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Drinking Song—Dudley Buck/ed. David P.
DeVenney. From the American Romantic Choral
Series comes this lighthearted secular song.
Written in Italian with an English alternative,
the piece features a baritone solo with chorus
response. Fun and well written, this is a great
concert piece for TTBB chorus.
11342360 TTBB w/ Baritone solo, piano . . 2.25
t Eldorado—Andrej Makor. A dramatic Edgar
Allan Poe poem is creatively set here by
Slovenian composer Andrej Makor. Colorful
harmonic choices and bold dissonances bring
the text to life with feelings of adventure, bravery,
and seeking something beyond the ordinary.
11372830 SATB divisi . . . . . . . . . . . . . . . . . 2.80
Eriskay Love Lilt—arr. Roderick Williams. This
gently flowing arrangement captures the beauty
of this famous traditional Hebridean love song.
The song text uses both old dialect and English,
each verse ending with the words, "Sad am I
without thee."
11364440 SATB divisi . . . . . . . . . . . . . . . . . 4.00
Evening Stars—Dale Warland. A set of three
pieces based on the poems of Sara Teasdale.
This was originally conceived for a tenor-bass
ensemble and chorus, but it can be performed
with double tenor-bass chorus. Each movement
may be performed separately and is available
separately. Pieces: The Falling Star; On a Winter
Night and Stars over Snow.
11366875 TTBB Double Choir . . . . . . . . . . 3.65
The Falling Star—Dale Warland. The first of
three pieces based on Sara Teasdale poems from
the larger work, "Evening Stars."
11366879 TTBB Double Choir . . . . . . . . . . 2.50
t Give Me Your Stars to Hold—Bob Chilcott.
This is an expressive setting of Sara Teasdale's
poem Peace, with lush, rich harmonies and a
soft dynamic palette. Poignant and peaceful, and
perfect for choirs who enjoy refining blend and
ensemble, this setting will provide a reflective
moment in any concert program.
11372380 SATB divisi . . . . . . . . . . . . . . . . . 3.00
t Given Sound—Trevor Weston. This is a rich,
intricately written work influenced by both
American jazz vocal performance and the
contrapuntal writing of Monteverdi, creating
what the composer calls a "modern American
madrigal." Pauline Kaldas' text speaks of how
men and women use their voices in different ways,
which the composer further explores through
word painting and a lush, complex harmonic
language. Recommended for professional groups
and collegiate ensembles, this savvy composition
is the perfect showcase.
11383741 SATB SSATB . . . . . . . . . . . . . . . 3.75
Gloria in Excelsis Deo—Horatio Parker/ed.
David P. DeVenney. From the American Romantic
Choral Series comes this bright choral piece. The
classical structure and contrapuntal writing make
this a worthy anthem for concert or worship.
11342378 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
t Golden Slumbers—Ben Parry. This beautiful
arrangement of the 17th-century lullaby features
subtle jazz inflections and artful imitation. The
text seeks to create a calm and comforting
atmosphere for sleep, emulated through gently
rocking melodic lines over a rich cushion of
harmonies.
11372381 SATBB . . . . . . . . . . . . . . . . . . . . 3.00
Goober Peas—arr. Eric Nelson. A jaunty, fun
arrangement of this early American song. A novel
program piece for tenor-bass choirs!
11371030 TTBB . . . . . . . . . . . . . . . . . . . . . 2.05
The Good-Morrow—Howard Goodall.
Composed in 2000 for the highly regarded
Cantamus Girls' Choir and their founder, Pamela
Cook, The Good-Morrow is Howard Goodall's
stunning setting of the John Dunne poem, for
upper voices and piano. The universal themes of
love, compassion, and togetherness are echoed
in the music, a reflective and uplifting choral work
ideal for concert performance.
11373327 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
t
A Great Many Things—Nico Muhly. Featuring
lyrics by Elinore Pruitt Stewart that express an
appreciation for everything we have, this selection
features an angelic solo and moments of celesta
that give it a magical music-box feeling.
11345744 SATB a cappella with keyboard/
celesta . . . . . . . . . . . . . . . . . . . . 3.95
t
How Can I Keep from Singing?—Robert
Wadsworth Lowry/arr. Stephen Caracciolo.
This beautiful a cappella arrangement was
commissioned by Cantus for their album A
Harvest Home. Written as a companion piece
to the setting of Simple Gifts, this arrangement
sounds traditionally American while still having
something fresh to say.
11373264 SATB divisi . . . . . . . . . . . . . . . . . 2.35
Dt Hubble—Amelia Brey. The winner of a Juilliard
composition class initiative with Judith Clurman,
this fantastic piece was designed to be both
accessible and appealing. The text is based on
feelings that contemplate the universe through
the eye of the Hubble Space Telescope; the
a cappella texture with timpani is dramatically
expressive.
11337821 SATB with Timpani . . . . . . . . . . 2.25
I Am Possibility—David von Kampen. Becky
Boesen's poetry is brought to life through unique
piano writing and simple vocal arranging that
embodies her self-empowering lyrics.
11347946 SATB . . . . . . . . . . . . . . . . . . . . . 3.00
t i carry your heart with me—Paul Mealor.
The warmth of the lyrics in this poem by E.E.
Cummings is reflected in this lovely and moving
arrangement for a cappella voices.
11373496 SATB divisi . . . . . . . . . . . . . . . . . 2.50
D
I Thank You God—Gwyneth Walker. Originally
commissioned by the ACDA, Walker's setting of
the E.E. Cummings poem has long been popular
on the festival circuit for treble and mixed choirs.
An additional voicing for tenor-bass choirs is now
available as are the instrumental parts and the full
score.
8063049 SSATB . . . . . . . . . . . . . . . . . . . . 2.85
t
If I Got My Ticket, Can I Ride?—arr. Carlos
B. Brown. The traditional spiritual gets a relaxed
setting in this reflective tenor-bass selection. With
strong backing harmonies, your featured tenor
soloist will really get a chance to shine.
11347712 TTBB . . . . . . . . . . . . . . . . . . . . . 2.30
21
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New Works
Halcyon Days —Melissa Dunphy.
11337567 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Solstice —Taylor Scott Davis.
11337569 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Descend to Earth —Ken Burton.
11337571 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Let's Walk Together —Paul Smith.
11337573 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Mother's Song —Jocelyn Hagen.
11337574 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Now Winter Nights —Roderick Williams.
11345628 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.95
Carrickfergus —arr. Joshua Pacey.
11368856 SATB divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.00
A Nightingale Sang in Berkeley Square —
Manning Sherwin/arr. Jim Clements.
11373998 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Cheek to Cheek —Irving Berlin/arr. Jim Clements.
11373999 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
Sway —Pablo Beltran Ruiz & Luis Demetrio Traconis
Molina/arr. Alexander L'Estrange.
11374003 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
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