Editors' Choice lNew for 2022 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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l The Crucifixion (from "Simon Bore the
Cross")—arr. Margaret Bonds. Dynamic and
powerful, this piece is based on the spiritual
He Never Said a Mumblin' Word. It is part of
the cantata Simon Bore the Cross, which pulls
into sharp focus individuals of African descent
who were integral components of the gospel
story. Piano accompaniment supports the full
choral sound.
11374282 SATB. . . . . . . . . . . . . . . . . . . . . .2.55
11376126 Simon Bore The Cross,
SATB w/solo. . . . . . . . . . . . . . . .8.95
Draw Me to the Cross—Gary W. Matthews/
arr. Lloyd Larson. The familiar words by Fanny
Crosby are set to an original melody that is then
arranged into a lovingly warm Lenten anthem.
Solid choral material with a rich, expressive
piano accompaniment, this anthem is an
excellent choice for Ash Wednesday, Lent, and
Holy Week.
11368407 SATB. . . . . . . . . . . . . . . . . . . . . .2.20
Father, Forgive—Lee Dengler.
Prayerful and poetic, this Good Friday offering
is unforgettable. The anthem dramatically
paints the picture of Jesus' first words from
the cross: "Father, forgive them; for they do
not know what they are doing." A rich chorale-
like opening gives way to a lyrical and gently
layered Kyrie eleison section followed by a
hushed closing. Beautiful and deeply moving,
this is a very effective anthem anytime during
the Lenten season but especially for Holy Week.
11374235 SATB. . . . . . . . . . . . . . . . . . . . . .2.30
Forsaken—Dan Forrest. No one could
presume to know Christ's thoughts as he
awaited the suffering just hours before he was
crucified. This anthem combines scriptures
from the Psalms and the New Testament into
a first-person account of what Jesus' thoughts
might have been. With masterfully composed
music, instrumental textures and an aura
of deep sadness, the resulting anthem is a
penetrating look at the Good Shepherd during
his moments of deepest agony.
10489739 SATB. . . . . . . . . . . . . . . . . . . . . .2.25
10489740 Violin/Cello Parts . . . . . . . . . . .17.50
His Mother Weeping—Victor C. Johnson.
With words from the Stabat Mater, this setting is
a stunning musical portrayal of Mary's emotions
as she experienced the death of Jesus. A
soprano descant provides a vivid and dramatic
musical scene, making this anthem truly special
and memorable for Holy Week services.
11375729 SATB. . . . . . . . . . . . . . . . . . . . . .2.20
How Deep the Father's Love for Us—
Stuart Townend/arr. Mark Hayes.
This arrangement of the classic contemporary
hymn receives a beautiful setting that
showcases Mark Hayes' skill in writing for
voices and piano. Suitable for Lent, Holy
Week, and anytime we need a reminder of the
price Christ paid for our salvation.
11375733 SATB. . . . . . . . . . . . . . . . . . . . . .2.25
11375734 P/A CD . . . . . . . . . . . . . . . . . . .29.95
D The Lamb's Lament—Brad Nix.
A piano introduction prepares the listener for
a powerful moment in the life of Christ. Tone
painting abounds as Jerusalem witnesses the
progression of sacrifice that brings Jesus to His
destiny on Calvary. Stunning melodic moments
mingle with richly fulfilling harmonies to create a
dramatic tableau.
11165977 SATB. . . . . . . . . . . . . . . . . . . . . .2.10
Mourning Hymn—arr. Heather Sorenson.
Many texts have been set to the well-known
folk tune
O WALY WALY, but it seems at home
in this moving testimony of Calvary's love.
A tasteful piano part moves in and out of the
choral textures with sensitive understanding.
The vocal ranges explore lower tessituras and
thus grant a deep richness to the anthem's
timbre. This piece immerses the listener in the
story and looks without flinching at the cross
and its ministry of grace.
11374124 SATB. . . . . . . . . . . . . . . . . . . . . .2.20
l Old Jerusalem Town—Diane Hannibal/
arr. Stewart Harris. This dramatic offering
takes us from the hosannas of Palm Sunday
to Good Friday's cries of "Crucify!" The
music is approachable yet inventive, while
the theater elements of the arrangement
tell the story in vivid colors. A main theme
like a folk song, interesting choral echoes,
expressive harmonies, and a descriptive piano
accompaniment all dialogue together in this
sacred journey.
11374125 SATB. . . . . . . . . . . . . . . . . . . . . .2.20
On the Cross—Lloyd Larson. From the
cantata Worthy Is the Lamb! comes this
dramatic and solemn anthem depicting the
crucifixion. Perfect for Good Friday, the ending
is appropriately quiet and reflective.
11375756 SATB. . . . . . . . . . . . . . . . . . . . . .2.20
11375757 P/A CD . . . . . . . . . . . . . . . . . . .29.95
11375758 Orchestration . . . . . . . . . . . . . .69.95
l Psalm 31: Father, into Your Hands—
Bob Hurd/arr. Rick Modlin. This Good Friday
psalm of lament echoes the scripture, "He was
pierced for our offenses, crushed for our sins"
and powerfully describes the final moments
on the cross. Yet the major mode, flowing
accompaniment, and easy singability of the
refrain offer a hopeful interpretation of the
themes of refuge, trust, and, ultimately, salvation.
Scored for choir, piano, guitar, and assembly.
11373791 SATB. . . . . . . . . . . . . . . . . . . . . .2.65
L Were You There—Kyle Pederson.
This version of the great spiritual is rich in text
painting and digs deeply into the emotions
portrayed in the words. The arrangement begins
effectively with the sound of the hammer in
the low piano part. Moving from E-flat to E-flat
minor for the second verse adds a brooding
timbre. Subsequent verses build in intensity
with an independent piano part, then the
arrangement ends subdued with echoes of the
hammer. A haunting choice for Good Friday and
the Lenten season.
11373311 SATB. . . . . . . . . . . . . . . . . . . . . .2.25
D Were You There?—arr. John Leavitt.
From the cantata Calvary's Mountain, this
effective arrangement of the beloved spiritual is
well crafted to deliver a fullness of sound without
raising the level of difficulty. The emotional
spiritual is standard repertoire for churches
during Holy Week, and the restrained approach
of this version is a sensitive choice for Tenebrae
or other Holy Week traditions. Simply beautiful!
11166492 SATB. . . . . . . . . . . . . . . . . . . . . .2.10
11373604 SAB. . . . . . . . . . . . . . . . . . . . . . .2.15
11166493 P/A CD . . . . . . . . . . . . . . . . . . .29.99
11166496E Orchestration ePrint . . . . . . . . .55.00
Were You There?—Patrick Dupre Quigley.
Were You There? is a meditation for baritone and
chorus written for American baritone Charles
Wesley Evans. The piano accompaniment is
a transcription of an improvisation by Patrick
Dupre Quigley. Stunning in its sophisticated
simplicity, this will work beautifully for both
church choirs and concerts.
10994182 SAB. . . . . . . . . . . . . . . . . . . . . . .2.60
11369362 Performance Choral CD. . . . . .16.95
HD When I Survey the Wondrous Cross—
arr. Gilbert Martin. Effective, simple part-
writing and exceptional use of dynamics have
made this piece an icon of sacred choral
literature. There is just no better way to express
the meaning of the cross, particularly during
Lent or Good Friday services.
984633 SATB. . . . . . . . . . . . . . . . . . . . . .1.95
1584705 SAB. . . . . . . . . . . . . . . . . . . . . . .2.25
L Who Is This?—Victor C. Johnson.
"Who is this, despised, rejected, mocked,
insulted, beaten, bound?" This eloquent anthem
is a dramatic yet simple reflection on Christ's
crucifixion, featuring haunting yet lovely choral
writing and an elegant piano accompaniment.
Focusing on the immense sacrifice at Calvary,
it is an excellent choice for a contemplative
moment in a Holy Week or Good Friday service.
Very moving!
11165849 SATB. . . . . . . . . . . . . . . . . . . . . .2.10
DL Wondrous Love—Emma Booth-Tucker &
Wes Cameron. Asking, "Why would the Son of
God lay down his life for me?" this Good Friday
ballad exalts the "wondrous love the Savior
showed for me!" Opening with a hint of the
hymn What Wondrous Love Is This, this Lenten
anthem is sensitively crafted, easily learned, and
very effective.
11165098 SAB. . . . . . . . . . . . . . . . . . . . . . .2.30
11165099 P/A CD . . . . . . . . . . . . . . . . . . .29.95
GOOD FRIDAY ANTHEMS
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