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CONCERT & CONTEST
H Night Fury—Carol Brittin Chambers. Intended
to portray a mythological time period, this vividly
creative work is full of adventure and excitement,
bringing to mind images of dragons, castles,
and other legendary creatures. It's apparent that
the impressive writing was highly influenced by
dramatic film scores in creating this epic, fast-
paced composition playable by young musicians.
10759593 Band Set & Score . . . . . . . . VE 55.00
Starfire Fanfare—Randall D. Standridge.
Introduce and reinforce 6/8 time with this exciting
concert opener for beginners. Using only five
6/8 rhythm patterns and the first six notes
learned (with a few accidentals for color), it's
is an excellent way to teach this meter to your
developing musicians. Careful consideration to
doubling important lines provides a piece that will
sound full with ensembles of any size.
11197644 Band Set & Score . . . . . . . . VE 55.00
H
Starsplitter Fanfare—Brian Balmages. This
explosive fanfare will start your concert off
with a bang while using only 6 notes in all wind
instruments! Written to harness the full sound
potential of your youngest musicians, the
powerful themes will make a dramatic impact on
your audience while the soaring countermelodies
will exude nothing but confidence from your
ensemble. Easy music with an enormous sound!
10070374 Band Set & Score . . . . . . . . . B 45.00
H
The Tempest—Robert W. Smith. This exciting
work is guaranteed to make your beginners
sound like pros! The brass has a strong, rugged
sound underneath rhythmic woodwind ostinatos,
and the piece easily comes together to display
all the fury of a tempest! This would make a
great opener for any young band concert, and
your audience will be amazed at how good The
Tempest makes your group sound!
2321453 Band Set & Score . . . . . . . . VE 56.00
Zig Zag—Sean O'Loughlin. An exciting and
electrifying composition for young concert bands.
Full of flair and rhythmic motifs that you can't help
but enjoy, it has energy pulsating throughout.
Even the slower middle section has an underlying
tension that can't be ignored. Take a deep breath
and hold on tight!
11001100 Band Set & Score . . . . . . . . VE 55.00
E ASY & M E D I U M - E ASY
3, 2, 1...—Brian Balmages. Everyone is still,
the countdown begins. In a single moment,
adrenaline surges in an eruption of musical
energy and power. This intense closer does not
let go, keeping the audience and performer on the
edge of their seats throughout. It's very playable,
just be sure to find time to catch your breath
before the action begins!
11002163 Band Set & Score . . . . . . . . ME 60.00
Abandoned Treasure Hunt—Rob Grice. This
exciting new work captures the thrill of a treasure
hunt and the mystery of the seas. A beginning
lyrical statement represents the abandoned
island. Our treasure hunt then begins with
driving rhythms and dynamic effects. Filled
with musicality and excitement, it's fun and
educational for all!
10050191 Band Set & Score . . . . . . . . . E 48.00
Above and Beyond—James Swearingen. If
you're searching for an exciting opener, look no
more. From the first measure to the last, you'll
discover dramatic-sounding melodies that are
creatively scored against a background of bold
rhythms and contemporary harmonies. This piece
has all the elements needed to make it popular for
many years to come.
10280771 Band Set & Score . . . . . . . . . E 49.00
H
Adrenaline Engines—Randall D. Standridge.
Thundering percussion, driving rhythms,
memorable melodies and frenetic energy
are unrelenting in this rip-roaring sonic
adventure. Meter changes enhance the pace
while dynamics and expression add character
to the music. This will be a sure-fire winner with
your band and audience!
10093908 Band Set & Score . . . . . . . . . E 65.00
H Afterburn—Randall D. Standridge. This
piece seeks to capture the emotions of flight
in a supercharged jet plane: excitement at
takeoff; awe at the beauty of the earth; and an
adrenaline burst of joy when the afterburners
kick in. An exciting musical ride for bands that
is not to be missed!
10066564 Band Set & Score . . . . . . . . . E 65.00
H Ammerland—Jacob De Haan. Gorgeous and
enchanting, this warm and rich work will have your
band reaching to new heights of expression. The
mid-voices introduce the simply exquisite
melody, followed in turn by bolder scoring that
invites the entire ensemble to create moments
of broad intensity that will leave your audience in
awe. We are pleased to highly recommend this
to your band.
2473070 Band Set & Score . . . . . . . . ME 85.00
H
Appalachian Morning—Robert Sheldon. The
traditions of Appalachia were largely influenced
by settlers from Scotland and Ireland. This
reflective piece acknowledges these pioneers and
their musical heritage with a musical walk through
the woods and mountains of the Cumberland
Gap. In addition to solo opportunities, this lovely
composition allows for a welcome moment of
expression on any concert program.
10045598 Band Set & Score . . . . . . . . ME 55.00
H
Arabian Dances—Roland Barrett. Opening
with an air of mystery and intrigue, the mood
quickly changes as the tempo picks up and
the tension mounts. Excitement builds as the
music paints images of dancers competing
wildly around a campfire. The intensity is
spurred on by the handclaps of onlookers as
it builds to a feverish and climactic finish! Pure
programming excitement!
10066628 Band Set & Score . . . . . . . . . E 62.00
Benediction—John Stevens. Originally scored
for brass choir, this marvelous version for full
band features flowing melodies and counterlines
in a rich chorale-like setting. The solo part at the
beginning and end is scored for euphonium, but
is cued for clarinet, trumpet or trombone. Great
for teaching a lyric style of playing, and also as an
effective performance piece.
10095453 Band Set & Score . . . . . . . . ME 60.00
H Black Forest Overture—Michael Sweeney.
Take a look at this exciting work by Michael
Sweeney...it has all the bravado of his earlier
successes! Bold, contemporary sounding
harmonies in a minor key are mixed with exciting,
shifting accents for a really neat effect. And, the
climactic ending is one of the best we've seen
at this level! This piece is guaranteed to make a
great impression in both concert and contest, and
you'll really be surprised when you see how easy
it is to learn! A sure winner!
2355824 Band Set & Score . . . . . . . . . E 60.00
Blue Ridge Reel—Brian Balmages. This musical
homage to the Blue Ridge Mountains will be an
instant hit! Written in the style of an Irish reel, this
work reflects influences of bluegrass and even
New Orleans march style. The fusion culminates
in a spirited groove for your band. Get out the
washboards and the musical spoons and prepare
to have a great time!
10369931 Band Set & Score . . . . . . . . ME 65.00
Byzantine Dances—Carol Brittin Chambers.
Written in the style of a Roma gypsy dance, this
is fast, energetic, and daring. Students will love
playing the exotic style and audiences will love
hearing the infectious melodies. Directors will also
find a wealth of historic content to teach while
rehearsing this piece.
11001022 Band Set & Score . . . . . . . . . E 65.00
The Cave You Fear—Michael Markowski. Take
a suspenseful musical journey into the unknown
with the mysterious and tantalizing sounds of
this intriguing piece. Serving as a thrilling call-to-
adventure, the moving music urges the listener
to venture out of their comfort zone and take
chances while seizing the opportunity to aspire
to and achieve greatness.
10484694 Band Set & Score . . . . . . . ME 120.00
Dark Ride—Randall D. Standridge. Take a
moonlit chase through a darkened forest in this
haunting piece written in a galop-esque character
that adds to the thrill. This thrilling work features
dissonant harmonies, driving percussion, and
optional synthesizer to create everything from
an organ to voices and an eerie harpsichord. A
frighteningly good choice that offers something a
little different for your next concert!
10907719 Band Set & Score . . . . . . . . . E 45.00
Dark Ride—Randall D. Standridge. Take a
moonlit chase through a darkened forest in this
haunting piece written in a galop-esque character
that adds to the thrill. This thrilling work features
dissonant harmonies, driving percussion, and
optional synthesizer to create everything from
an organ to voices and an eerie harpsichord. A
frighteningly good choice that offers something
a little different for your next concert! This fully
adaptable version makes it possible to enjoy this
music with various ensembles.
11317060 Band Set & Score . . . . . . . . . E 55.00
H
Encanto—Robert W. Smith. This compelling
overture by Robert W. Smith is probably his
most impressive festival work ever! Opening
with a distinctive full-brass fanfare, it evolves into
an infectious rhythmic section that can allow all
bands to sound strong and confident.
2213114 Band Set & Score . . . . . . . . ME 70.00
Fireball!—Brian Beck. From the first measure
to the last, this is an intense musical experience
that developing bands will really get into. Young
players will grow musically, rhythmically, and
stylistically as they're challenged with accidentals,
shifting chords, and lots of effects. This will keep
everyone on the edge of their seats!
10494109 Band Set & Score . . . . . . . . . E 55.00
Foundry—John Mackey. The first piece for
band at this grade level by this popular and
most creative composer. The concept of this
fascinating work is to introduce percussionists to
the idea that there are more imaginative ways to
perform other than with the traditional percussion
instruments. Using "found" percussion
instruments in addition to creative wind parts, the
piece creates a life of its own to the delight of
musicians and audiences!
10282825 Band Set & Score . . . . . . . ME 145.00
