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D Agnus Dei—Rollo Dilworth. With a slow gospel
groove, this accessible concert work sets the
traditional Latin text with full, rich harmonies in a
slow 6/8. The piano accompaniment supports the
harmonic motion while adding to the gospel flavor
of this engaging selection.
11203403 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
D
Bye and Bye—arr. Rollo Dilworth. This stylized
gospel arrangement of the traditional spiritual
features a terrific layered bridge section with
traditional gospel stacking. Rock-solid choral
writing and a beautifully written piano part give
this moving selection an authentic gospel sound.
11203717 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
11203719 TTBB . . . . . . . . . . . . . . . . . . . . . 2.15
Lt Death Came A-Knockin'—Ruthie Foster/arr.
Paul Rardin. This bluesy setting requires three
treble soloists with power and confidence. The
choral backgrounds are deliberately sparse
imitating guitar, light organ, and banjo until a
climactic group shout. The music is driving
and relentless as the singers are determined to
be "ready to go" into the kingdom of God. The
characters in this unique and compelling work are
mother, sister, brother, neighbor, preacher, and
finally, self, which reminds us that all of us will all
face this journey, so we had best live right and
shout "Hallelujah" when our turn comes.
11316622 SATB . . . . . . . . . . . . . . . . . . . . . 3.05
D Deep River—arr. Connor Warren Smith. This
lovely arrangement offers a beautiful flowing
accompaniment to an already beloved melody
and breathes new life into this classic song with
an unexpected key change. A relaxing change of
pace from the traditional upbeat spirituals.
11348175 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Deep River—arr. Victor C. Johnson. Johnson's
artistically crafted piano accompaniment creates
a gentle, wave-like motion to support the warm,
lush choral textures and harmonies in this superb
arrangement of the beloved spiritual. This elegant
yet accessible setting is a perfect opportunity
to expand your choir's harmonic language and
cultural understanding with a tender melody
that they'll know and love. A valuable Learning
Resource Page is included for even more
educational value.
10996345 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Lt Elijah Rock—arr. Victor C. Johnson. Possessing
crisp a cappella harmonies and cool syncopation
in the vocal parts, this work is a solid choice for
developing choirs in both concert and festival
settings. An original bridge augments the popular
traditional spiritual melody, and the echoing
harmony parts in the chorus add to the rhythmic
texture. A fresh arrangement of a choral classic!
11202497 Three-Part Mixed . . . . . . . . . . . . 2.10
HD Elijah Rock—arr. Moses Hogan. Here's a won-
t
derful opportunity for your choir to "pull out all the
stops" as they recreate the full depth and vitality
of this magnificent spiritual. Moses Hogan's
unique and exciting a cappella arrangement will
surely be a favorite with better choirs everywhere,
because it is so much fun to rehearse and so
impressive in performance. Very rewarding!
1922947 SSAATTBB. . . . . . . . . . . . . . . . . 2.10
Give Peace in Our Time—Ethan McGrath. A
text from the Book of Common Prayer, as timely
today as when it was originally penned in 1662,
is particularly engaging in this relaxed and soulful
gospel setting. This setting for SATB voices and
piano offers a beautiful opportunity for an optional
solo voice. Don't miss the impact of the heartfelt
prayer for peace in this wonderful work.
11314183 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Lt Good News!—arr. Rosephanye Powell. Com
issioned for the ACDA National Convention in
New York, 2003, Rosephanye Powell has brought
her classic style to this beloved spiritual. This
arrangement is rhythmic, vibrant and fun with
excellent vocal writing and energy.
11197233 SATB divisi . . . . . . . . . . . . . . . . . 2.55
Dt Harriet Tubman—Walter Robinson/arr.
Kathleen McGuire. This superb a cappella
arrangement is an inspiring tribute to the
heroism of Harriet Tubman. Vocal percussion
effects, well-written harmonies, train sounds,
and call-and-response singing work together to
create a wonderful choral tapestry perfect for a
district or festival choir feature. "Come on up,
puh, huh, huh, I got a lifeline, come on up to this
train o' mine..."
10045881 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
11198756 TTBB . . . . . . . . . . . . . . . . . . . . . 2.10
HD Hear My Prayer—Moses Hogan. Dedicated
t
to the memory of Jester Hairston, this original
spiritual by Moses Hogan is a reverent prayer of
hope. For a cappella mixed voices, its quiet but
dramatic rubato style is powerfully moving.
3289634 SATB . . . . . . . . . . . . . . . . . . . . . 2.10
DL How Sweet the Sound—Kyle Pederson. This
t
work has the ethos of a spiritual, with the text
and a few riffs inspired by Amazing Grace. The
choir, considering the power of grace in song,
affirms that no trouble, no shame, no valley is
too deep for the healing gift and power of soul-
freeing grace. The music has a driving quality,
with the choir occasionally backing up the soloist
with humming, quick commentary, or a sustained
neutral syllable.
11199452 SATB A Cappella Version . . . . . 2.80
11199453 SATB Piano Accompaniment
Version . . . . . . . . . . . . . . . . . . . . 2.80
Lt I've Found Me a River—Judy A. Rose. This
newly composed gospel-style spiritual innocently
begins in four parts before dividing into a full
double-choir format. Feature a soloist and explore
the call-and-response texture as well as campfire
singing shouts to create a dramatic experience
that will be a delight to sing. A perfect fit for large
festival choirs!
11219993 SATB/SATB divisi . . . . . . . . . . . 2.50
t If I Got My Ticket, Can I Ride?—arr. Carlos
B. Brown. The traditional spiritual gets a relaxed
setting in this reflective tenor-bass selection. With
strong backing harmonies, your featured tenor
soloist will really get a chance to shine.
11347712 TTBB . . . . . . . . . . . . . . . . . . . . . 2.30
Lt In Bright Mansions Above—arr. Roland Carter.
Choirs have loved and performed Carter's classic
arrangement of this traditional spiritual throughout
the years. Preserved and now available in a newly
engraved version, it can continue to be enjoyed
for years to come.
11374084 SATB . . . . . . . . . . . . . . . . . . . . . 2.60
D
It's Gonna Be Alright—Raymond Wise. This
energetic original contemporary gospel piece has a
wonderful groove and an uplifting message of self-
empowerment. Staccato and accented vocals,
expressive dynamics, and a repetition section
moving up by half steps add to the excitement.
Optional drum and bass parts are available.
11202191 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
11202192 TTBB . . . . . . . . . . . . . . . . . . . . . 2.25
L John, the Revelator—arr. Joseph Joubert.
This great gospel blues call-and-response song
has been given a spirited treatment in a rousing
rendition for tenor-bass chorus. The piano part
contributes in significant measure to the strength
of this new arrangement, but the vocal writing is
equally as captivating. With an excellent tenor
soloist and added bass and drums, this concert
closer will bring down the house!
11348845 TTBB . . . . . . . . . . . . . . . . . . . . . 2.75
All Prices in U.S. Dollars & Subject To Publisher Revision Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
SPIRITUALS & GOSPEL
7
ADULT
COMMUNITY
CHOIR
MARQUES L.A.
GARRET
Invitation to Love —Marques L.A. Garrett.
10794438 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
Sit Down Servant —arr. Marques L.A. Garrett.
10715686 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
My Heart Be Brave —Marques L.A. Garrett.
11384396 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.00
Soon I Will Be Done —Marques L.A. Garrett.
11389338 SATB divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.10
I Want Jesus To Walk With Me (c minor)—arr.
Marques L.A. Garrett.
11166915 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.00
Till I Wake (No. 5 from Five Songs of Laurence
Hope)—Harry T. Burleigh/arr. Marques L.A. Garrett.
11368628 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Kashmiri Song (No. 3 from Five Songs of Laurence
Hope)—Harry T. Burleigh/arr. Marques L.A. Garrett.
11359769 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
Till I Die —Marques L.A. Garrett.
11194329 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
Give Me That Old-Time Religion —arr. Marques L.A.
Garrett.
10304223 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Among the Fuchsias —Harry T. Burleigh & Laurence
Hope/arr. Marques L.A. Garrett.
11369586 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
