J.W. Pepper Catalogs

2021-22 Midyear Choral Catalog

J.W. Pepper Music Catalog

Issue link: https://read.jwpepper.com/i/1430990

Contents of this Issue

Navigation

Page 7 of 39

2021 Editors' Choice lNew for 2021 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision 6 CONCERT & FESTIVAL Go to cart DL A Call for Peace—Jerry Estes. This timeless t call for peace in the world, based on a Gregorian chant-like vibe in minor mode, creates an ancient- modern concert work with a message that is appropriate for any time of year. Designed to be three-part a cappella, but with options for piano accompaniment and additional percussion, this well-crafted piece features reasonable ranges for young singers in an exciting imitative texture that is easy to learn and impressive to perform. 11202514 Three-Part Mixed . . . . . . . ME 2.25 11202515 TTB . . . . . . . . . . . . . . . . . . ME 2.25 l Carry the Music—Sarah Quartel. This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing that culminates with the profound closing words "I hear you. I see you too." 11372378 SSA. . . . . . . . . . . . . . . . . . ME 3.00 lD Cikala le Pong Pong—arr. Ken Steven. Cikala t le Pong Pong is a Pakpaknese folk song from North Sumatra, Indonesia. Today, this song is commonly performed at wedding celebrations, opening ceremonies, and cultural events in the region, often accompanied by traditional dancing. By incorporating percussive effects such as foot stomping, clapping, and snapping, and utilizing extreme vocal ranges through glissandi, the arranger has re-created the energetic, fun and lighthearted atmosphere inherent in the song. Translation and pronunciation guide included. 11366963 SSAATTBB. . . . . . . . . . . . MA 2.20 10733527 SSAA . . . . . . . . . . . . . . . . MA 2.10 L Come By Here—arr. Kyle Pederson. This sensitive setting of the spiritual KUM BAH YAH is not to be missed. In one spot the piano plays a guided improvisation over the choir singing neutral syllables. In another there is the option to sing unaccompanied. An emotional high point occurs when the sections each sing out their situations, "longing, falling, hiding," then answer together, "You are here." This work hits every high mark in terms of vocal writing, a skillful accompaniment, and a beautiful effect. 11199621 SATB . . . . . . . . . . . . . . . . ME 2.50 Lt Cool Moon—Richard A. Williamson. Carefully crafted vocal lines combine in lush harmony in this easy and effective introduction into modern a cappella singing. A beautiful text paired with an artistic setting gives the perfect opportunity to teach musical and literary sensitivity along with balance and blend. 10590395 SATB . . . . . . . . . . . . . . . . ME 2.05 10843329 Three-Part Mixed opt. piano accompaniment . . . . . . . . ME 2.05 11172841 SSA opt. piano accompaniment . . . . . . . . ME 2.05 DL Crawdad Creek—Mary Donnelly & George L.O. Strid. Your students will have a blast performing the simple body percussion that enhances this partner-song setting of the two popular American folk songs Crawdad Song and Cripple Creek. A perfect opportunity for introducing harmony and developing part independence, this arrangement offers great educational options as well as being a strong performance piece. Add the fiddle for even more fun! 11202521 Two-Part. . . . . . . . . . . . . . . . E 2.35 11203157 P/A CD . . . . . . . . . . . . . . . . . . 27.95 D Crowded Table—Natalie Hemby, Lori McKenna & Brandi Carlile/arr. Andrea Ramsey. In an easy swing feel, this country pop song from new supergroup The Highwomen delivers a powerful message for women and girls to band together and hold one another up. The optional fiddle adds a nice touch to the pretty choral harmonies in this poignant selection. 11196063 SSA. . . . . . . . . . . . . . . . . . ME 2.65 11348223E Instrumental Parts ePrint . . . . . 5.00 L Death Came A-Knockin'—Ruthie Foster/arr. t Paul Rardin. This bluesy setting requires three treble soloists with power and confidence. The choral backgrounds are deliberately sparse imitating guitar, light organ, and banjo until a climactic group shout. The music is driving and relentless as the singers are determined to be "ready to go" into the kingdom of God. The characters in this unique and compelling work are mother, sister, brother, neighbor, preacher, and finally, self, which reminds us that all of us will all face this journey, so we had best live right and shout "Hallelujah" when our turn comes. 11316622 SATB . . . . . . . . . . . . . . . . . M 3.05 Deep Peace—Elaine Hagenberg. Beautifully capturing the essence of a traditional Gaelic blessing, this original setting evokes the natural tranquility of a "gentle night" where the "moon and stars pour their healing light on you." The flowing piano accompaniment supports the soaring legato vocal lines to create a mature and artistic texture while remaining accessible to choirs in school or community settings. The optional string quartet parts add additional serenity and depth. 11341294 SATB . . . . . . . . . . . . . . . . . M 2.50 11341295 Instrumental Parts String Quartet. . . . . . . . . . . . . 35.00 D Dies Irae—Michael John Trotta. Pulsating Lt rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni Emmanuel. Based on the 13th- century Dies Irae chant, the exciting minor texture contrasts driving rhythms and beautiful legato singing while still remaining accessible. A perfect way to showcase your choir as a concert opener, closer, or for festival use. 11315425 SATB . . . . . . . . . . . . . . . . . M 2.75 Dover Beach—Ashley Dame & Meredith Tompkins. For unchanged tenor voices, this piece hints of the drama of the sea with rolling and weaving melodies in the undulating piano accompaniment. Effective use of unison, two-part harmonies, and a descant propel the energetic and musically charged melodic passages and motivate young performers to be their very best! 11198013 Two-Part or TT (Unchanged Voices). . . . . . . E 2.50 D The Dreamer in Me—Pinkzebra. A cheerful and inspiring song with happy vibes, positive thinking, and a hopeful attitude that is great for graduation and moving-up ceremonies or general concert performances. A bouncy groove, singable melody and accessible harmonies make this a quick learn with plenty of appeal. 11130526 SATB . . . . . . . . . . . . . . . . ME 2.25 11130527 SAB . . . . . . . . . . . . . . . . . ME 2.25 11130529 Two-Part. . . . . . . . . . . . . . ME 2.25 11130528 SSA. . . . . . . . . . . . . . . . . . ME 2.25 11130530 Instrumental Parts Flute, Glock, Guitar, Bass, Percussion . . . . 30.00 lL Dziediet, Meitas!—arr. Laura Jekabsone. t A cheerful folk song proclaiming "Sing, daughters!" is arranged in a contemporary a cappella style by a Latvian woman composer and member of the Latvian Singers, for whom this was originally set. Brimming with excitement and rhythmic energy, it is a delightful change of pace for those seeking something different in the world music genre. 11372834 SSAATB . . . . . . . . . . . . . . . M 2.95 HD Earth Song—Frank Ticheli. A cry for peace in a Lt world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The scorched earth cries out in vain... But music and singing have been my refuge, and music and singing shall be my light..." 10027720 SATB . . . . . . . . . . . . . . . . . M 2.25 11196150 SSAA . . . . . . . . . . . . . . . . . M 2.25 DL El Vito—arr. Greg Gilpin. This energetic arrange- ment of the traditional Spanish folk song is infused with the characteristic dance rhythms of Andalusia. Easy-to-learn phrases in the original language alternate with some English text. Plenty of unison and a fun-to-sing countermelody in the chorus make the harmonies easy to teach. Add the optional choreography to complete the picture of this vibrant dance. 11196350 Three-Part Mixed . . . . . . . ME 2.05 11196351 Two-Part. . . . . . . . . . . . . . ME 2.05 11196352 P/A CD . . . . . . . . . . . . . . . . . . 29.99 PLAN FASTER! J W P E P P E R . C O M / M Y L I B R A R Y Great customer service and almost everything I ever need is in stock! – Christopher

Articles in this issue

Links on this page

Archives of this issue

view archives of J.W. Pepper Catalogs - 2021-22 Midyear Choral Catalog