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POP TUNES
Bang the Drum All Day—arr. Doug Adams. This
'80s classic is back and is as powerful as ever! Your band
will be able to prepare it quickly and add it to their stand
repertoire. This well-scored arrangement delivers a real
punch!
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Bang!—Adam Metzger, Jack Metzger & Ryan Metzger/arr.
Ishbah Cox. This popular hit by the band of brothers, AJR,
offers a unique and hypnotic medium rock feel. With a well
crafted melody and distinctive style, this adapts beautifully for
marching band.
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The Bare Necessities—arr. Michael Brown.
Featured in the 2016 movie as well as the 1967 original,
this iconic tune has real staying power and never seems to
grow old. Arranged in an up-tempo swing style, this chart has
widespread appeal and delivers plenty of impact and style!
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Basket Case—arr. Dave Henning. Open your Modern
Rock halftime show with this classic from punk group
Green Day! The infectious tune will grip the audience from
the first note!
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Beat It—arr. Dallas Burke. One of Michael Jackson's most
explosive hits, this chart makes the perfect opener to your
Michael Jackson themed field show - or use it to rock the
stands at the end of the game. Bands of any size will sound
big with this playable treatment of the MJ classic!
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Believer—arr. Victor Lopez. This driving rock shuffle from
Imagine Dragons was one of their biggest hits. The song was
heard all over the radio airwaves as well as in commercials,
movies and TV shows. Its unique style and solid scoring
makes it a natural on or off the field.
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Believer—arr. Paul Murtha & Will Rapp. Along with the
memorable music, this song echoes a powerful message
about rising above adversity. Imagine Dragons crafted this
hit top-selling single that found its way into advertising
campaigns and movie trailers and is sure to appear in
stadiums and stands across the country.
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Believer—arr. Tom Wallace. The musical effect and
sheer intensity of this swaggering arrangement is absolutely
overwhelming. The heavy rock shuffle of this major hit song
by Imagine Dragons is on full display, wrapped up in a perfect
package of marching band power!
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Best Day of My Life—American Authors, arr. Brian
Scott. You hear this tune everywhere - TV, the movies, and
numerous commercials - and now you can bring it to the
stands or put it on the field! American Authors' unique groove
is scored for maximum effect and really sets this chart apart
from the rest!
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Best Song Ever—arr. Doug Adams. Here is the huge
pop-rock hit from One Direction in a stellar arrangement that
displays the tune in the best possible light. This full-sounding
chart features a rhythmic drive that makes it great for the
stands and for dance and drill teams.
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Bicycle Race—arr. Tom Wallace. Here is Queen's
operatic glam-rock tour de force in a stupendous setting for
the field!
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Billie Jean—Michael Jackson/arr. Dave Henning.
Michael Jackson was the true King of Pop and this is one
of his most popular and intriguing hits! Musically intense
and wildly thrilling, it makes an outstanding show opener for
introducing your band.
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Black Eyes—arr. Doug Adams. From the hit movie "A
Star Is Born" comes this hard-driving rock tune that everyone
will recognize. In addition to featuring an alto sax solo or soli
section, this arrangement also uses effective unison writing
which makes it accessible to all bands.
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Black or White—Michael Jackson/arr. Dallas Burke.
This seminal Michael Jackson hit from the '90s is pure gold!
The powerful and funky chart rocks hard from start to finish,
either on the field or as a dance feature.
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Blackbird/Yesterday—Lennon & McCartney/arr.
Tom Wallace. The well-known, graceful melodies of Blackbird
and Yesterday interweave beautifully in this lyrical, up-tempo
ballad. It provides a nice change of pace in the "Beatlemania"
show or any pops show.
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Blinding Lights—arr. Victor Lopez. One of the biggest
hits to come along in years is this unforgettable tune from The
Weeknd. This arrangement is scored for your ease. Groups of
instruments provide support so that no one will feel exposed.
It is a quick and fun arrangement of an instant hit that will get
the attention of your students and crowds alike!
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Blinding Lights—arr. Matt Conaway & Jack Holt.
Combine a wild driving pulse with a vibrant '80s retro style
and you get this smash hit by The Weeknd. Perfect for use in
the stands or on the field, the low brass are brought front and
center in the beginning, leading to a full-band blast and an
ending that can be either loud or soft.
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Bohemian Rhapsody—arr. Tom Wallace. With
so many musical ideas to work with, this arrangement
provides a tremendous musical extravaganza for the field.
The combination of memorable themes, striking contrasts
and effective pacing creates the opportunity for outstanding
visual effects in addition to the great music.
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Bohemian Rhapsody—arr. Richard Saucedo.
Practically a show within itself, this production number based
on Queen's megahit varies in style from a sensitive ballad to
driving rock. A very dramatic statement!
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Boogie Shoes—arr. Paul Murtha. Bring the spirited
music of KC and the Sunshine Band to all your sporting events
with this rockin' chart for the field or stands. Featuring a short
percussion break and solid brass riffs, this tune will ensure
your band will sound its best!
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Born This Way—arr. Michael Brown. Lady Gaga set the
charts on fire with this smash hit in 2011! Here's a sizzling
arrangement for inexperienced bands that's sure to get the
stands jumpin'!
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Break My Heart—arr. Doug Adams. This hard-hitting
and catchy disco-funk tune combines a driving bass line with
a melody right in the most powerful part of wind ranges. It has
all of the right stuff to make any band sound great.
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Brick House—arr. Michael Brown. This one needs no
introduction! The percussion section sets up the groove then
the low brass joins in with the bass line. This chart gives you
the option of two endings; a regular "short ending" if needed
in the stands or elsewhere, and an extended "closer ending"
for a big finish to a show. "Mighty, mighty!"
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Brown Eyed Girl—arr. Paul Murtha. Some songs
never seem to grow old, and this pop classic recorded by Van
Morrison in 1967 is a perfect example. You'll find a multitude
of uses for this solid and well-paced arrangement!
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Buckjump—arr. Paul Murtha & Will Rapp. The jazz
level will be off the charts when you kick off this hot number
recorded by jazz standout Trombone Shorty. This catchy funk
tune is riff based and features a blend of New Orleans-style
jazz with a contemporary edge that really packs a punch.
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Build Me Up Buttercup—arr. Allen Gray. Here's a
real audience pleaser that works in the stands or on the field
as a production number or a dance or drill team line feature.
Don't be surprised if the crowd joins in and sings along to this
classic hit from The Foundations.
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Build Me Up, Buttercup—arr. Paul Murtha. This
tune is destined to join the ranks of the all-time classic
stands charts! A fun shuffle chart from the '60s, it's
enjoying renewed popularity thanks to its use in the hit
movie "There's Something About Mary." Your crowd will
absolutely love this one!
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Burn—arr. Victor Lopez. Pop singer Ellie Goulding brings
this incendiary tune that's burned up the charts! Just what
you need to fire everyone up, whether they're in the stands or
on the field!
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Bye Bye Bye—arr. Tom Wallace. This famous hit by
NSYNC sets a hard-driving groove that never lets up and
features one of the most recognized choruses of all time.
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Cake by the Ocean—arr. Doug Adams. Here is the
catchy disco-funk hit from DNCE in a hip but very playable
arrangement. It's perfect for the stands, pep band or as a
super dance feature. The exceptionally strong scoring will
make any band sound great!
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Can't Buy Me Love—arr. Michael Brown & Will
Rapp. This tune is more than 50 years old and and still going
strong! One of the Beatles' first big hits features a driving
shuffle groove and an unforgettably upbeat melody. Solidly
arranged for marching band, it includes all the signature riffs
we know and love as well as a short stop-time feature spot
for percussion.
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Can't Help Falling in Love—arr. Jay Dawson.
The King lives on! One of Elvis' most popular hits will thrill
audiences and judges alike in this effective show opener!
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Can't Hold Us—arr. Ward Miller. This smash hit by
Macklemore is a natural for marching band. The driving
opening pulse and instrumental bridge make this an exciting
tune for the stands or field.
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Can't Hold Us—arr. Ward Miller. Macklemore's
smash hit is a natural for marching band either on the field
or in the stands. This pulsating version will have smaller
or developing bands sounding great thanks to the careful
scoring and doubling.
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Can't Stop the Feeling—arr. Paul Murtha. Justin
Timberlake has surged to the top of the pop world with
the release of this chart-topping megahit! The infectious
groove and catchy riffs of this super arrangement add a hip,
contemporary air on the field or in the stands.
10644611 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Careless Whisper—arr. Dave Henning. This George
Michael theme from the '90s still endures to this day - you
can still hear students playing the timeless melody. This chart
begins in a nice lyric ballad style and then quickly grows into
a full-blown ensemble explosion for a fitting and powerful
musical tribute.
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Carry on Wayward Son—arr. Mike Sweeney.
From progressive rock group Kansas, this chart uses deep
bass lines, strong ensemble phrases and contrasting
softer sections to create a truly powerful statement for the
field or stands!
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