Editors' Choice lNew for 2022 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
40
Be Thou My Vision—arr. Dan Forrest.
This masterfully crafted essay on the timeless
Irish hymn balances melody, the singers, and
the accompanist. Liquid vocals appear over
understated piano lines, followed by judicious
a cappella phrases and a sweeping crescendo
to the phrase "Heart of my own heart,
whatever befall." A worshipful treatment of a
timeless melody.
10515946 SSA. . . . . . . . . . . . . . . . . . . . . . .2.10
D Crowded Table—Natalie Hemby,
Lori McKenna & Brandi Carlile/
arr. Andrea Ramsey. In an easy swing feel,
this country pop song from new supergroup
The Highwomen delivers a powerful message
for women and girls to band together and hold
one another up. The optional fiddle adds a nice
touch to the pretty choral harmonies in this
poignant selection.
11196063 SSA. . . . . . . . . . . . . . . . . . . . . . .2.65
DL Cry Out and Shout—Knut Nystedt.
t
This bright and festive a cappella anthem is
set for SSATTB voices. Since 1956, Cry Out
and Shout has become a standard in choral
literature for both school and church.
11196157 SSAA divisi . . . . . . . . . . . . . . . . .2.05
DL Down in the River to Pray—arr. Jace Wittig.
t
The video of the Colorado All-State Treble
Choir singing this piece from the balconies in
a hotel lobby has gone viral for good reason!
This a cappella arrangement of the folk hymn
made popular in the movie "O Brother, Where
Art Thou?" utilizes effective body percussion,
compelling harmonies and an authentic vocal
style to create an unforgettable choral piece.
10999983 SSAA . . . . . . . . . . . . . . . . . . . . .2.60
DL Down to the River to Pray—Ken Medema/
arr. Mary McDonald. This dynamic medley
captures the spirit and message of two popular
songs that deal with the significance of prayer
for the individual believer and the church as a
whole. The spiritual, Down to the River to Pray,
is seamlessly combined with Ken Medema's
Lord, Listen to Your Children Praying. Available
in a variety of voicings, choirs will enjoy the
flavor of this song with its unhurried rhythmic
style and supportive accompaniment.
11164975 SSA. . . . . . . . . . . . . . . . . . . . . . .2.35
HD Festival Sanctus—John Leavitt. A long-time
favorite on the festival circuit, this dynamic,
exciting, joyous selection surpasses the
ordinary! Syncopated rhythms and changing
meters, combined with a sizzling piano part,
make this a uniquely rewarding work. Very
accessible for school and church choirs, it is a
first-rate choice for any performance situation!
10047612 SSA. . . . . . . . . . . . . . . . . . . . . . .1.85
HD For the Beauty of the Earth—John Rutter.
This masterful anthem is one that has connected
with singers and congregations all over the
globe. It is a timeless anthem you'll come back
to each and every year. Full instrumentation
includes strings, winds, harp (playable on
keyboard), and drums. Reduced orchestration
includes flute, oboe, harp, and organ.
Instrumental lines soar as beautifully as the vocal
melody. A multi-generational favorite, this is a
tasteful blend of text and musical expression.
1363399 SA . . . . . . . . . . . . . . . . . . . . . . . .3.00
DL How Firm a Foundation—arr. Dan Forrest.
The strength and majesty of this traditional hymn
are brought forth in this worthy arrangement.
Voices and piano unite triumphantly in a great
foundational hymn of the faith. A wonderful
choice for general services as well as celebratory
services throughout the church year.
11196161 SSAA . . . . . . . . . . . . . . . . . . . . .2.75
DL I Will Be a Child of Peace—
Elaine Hagenberg. "For well I know Thy hand
will bless the seeker after righteousness."
This sensitive, worshipful prayer is arranged
from a Shaker hymn and superbly expresses
the deepest longing of the redeemed soul.
Breathtaking with luscious piano writing.
10805750 SSAA . . . . . . . . . . . . . . . . . . . . .2.15
I'm Gonna Sing When the Spirit Says
Sing—arr. James M. DesJardins. This piece
combines musical elements of traditional
African-American spirituals and Protestant
church music. Inspirational and great fun to
sing, with optional claps and hand moves,
singers will ride on the energy and excitement
of the driving bass line in the highly rhythmic
piano accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . . . .2.25
L Jericho!—arr. Reginal Wright. The walls of
Jericho come alive with a fresh take on the
beloved spiritual for treble choirs. An opening
lyrical section blossoms into a more traditional
upbeat setting with a stylized gospel piano
accompaniment. Dramatic effects and a big
descant lead to an exciting finish that will make
this ideal for a closer or an encore.
11161184 SSA divisi . . . . . . . . . . . . . . . . . .2.20
HD Keep Your Lamps!—arr. Andre Thomas.
t
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number for a wide variety
of uses from smaller choirs through massed
choir performances.
3303462 SSA with piano. . . . . . . . . . . . . .2.25
HD Nothin' Gonna Stumble My Feet—
t
Greg Gilpin & John Parker. If you buy only one
new spiritual setting this year for your a cappella
choir, this is the one you want! Brimming with
dynamic contrasts, rhythmic nuances and
textual percussiveness, it is an absolute thrill to
sing and hear. "When I go to walk that golden
street, nothin' gonna stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . . .2.50
HD O Love—Elaine Hagenberg. This beautiful
L
setting of George Matheson's familiar hymn text
functions perfectly in both sacred or secular
settings. Here, O Love is given a fresh new
melody with equally refreshing and gorgeous
harmonies. You will not want to miss this for
use as a sacred meditation in a worship service
or in a concert setting as a tribute to the glory
of love itself. Now available in treble and tenor-
bass voicings. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . .2.25
Panis Angelicus—Karl Jenkins.
This attractive and accessible setting of the
much-loved sacred text was composed for
the New London Children's Choir to celebrate
its 25th anniversary. Suitable for intermediate
standard school and church choirs.
11171729 SS . . . . . . . . . . . . . . . . . . . . . . . .3.50
Sanctus—Michael John Trotta.
The final installment of the Missa Brevis, this
peaceful work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to any
concert or service. Combine with Trotta's other
Latin works Kyrie, Gloria and Agnus Dei to
create the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . .2.25
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its
simple yet elegant melody washes over the
listener, gently unfolding its text with increasing
texture: "Peace I leave with you, my peace I
give to you, not as the world gives; do not be
afraid." The Hebrew word "shalom" forms the
refrains, and whispers of the word "peace"
further paint the spirit and promise of the text.
With piano and optional violin, this piece is
equally at home in worship or concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . .2.25
H Singabahambayo—arr. Victor C. Johnson.
Lt
Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of freedom
and hope is sure to have instant appeal. Lending
itself to simple stage choreography and with an
exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
11348337 SSA. . . . . . . . . . . . . . . . . . . . . . .2.20
Ubi Caritas—Michel Guimont.
The Latin plainchant is maintained in
augmented note values in the organ throughout
the piece. The choral texture is SAA and
masterfully decorates the plainchant.
11194327 SAA. . . . . . . . . . . . . . . . . . . . . . .2.10
D Wade in the Water—arr. Dan Davison.
Written specifically with young developing
choirs in mind, this exciting spiritual
arrangement features comfortable vocal
ranges and easy-to-learn two-part harmonies.
This rhythmic setting abounds with solo
opportunities for a variety of voice types and
presents outstanding teaching opportunities for
style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . .2.25
GENERAL ANTHEMS for TREBLE CHOIRS
Go to Cart
