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Ma Navu (How Beautiful)—Audrey Snyder.
This energetic Israeli folksong features the
Isaiah text "How beautiful are upon the
mountains the feet of the messenger of good
tidings: of salvation and peace." An authentic-
sounding arrangement with a combination of
Hebrew and English texts, this will provide a
stunning moment in your concert!
3144169 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
3144177 Three-Part Mixed . . . . . . . . . . . . 2.10
3144185 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
Milele (Forever)—Jason Krug. "Milele" means
"forever" in Swahili, and the haunting melody
and African rhythms make this original a truly
stunning work. Optional choral parts (SATB),
handchimes, djembe, and shekere add to the
performance and make this a true show stopper
in any concert.
10950192 3-6 Octave . . . . . . . . . . . . . . . . . 5.50
11176264 Octavo . . . . . . . . . . . . . . . . . . . . 2.35
10950193 Instrumental Parts . . . . . . . . . . 10.00
t Noyana/Come, Come, Ye Saints—
arr. Trevor Johnson. This clever combination
of an African spiritual and an English folk
song creates a world music showcase for
tenor-bass choirs. A solo feature with stacked
harmonies and improvised vocal percussion,
this arrangement was made popular by
Brigham Young University's a cappella group
BYU Vocal Point.
10989969 TTTBBBB . . . . . . . . . . . . . . . . . . 2.95
t O Sifuni Mungu—arr. David Maddux.
A cappella recording group First Call premiered
this phenomenal arrangement on their album,
Somethin' Takes Over. Swahili texts alternate
with the poetry of All Creatures Of Our God And
King as the music dances over authentic African
rhythms. A jubilant expression of praise and
the quintessential multicultural feature for more
capable choirs!
1702356 SATB. . . . . . . . . . . . . . . . . . . . . . 1.99
1703024 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
H O Sifuni Mungu (All Creatures of Our
God and King)—arr. Roger Emerson.
This phenomenal work, recorded by First
Call, is certain to be in great demand by a
wide range of choirs! Based on All Creatures
Of Our God And King, it features a powerful
African chorus with fiery syncopations, great
opportunities for soloists and a full complement
of percussion instruments. This is a uniquely
vibrant, spiritual work!
1914175 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
1914183 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
1914191 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
10278880 SSAA . . . . . . . . . . . . . . . . . . . . . 2.25
3303885 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.25
1914217 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
1914209 Instrumental Parts . . . . . . . . . . 20.00
H Ose Shalom (The One Who Makes
Peace)—John Leavitt. This timely text from the
Jewish liturgy is brilliantly set in a lovely original
work by John Leavitt. Its simple message of
peace is enhanced with soaring melodies
and lyric instrumental lines, making it a strong
choice as a multicultural or a Hanukkah feature!
3295478 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
3295479 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.10
3295480 Two-Part. . . . . . . . . . . . . . . . . . . 2.20
3297873 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.10
3295481 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
3295482 Instrumental Parts . . . . . . . . . . 25.00
H Oye (Listen)—Jim Papoulis. Full of life and
energy, this work in Spanish and English
expresses the plea of Mexican children to the
rest of the world to listen to their cry for help.
The percussion and bass parts (included in the
score) really make it percolate from beginning
to end, and the performance notes make it easy
to pronounce and understand the Spanish.
This is a very cool multicultural feature with an
important message for today's world.
10030085 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
11202990 Unison . . . . . . . . . . . . . . . . . . . . 2.25
3301378 Three-Part Treble or SSA. . . . . . 2.25
10001346 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
D Reamo Leboga—arr. Duncan Miano
t
Wambugu & Russell Robinson. Sing in either
Setswana, Swahili, or both with this traditional
Botswanan hymn arrangement for mixed
choirs. Rhythmic energy and solid harmonies
support the solo lines in the opening and closing
sections and develop into a fully choral texture
in the middle. A great choice for bringing variety
and diversity to your concert or service.
11348178 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
l Sacred Silence/Paz Sagrada—Tom Booth
& Jenny Pixler. This beloved anthem is now
available as a bilingual two-part piece with a
carefully crafted Spanish translation. It features
keyboard accompaniment, an easy-to-use
two-page guitar accompaniment with vocal
harmonies, and newly added composer notes
detailing the Spanish translation process and
the inspiring message behind the lyrics. A lasting
addition to your bilingual musical ministry!
11347354 Two-Part. . . . . . . . . . . . . . . . . . . 2.65
Ht Salmo 150 (Psalm 150)—Ernani Aguiar.
A very rhythmic work, with rapid articulations,
this is an exciting showcase for a cappella choirs.
Written by a well-known Brazilian composer, it
has a distinctive Latin American feeling that will
really light a fire under your singers!
5318514 SATB. . . . . . . . . . . . . . . . . . . . . . 1.80
3128758 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.80
3299903 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.80
l Santos de Dios (Saints of God)—
Tony Alonso. This assembly song unites
the Spanish and English texts of the Song
of Farewell and In paradisum musically,
linguistically, and liturgically for bilingual
funerals. This setting uses short call-and-
response phrases to support congregation
participation in the two languages. Well done
and effective.
11374283 Unison . . . . . . . . . . . . . . . . . . . . 2.45
11374288 Instrumental Parts Guitar . . . . . . 2.45
11374289 Instrumental Parts Flute & Cello 2.45
Shelter Me (Protegeme)—
J. Michael Joncas. Written in response to
the COVID-19 crisis, this piece is based on
the beloved Psalm 23 and seeks to help
the faithful find God's presence even in
difficult times. The Spanish text by Santiago
Fernandez, while not a literal translation,
is faithful to the concepts and imagery of
Joncas' text. "All will be well if only you will
shelter me."
11301162 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.55
11374285 Two-Part Mixed . . . . . . . . . . . . . 2.55
11301163 Instrumental Parts
Flute and Oboe. . . . . . . . . . . . . . 6.50
11301164 Instrumental Parts Guitar . . . . . . 5.50
11301165 Instrumental Parts Lead Sheet . 5.60
L Sim Shalom—Jennaya Robison.
Written around the theme Prayers for Peace,
the melodic material seems reminiscent of
music that one would hear in a Hebrew morning
service, with a melody that the singers and
listeners will carry with them throughout the
entire day. The piece can be performed in a
variety of ways: as an unaccompanied work
(beginning at measure 8), with piano, or with
string quartet.
11197381 SATB opt. a cappella . . . . . . . . . 2.05
H Singabahambayo—arr. Victor C. Johnson.
Lt Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of freedom
and hope is sure to have instant appeal. Lending
itself to simple stage choreography and with an
exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
10736801 SATB. . . . . . . . . . . . . . . . . . . . . . 2.20
10513128 Three-Part Mixed or SAB. . . . . . 2.35
10882886 Two-Part with
piano accompaniment . . . . . . . . 2.20
11348337 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.20
11172871 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.35
11199207 P/A CD . . . . . . . . . . . . . . . . . . . 29.95
Dt Siyahamba—arr. Ruth Morris Gray.
Perhaps the most well-known South African
song, but offered here in a unique arrangement
with original material in between verses that
layers in with the traditional melody and
harmonies. Ranges are reasonable, and the
well-crafted harmonies are singable, rhythmic,
and easy to master. Both the Swahili and
the English text are utilized for a cohesive
experience. Suggested percussion lines are
there for shaker, djembe, and bongos to add to
the lively texture.
11198942 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
11198943 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
11198944 Three-Part Treble . . . . . . . . . . . . 2.25
Somlandela/Come And Follow—
Alan J. Hommerding. Based upon a traditional
Zulu melody, this arrangement includes both
Zulu and English texts. It relies on two-part
vocals rather than tuned instruments, so it can
be used spontaneously in many circumstances.
A cantor guides everyone through the verses for
ease of community singing and percussion and
hand claps may be used to enhance the music.
11167490 Two-Part. . . . . . . . . . . . . . . . . . . 1.50
Dt We've Come a Long Way, Lord (Traditional
Liberian Song)—arr. John A. Behnke.
This fresh gospel-style anthem calls out as an
invitation to the walk of faith. A celebration of
unity and promise, the Liberian song reminds
us that Jesus gives us strength for our journey
together. Sections where soloists interact with
the choir are distinctive and effective, bringing
joy and confidence into worship.
11317475 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
Lt Yesu Azali Awa—arr. Mark Burrows.
This dynamic Congolese folk hymn is given a
spirited arrangement for SATB and percussion
from composer Mark Burrows. The Lingalo text
is learned with ease, and the percussion groove
locks in this exuberant assurance: Jesus is
here with us! A perfect selection to remind us
of God's presence in our world, particularly on
World Communion Sunday and throughout the
Epiphany season.
11202618 SATB with Percussion . . . . . . . . 2.25
l You Will Draw Water Joyfully
(Sacaran Aguas con Alegria)—Tony Alonso.
A cheerful, flowing worship element for cantor/
soloist, unison choir, assembly, piano/guitar,
and C instruments. Use for Advent 3 C, Baptism
of the Lord B, Easter Vigil, Sacred Heart B,
Visitation. Text in Spanish and English.
11343981 Unison . . . . . . . . . . . . . . . . . . . . 2.45
11343982 Instrumental Parts
Guitar Edition . . . . . . . . . . . . . . . 5.50
11343983 Instrumental Parts . . . . . . . . . . . 4.50
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