Editors' Choice lNew for 2022 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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l And It Was Good (Genesis)—
Jason W. Krug. Using tone painting to depict
creation from the abyss to the full beauty of the
world, this creative and original arrangement
challenges ringers and requires musical skills
to interpret and fully realize the nuances crafted
within. Exciting meter changes from 8/8 to
2/4 to 12/8 with lots of chromaticism propel
the piece from the moment the light begins to
shine. A great concert piece for ringers and
audience alike.
11347756 4-7 Octave w/opt
4-7 oct. Handchimes . . . .L4+ 5.95
The Avengers (from the Motion Picture
"The Avengers")—Alan Silvestri/
arr. Ron Mallory. The Marvel Cinematic
Universe has delighted moviegoers for more
than a decade, and the score for the first
Avengers team-up movie set a new musical
standard for superhero film music. This
arrangement uses multiple handbell techniques
and optional 2 octaves handchimes and
percussion to capture the adventurous spirit of
the original. Sure to be an audience favorite at
your next concert!
11348147 3-6 Octave . . . . . . . . . . . .L3+ 4.95
Awake!—John A. Behnke. This spirited and
lively original handbell piece is an exciting call
to worship or an opening piece in a concert!
Awaken the ears of the listener to the delightful
rhythms and techniques of the bells. While the
tempo is marked vivace, the skill and agility of
the ringers will set the pace. Challenge your
ringers to Awake!
11337870 3-5 Octave . . . . . . . . . . . .L3+ 3.95
Bella-Bration—Ronald Kauffmann. A joyous,
explosive opening figure gives way to a soaring
melody underscored by a driving, syncopated
bass line. A contrasting section slows down
the propulsive rhythm allowing for a more
expansive feel before the opening figure returns
to round the piece off in joyous, celebratory
fashion. An ideal choice for worship or concert.
11314798 3-5 Octave . . . . . . . . . . . . . L3 5.95
Built On the Rock—arr. Jason W. Krug.
A driving rhythm, established by malleted bells
and optional bodhran and shaker, sets up this
haunting tune. The stark harmonic opening
gradually becomes more complex before a
slower, more ethereal section on chimes sets
the tune in a drawn-out 4/4. The opening
rhythm returns to propel the piece to its
explosive conclusion. A show-stopping choice
for your next service or concert! Instrumental
parts available separately.
11314799 3-6 Octave . . . . . . . . . . . .L2+ 5.95
11314800 Instrumental Parts Bodhran
and Shaker . . . . . . . . . . . . . . . . 5.00
l A Carillon Passacaglia—Lee J. Afdahl.
A bold melody in octaves (with at optional LV
to mimic the sound of a carillon) gives way
to a series of variations of the theme which
grow in complexity and intensity through to
the big, bold finish. A variety of techniques are
found throughout, and the rhythmic interplay
will challenge groups both technically and
musically. An ideal choice for advanced groups
looking to make a powerful statement!
11375872 5-7 Octave . . . . . . . . . . . . . L4 4.95
Concertante In A Minor—Michael Helman.
This Baroque-style masterwork is a fantastic
opportunity for advanced ensembles to show
off their musical chops! Written for the Hershey
Handbell Ensemble, it features running sixteenth
notes woven into an intriguing melody over lush
and complex harmonies. Various techniques
and unexpected chords enter throughout the
piece to maintain the musical interest. Optional
E2, F2, and 3-octave handchimes (E4-F5.)
A selection not to be missed!
11314801 4-6 Octave . . . . . . . . . . . . L4- 5.95
l Contrast—Ron Mallory. This haunting,
expressive original composition is reflective
of the more somber moments in life, which
help us to better appreciate the joyful times.
Though written with a 2-octave handbell or
handchime choir in mind (with no shared bells),
a skillful quartet or quintet could also perform
it by appropriately dividing the bell positions.
Windchimes optional.
11373221 2 Octave choir
or ensemble . . . . . . . . . . . . L3 3.95
Discover—Ron Mallory. Using chord
progressions borrowed from the scores to
vintage science fiction films, this original
composition is a tribute to the spirit of discovery
and adventure embodied by the men and
women of the space program. With its blend
of soaring ethereal melodies and flowing
rhythms combined with optional handchimes
and percussion, this piece will be an inspiration
for both ringers and audience members in any
performance setting.
11348140 3-7 Octave Opt. 3-5 Oct.
Handchimes, Percussion . .L3+ 4.95
Fanfare Intrada—John A. Behnke.
This lively and spirited original piece for
handbells is filled with lots of exciting
techniques like thumb damps, plucking, swings,
mart lifts, echoes, and a shake. Besides being
a rousing prelude for worship or concert, it also
makes a wonderful teaching piece. This piece
comes in two compatible versions, one for 2-3
octaves and another for 4-6 octaves, so it's
perfect for massed ringing.
11334257 2-3 Octave . . . . . . . . . . . . . L2 3.95
11334258 4-5 Octave with Opt. G2 . . L2 3.95
l First Arabesque—Claude Debussy/
arr. Ron Mallory. Debussy's First Arabesque
is a classic of impressionistic piano repertoire.
This faithful transcription reserves the gentle,
flowing style of the original. Chimes are optional
but used very effectively throughout. This is a
great piece for working on dynamic contrast
and musicality, and the advanced choir will
enjoy the challenge of playing three against
two evenly and smoothly. A lovely addition to
classical handbell repertoire.
11348148 3-6 Octave Opt 3-5 octave
Handchimes . . . . . . . . . . .L3+ 4.95
l Happy—Pharrell Williams/arr. Casandra
Caminitti. This entertaining piece for a small
ensemble of six ringers lives up to its title. The
popular song is delivered with fun techniques
and lively rhythms. The percussion part will add
additional flavor and fun.
11375570 3-5 Octave . . . . . . . . . . . . MD 6.75
l How Can I Keep from Singing—
arr. Sondra Tucker. This beautiful folk medley
setting employs bells and chimes and features
a violin solo. The tune ENDLESS SONG takes
the lead and combines with two other original
melodies. In the final stanza the tunes join to
create a beautiful trio effect. Smooth transitions
between chimes and bells are essential, as
is balance among the parts to allow all three
melodies to shine through.
11346961 3 Octave w/opt. Violin . . . . L3 5.25
11346960 Full Score & Parts. . . . . . . . L3 9.95
Idumea (And Am I Born to Die?)—
Matthew Compton. This stunning arrangement
combines the tunes
IDUMEA and KEDRON into
a truly magnificent work. Frantic rising eighth
notes scales open the piece, propelling it
toward a more sedate, reflective middle section.
The opening motif returns to drive the piece to
its exciting conclusion. This selection is not to
be missed!
11314808 3-6 Octave and
3-5 octaves Handchimes. . L3 5.95
l In the Hall of the Mountain King—
Edvard Grieg/arr. Kathleen Wissinger.
Enter the majestic mountain domain in this
lively rendition of Edvard Grieg's iconic In the
Hall of the Mountain King from his Peer Gynt
Suite (No. 1). True to the orchestral original,
this piece starts out soft, dark and wary; then
gains in confidence, volume and speed until
it is almost frantic at the end. Perfect as a
showy little "palate cleanser" in a school or
community concert!
11361788 3-5 Octave . . . . . . . . . . . . . L3 5.00
Jubilate—Dmitry Bortniansky/arr. Julie Sitt.
This beloved chorale is set for handbells in a
series of variations that make this a wonderful
piece for school, church, and festival. The
varied techniques and terraced dynamics make
it a great teaching piece. There are no bell
changes except for the key change, and no
shared bells.
11347543 3-5 Octave . . . . . . . . . . . . . L2 5.25
Marusya (Ukranian Folk Tune)—
arr. Dan R. Edwards. A popular folk song of
Ukraine, this piece embraces the spirit and
passion of Eastern European music and the
joyful, dance-like rhythms it embodies. Ringers
will enjoy this exuberant piece in rehearsal and
performance. While optional, the tambourine
and hand drum add to the authenticity.
11346953 2 Octave . . . . . . . . . . . . . . L3- 5.25
11346952 Full Score & Parts. . . . . . . L3- 9.95
Meditation from Thais—Jules Massenet/
arr. Jason Krug. This transcription of
Massenet's well-known tune is perfect for
the advanced choir looking to showcase their
musicality. With the accompaniment carried
entirely on handchimes and the melody on
bells, the contrast of the two lets each part live
up to its fullest potential. Complex harmonies
and intricate rhythms abound, giving ringers
a chance to work on their rhythmic accuracy.
A stunning choice for any advanced ensemble.
11314809 4-7 Octave . . . . . . . . . . . . . L3 5.95
HANDBELL
CONCERT
& FESTIVAL
From Beginners to Advanced, here are some great choices
for your next concert.
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