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POP TUNES
Seven Nation Army—arr. Dallas C. Burke. Put
your low brass section front and center with this rockin'
arrangement of the White Stripes hit! The instantly
recognizable bass line and the driving pulse will make this a
favorite year after year!
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Seven Nation Army—arr. Jay Dawson. This hit from
the White Stripes has all the ingredients for the perfect stands
tune! The raw, menacing and simplistic bass riff is a natural
for your low brass section!
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Sgt. Pepper's Lonely Hearts Club Band/The
End—John Lennon & Paul McCartney/arr. Wallace. Opening
with a brief drum solo a la Ringo Starr, the familiar strains of
this classic kick off the closer to the "Beatlemania" show. The
chart concludes with a powerful setting of The End, the last
song ever recorded by all four members of The Beatles.
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Shake It Off—arr. Michael Oare & K.J. Stafford. Taylor
Swift may be the brightest star in the pop universe and she's
never shined brighter than with this driving, smash hit. The
catchy melody and upbeat dance groove of this dynamite tune
make it a fan favorite and this arrangement is easy to learn
and will sound great with small bands.
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Shake It Off—arr. Tom Wallace. Taylor Swift's hit song
is a pop-culture sensation with the catchy melodies, a fast
groove, and a strong hook - but most of all it's just plain fun!
The title has even become an encouraging catchphrase for
parents, teachers, coaches, and even a few politicians.
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Should I Stay or Should I Go—arr. Paul Murtha
& Will Rapp. This swaggering rock hit by The Clash has
maintained a steady presence in pop culture with TV
advertising and was featured prominently in the hit series
Stranger Things. The moderate tempo and solid scoring make
this sassy arrangement perfect for dance features.
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Shut Up and Dance—arr. Doug Adams. This
catchy hit from indie rock band Walk the Moon was a
real chart-climber and is well-known by all. This rockin'
arrangement is brimming with great sounds, perfect for
the stands or pep band.
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Sir Duke—arr. Jay Bocook. The signature horn riff in this
Stevie Wonder chart can be played by a small group or full
band. This chart works in concert, in the stands, or as a
production number.
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Slow Ride—arr. Ward Miller. Fans both young and old
will love this hard rockin' anthem from the '70s. The driving
jam has something to feature everyone in your ensemble,
and the careful scoring and doubling will have smaller or
developing bands sounding great.
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Smells Like Teen Spirit—arr. Michael Brown.
This resounding hit is a great example of the grunge-rock
style of the band Nirvana, and this setting puts it on full
display! This arrangement trades the melody between low
brass and trumpets before closing with the powerful and
famous chorus.
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Smells Like Teen Spirit—arr. Tom Wallace. You'll
want to unleash this musical monster on the field or in the
stands. This powerful arrangement of one of the most famous
rock tunes of all times by the group Nirvana is a marching
band masterpiece. The great use of "loud and quiet" includes
the added touch of resolving dissonance thrown in for
additional sass and attitude.
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Smoke on the Water—arr. Michael Sweeney. The
rock riff that everybody knows! Deep Purple's signature tune
really rocks, yet will sound great with virtually any band! Hot!
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Smooth Criminal—arr. Dave Henning. Michael
Jackson had a huge hit with this smooth 1988 tune. An ideal
production number for any MJ-themed halftime show!
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Something Just Like This—arr. Ishbah Cox. Brace
yourself, because you've never heard anything like this! A
collaboration by The Chainsmokers and Coldplay, this poppin'
rock hit features a memorable hook, hot melody, and off-the-
hook energetic drive!
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Stairway to Heaven—arr. Ralph Ford. Bring
your show to a stunning conclusion with this awesome
arrangement of one of the greatest rock songs of all
time! Beginning with a lyrical trumpet solo, the piece builds
both in tempo and texture to a spectacular ending. The
crowd will be waving their cell phones for sure!
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Star Wars: The Rise of Skywalker—arr. Matt
Conaway & Jack Holt. The epic Star Wars saga wraps up with
this blockbuster movie featuring more fabulous music from
John Williams. This arrangement starts slow with a majestic
new theme that builds steadily before climaxing with the
familiar and exciting main theme.
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Starships—arr. Tom Wallace. The feel-good vibe of
this mega-hit by Nicki Minaj is captured perfectly in this
arrangement for marching band. Pulsating rhythmic sections
coupled with an infectious pop hook make this a perfect
choice for the stands!
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Stronger (What Doesn't Kill You)—Greg
Kurstin, Alexandra Tamposi, David Gamson & Jorgen
Elofsson/arr. Matt Conaway & Jack Holt. Kelly Clarkson's
2012 pop hit, featuring a theme of resilience and hope,
takes on new meaning in today's world. Here's an uplifting
message in a hard-driving arrangement.
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Sucker—arr. Tom Wallace. The Jonas Brothers hit it big
with this #1 chart-topper, and this super arrangement shows
off its cool rhythmic groove and overall appeal. This is sure to
wow your audiences.
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Sweet but Psycho—arr. Jay Dawson. The title says it
all! Everyone will love the great tempo and catchy hook of this
easy-to-play arrangement of the compelling hit by Ava Maxx.
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Sweet Caroline—arr. Michael Brown. Originally
recorded in 1969, this iconic Neil Diamond hit has stood the
test of time and remains as popular today as ever. You can
be sure the crowd will get involved - they'll know exactly what
to sing and when to sing it.
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Sweet Caroline—arr. Tim Waters. This classic hit from
Neil Diamond has certainly stood the test of time. Written in
an uptempo shuffle style and with plenty of full-ensemble
punches, the entire crowd is sure to sing along!
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Sweet Child O' Mine—arr. Paul Murtha. Featured on
the 1987 debut album by Guns N' Roses, this history-making
classic rock chart became their first #1 hit and continues to
be an audience favorite. This super arrangement features low
brass on the melody, then the entire band explodes with the
signature riffs and chorus.
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Sweet Georgia Brown—Ben Bernie, Maceo Pinkard
& Kenneth Casey/arr. Matt Conaway & Jack Holt.
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Take On Me—arr. Tim Waters. In 1985, the Norwegian
pop group A-ha took America by storm when Take On Me
reached #1, thanks to its infectious melody and innovative
music video. This arrangement is full of drive and energy
perfectly suited for the marching band field - it will make you
long for the '80s!
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Talkin' Out the Side of Your Neck—arr.
Raymond Rolle. Originally recorded by the '80s funk band
Cameo, this tune can be heard rockin' stadiums across the
country. This version by "Drumline Live" is a powerfully
churning chart and sizzling hot!
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Tear the Roof off the Sucker—arr. Tom Wallace.
Funk a la Tom Wallace from the hit song by Parliament.
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That's the Way I Like It—arr. Michael Brown & Will
Rapp. More than one generation has danced to this anthem
of the '70s from KC & the Sunshine Band! With a relentless
disco groove, spicy bass riffs, and a short spot for percussion,
here's a chart you can use for just about any occasion!
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That's What I Like—arr. Ishbah Cox. Recorded by
Bruno Mars, this megahit topped the charts in 2017 and still
resonates throughout the pop world. The pulsating groove
supports the catchy melody that's passed around to different
sections of the band while the percussion section adds just
the right amount of sizzle.
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Think—arr. Victor Lopez. One of the late great Aretha
Franklin's biggest hits was this R&B tune, made even more
famous when it was featured in the classic movie "The Blues
Brothers." This fresh and exciting arrangement will have
audiences dancing to the sounds of this ageless classic!
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This Is Me—arr. Jay Bocook. This show-stopping
hit from the award-winning soundtrack to "The Greatest
Showman" opens in a calm mood, giving your star trumpet
player the spotlight with a warm flugelhorn solo. From this
tranquil opening the arrangement builds steadily, developing
into an intense and engrossing dramatic closing statement.
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Thnks Fr Th Mmrs—arr. Joe Murphy. Alternative rock
goes marching band with this sophisticated hit from Fall Out
Boy! Whether on the field or in the stands, this one is sure to
create memories!
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Thriller—arr. Paul Murtha. Here is Michael Jackson's
signature rock hit from the '80s in a solid arrangement for
the field or stands, playable by even smaller bands!
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