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A Joyous Carol of the Bells—
Mykola Leontovich/arr. Vicki Tucker
Courtney. Do you love Carol of Bells, but wish
it were a little longer? Combining the ever-
popular Carol with new melodic material, this a
cappella gem is sure to be a favorite selection
at your holiday concert! This arrangement
presents a new introductory section of material
in the same style before going into the standard
harmonization we all know and love.
11396491 TBB. . . . . . . . . . . . . . . . . . . . . . 2.50
Lo, How a Rose E're Blooming—
arr. Laura Farnell. Options abound in this
flexible arrangement of the traditional carol
for either treble or tenor-bass voices. Sing in
unison, two, or three parts, in either German or
English, a cappella or with the optional piano
accompaniment - it works for almost any
ensemble! Easy to put together and effective
to perform.
11397080 TTB or Unison or TB,
with Optional
Piano Accompaniment. . . . . . . 2.25
Lullaby for a King—J. Edmund Hughes &
Mary Ellen Loose. This gently rocking lullaby
incorporates a charmingly beautiful melodic and
harmonic idea with original text for two verses,
then brings in the traditional text of Silent
Night for verse three using the same melodic
and harmonic ideas. Easily learned, it is a very
accessible piece that's perfect for Christmas
services or concerts.
11394948 TB . . . . . . . . . . . . . . . . . . . . . . . 2.15
A Medieval Fa La La—Reginal S. Wright.
Madrigal marries Deck the Hall in this beautifully
crafted arrangement well suited for developing
choirs of all ages. Use handbells, vibraphone,
or piano along with hand drum for a delightful
and novel opening or processional for your next
holiday concert.
11365819 TB . . . . . . . . . . . . . . . . . . . . . . . 1.95
Noel, Noel—Vijay Singh. Welcome the
Christmas season with this festive original
work for two-part treble or tenor-bass voices!
Accented and vigorous, this a cappella setting
in compound meter is the perfect way to open a
concert or service in impressive fashion.
3186699 TB . . . . . . . . . . . . . . . . . . . . . . . 1.95
O Come, All Ye Faithful—arr. Dan Forrest.
This powerful setting of a Christmas classic is
sure to become a favorite. Scored for chorus,
piano duet and optional string quartet, the
strong legato chorus is driven by the marcato
accompaniment to a magnificent conclusion
that will leave you breathless. A musical
announcement of the glorious arrival of Christ
the Lord.
10513806 TTBB. . . . . . . . . . . . . . . . . . . . . 2.25
10513807 P/A CD TTBB . . . . . . . . . . . . . 24.95
10513808 TTBB String Quartet Parts . . . 17.50
10513809 Orchestration TTBB . . . . . . . . 80.00
O Come, O Come Emmanuel—
arr. Noah Reese. A beautiful way to prepare
for the season, this ancient carol is arranged
for tenor-bass choirs with lyrical lines that
bring both freshness and familiarity. The piano
accompaniment brings exciting movement with
driving rhythms that complement the chant-like
choral lines.
11397046 TB . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Little Town of Bethlehem—
arr. Dan Forrest. This stunning arrangement
of one of our most treasured Christmas carols
offers a poignant musical picture of that
glorious night in Bethlehem. The gentle scoring
for choir and piano is well within the range
of most groups. Optional accompaniment
possibilities, including soprano saxophone
(or B-flat clarinet or oboe), string quartet, or
orchestra, offer additional layers of beauty.
11395344 TTBB. . . . . . . . . . . . . . . . . . . . . 2.50
11395391 Soprano Sax/Clarinet/Oboe . . 4.95
People, Look East—arr. Craig Courtney.
A joyous setting for choir and piano four-hands,
full of the excitement and anticipation of the
Lord's coming. Perfect for Advent services or
school concerts.
10757418 TTBB. . . . . . . . . . . . . . . . . . . . . 2.25
Rise Up, Shepherd, and Follow—
arr. Greg Gilpin. This traditional Christmas
spiritual has a lively gospel feel, conservative
ranges, and a syncopated piano
accompaniment. Clever voice leading, stacking
harmonies, and just the right amount of
repetition make this well-paced arrangement
easy to learn and a joy to sing. A perfect
addition to your Christmas concert or service!
10990271 TTB . . . . . . . . . . . . . . . . . . . . . . 1.95
See, Amid the Winter's Snow—
arr. Dan Forrest. This arrangement of
HUMILITY
with the time-honored text by Edward Caswall
swells with emotion in the stunning unfolding
of the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10907681 TTBB . . . . . . . . . . . . . . . . . . . . . 2.25
10907682 String Quartet & Percussion . . 30.00
10907683 Orchestration . . . . . . . . . . . . . . 80.00
The Shepherd's Spiritual—
arr. Donald Moore. Here's a swingin' gospel
treatment of Rise Up, Shepherd, And Follow
that your ensemble will enjoy singing year
after year! It's a great confidence-builder, an
exciting audience-pleaser, and just plain fun
for all involved, especially when you use the
tambourine part!
3126398 TB . . . . . . . . . . . . . . . . . . . . . . . 1.95
Silent Night—arr. Dan Forrest. A gentle
instrumental introduction sets the stage for
this setting of the classic Christmas carol,
continuing under the familiar text with a quiet
intensity as it builds to the strong statement
of purpose: "Christ, the Savior, is born." Then
it quietly rests in the strength of that truth.
Accompaniment for string quartet or full
orchestra is available for each voicing.
11202830 TTBB. . . . . . . . . . . . . . . . . . . . . 2.10
Sing We Now of Christmas—
arr. Vicki Tucker Courtney. This rhythmically
charged arrangement of the well-known French
carol opens and closes with new melodic
material which is also used as a bridge between
sections. The familiar tune receives a fresh
treatment with a bit of syncopation in this fun-
to-sing and accessible selection.
11198036 TB . . . . . . . . . . . . . . . . . . . . . . . 1.95
This Endris Night—Sarah Quartel.
Sarah Quartel gives us a fresh take on a
familiar 15th-century Christmas text with her
arrangement for unaccompanied voices with an
optional part for handbells, percussion, or the
chime stop on the organ. The dotted rhythms
in 6/8 meter create a lilting feel, and Quartel
creates a memorable melody for the carol text
that passes through each of the voice parts.
11372352 TTBB. . . . . . . . . . . . . . . . . . . . . 3.00
The Virgin Mary Had a Baby Boy—
arr. Russell Robinson. This arrangement of
the popular calypso carol from the West Indies
reflects all the energy of the original, complete
with piano and optional notated percussion for
djembe and congas. Everyone is sure to enjoy
the chorus "He come from the glory; He come
from the glorious kingdom" in the rhythmic,
harmonic refrain. For school and church choirs,
this is a delightful choice for Christmas!
10583510 TBB. . . . . . . . . . . . . . . . . . . . . . 2.50
We Three Kings—John H. Hopkins/
arr. CJ Madsen. This spectacular arrangement
or the traditional Christmas carol was crafted
for the Brigham Young University Men's
Chorus. It creatively employs a four-had
piano accompaniment, oboe obbligato, and
percussion along with a trio of soloists. The text
comes alive as the expressive setting moves
through the gifts brought by the Three Kings.
The four-part tenor-bass harmonies are full and
lush - the overall effect is mesmerizing.
11371726 TTBB. . . . . . . . . . . . . . . . . . . . . 2.95
What Child?—Ruth Morris Gray. What Child
Is This? receives a hip new treatment in this
a cappella original that features optional djembe
and body percussion. This arrangement is
freshly set in 2/4 with accompanying rhythmic
vocal ostinato patterns in the lower voices,
and the original feel is preserved in the middle
with a lyrical 6/8 section that transitions back
to opening meter. Contemporary a cappella
techniques meet a traditional carol, and the
effect is mesmerizing!
10906223 TTBB. . . . . . . . . . . . . . . . . . . . . 2.10
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled, when
the star in the sky is gone... the work of
Christmas begins." This setting of a poem by
Howard Thurman, presented as an ethereal
benediction, is truly a captivating moment in
song. Beautifully conceived, it is impossible to
overstate its impact on those within its hearing.
11202841 TTBB with Piano. . . . . . . . . . . . 2.10
