J.W. Pepper Catalogs

2022 Church Easter Catalog

J.W. Pepper Music Catalog

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Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] GENERAL ANTHEMS 35 L Prayer of Mother Teresa—Craig Courtney. This setting, so rich, so deep, and so compelling, perfectly matches the depth of the prayer as an ever-increasing musical intensity draws us closer to full surrender. Triplet figures in the piano provide a strong and flowing accompaniment for the SATB divisi voices that are lush with occasional cluster harmonies. Intended for a capable choir, it is suitable for general worship. 11101031 SATB . . . . . . . . . . . . . . . . 2.25 D Redeemed—A.L. Butler/arr. John Purifoy. This classic hymn that beautifully captures the joy of salvation is set in a lilting and accessible arrangement for choirs of any size. Fresh and simple, the anthem in 6/8 dances with sincerity to share the heart of faith: "Redeemed, redeemed, redeemed by the blood of the Lamb." Inspired and worshipful! 11317472 SATB with opt. Violin . . . . . 2.15 l Run the Race!—Cindy Berry. An inspiration in song, this anthem springs from New Testament scripture and issues a challenge to the community of faith. A solid choral foundation is established that builds a sturdy soundscape, bringing us with confidence to the memorable theme. A great exclamation point to a sermon, this piece will find many noble purposes in your worship planning. 11374128 SATB . . . . . . . . . . . . . . . . 2.20 D Set Me as a Seal—Michael John Trotta. Lt Elegant simplicity is the hallmark of this shimmering setting of a favorite text: "Set me as a seal upon your heart ... for love is as strong as death." Straightforward rhythms, careful management of vocal ranges, and a judicious use of close cluster harmonies put this work well within the reach of many choirs. A perfect choice for choirs looking to establish a more mature sound and musical sensitivity. 11163997 SATB A Cappella. . . . . . . . 2.50 11344326 SATB with Piano Accompaniment . . . 2.75 Shalom—Dan Forrest. This tender and comforting work "passes the peace" as its simple yet elegant melody washes over the listener, gently unfolding its text with increasing texture: "Peace I leave with you, my peace I give to you, not as the world gives; do not be afraid." The Hebrew word "shalom" forms the refrains, and whispers of the word "peace" further paint the spirit and promise of the text. With piano and optional violin, this piece is equally at home in worship or concert settings. 11314187 SATB . . . . . . . . . . . . . . . . 2.25 11314188 SSA . . . . . . . . . . . . . . . . . 2.25 11314189 TBB . . . . . . . . . . . . . . . . . 2.25 Shelter Me—J. Michael Joncas. Written in response to the COVID-19 crisis, this piece is based on the beloved Psalm 23 and seeks to help the faithful find God's presence even in difficult times. The Spanish text by Santiago Fernandez, while not a literal translation, is faithful to the concepts and imagery of Joncas' text. "All will be well if only you will shelter me." 11301162 SAB . . . . . . . . . . . . . . . . . 2.55 11374285 Two-Part Mixed. . . . . . . . . 2.55 11301163 Instrumental Parts Flute and Oboe . . . . . . . . . 6.50 11301164 Instrumental Parts Guitar. . 5.50 11301165 Instrumental Parts Lead Sheet . . . . . . . . . . . . 5.60 L Show Us How to Love—Mark A. Miller. A compelling new piece from the talented duo of Mark Miller and Lindy Thompson. Thompson's earnest text compels communities of faith to respond to hatred and injustice with a singular prayer: "Show us how to love." Mark Miller's music is a powerful and poignant complement to the text, willing this prayer into action. In addition to its use in sacred spaces, this piece is an excellent choice for ecumenical, secular, and school venues. 11100195 SATB . . . . . . . . . . . . . . . . 2.25 lD A Simple Song of Praise—Karen Crane/arr. Joel Raney. Brimming with an island feel, this calypso-style multigenerational song of praise will bring a smile to your face! The piano accompaniment follows traditional patterns and creates a rhythmic base for the interplay between children's and adult choirs. All parts blend at the end, and the inclusion of OLD 100TH adds a familiar touch. Lighthearted and fun! 11347985 SATB/Unison with Percussion. . . . . . . . . 2.25 Dt Sing Your Way Home—Joseph M. Martin. Deeply expressive, an old poem is treated with rich harmonies to become a moving closer for concerts or festivals. Written with an ear to the a cappella glee club tradition, the incorporation of Dvorak's Going Home connects to the hearts of the audience and wraps them in the embrace of the warm sounds of the text: "Where'er you go, wherever you roam, it will brighten your road; lighten your load, if you sing, sing your way home." 10947951 SATB . . . . . . . . . . . . . . . . 2.50 10276652 TTBB . . . . . . . . . . . . . . . . 2.50 l So Very Good—John A. Behnke. This hymn text by Lisa M. Clark set to an original tune feature themes of thanksgiving, witness, and missions. Choirs will enjoy the opportunity to highlight different voicings, while all come together on the refrain. The straightforward harmonies make this anthem accessible and quick to learn. 11348389 SATB . . . . . . . . . . . . . . . . 2.40 D Some Things Never Change—Heather Sorenson. This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriter idiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, "I choose to live in faith, not fear." Truly a song for this season of challenges! 11317765 SATB with Opt. Cello . . . . . 2.25 11317766 SSA with Opt. Cello . . . . . . 2.25 lD A Song Is Surely Rising—Joseph M. Martin. From the opening bell tones in the piano, this original piece awakens the church to celebrate the sacred call of music in proclaiming the joy of the Lord. Incorporating the early American hymn tune PISGAH, a folklike character is displayed in the melodic contours and rustic harmonic vocabulary. This is the day for singing and for sending alleluias soaring! 11347986 SATB . . . . . . . . . . . . . . . . 2.25 Song of Unity—Karen Marrolli. Based on Psalm 133, "How good and pleasant it is when God's people live together in unity!" this anthem encourages us to build bridges rather than walls. Incorporating the tune and some text from the hymn Blest Be the Tie That Binds, the music moves along easily in a lilting 6/8 meter while the text affirms the unity that comes from common belief. 11346667 SATB . . . . . . . . . . . . . . . . 2.50 D Stay With Us—Michael John Trotta. L Elegant in its simplicity, this anthem provides opportunities for artistic performance with limited rehearsal time. The piece utilizes an accessible piano accompaniment and optional handbells, with a few places designated as optional a cappella. The final verse of the work recaps the original theme while the optional descant on the text "Peace be with you" soars. 11163995 SATB with Handbells . . . . . 2.50 10949728 SAB . . . . . . . . . . . . . . . . . 2.50 11344340 Two-Part or SA . . . . . . . . . 2.75 l The Just Shall Live By Faith—Chris Anderson & Jonathan Hamilton/arr. Benjamin David Knoedler. The victory and strength of this setting calls the congregation to take assurance in their faith. Text and tune pair well with this bold statement: "Lord, I believe Your promise, I will trust in you! Help my unbelief!" A powerful anthem of faith. 11338084 SATB . . . . . . . . . . . . . . . . 1.85 l There Is a Happy Land—Tim Osiek. A breathtaking choral presentation for All Saints Sunday, this masterful composition paints a picture of the happy land - far, far away - where saints stand in glory. Sensitive phrasing, swelling piano accompaniment, and soaring vocal lines offer a vivid message of hope and comfort. Certain to be a memorable moment in worship or concert. 11347629 SATB . . . . . . . . . . . . . . . . 2.35 D There's No Rock Gonna Shout for Me— Michael Barrett. Swinging with gospel joy, this cheerful original is filled with confidence, boldly sharing a song of praise and devotion. An infectious theme sounds in unison before giving over to urban gospel-style harmonies that sweep the listener along in celebration. Special vocal effects accompany a soloist in the middle section, building energy to a rollicking recap of the theme. A powerful finale to your service or concert, you won't want to miss this easy-to-learn affirmation of faith! 11347593 SATB w/ Solo . . . . . . . . . . 2.15 l This Is My Father's House—Pepper Choplin. This storytelling anthem centers around the early life of Jesus found in Luke 2:41-49 and celebrates our love and desire for gathering together in worship. With optional congregational participation, this piece is a wonderful way to prepare the hearts of your choir and congregation at the beginning of a service. 11375771 SATB . . . . . . . . . . . . . . . . 2.20 l The Time of Singing—Anne Krentz Organ. This is a creative and elegant setting of a text from the Song of Solomon. Imitative part- writing and mixed duple and triple meters make this anthem both approachable and interesting. A beautiful addition to the Easter season or anytime for spring. "For lo, the winter is past, the time for singing has come." 11349062 Two-Part Mixed. . . . . . . . . 2.40 D The Waters of Grace—Joseph M. Martin. Steadily flowing with the refreshing message of God's mercy and grace, this lilting folk-style anthem is a quick learn for your singers. A thinner choral texture allows for lyrical clarity and lightness of timbre as the invitation goes out to come to "the waters of grace" to be renewed and refreshed. A call-and-response anthem, ideal for rededication or baptism services. 11317473 SAB with opt. Flute . . . . . . 2.25 HD We Are Not Alone—Pepper Choplin. "We t are not alone, God is with us." Here is a piece that succinctly captures a confident thought and presents it in a straightforward, honest way. The choir supplies rhythmic energy while the soloist glides above in smooth sustained lines. Accessible and effective with large or smaller choirs, this piece touches the heart with its simple but profound message. Originally conceived as an a cappella anthem, the optional orchestration adds a dramatic element. 8071348 SATB A Cappella. . . . . . . . 2.50 11317770 SATB Accompanied . . . . . 2.50 11317772 SSA Opt. A Cappella . . . . . 2.50 11317773 TTBB Opt. A Cappella . . . . 2.50 We Behold His Glory—Pepper Choplin. The text of this anthem celebrates Jesus on earth being the hands and feet of God the Father incarnate in flesh. This anthem is fitting for celebrating Palm Sunday, Advent, or anytime throughout the year. From the cantata The Body of Christ. 11375772 SATB . . . . . . . . . . . . . . . . 2.20 11375773 P/A CD . . . . . . . . . . . . . . 29.95 11375774 Orchestration . . . . . . . . . 69.95 lL We Walk by Faith—Karen Marrolli. An original melody for a familiar and comforting text by Henry Alford, these settings are accessible for choirs of various sizes. Optional divisi is given for larger choirs, and a solo version is also available. 11373309 SAB . . . . . . . . . . . . . . . . . 1.95 11373310 Two-Part. . . . . . . . . . . . . . 1.95 D When the Storms of Life Are Raging—arr. Victor C. Johnson. This text has challenged and inspired many through the years, calling on God to stay by your side during difficult times. This setting is a gentle reimagining of the words, rich with a new melody and heartfelt harmonies. The more lyrical approach, with lovely piano styling, sheds new light on the treasured text to affirm our community and need for fellowship. Truly a song for our time! 11347991 SATB . . . . . . . . . . . . . . . . 2.20 lD Where There Is Love—Karen Crane/ arr. Douglas Nolan. The simple melody in this gentle anthem reminds the listener of the heartbeat of the gospel: God is love! Appropriate any time, the song is both approachable and arranged for success. "Oh, let God's love flow through me, like the air I breathe, ev'ry word that I say, be a testament of grace." 11347992 SAB and Cello. . . . . . . . . . 2.10 l Why, Lord?—Pepper Choplin. This original anthem asks the question, "Why, Lord?" and addresses the reality of our sinful and broken world. The refrain provides assurance that though struggles and hardships exist in this life, God will not leave us nor forsake us and that all is restored and made perfect in heaven. 11375776 SATB . . . . . . . . . . . . . . . . 2.20 lD With Heart and Voice, Rejoice!—Lloyd Larson. This festive call to praise affirms the voice of worship and invites the world to sing along. New melodies for familiar texts give choirs much to work with as they seek a full, confident sound. The inclusion of the Norwegian hymn tune LANDAS with the How Can I Keep from Singing text is a moving moment as choirs find their voices once again. 11347993 SATB . . . . . . . . . . . . . . . . 2.10 11347994 TTBB . . . . . . . . . . . . . . . . 2.10 Tomorrow too late? Have it now. JWPEPPER.COM/EPRINT Go to Cart

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