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POP, JAZZ, STAGE & SCREEN
D All You Need Is Love—John Lennon & Paul
McCartney/arr. Alan Billingsley. This arrangement
of the 1967 #1 hit by the Beatles will be a popular
addition to any concert with a timeless message
that is even more relevant today.
3142445 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
America—Leonard Bernstein/arr. William
Stickles. The bright, catchy melody of this
Leonard Bernstein classic from "West Side Story"
is always a crowd pleaser.
389437 SATB . . . . . . . . . . . . . . . . . . . . . 1.95
DL Be a Light—arr. Tim Hayden. "In a world full of
hate, be a light." These lyrics strike a meaningful
chord about our power to affect change in
the world. Recorded by Thomas Rhett, Reba
McEntire, Hillary Scott, Chris Tomlin, and Keith
Urban, this anthem of hope and unity holds a
significant message. The singable melody and
pop harmonies are easy-to-learn and effective to
perform.
11317140 SATB . . . . . . . . . . . . . . . . . . . . . 2.10
D
Crowded Table—Natalie Hemby, Lori McKenna
& Brandi Carlile/arr. Andrea Ramsey. In an easy
swing feel, this country pop song from new
supergroup The Highwomen delivers a powerful
message for women and girls to band together
and hold one another up. The optional fiddle adds
a nice touch to the pretty choral harmonies in this
poignant selection.
11196063 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.65
Diamonds Are a Girl's Best Friend—arr. Mark
Hayes. This clever song was first introduced by
Carol Channing on Broadway in "Gentlemen
Prefer Blondes," but Marilyn Monroe perhaps
made it most famous in the movie version.
Recently, it was sung by Nicole Kidman in the
motion picture "Moulin Rouge." This arrangement
has captured all the wit and glamorous humor
of the original - the singers even get to use a
Brooklyn accent on the spoken lines! This is a fun
and show-tastic number!
10088431 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
D
Do You Hear the People Sing?—Claude-
Michel Schonberg/arr. John Leavitt. This inspiring
song of unity and action from "Les Miserables"
is presented in a concert style arrangement that
will appeal to choirs of all ages. For an even more
powerful presentation, add the optional chamber
orchestration or accompaniment track.
11219757 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
D
A Fifties Doo-Wop Snapshot—arr. Kirby Shaw.
This three-song medley is like a mini-musical
revue of that iconic Doo-wop style that was so
popular in the 1950s. An original opening section
sets the stage, and then breaks into Little Bitty
Pretty One followed by Little Darlin' and closing
spectacularly with Rock Around the Clock.
There's plenty of "oohs" and "ahs" and "bops" in
those background harmonies you'll love to sing.
Perfect for decades concerts!
11348256 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
D
Forever Young—Bob Dylan/arr. Roger
Emerson. Covered countless times by artists
around the globe, Bob Dylan's 1974 seminal work
was originally composed as a lullaby for his eldest
son Jesse, bestowing wishes and blessings upon
him. The tender melody and gracious lyrics are
set with folksy harmonies that let the original
quality shine through.
11348264 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
D
Heart of Gold—Neil Young/arr. Mac Huff.
Legendary singer-songwriter Neil Young's 1972
#1 hit song is presented in this accessible choral
adaptation for tenor-bass choirs. Thoughtful
lyrics, a singable melody, and simple classic pop
harmonies make this a solid choice.
11001481 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.15
D
Help!—John Lennon & Paul McCartney/arr. Alan
Billingsley. Help! reached the top of the US and
UK charts in the summer of 1965, and its theme
continues to be relevant. The song is layered with
genuine lyrics that express the realization that
none of us are alone if you simply ask for help.
Choirs of all ages will enjoy this classic song in an
arrangement that feels just right.
11348269 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
t Homeward Bound—Paul Simon/arr. Naomi
Crellin. This a cappella arrangement of the Simon
and Garfunkel song is an outstanding selection
from the VOCES8 series. With rhythmic riffs
shared among all voice parts, close harmonies
and a classic feel, this piece will be fun for singers
and audiences alike.
11374001 SATB divisi, or SSATTBB . . . . . 4.00
DL I Only Have Eyes for You—Harry Warren/arr.
Mark Hayes. This swingin' standard has been
recorded by artists from Art Garfunkel to Michael
Buble. The big-band-style arrangement includes
simple jazz harmonies, great instrumentation,
and notated scat singing towards the end which
make it perfect for developing jazz choirs or a fun
concert selection for any choir.
11343547 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
D I'll Stand By You—arr. Mark Brymer. The
positive message of unity and support in this
mid-90s hit by the Pretenders is as relevant now
as it ever was. This flexible arrangement for mixed
choirs of various sizes or ages can be performed
with the accompaniment or a cappella. This is a
ballad that can really create a meaningful moment
in your program.
11348280 SATB opt. a cappella. . . . . . . . . 2.25
DL It's All Right—Curtis Mayfield/arr. Robert T.
Gibson. Jon Batiste's cover of the 1963
Impressions hit in Disney/Pixar's "Soul" brings
this early Curtis Mayfield song to a whole new
generation. Built on a soulful groove, jazzy twists,
and a feel-good vibe, this choral arrangement
is based on the Batiste version from the film.
Accessible to choirs of all ages in a variety of
voicings, it's sure to be a hit at your next concert!
11347551 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
D
It's So Easy—Buddy Holly & Norman Petty/arr.
Mac Huff. Everybody knows this classic song,
and it's just so easy to like! Written by Buddy
Holly, this hit from 10-time Grammy-winning
singer Linda Ronstadt has straightforward
harmonies that are true to the original and will be
a hit with treble choirs of all ages!
11348320 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.15
D
It's You I Like—Fred Rogers/arr. Paris
Rutherford. Set in a easy swing style, this classic
tune from Mister (Fred) Rogers is presented in an
arrangement that your jazz or concert choir will
love. The music from Mr. Rogers' Neighborhood
is both iconic and charmingly positive, with plenty
of jazz influence - and this song is true to form.
Fresh and fun!
11171375 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
Make You Feel My Love—Bob Dylan/arr.
Mark Armstrong. Bob Dylan's classic love song
is presented in a luscious choral setting that is
appealing for both concert choirs and a cappella
groups. Highlighted by a solo throughout, it
may be performed successfully a cappella with
the surrounding choral harmonies on vocables
providing a full harmonic texture, or for another
option, the fully notated optional piano part can
provide plenty of support without getting in the
way. Not to be missed!
11171410 SATB divisi, with optional
piano accompaniment. . . . . . . . 2.75
Dt Maria—Leonard Bernstein/arr. Ed Lojeski. This
sensitive a cappella setting of the passionate love
song from "West Side Story" is a welcomed
addition to the repertoire for better tenor-
bass choirs!
3303862 TTBB . . . . . . . . . . . . . . . . . . . . . 1.95
D
My Heart Will Go On—arr. Alan Billingsley.
Don't miss this! The love theme from the hit movie
"Titanic," this is the song that is heard during the
closing credits of the film, as recorded by Celine
Dion. A very moving, emotional ballad with a
haunting melody and tender lyrics, this has been
heard by millions and is an absolute must for your
next concert program!
3123189 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
9
ADULT
COMMUNITY
CHOIR
MUSIC ON
APPROVAL
30 days to try before you buy.
Theme:
PATRIOTIC
Lift Every Voice and Sing —
John Rosamund Johnson/arr. Heather Sorenson.
11317761 SATB w/Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
The World Is Our Home —Russell Robinson.
10352198 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
The Star-Spangled Banner —Kile Smith.
11337819 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
When Johnny Comes Marching Home —
arr. Dan Davison.
11347646 SATB divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Battle Hymn of the Republic —
William Steffe/arr. Jamey Ray.
11348173 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
11348624 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
I Lift My Lamp —Katie O'Connor-Ballantyne.
11196267 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
America, the Beautiful (Materna)—
Samuel A. Ward/arr. Aaron Humble.
11370900 TB opt. a Cappella . . . . . . . . . . . . . . . . . . . . . . . 1.95
A Hymn For Fallen Comrades —Paul Mealor.
11373494 TTBB optional treble semichorus . . . . . . . . . . . . 2.95
Thank You, Soldiers —Michael & Angela Souders.
10284857 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
