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CONCERT MARCHES
V E R Y E ASY
H Activity March—Harold Bennett/arr. Clark.
As traditional marches go, this one just can't
be beat! Players and audience alike will like
the snappy rhythms and tuneful phrases, and
Larry Clark's arrangement presents nothing
that can't be learned by students at the easy
level. Incorporate America's band heritage into
your next concert with this great march!
2416097 Band Set & Score. . . . . . . . . . . 50.00
All for One, One for All—Carol Brittin
Chambers. This concert march was written
specifically for young musicians. As the title
indicates, the jubilant and upbeat spirit portrays
a strong sense of unity that emanates throughout
the piece. It's perfect for reinforcing march style
in a manner that will stand out in any contest or
festival program.
11001010 Band Set & Score. . . . . . . . . . . 55.00
Andalucia—Victor Lopez. Andalucia has always
been a very musical land and the unique music
and exotic dances have inspired composers
throughout history. This tradition continues
with this inspired work, flavored by the colorful
blended sounds of the flamenco traditional march
styles. Full of fire and energy it will spice up any
young band concert!
10218260 Band Set & Score. . . . . . . . . . . 56.00
Cadets in Step!—Matthew R. Putnam. In the
various branches of the military, one of the first
things that a young cadet learns to do is to march
in step. This march is written in the standard
three-part form, with no break strain, and will
reinforce the importance of keeping a strict
tempo and playing crisp, measured rhythms. Very
well suited for contest or festival adjudication.
11001024 Band Set & Score. . . . . . . . . . . 50.00
H Forward March!—Paul Murtha. Here's a snappy
little march that your drummers are just going to
love! They get a spotlighted percussion break,
and there's also a nice "trio" melody for clarinets,
strong melodic writing with easy counterlines
and a strong full band finish. Bright, invigorating
and reminiscent of some of the great classical
marches, this is a strong choice for your beginners!
2445344 Band Set & Score. . . . . . . . . . . 45.00
March from First Suite for Military Band—
Gustav Holst/arr. Story. Historically important,
the suite this comes from is one of the first
pieces written exclusively for military bands. This
arrangement is based on the second theme of
the March, a very lyrical melody reminiscent of
British folk music. This accomplished setting
brings this cherished work to the stands of your
beginners, a most welcome addition to beginning
band repertoire!
10279758 Band Set & Score. . . . . . . . . . . 56.00
Union March—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops or
technique. Complete with opening strain, dog-
fight section, and final strain, this musical march
lets directors focus on teaching march style and
phrasing. An excellent and welcome addition for
very young bands!
10279376 Band Set & Score. . . . . . . . . . . 45.00
Union March—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops or
technique. Complete with opening strain, dogfight
section, and final strain, this musical march lets
directors focus on teaching march style and
phrasing. An excellent and welcome addition for
very young bands! This fully adaptable version
allows for any instrument combination, allowing
for maximum flexibility and versatility!
11315997 Band Set & Score Full Flex . . . 45.00
E ASY
Capstone—Tyler Arcari. Young bands are
certain to enjoy playing this traditional march.
With plenty of dynamic changes and instrumental
colors, you'll have your audiences applauding
in no time. Melodic horn parts and moving low
brass lines will keep everyone in the band busy
and sounding their best.
11001026 Band Set & Score. . . . . . . . . . . 65.00
Darklands March—Randall Standridge. This
somewhat dark and edgy concert march is
written in minor mode with the militaristic first
half of the march in stark contrast to the lyrical
trio. An expertly-written easy concert march that
is also an excellent work for teaching march
style, dotted eighth/sixteenth note rhythms and
motivic development.
10457936 Band Set & Score. . . . . . . . . . . 70.00
Freedom City—Karl L. King/arr. James
Swearingen. This outstanding march is another
gem from the magical pen of Karl L. King. Tuneful
melodies, clever countermelodies, and interesting
percussion parts remain a hallmark of the King
library. Musicians throughout the world have
benefited greatly from this famed composer's
long list of successful marches.
10758881 Band Set & Score. . . . . . . . . . . 68.00
Ingenuity—Larry Clark. Dive into the march style
with this great selection for younger bands. With
a melody that is catchy and playable, you will find
much success in this march. The trio features
some opportunities for working with accidentals,
and the lows have a great countermelody. An
excellent introduction to the march!
11346036 Band Set & Score. . . . . . . . . . . 55.00
M E D I U M - E ASY
Aces of the Air—Karl King/arr. Swearingen.
From the always popular collection of Karl
King marches has come another great work of
masterful writing. All the colorful ingredients of
a traditional march can be found in this fun to
perform piece by the preeminent composer of
circus music. His timeless pieces are performed
around the world and this exciting march will
hopefully find its way into the music folders of
your students.
10280589 Band Set & Score. . . . . . . . . . . 65.00
H Alamo March—Karl L. King/arr. Swearingen.
When it came to writing marches that sounded
great with bands at all grade levels, Karl King
had no peer. Dedicated to the heroes of The
Alamo, this very playable march has that certain
quality which made it one of King's favorites at
the easy grade level. With a full concert band
instrumentation, along with subtle changes in the
instrumental scoring and percussion lines, James
Swearingen's arrangement enhances its charm
even further. A guaranteed winner!
2231751 Band Set & Score. . . . . . . . . . . 60.00
American Big Top—Brian Balmages. The spirit
of Charles Ives comes alive in this wacky and
clever American-style circus march! Featuring
snippets of many patriotic favorites, a wealth
of original material, and layered harmonies and
rhythms, this is a highly entertaining and unique
piece that works equally well as a march, festival
selection, or closer.
10907715 Band Set & Score. . . . . . . . . . . 70.00
H
Amparito Roca—Jaime Texidor/arr. Fagan. This
classic Spanish march has been expertly re-cast
in an authentic-sounding edition for younger
players. Brass ranges and the instrumentation
have been modified while all the charm and
energy of the original remain. A most welcome
addition to band repertoire.
10052942 Band Set & Score. . . . . . . . . . . 65.00
Bunker Hill—Karl L. King/arr. James
Swearingen. Known throughout the world, this
legendary composer created a treasure trove of
wonderful marches that have stood the test of
time. This entertaining 6/8 march is no exception;
its pronounced, steady beat and jaunty melody
are sure to generate enthusiastic toe tapping from
beginning to end. A simply can't-miss choice for
popular march programming.
10908336 Band Set & Score. . . . . . . . . . . 68.00
El Zorro Rojo—Randall D. Standridge. This
spirited concert march portrays the lighthearted,
mischievous nature as well as the flowing and
graceful beauty of this wonderful creature, the red
fox. Vibrant Spanish harmonies and the buoyant
3/4 time signature give this march a decidedly
stimulating and exotic character.
11001401 Band Set & Score. . . . . . . . . . . 58.00
La Matriarca—Matthew R. Putnam. With
the style of a Spanish march and the form of a
traditional march, this unique addition to the
march repertoire will be enjoyed by students and
audiences. This is also an excellent way to feature
your euphonium player.
11346040 Band Set & Score. . . . . . . . . . . 65.00
Marche Diabolique—Brian Balmages. This
sinister-sounding march is perfect for directors
looking for something completely different.
Using elements from a traditional march set in
a contemporary framework, the music is based
on tritone intervals surrounded by expansive,
dark harmonic language. A wealth of percussion
adds great color to the unsettling character of the
music. Quite effective and intriguing!
10459831 Band Set & Score. . . . . . . . . . . 60.00
Rough Riders—Karl L. King/arr. Swearingen.
What a terrific march at this level! Sometimes
termed a galop, this is one of King's easier
marches, and James Swearingen's edition for
modern concert band is right on the mark! Rough
Riders will make a great choice for concert,
festival or contest use, and is sure to be the hit of
your next performance.
2347037 Band Set & Score. . . . . . . . . . . 60.00
Spania!—David Shaffer. A real showstopper
for developing bands! A delightful and exciting
Spanish march for developing bands that's a
real confidence builder and effective teaching
tool. Written in the classic paso doble style, all
sections have interesting parts to play in this fiery
original. A real winner!
2481432 Band Set & Score. . . . . . . . . . . 59.00
St. Petersburg March—Johnnie Vinson. This
original march is reminiscent of the Russian city's
rich and exciting history of intrigue, revolution and
mystery. Expertly scored for young bands, this
unique and fresh-sounding work paints a musical
picture of frigid winters, magnificent castles and
imposing cathedrals. A wonderful addition to the
march repertoire for band.
2481708 Band Set & Score. . . . . . . . . . . 55.00
CONCERT
BAND
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