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D Ad Astra—Jacob Narverud. Highly rhythmic in
both accompaniment and voices with independent
vocal lines, this work simply radiates energy with
a message of hope and empowerment: "To the
stars through difficulties, look upward, move
forward, leave all cares behind." Impressive and
accessible!
11162004 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
11370919 TBB. . . . . . . . . . . . . . . . . . . . . . . 2.50
DL Agnus Dei 2020—Jay Althouse. Composed
in remembrance of lives lost during the 2020
pandemic, this sparse setting of the traditional
Latin Requiem text is built upon a melody inspired
by a bird's simple three-note song. Solemn and
poignant, this memorable piece can be effectively
sung in either concert or worship.
11343532 SATB . . . . . . . . . . . . . . . . . . . . . 2.05
All That Her Heart Desires—Laura Farnell.
Henry van Dyke's poem A Lover's Envy describes
a beautiful, selfless love, and this expressive
choral setting highlights the emotional quality of
the text. This is sure to pull at the heartstrings of
both singers and audience with lyric melodies and
beautiful harmonies that are perfect for a mature
tenor-bass choir.
11370907 TTB . . . . . . . . . . . . . . . . . . . . . . . 1.95
L All Things New—Elaine Hagenberg. Known
for her exquisite lyricism and soaring melodies,
Hagenberg delivers an exceptional original
setting of Frances Havergal's text that provides a
message of hope that is so needed. A shimmering
accompaniment and easily learned vocal lines
open this up to choirs of all sizes for concert or
service use.
11375949 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Dt Alle, Alleluia—Bruce W. Tippette. Rhythmic
energy abounds in this exciting setting of a simple
"Alleluia" text. Set in 10/8, the asymmetrical meter
gives a repetitive groove that is engaging and fun
to sing for each voice part. Dynamic contrasts and
contemporary harmonies complete the package
of this outstanding concert work for either treble
or tenor-bass choirs - it will make a great concert
opener at any time of year.
11348183 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
11348184 TBB. . . . . . . . . . . . . . . . . . . . . . . 2.25
t
The Beautiful Land of Nod—Robert Convery.
The iconic poem by Ella Wheeler Wilcox is set
here in a lilting and gentle composition that may
be performed by an ensemble or by a full choir.
Peaceful, serene, and comforting, this was
commissioned by Philadelphia-based chamber
choir The Crossing and conductor Donald Nally.
11366878 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Birdsong—Eric Nelson. This selection
beautifully sets a text by the poet Rumi. The
accompaniment is reminiscent of bird calls while
the choir soars above with beautifully written
lines. This is part of the National Collegiate
Choral Organization Choral Series.
11369591 SATB . . . . . . . . . . . . . . . . . . . . . 2.85
Dt Black is the Color of My True Love's Hair
Hair—arr. Jamey Ray. The haunting tone of this
traditional Appalachian folk song is beautifully
expressed in this arrangement by Voctave's
arranger Jamey Ray. The a cappella harmonies
shift between closer contemporary harmonies
and moments of open harmonic structure that suit
this genre in a way that is simply breathtaking! A
beautiful concert feature for mixed choirs!
11348174 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
L
Bringers of Noise—Kyle Pederson. This is
different! Using a fictional language combined
with a powerful English text, this exceptional piece
effectively combines narration, rhythmic chanting
and whispers, singing, vocal percussion, stomps
with drum, and a driving piano accompaniment to
create an atmosphere of drama and mystique. Not
to be missed!
11384390 SAB . . . . . . . . . . . . . . . . . . . . . . 2.20
11196340 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.20
DL Can We Sing the Darkness to Light?—Kyle
Pederson. The text of this work invites the listener
to imagine a world without weapons of war
where the human experience is defined through
the lens of mercy and compassion. The music is
peaceful and very appropriate to the text with little
divisi in the choral parts and a supportive piano
accompaniment. Optional full score and parts for
violin and cello accompaniment are available from
the publisher.
10994208 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
11372826 TTBB . . . . . . . . . . . . . . . . . . . . . 2.80
Lt Come and I Will Sing You—arr. Andrea
Ramsey. Here's an exciting treatment of this
additive folk song from Newfoundland that sings
like a sea shanty. Traditionally sung during the
Christmas season, it can also be performed as a
dynamic concert work at any time of year. This
dynamic, driving, and rhythmic setting will be a
favorite of your tenor-bass choir!
11372828 TTBB with Percussion . . . . . . . . 3.20
Dt Danny Boy—arr. Jamey Ray. Sumptuous
harmonies surround the beautiful melody of
this traditional Irish folk song that tenor-bass
choirs will absolutely love to sing. A hint of jazz
influence and a contemporary a cappella texture
with vocables really enhance this setting from
Voctave's arranger Jamey Ray. A cappella groups
and traditional choirs will both enjoy this one!
11348188 TTBB . . . . . . . . . . . . . . . . . . . . . 2.15
Do Not Go, My Love—Richard Hageman/arr.
Stephen Rotz. Lush, lovely, and harmonically rich,
this choral setting of a solo art song delivers a vocal
classic to treble choirs. Subtle chromatic voice
leading brings a sense of artistry and maturity, and
the substantial piano accompaniment builds the
texture into an expressive selection that is certain
to enhance any concert or festival program.
11370905 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.50
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