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CONCERT & FESTIVAL
How Can I Keep From Singing?—Robert
Lowry/arr. Matt Podd & Adam Podd. In what has
become a viral YouTube virtual choir sensation,
the Podd brothers have carefully crafted an
exceptionally artistic arrangement of this classic
song that has a contemporary vibe. A flowing
piano accompaniment anchors the setting, and
the traditional choral harmonies float above
as they effortlessly shift between triple and
quadruple meter. A stirring testament to the
power of singing!
11317443 SATB . . . . . . . . . . . . . . . . ME 2.95
11332070E Violin, Cello, Bass, Drums,
Percussion ePrint . . . . . . . . . . 15.00
11333191E Full Orchestration ePrint . . . . 75.00
D Howdidow, Deediddleumday—arr. Vicki
Tucker Courtney. A fantastic piece to teach
vowels, diction, rhythms, and pitch precision, this
English folk song is fun to sing and impressive to
perform. The nonsense syllables represent birds
and bats chatting to one another in a rhythmic,
witty fashion that your students will love to
sing. An excellent opening festival selection for
developing choirs!
11197753 SATB . . . . . . . . . . . . . . . . . M 2.25
10990717 Three-Part Mixed . . . . . . . . M 2.25
11197754 Two-Part. . . . . . . . . . . . . . . M 2.25
11197755 SSA. . . . . . . . . . . . . . . . . . . M 2.25
HD The Hurricane—Paul David Thomas. This
setting of a text by William Cullen Bryant really
conveys the excitement of a hurricane! Knee
slaps, finger snaps, and blowing sounds
effectively imitate the rain and wind while the
piano contributes just the right percussive effects
to complete the illusion of the storm. "Lord of the
winds! I feel thee nigh, I know thy breath in the
burning sky!"
11198032 Three-Part Mixed . . . . . . . ME 2.25
10583532 Two-Part or Three-Part
Treble . . . . . . . . . . . . . . . . ME 2.25
D I Remember—Sarah Quartel. Here is a lyric
beauty for treble or mixed voices, with lovely
legato lines, a gorgeous piano part, and a
picturesque text. "In my song there's a race
through a wild green meadow, the sunshine so
bright in my eyes..." Perfect for graduation or any
other occasion, this is beautifully done!
11315644 SAB . . . . . . . . . . . . . . . . . ME 3.35
11338764 Unison . . . . . . . . . . . . . . . ME 3.00
10354614 SA . . . . . . . . . . . . . . . . . . . ME 3.35
11372353 TB . . . . . . . . . . . . . . . . . . . ME 3.25
D I Will Sing—Michael Engelhardt. "What will I do
L with the portion given to me? I will sing." This
fantastic work, written in a gospel style with an
ecumenical text that challenges each of us to
make the most of the lives we've been given,
is a perfect piece for any setting, and makes a
great closer!
11195665 SATB . . . . . . . . . . . . . . . . . M 2.65
11316566 TTBB. . . . . . . . . . . . . . . . . . M 2.85
L Ilus Haal—Margrit Kits/arr. Laura Jekabson.
t Celebrating the relationship between Estonian
and Latvian folk music, this was written in
honor of Estonia's 100th anniversary. This
contemporary a cappella setting for mixed voices
features a fresh vibe, with percussive elements,
vocables, and Latvian lyrics with a pronunciation
guide and translation.
11347958 SSAATB . . . . . . . . . . . . . . . M 2.85
l In Te Speravi—Christi Jones. Crafted for
emerging treble singers to provide opportunities
for range extension, musical phrasing, and
attention to syllabic stress, this setting provides
a wonderful introduction to counterpoint through
the time-honored Latin text. A perfect festival
selection for your ensemble!
11370921 SA . . . . . . . . . . . . . . . . . . . ME 1.95
lL Invitation to Love—Brent Wells. Brent Wells
t has created a beautiful musical setting of Paul
Laurence Dunbar's words, inviting us to love one
another regardless of our circumstance. For more
advanced choirs.
11372836 SATB divisi . . . . . . . . . . . . . M 2.85
l
It's My Time—Jeannine Lasky & Masa Fukuda.
This song embraces the positive message of
living in the moment and appreciating the journey
of life. We can all leave a positive mark on others
around us. The 6/8 time signature and catchy
melody sweeps the listener away to a hopeful
place. Perfect for graduations or moving-up
ceremonies!
11373984 Unison . . . . . . . . . . . . . . . ME 3.50
11373985 SSA. . . . . . . . . . . . . . . . . . ME 3.50
HD J'entends le Moulin—arr. Emily Crocker.
Hear the steady sound of the mill wheel in this
brisk setting of the French Canadian folk song,
which uses alternate French and English text.
"I hear the windmill, tick-a tick-a tack-a..."
11176683 SAB or SA(T)B . . . . . . . . . ME 2.25
10030298 Two-Part. . . . . . . . . . . . . . ME 2.10
10030299 Teaching P/A CD . . . . . . . . . . 22.99
DL Jambo Rafiki—Victor C. Johnson. With lively
t
percussion parts and call-and-response-style
writing, this engaging and easy-to-learn piece
will make a terrific concert opener! The a cappella
harmonies are so fun to sing and include plenty
of repetition, and the notated percussion rhythms
effectively support the texture.
11195595 Three-Part Mixed . . . . . . . ME 2.10
11195596 Two-Part. . . . . . . . . . . . . . ME 2.10
lt Jarba, Mare Jarba—arr. Stacy Garrop. This
exciting Hungarian-Romani folk song, originally
arranged for Chanticleer, has been masterfully
adapted in this arrangement which includes
shouts, calls, claps, and spoken sounds in the
tradition of Eastern European folk music. Sung
in the Beas language, the translation speaks of a
deep longing to return to one's homeland.
11370902 SATB divisi,
or SSAATTBB. . . . . . . . . . MA 2.75
l
Jubilate Deo! Alleluia!—Michael Praetorious
& Cristi Cary Miller. Based on the well-known
Jubilate Deo canon, this accompanied setting
adds a new B section melody to create a
glorious concert opener or festival selection for
younger choirs.
11368140 Three-Part Mixed . . . . . . . . . E 2.10
l Just Over the Way Where the Rainbow
Fell—Rosephanye Powell. Jack London's text
has been masterfully set to include expressions
of lilting joy, moments of spoken thought, and
passages of melancholy reflection. The piano
accompaniment is dynamic on its own yet
supportive of the texture. Choirs will enjoy this
concert work!
11348134 SATB . . . . . . . . . . . . . . . . . M 2.10
J W P E P P E R . C O M / C H O R A L T R A C K S
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Rehearsal tracks for your choir
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