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Voices
Karen Lakey Buckwalter.
This original piece becomes a voice for change when used with
the poem provided. The music opens with haunting harmonies
and open voicings that create a yearning feel. This section repeats
throughout the piece, allowing for the "Do you hear the voices"
narration to be heard. In between, a lovely, almost hymn-like
original melody is developed and explored in reaction to the
readings. From introspection to assertion, this is an excellent choice
for the group looking for something different to provoke thought
and challenge musicality.
11375879 4-7 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L4- 5.95
We Praise You with Our Minds,
O Lord
Thy Word Is Like a Garden, Lord
arr. Cathy Moklebust.
The Irish melody
CLONMEL is treated in Celtic styles with singing
bell drones, a lilting original melody, optional handchimes, and
an optional part for violin or other C treble instrument. The hymn is
presented as a set of variations, from flowing and lyric to a march,
a round, and a grand and glorious final verse that gradually fades
away across the hills. The Celtic-style ornamentation is optional,
making this arrangement accessible to many groups.
11375589 3-5 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L3 5.95
What a Friend We Have in Jesus
arr. Mitchell Eithun.
This gentle setting of the familiar hymn is warm and uplifting.
Written for either handbells or handchimes, the piece has no bell
changes and may be played without tables if desired. The flute
part, while optional, greatly enhances the beauty of this lovely
arrangement.
11375588 3-4 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1 5.50
When We Gather
Sing & Ring Series
Kathleen Wissinger.
Based on Matthew 18:20, "When two or three are gathered in my
name, there am I with them," this piece speaks to the presence of
God amidst his people. The handbell part can be a beautiful stand-
alone piece, or provide accompaniment for the hymn. The verses
may be sung by choir or soloist, with congregation joining on the
refrain. A guitar part and insert for the congregation is included.
11361796 3-6 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L3 6.00
Sassy Walk
Linda Lamb.
This piece is lively, bold, full of spirit and somewhat cheeky.
The clever melody saunters up, down, and about with confidence
and purpose in this light-hearted original composition that employs
various stopped sound techniques. Sassy Walk grabs and holds
your attention, making it an excellent choice for concerts. If you're
looking for music that will enable your ensemble to 'strut their stuff',
this piece delivers!
11359394 3-5 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L3 4.95
Savior, Like a Shepherd Lead Us
arr. Lloyd Larson.
This arrangement is an idyllic choice for use in worship. Combining
the Bach chorale Sheep May Safely Graze with the hymn tune
BRADBURY, it masterfully alternates between the two tunes, casting
them both in a new light. A final bold setting of the hymn tune leads
the piece back once more to a calm, serene ending.
11375877 3-5 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L3- 4.95
Small-ER but Mighty:
8 Bells with Piano, Vol. 4
arr. Joel Raney.
These eight arrangements for eight bells are accessible and
beautiful. The piano fills out the harmonies and provides depth
of sound. The handbell parts may be rung without tables. An
accompaniment CD is also available. Contents: Come, Thou Fount
of Every Blessing; Be Still My Soul; I Am Bound for the Promised
Land; Lord of the Dance; O Sacred Head, Now Wounded; Joyful,
Joyful, We Adore Thee; The First Noel; Promised Land Calypso
(On Jordan's Stormy Banks); My County 'Tis of Thee.
11375572 Handbells Ringer's Edition for 8 Bells (F5-F6) EM 12.95
11375573 Full Score Organ/Piano. . . . . . . . . . . . . . . . . . . . . . .12.95
11375574 Piano Accompaniment CD . . . . . . . . . . . . . . . . . . . . .29.95
Strong to Save
arr. Kerry Johnston.
This rich setting of Eternal Father, Strong to Save for bells and
organ is given extra depth and aural interest with the addition
of optional trumpet, trombone, and/or timpani. A full choral
verse gives way to a verse accompanied by eighth-note chords
and arpeggios in the bells before leading into a more subdued
treatment of the theme. A final bold verse brings the piece to a
satisfying conclusion.
11375868 3-5 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L3 4.95
11375869 Full Score & Organ/Keyboard. . . . . . . . . . . . . . L3 5.95
11375870 Full Score & Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17.50
CHIME BANDS
Music Literacy for Non-music Readers
Malmark. Optimize teaching for non-music readers! If you have handchimes at your disposal,
teaching music reading with the help of colors couldn't be simpler! Using colors or shapes
corresponding to pitch names is an effective way to teach eye and hand coordination to non-
music readers. Colored bands can be wrapped around the handchime tubes so that each ringer
can identify a pitch with a color. In the case of color-blindness, the shape may also be drawn on
the band. The success rate in learning is quite high, and this process is a natural step leading to
music literacy. Used in Boomwhacker and KidsPlay systems. Available in packets of eight band
colors (five of each color) and a template for trimming the bands to size.
11207747 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.88
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