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GENERAL ANTHEMS
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General Anthems
D Agnus Dei 2020—Jay Althouse. Composed
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in remembrance of lives lost during the
2020 pandemic, this sparse setting of the
traditional Latin Requiem text is built upon a
melody inspired by a bird's simple three-note
song. Solemn and poignant, this memorable
piece can be effectively sung in either
concert or worship.
11343532 SATB . . . . . . . . . . . . . . . . 2.05
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All I Know—John Purifoy. The pivotal
miracle of the blind man seeing is told from
his perspective: "All I know is Christ changed
me." A soaring melodic theme crowns the
refrain, and the verses exemplify musical
storytelling at its best. Crafted as a sermon
in song, pair this anthem with the related
scripture or with sermons that speak to the
love and mercy of Christ.
11317617 SATB . . . . . . . . . . . . . . . . 2.10
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All Shall Be Well—Russell Schulz-Widmar. A
timely anthem that speaks to God's constancy
in everchanging times, the melody of this
3-part canon is beautifully written to reflect the
reassuring text. Scored for a cappella choir,
there are also optional parts for keyboard,
flute, and cello accompaniment. This anthem
could creatively work as a unison or 2-part
anthem also.
11349051 SAB w/opt.
piano, flute, cello. . . . . . . . 2.25
lt Almighty, Unchangeable God—Cindy Berry/
arr. Richard A. Nichols. Proclaiming a majestic
yet loving Savior, the anthem unfolds with a
soprano solo supported by the choir which
provides dramatic emphasis to parts of the text.
Cluster harmonies with limited divisi make this a
challenging but interesting anthem that praises
an almighty and unchanging Father.
11372742 SSAATTBB . . . . . . . . . . . . 2.25
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Amazing Grace—arr. Benjamin David
Knoedler. This marvelous new arrangement of
the classic hymn begins with children "oohing"
the melody over a quiet piano accompaniment.
Their sustained "oohs" continue while the
piano takes a verse. Two sung verses are
followed by the hymn ending as gently as it
began. This is a lovely, effective arrangement
of the familiar hymn that can be sung by adults
as well as children.
11338080 Unison . . . . . . . . . . . . . . . 2.25
D Anthem of Rejoicing—Joseph M. Martin.
This vigorous general-use anthem is a
sturdy addition to the choir folder. Solid
four-part writing gives a neoclassic texture,
while strong unison singing delivers power
and confidence to the singers. The middle
section incorporates lines from beloved
hymns, tossing them back and forth with the
anthem's main theme. Add in the optional
handbells for a dazzling effect! Delightful!
11347965 SATB with Handbells . . . . . 2.35
D Arise and Sing!—Patricia Mock/arr.
Michael Barrett. Joyful confidence surrounds
this rhythmic anthem of praise! Unfolding
gradually with a series of musical steps, the
opening paints the title in vivid hues. A lightly
contemporary theme delivers syncopations
with well-crafted vocal contours, and the full
and rich choral sound of the refrain affirms the
call to worship with singing. A brief quote from
When Morning Gilds the Skies adds contrast
and a familiar element to the presentation.
11317624 SATB . . . . . . . . . . . . . . . . 2.10
l As You Serve, Remember Me—Joel
Raney. This reflective anthem comes from
the perspective of Jesus, who compels his
followers to go, love, and serve as he did, to be
his hands and feet. Excerpted from the cantata
Amazing Love!
11375715 SATB . . . . . . . . . . . . . . . . 2.20
11375716 P/A CD . . . . . . . . . . . . . . 29.95
11375717 Orchestration . . . . . . . . . 69.95
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As You Think in Your Heart—John
Purifoy. The Book of Proverbs contains a
wealth of advice for living an abundant life.
This gorgeous pairing of message and music
reaches and teaches even as it provides
reflective beauty for worship.
11347966 SATB . . . . . . . . . . . . . . . . 2.10
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Awake, My Soul—Elaine Hagenberg.
A brilliant, pulsating piano introduction
announces the dawn and invites the voices
to join with escalating calls to "Awake, my
soul!" As the pulsing continues, the vocal
counterpoint gives way to the chordal
acclamation, "I will awaken the dawn!" This
setting of Psalm 57:8-11 requires an above
average accompanist and an energetic choir,
but the artistic result will be worth the effort.
11166185 SATB . . . . . . . . . . . . . . . . 2.35
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Be Not Afraid—Jonathan D. Campbell. In this
expressive and moving anthem, the comforting
text from Isaiah melds with sweeping melodies
and rich harmonies along with a piano
accompaniment that adds gentle color. Your
choir will provide beauty and reassurance as
they sing of God's presence in our lives.
11373953 SATB . . . . . . . . . . . . . . . . 1.95
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Be Still—Mary McDonald. "Be still and know
that I am God." This anthem of sonority and
depth is a musical balm that covers the listener
with exquisite vocal and harmonic colors at
every measure. It is a song of a loving God who
"never leaves or forsakes," the One who brings
peace and comfort in time of need. Richly
scored for voices and piano, this is a superb
choice for moments of prayer, memorials, and
commissioning services that will leave your
congregation breathless.
10188416 SATB . . . . . . . . . . . . . . . . 2.25
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Be Still and Know—Steven Curtis Chapman/
arr. Craig Adams. Written by one of the most
prolific and celebrated songwriters, this
anthem is timeless and timely as it speaks to
our need to be still to hear God's word of love
and reassurance. Written for choir and either
guitar or piano accompaniment, this gentle
ballad will soothe and comfort.
11339459 SATB . . . . . . . . . . . . . . . . 1.79
11339460 Accompaniment CD . . . . 29.99
Be Still, My Child—Lee Dengler. This
thoughtful anthem of comfort uses lovely
harmonies and short a cappella sections
to create a hushed and awestruck mood.
Incorporating the hymn tune
BE STILL AND
KNOW,
the work moves from moments soaring
with confidence and assurance to moments of
quiet reverence. Beautiful and moving!
11100427 SATB . . . . . . . . . . . . . . . . 2.25
l Be Still, He Is God—Lloyd Larson. This
beautiful and tender original music is paired
with lyrics drawn from scripture to remind us
to believe and lean on God for assurance in
tumultuous times. Layered countermelodies
are easy to learn, and the familiar melody
FINLANDIA is featured as this anthem builds to
a compelling finish.
11375718 SATB . . . . . . . . . . . . . . . . 2.20
Be Thou My Vision—arr. Charles Thatcher.
This beloved text and tune (SLANE)
are here
arranged into a moving piece for SATB voice
and organ with optional flute. The voicing
and accompaniment of each verse beautifully
reflect the text, from the simplicity of verse 1 to
the rich a cappella harmonies of verse 4, to the
dance-like energy of the final verse. This piece
will make a grand and moving addition to any
service, from ordinations to general worship.
11318121 SATB . . . . . . . . . . . . . . . . 2.25
11318136 Instrumental Parts Flute. . . 3.50
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Beautiful Savior—Robert G. Farrell. This
composition features an original melody
combined with a familiar and much-loved text.
The two contrasting parts make this an easy
and effective anthem for choirs of all sizes.
11373282 Two-Part Mixed. . . . . . . . . 1.85
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A Better Resurrection—Amber R. Maxwell/
arr. Heather Sorenson. A plea for personal
reawakening from emptiness, this time-
honored Rosetti poem combines the promise
of spring with a message of faith. The song
emerges from classic piano styling, and the
choral writing mingles contrasting voicings
for both clarity and power. Violin and cello add
beauty to this prayer for wholeness.
11374107 SATB . . . . . . . . . . . . . . . . 2.30
l Bless the Lord, O My Soul—John A.
Behnke. Adapted from Psalm 103, this
accessible and joyful setting is useful
throughout the church year. Solid three-part
writing with limited range for the bass part
makes this a great choice for slim Sundays
or for a trio. The addition of the flute adds an
extra layer of sound for a richer texture.
11346671 SAB . . . . . . . . . . . . . . . . . 2.25
11346672 Instrumental Parts Flute. . . 5.00
Bound for the Promised Land—Shelton
Ridge Love. This upbeat original setting is full
of energy and charm in keeping with early
American hymns. In this piece, new music in
6/8 meter is paired with the familiar words,
"On Jordan's stormy banks I stand." The
addition of optional violin, tambourine, and
hand drum add to the celebration of being
"bound for the promised land!"
11375719 SATB . . . . . . . . . . . . . . . . 2.20
11375720 P/A CD . . . . . . . . . . . . . . 29.95
11375721 Instrumental Parts. . . . . . 14.95
D Bright and Beautiful—Joseph M. Martin.
This familiar hymn is treated to a
lighthearted setting that is an easy learn for
your ensemble. The addition of children's
choir supports treble voices, teaches the
hymn, and provides an opportunity for
a multigenerational moment. Beautiful
"alleluias" lead into a final verse with descant
that makes the arrangement shine in a new
way. Use this song for the Blessing of the
Animals service or any time when celebrating
God's creation. Highly recommended!
11347967 SATB w/Children's Choir
and Flute. . . . . . . . . . . . . . 2.10
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Can We Sing the Darkness to Light?—
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Kyle Pederson. The text of this work invites the
listener to imagine a world without weapons of
war where the human experience is defined
through the lens of mercy and compassion.
The music is peaceful and very appropriate to
the text with little divisi in the choral parts and
a supportive piano accompaniment.
10994208 SATB . . . . . . . . . . . . . . . . 2.55
11372826 TTBB . . . . . . . . . . . . . . . . 2.65
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The Chorister's Prayer—Jacob Dishman.
This anthem speaks to the heart of our calling
as church musicians. The familiar prayer "that
what we sing with our lips we may believe in
our hearts, and what we believe in our hearts
we may show forth in our lives" is set to music
equally deep and meaningful, lush and lovely.
This anthem of prayer will become a classic for
choirs and musicians for years to come.
11317119 SATB . . . . . . . . . . . . . . . . 2.10
Christ Before Me—Kathleen Basi. Based on
St. Patrick's Breastplate, this setting expresses
the text with conviction and joy, sung in full
four-part harmony with flute obbligato. The
briefer verses provide harmonic contrast with
a lovely, more lyrical melody and can be sung
by cantor or a section of the choir.
11318123 SATB . . . . . . . . . . . . . . . . 2.25
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Time-honored,
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