christ, the Savior, is born." Then it quietly rests
in the strength of that truth. Accompaniment for
string quartet or full orchestra is available for
each voicing.
10997660 SATB . . . . . . . . . . . . . . . . . . . 2.25
11202828 SSAA . . . . . . . . . . . . . . . . . . . 2.10
11202830 TTBB . . . . . . . . . . . . . . . . . . . 2.10
DL Sing We Now of Christmas—Fred Prentice.
Originally written for SATB divisi voices, this
edition brings the arrangement to life for SAB
choirs. The accompaniment is scored for harp
but works equally well with piano. This SAB
arrangement is accessible and suitable for
school and worship.
1468644 SATB . . . . . . . . . . . . . . . . . . . 2.10
11196639 SAB . . . . . . . . . . . . . . . . . . . . 2.55
L
Snow on Snow—Gustav Holst/arr. Ruth
Elaine Schram. This beautiful work creates a
mood of wonder, mystery, and anticipation
of the solitude and serenity on that first
Christmas night. Lush harmonies and an
original section comprising cascading vocal
lines complement Holst's melody, and the
Christina Rossetti text sparkles with the wonder
of the season. An artistic piano accompaniment
brings new motives and fluid support to the
choral lines.
11202600 SATB . . . . . . . . . . . . . . . . . . . 2.10
11202601 SAB . . . . . . . . . . . . . . . . . . . . 2.10
11202602 SSA . . . . . . . . . . . . . . . . . . . . 2.10
11202603 TTB. . . . . . . . . . . . . . . . . . . . . 2.10
11203171 P/A CD . . . . . . . . . . . . . . . . . 27.95
lD Star Carol—John Rutter. The masterful pen of
John Rutter created this marvelous Christmas
selection that has become a Christmas tradition
for mixed choirs. Use of children's choir or
orchestration with SATB choir will only enhance
your presentation.
624247 SATB . . . . . . . . . . . . . . . . . . . 3.00
1480771 Unison . . . . . . . . . . . . . . . . . . 3.00
6382774 Full Score . . . . . . . . . . . . . . . 29.95
6382782 Orchestration . . . . . . . . . . . . 67.00
l
Still, Still, Still—arr. Michael Higgins. This
arrangement of the popular German carol is
given a modern twist with fresh harmonies
but still captures the tranquility found in more
traditional settings. Supported by sustained
"oohs" and "ahs" throughout, this contemporary
setting is written so well that it doesn't even
need its delicate piano accompaniment.
11339680 SAB . . . . . . . . . . . . . . . . . . . . . . 3.00
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