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Rhythm a Week—Anne Witt. This is effective tool
encourages the mastery of common rhythms. Based
on Igor Hudaloff's A Rhythm a Day, this technique
book targets specific rhythmic problems facing
string players. Students focus on isolated rhythmic
examples, and then apply the knowledge to their
every day performances. An invaluable resource!
5661020 Violin . . . . . . . . . . . . . . . . . . . . .7.99
5661038 Viola. . . . . . . . . . . . . . . . . . . . . .7.99
5661046 Cello/String Bass. . . . . . . . . . . .7.99
5661053 Conductor . . . . . . . . . . . . . . . .10.95
Scales Arpeggios and Chorales—
Ian Edlund. This presentation of two-octave scales
with corresponding arpeggios is designed to be
used in orchestra classes with all instruments
together. It includes the most common orchestral
keys and develops facility in all positions through
carefully designed and notated fingerings. The
chorales are all harmonizations by J.S. Bach,
though the customary fermati have been eliminated
to encourage an intuitive sense of phrasing in the
players. Includes score and set of parts.
2471055 String Orchestra . . . . . . . . . . .68.00
The Sight-Reading Book for String
Orchestra (Revised edition)—Jerry West.
The Sight-Reading Book for String Orchestra
contains 100 short pieces designed to allow groups
to sight-read at every rehearsal without having to
sort loose music, hand it out, and collect it after
rehearsal. The music can be adapted to a wide
range of group sizes and instrumentation, but is
also well suited for individual study. An invaluable
tool to assist with efficient preparation for sight-
reading at contests or festivals. (This revised
edition is not compatible with the previous edition).
10149752 Violin 1 . . . . . . . . . . . . . . . . . . . .9.95
10149753 Violin 2 . . . . . . . . . . . . . . . . . . . .9.95
10149754 Viola. . . . . . . . . . . . . . . . . . . . . .9.95
10149755 Cello . . . . . . . . . . . . . . . . . . . . .9.95
10149756 String Bass . . . . . . . . . . . . . . . .9.95
10149757 Conductor . . . . . . . . . . . . . . . .38.00
Sound Innovations: Sound Development
for Intermediate String Orchestra
(Warm-Up Exercises for Tone and
Technique)—Kirk Moss & Bob Phillips.
Sound Development emphasizes playing with a
characteristic beautiful sound. The components of
producing this sound are broken into four levels,
consistent with the revolutionary Sound Innovations
structure: sound tone, sound bowings, sound
shifting, and sound scales, arpeggios, chorales, and
rhythms. The levels can be used in the order that
is best for your students, as individual warm-ups
or as structured units. Your students will learn the
proper use of the bow with the variables of tone,
the next group of bowings needed for intermediate
repertoire, and how to shift and play with vibrato.
These skills are reinforced with comprehensive
scales, arpeggios, sight-reading materials, rhythm
exercises, and warm-up chorales.
10318159 Violin . . . . . . . . . . . . . . . . . . . . .8.99
10318160 Viola. . . . . . . . . . . . . . . . . . . . . .8.99
10318235 Cello . . . . . . . . . . . . . . . . . . . . .8.99
10318236 String Bass . . . . . . . . . . . . . . . .8.99
10318237 Teacher's Edition . . . . . . . . . . .39.99
10318384 Piano . . . . . . . . . . . . . . . . . . .12.99
String Training (Book One)—Kathryn
Griesinger. This collection of 80 reproducible
theory and technique worksheets can be used
in the orchestra classroom or lesson studio.
Twenty units provide brief writing and playing
excerpts that can be used for assessment or
tuning work in class. Each unit is designed to
develop fundamental skills in note recognition,
finger patterns, key signatures, meter, rhythms,
and sight-reading. Every exercise can be written,
counted, sung, and played to allow students to
focus on one music element at a time. Progressive
exercises range from basic quarter notes to
sixteenth and dotted rhythms, compound meter,
and syncopation in the keys of D, G, C, F, and A
major. Student books are compatible (unison) and
the Value Pack includes teacher manual and all four
student books.
10846077 Violin . . . . . . . . . . . . . . . . . . . .29.95
10846078 Viola. . . . . . . . . . . . . . . . . . . . .29.95
10846079 Cello . . . . . . . . . . . . . . . . . . . .29.95
10846080 String Bass . . . . . . . . . . . . . . .29.95
10846076 String Orchestra
Teacher's Manual. . . . . . . . . . .29.95
10846081 Value Pack. . . . . . . . . . . . . . .119.95
The Strum Bowing Method—Tracy
Silverman. The Strum Bowing Method presents
a clear and comprehensive approach for string
players to easily learn how to play and teach
the grooves in contemporary popular music.
Supplemented by 22 Groove Studies for Strings,
available separately for each instruments.
10984559 String Method . . . . . . . . . . . . .29.95
Treasury of Scales—Leonard B. Smith.
This is a "must have" set of warm-ups! Consisting of
96 masterfully harmonized scales in all keys, major
and minor, this is an exceptionally useful, functional
book for building musicianship and awareness
in students of any age. Considered by many to
be an indispensable part of daily warm-ups, this
outstanding book should definitely be a part of every
music library from junior high through college.
4521407 Violin 1 . . . . . . . . . . . . . . . . . . . .5.99
4521415 Violin 2 . . . . . . . . . . . . . . . . . . . .5.95
4521423 Viola. . . . . . . . . . . . . . . . . . . . . .5.95
4521431 Cello . . . . . . . . . . . . . . . . . . . . .5.95
4509113 String Bass . . . . . . . . . . . . . . . .5.95
Vibrato Basics—Jeremy Woolstenhulme.
Vibrato Basics is the newest member of the String
Basics curriculum! Especially written for string
classrooms, students of all instruments will learn
step-by-step exercises ultimately preparing the left
hand for a healthy vibrato motion. As vibrato starts
to settle in, the exercises will segue into familiar
melodies and excerpts from folk songs and orchestral
literature. Vibrato Basics also features the popular
Interactive Practice Studio (IPS) where students
can view short videos featuring essential exercises
introduced throughout the book. Vibrato Basics is an
ideal companion with String Basics Book 3 or any
traditional level 3 method book. Shifting and position
work is required for all students.
11162849 Violin . . . . . . . . . . . . . . . . . . . . .9.95
11162850 Viola. . . . . . . . . . . . . . . . . . . . . .9.95
11162851 Cello . . . . . . . . . . . . . . . . . . . . .9.95
11162852 String Bass . . . . . . . . . . . . . . . .9.95
11162853 Teacher's Kit . . . . . . . . . . . . . .34.95
Workbook for Strings (Volume 1)—
Forest Etling. This series of workbooks for
beginning and intermediate players is designed to
save rehearsal time. Available as separate books
for each instrument, the take-home assignments
stress the names of notes, finger patterns, scales,
key signatures, terms and symbols, and other
information necessary to prepare the string player
thoroughly for orchestra participation.
6015689 Violin . . . . . . . . . . . . . . . . . . . . .7.99
6015655 Viola. . . . . . . . . . . . . . . . . . . . . .7.99
6015648 Cello . . . . . . . . . . . . . . . . . . . . .7.99
6015580 String Bass . . . . . . . . . . . . . . . .7.95
