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CHRISTMAS ANTHEMS
25
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Rise Up, Shepherd, and Follow—arr.
John Leavitt. A popular Christmas spiritual is
adapted with tasteful choral textures, including
call-and-response and interesting inner lines.
Nice original music propels the transitions with
shouts of "Halle, Hallelujah" before drawing to
a rousing final statement: "Rise up, shepherd,
follow!" An epic arrangement, it also offers a
colorful optional chamber orchestration.
11201323 SATB . . . . . . . . . . . . . . . . 2.10
11201324 SAB . . . . . . . . . . . . . . . . . 2.10
11201325 SSA . . . . . . . . . . . . . . . . . 2.10
11201326 P/A CD . . . . . . . . . . . . . . 29.99
Sanna Sannanina—Catherine Delanoy.
This wonderful combination of a South African
folk song with the well-known African Noel
is rhythmic, joyous, and full of appealing
harmonies. Optional percussion and piano
support the a cappella choral lines with
flexibility for developing ensembles, and the
festive feel will bring a joyfully diverse element
to your Christmas concert or service.
10990326 Three-Part Mixed . . . . . . . 2.50
See, Amid the Winter's Snow—arr. Dan
Forrest. This arrangement of HUMILITY with the
time-honored text by Edward Caswall swells
with emotion in the stunning unfolding of
the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10607050 SATB . . . . . . . . . . . . . . . . 2.35
10907678 SSAA . . . . . . . . . . . . . . . . 2.25
10907681 TTBB . . . . . . . . . . . . . . . . 2.25
Shepherd's Pipe Carol—John Rutter.
Celebrating the piping of a shepherd boy on
his way to Bethlehem, this sprightly carol is a
favorite of choir and congregation alike. Now
available is a four-piece chamber ensemble
accompaniment compatible with all versions.
Pack includes full score and set of parts
(piccolo, oboe, harp, and organ.)
623884 SATB . . . . . . . . . . . . . . . . 3.95
5601513 Instrumental Parts
Full orchestration
for SATB Version. . . . . . . 62.00
11315682 Full Score
for SATB: Piccolo,
Oboe, Harp & Organ . . . . 37.95
2273605 Full Score
for SATB version . . . . . . . 26.75
Shepherds Are Kneeling—Peter Nardone.
A simple song that ponders the future of the
babe in the manger, surrounded by shepherds
and angels on the holy night. Easily learned
harmonies are interspersed among generous
unison passages in this quiet reflection on the
Savior's birth.
11397135 SAB & organ . . . . . . . . . . . 2.80
Silent and Still—Brad Nix. Inspired by Rose
Aspinal's remarkable text for Christmas Eve,
the composer has responded with original
music in triple meter, full of warmth and awe.
The memorable melody will echo in your heart,
and the optional string quartet provides the
perfect strokes of color.
11393828 SATB . . . . . . . . . . . . . . . . 2.95
Silent Night—arr. Dan Forrest. A gentle
instrumental introduction sets the stage for
this setting of the classic Christmas carol,
continuing under the familiar text with a quiet
intensity as it builds to the strong statement
of purpose: "Christ, the Savior, is born." Then
it quietly rests in the strength of that truth.
Accompaniment for string quartet or full
orchestra is available for each voicing.
10997660 SATB . . . . . . . . . . . . . . . . 2.25
11202828 SSAA . . . . . . . . . . . . . . . . 2.10
11202830 TTBB . . . . . . . . . . . . . . . . 2.10
Silent Night—arr. Pinkzebra. Reverent and
peaceful, this arrangement of the beloved
carol begins with tender simplicity and slowly
weaves additional cascading layers to create
a lush landscape of drama and contemplative
beauty. The fresh harmonization and lovely
vocal lines will create a delightful moment
in your concert or service. Help your choir
members rehearse with the part-dominant
MP3 practice tracks, available in a multi-user
bundle to share with your whole choir.
10987889 SATB . . . . . . . . . . . . . . . . 2.25
10987890 SAB . . . . . . . . . . . . . . . . . 2.25
10987892 Two-Part or SA . . . . . . . . . 2.25
10987891 SSA . . . . . . . . . . . . . . . . . 2.25
Silent Night—arr. Peter Anglea. If you're
looking for something different from
the original Silent Night, Peter Angela's
arrangement presents a new melody while
still incorporating the original
STILLE NACHT in
some of the accompaniment. You're not going
to want to miss this remarkable treatment of
this beloved text by Joseph Mohr.
10513821 SATB . . . . . . . . . . . . . . . . 2.25
10660114 Orchestration . . . . . . . . . 80.00
Sing, Choirs of Angels!—arr. Victor C.
Johnson. This celebratory anthem begins and
ends with glorious choral fanfares and skillfully
blends two favorite angel-themed carols, Hark!
The Herald Angels Sing and Angels We Have
Heard on High. A reproducible part is included
for the congregation to join the choir for the
familiar carols. The inventive accompaniment
works well with piano alone but optional brass
and percussion parts are available to enhance
the joyful sound.
10999026 SATB . . . . . . . . . . . . . . . . 2.30
11393864 SAB . . . . . . . . . . . . . . . . . 3.20
10999028 P/A CD . . . . . . . . . . . . . . 26.95
10999030 Instrumental Parts
Brass & Percussion . . . . . 29.95
Sing Glory to the King—David Schmidt. This
joyful and tuneful carol uses 12/8 to its fullest,
bouncing between four dotted quarter notes
to six quarters in a measure, and the effect is
delightful. Smuggled into the piece is a touch
of What Child Is This which contrasts nicely
with the rhythmic and syncopated nature and
contemporary feel of the original music.
10997698 SSATTB . . . . . . . . . . . . . . 2.45
11356932 SAB . . . . . . . . . . . . . . . . . 2.55
Sing Lullaby—arr. Heather Sorenson. A solo
with choral underpinning opens this lovely
arrangement of a traditional Basque carol.
Employing the full range of the choir, the choral
texture is nicely varied throughout, including
divisi and clustered harmonies, as the text
moves from reposing in a cradle to rising from
the grave. Quiet statements of "Sing lullaby"
serve as the centering motif for both the story
and the music.
11393972 SATB . . . . . . . . . . . . . . . . 2.35
Sing of a Merry Christmas—arr. Joseph
M. Martin. Calling all to join in the spirit
of the season, this folk-based seasonal
offering features delightful text pattering, with
accompanying voices singing "zing" and "oom
pah." The excitement increases with each
ascending modulation, and the boisterous
accompaniment (piano or orchestration) adds
to the fun. Consider this the perfect closer for
concerts and services alike.
11393973 SATB . . . . . . . . . . . . . . . . 2.20
11393974 Two-Part. . . . . . . . . . . . . . 2.20
11400671E Instrumental Parts
(Consort) ePrint . . . . . . . . 40.00
11400670E Chamber Orchestra
ePrint . . . . . . . . . . . . . . . 40.00
11400669E Orchestration ePrint . . . . 69.95
Sing Out, Angels!—Alan Bullard. This
original Christmas carol opens with the angels
singing to the shepherds, lit by a bright star,
but it develops into a song of gratitude to the
"angels and stars" in our world who look after
all who need care and help. The constantly
flowing accompaniment propels the choir
forward with its compassionate message.
11395299 SATB . . . . . . . . . . . . . . . . 2.50
11395300 Unison . . . . . . . . . . . . . . . 2.50
Sing We Now of Christmas—arr. Kyle
Pederson. This ethereal setting of
NOEL
NOUVELET
will surprise you with its mystical
take on what is normally a boisterous
Christmas song. The harmonic texture is
modern, and the optional oboe adds to the
plaintive and dreamy atmosphere.
11395418 SATB . . . . . . . . . . . . . . . . 2.35
11395419 Full Score Oboe. . . . . . . . 17.95
Sing We Now of Christmas—arr. Fred
Prentice. Originally arranged for SATB
divisi voices in the well-known a cappella
version, this classic carol was then revised
for SATB voices with an added harp or
piano accompaniment and then again in
an accessible SAB version that makes it
approachable for mixed choirs of all sizes. This
festive carol arrangement is equally at home
on the concert stage or in Christmas services,
and the choice of three versions makes it an
ideal and flexible option.
1468644 SATB divisi, A Cappella . . . 2.25
3291507 SATB Accompanied . . . . . 2.55
11196639 SAB Accompanied . . . . . . 2.55
Singing, We Come Singing—arr. Chris
de Silva. The rhythms of the Venezuelan folk
carol Cantemos celebrate the country's rich
Christmas tradition of aguinaldo, which is
both the tradition of gift giving and a popular
musical genre of the season. Beginning with a
light, repeated rhythmic figure, the melody first
appears in the bass line then moves to each
part as the piece continues. Clapping rhythms
add a unique flavor to the piece.
11300453 SATB divisi . . . . . . . . . . . . 2.70
Sleep Little Lion, Sleep Little Lamb—
Heather Sorenson. A profound text likens
Jesus to both a little lamb and a little lion,
transforming a manger lullaby into a portrait
of the Savior. Full choir is interspersed with
alto solo, soprano/alto duet, then soprano/
alto/tenor trio. Original music incorporates the
Celtic tune
ABERYSTWYTH, and the harmonies
add to the Celtic flavoring. Accompany with
piano or full orchestra.
11393580 SATB . . . . . . . . . . . . . . . . 2.50
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