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WARM-UPS
. 3 Warm-Up Chorales—Tyler Baker/arr. Dallas
Burke. These three short warm-up chorales for marching
winds and percussion will help your band focus on musicality
and sound before that big performance!
11198350 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00
3-Minute Warm-Up—Chris Sharp & Chip Birkner.
Give your group a warm up that makes perfect sense in
under three minutes time! The woodwinds play scales and
the brass does lip slur exercises while the percussion focuses
on sticking and rudiments. There is also a section of rhythmic
exercises to get the entire band focused and articulating
together as well as a balance and tuning chordal exercise.
10046359 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Advanced Contest Warm-Ups—arr. Dallas
Burke. Get rehearsals off to a great start while stressing the
fundamentals! Lip slurs, articulation drills, tuning and chorale
sections help reinforce proper playing.
2463271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Back To Basics Warm Ups—Dallas Burke. This
chart will give your group a solid warm up in under 3 minutes
while focusing on the basics needed for success. Winds
go thru sections on long tones, articulations, lip slurs and
balance exercises while the percussion works on 8th notes on
one hand, 16 note drills, accent placement, rolls and diddles.
The warm up ends in a beautiful chorale section to finish
tuning, balance and blend emphasis.
10449421 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Band Camp—Ayatey Shabazz. These exercises are
designed to help with the development of timing, chord
balancing, phrasing and dynamic control. Use your
own dynamics and tempos to create a different warm
up experience every time. Included are: Tuning Slurs;
Balance and Intonation; Articulation and Control and
Toccata Fanfare.
10305900 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 100.00
Bb Tuning—Wayne Downey/arr. Meehan. Made
famous by the Blue Devils (originally as F Tuning on G
Bugles), this chordal warm-up exercise contains both major
and minor versions.
10274708 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 40.00
Championship Chorales—arr. Dallas Burke. This
set of chorales from the classical masters is the perfect way
to warm up your band and focus on tuning, balance and
blend. Includes chorales from: Bach's Chorale Prelude No.
26; Beethoven's Pathetique Sonata; Chopin's Prelude Op. 28,
No. 4 - Largo; Mahler's Symphony No. 5 and Richard Strauss'
Also Sprach Zarathustra.
10358066 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
GO!—Murray Gusseck. This sequence represents a
complete warm-up package for the battery ensemble. It
was designed to be a self-contained warm-up that very
specifically targets the various muscle groups of the
fingers, wrists, and forearms in an equally specific order of
events. With over 20 individual exercises in nine different
categories, this mammoth practice tool contains something
for just about everyone.
11316483 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A 35.00
It Is Well (Hornline Warmup)—arr. Ayatey
Shabazz. Get your horn line locked and loaded with this
short but effective warm up that will get them ready to roar.
The musical lines present a wide range of dynamics and
contrasting textures that will develop listening skills, strengthen
embouchures, and reinforce playing skills that will have your
players sounding their best when they take the field.
11199064 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Marching Band Warmups—Ward Miller. Rehearsal
time is important, and this is designed to be brief but effective.
In just ten minutes a day these warm-ups will develop brass
sound and range, increase woodwind technique, and improve
overall intonation and volume.
10509391 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 100.00
Maximum Strength Warmups—arr. Gary Gilroy.
This warm-up covers all the basics - lip slurs, articulation,
intonation, phrasing, breath support, timing and more!
2464154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
Middle School Drumline 101—Carl Major. This
warm-up is for beginning or middle school drumlines that
are learning the basics. From single beat patterns to double
beats, triplets, diddles, and rolls, these technical exercises will
get your drummers movin' and groovin'!
10305104 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 50.00
Salvation—Scott Fairdosi. A front ensemble warm-up
with two marimba parts, one vibe, and one bell/xylophone.
10998763 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 30.00
Schlitz & Giggles—Murray Gusseck. This was a core
battery warm-up of the Santa Clara Vanguard in the late
1990s and beyond. Its format allows for plenty of variations.
It works well at a variety of tempos and should cause some
toe tapping in any onlookers if played correctly. Play it once,
or on repeat, for a fun and accessible way to drill some basic
battery technique!
11316507 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 20.00
Sectional Warm Ups—Allen Gray. This set of warm
ups is tailored to each section's specific developmental
needs. The brass section focuses on tone and proper playing
positions, pedal tones to stretch the embouchure and lip slurs
to develop range. The woodwinds focus on scales and two
octave runs in six major keys, chromatic scales, articulation
exercises and tuning exercises. The chorale/tuning section
can be played by just the woodwinds, brass alone or all wind
instruments together at the end of the warm up. In a focused
five minute drill, each section gets the most of what they need
to develop quickly!
10274541 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Ultimate Marching Band Warm-Ups—Gino
Cipriani & Jay Bocook. Based on warm-ups used by the
Cadets drum and bugle corps, here is an indispensable book
of developmental and warm-up exercises for just the brass
and woodwinds. Also included is a short chorale to help
develop breathing and phrasing skills.
10008200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 4.95
10012079 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 4.95
10012080 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 16.95
10012081 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 99.95
The Ultimate Warm Up—Gary Gilroy. An
integrated warm-up for winds and percussion...your band
will be ready to wail in three minutes! The last section
makes a great field warm-up!
2315794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Warm-Ups for Developing Bands—arr. Dallas
Burke. This is a complete set of warm-ups that includes
articulation studies, tuning exercises, scale exercises, and a
beautiful chorale.
2472148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00
Warm-Ups for Marching Band—Sam Pilafian
& Patrick Sheridan. Everyone who performs, exercises, or
participates in an extreme activity always does some form of
warm up. This series of exercises is not just a warm up. It is a
comprehensive set of exercises that, if done properly and on a
consistent basis, will provide substantial growth in your band!
10296234 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Warm-Up Pack—arr. Dallas Burke. Start each
rehearsal or show off right with this great set of warm ups!
Work on phrasing, articulation, slurring, rhythm and more.
2477677 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00
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11324202 Book. . . . . . . . . . . . .24.95
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