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I'm Gonna Sing When the Spirit Says
Sing—arr. James M. DesJardins. This piece
combines musical elements of traditional
African-American spirituals and Protestant
church music. Inspirational and great fun to
sing, with optional claps and hand moves,
singers will ride on the energy and excitement
of the driving bass line in the highly rhythmic
piano accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . 2.25
Keep Your Lamps!—arr. Andre Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number suitable for a wide
variety of uses, from smaller choirs to massed
choir performances.
3303462 SSA with piano . . . . . . . . . . . 2.25
Let There Be Peace on Earth—
Craig Courtney. Few songs ever composed
have had the breadth of appeal as this iconic
text and melody. The cry for "peace on
earth" is undoubtedly a timeless one, and
Craig Courtney's setting unites vocalists and
instrumentalists of all ages. Revisit this melody in
your church or concert hall with this monumental
setting during the Christmas season, at
memorial services, or at patriotic events for a
completely unforgettable experience.
10667384 SSAA . . . . . . . . . . . . . . . . . . . 2.25
The Lord Is My Shepherd—Allen Pote.
This is one of the most elegant settings of Psalm
23. Allen Pote's use of unison, two-part and
four-part voices, as well as harmonic structure,
complements the text perfectly. It's easily
learned and very effective. Young and old alike
will not only emotionally connect with the music
but will quickly internalize this important psalm
as their faith develops. It's simply beautiful!
8060334 Two-Part . . . . . . . . . . . . . . . . 2.10
Lord of the Small—Dan Forrest.
This tender hymn of praise reminds us that in
the end we are all weak and broken and that the
Heavenly Father deals lovingly and mercifully
with all of His children. Written in memory of
little Erin Buenger, who lost her battle to cancer
at the age of 10, this beautiful anthem will
challenge your congregation to live life in all
circumstances to the glory of God - just as she
did. A fitting tribute for memorial services and
services of remembrance.
10293855 SSA . . . . . . . . . . . . . . . . . . . . 2.15
Lord, I Stretch My Hands to You—
Jay Althouse. An anthem of true beauty - this is
one of the most melodic and singable anthems
you will find, with a harmonic structure to match.
The strong text is a prayer acknowledging
the Lord's hand in our lives and asking for his
continued help. This is one you will reach for on
many occasions. Now available for treble voices
and optional orchestration by Ed Hogan.
10906842 SSA . . . . . . . . . . . . . . . . . . . . 2.50
Nothin' Gonna Stumble My Feet—
Greg Gilpin. If you buy only one new spiritual
setting this year for your a cappella choir, this
is the one you want! Brimming with dynamic
contrasts, rhythmic nuances and textual
percussiveness, it is an absolute thrill to sing
and hear. "When I go to walk that golden street,
nothin' gonna stumble, stumble my feet!"
10274237 SSA . . . . . . . . . . . . . . . . . . . . 2.50
O Love—Elaine Hagenberg. This beautiful
setting of George Matheson's familiar hymn text
functions perfectly in both sacred or secular
settings. Here, O Love is given a fresh new
melody with equally refreshing and gorgeous
harmonies. You will not want to miss this for use
as a sacred meditation in a worship service or in
a concert setting as a tribute to the glory of love
itself. Now available in treble and tenor-bass
voicings. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . 2.35
Offertory—John Ness Beck. John Ness
Beck's original setting of Micah 6:6-8 has
become a staple in the choral library, with its
smooth voice leading and full, lush harmony.
This beautiful, contemplative anthem, is
available in a variety of voicings. A fine choice.
10341953 SSA . . . . . . . . . . . . . . . . . . . . 2.10
Order My Steps (In Your Word)—
Glenn Burleigh/arr. Jack Schrader.
Nominated for Song of the Year for the 1995
Dove Awards and recorded by the Brooklyn
Tabernacle Choir, Glenn Burleigh's Order
My Steps celebrates 15 years of inspirational
performances. This choral setting by Jack
Schrader will give your choir the opportunity
to sing an authentic gospel piece in an easy-
to-learn setting with tight harmonies. This
is a passionate prayer for guidance and a
captivating, hypnotic statement your choir will
want to sing again and again!
10603889 SSA . . . . . . . . . . . . . . . . . . . . 2.70
Sanctus—Michael John Trotta.
The final installment of the Missa Brevis, this
peaceful work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to any
concert or service. Combine with Trotta's other
Latin works Kyrie, Gloria and Agnus Dei to
create the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . 2.25
Set Me as a Seal—Michael John Trotta.
Elegant simplicity is the hallmark of this
shimmering setting of a favorite text: "Set me
as a seal upon your heart ... for love is as strong
as death." Straightforward rhythms, careful
management of vocal ranges, and a judicious
use of close cluster harmonies put this work well
within the reach of many choirs. A perfect choice
for choirs looking to establish a more mature
sound and musical sensitivity. Alternate voicings
render this piece accessible as a solo or duet.
11393180 SA with
Piano Accompaniment . . . . . 2.75
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its
simple yet elegant melody washes over the
listener, gently unfolding its text with increasing
texture: "Peace I leave with you, my peace I give
to you, not as the world gives; do not be afraid."
The Hebrew word "shalom" forms the refrains,
and whispers of the word "peace" further paint
the spirit and promise of the text. With piano
and optional violin, this piece is equally at home
in worship or concert settings.
11314188 SSA . . . . . . . . . . . . . . . . . . . . 2.25
Shut de Do—Randy Stonehill/
arr. Greg Gilpin. This familiar song sounds and
feels as if it has always been a part of the folk
song or spiritual genre. In this a cappella setting,
optional percussion can be utilized to enliven the
texture. Equally appropriate in concert or worship
settings, this wonderful arrangement offers solo
opportunities and creative new melodic material
before the final refrain. A perennial favorite.
10689669 SSA . . . . . . . . . . . . . . . . . . . . 2.15
Singabahambayo—arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of
freedom and hope is sure to have instant appeal.
Lending itself to simple stage choreography and
with an exciting, driving beat throughout, it will
enthrall choirs and audiences alike.
11348337 SSA . . . . . . . . . . . . . . . . . . . . 2.20
Then Sings My Soul (How Great Thou
Art)—Stuart K. Hine/arr. Mary McDonald.
With altered melody and lush harmonies, Mary
McDonald's fresh treatment awakens a new
breadth and splendor into this timeless hymn,
giving rise to the greatness that it invokes in
worshiping God, our Creator. The gorgeous
orchestration by Michael Lawrence is a true
complement to Mary's splendid choral writing.
Now available in an SSA setting.
10750789 SSA . . . . . . . . . . . . . . . . . . . . 2.70
This Little Light of Mine—arr. Mark Hayes.
Mark Hayes' incomparable arranging style is
evident in every measure of this extraordinary
gospel-rock setting! With a good mix of unison,
two-part and fully voiced chorals, easy-to-
feel syncopations, and a supportive piano
accompaniment, it will be an exciting showcase
for your choir! Add live brass and rhythm or the
hot accompaniment track for an unforgettable
spiritual experience!
10068302 SSA . . . . . . . . . . . . . . . . . . . . 2.20
Wade in the Water—arr. Dan Davison.
Written specifically with young developing
choirs in mind, this exciting spiritual
arrangement features comfortable vocal
ranges and easy-to-learn two-part harmonies.
This rhythmic setting abounds with solo
opportunities for a variety of voice types and
presents outstanding teaching opportunities for
style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . 2.25
Witness—Jack Halloran/arr. Dick Bolks.
Dick Bolks has taken this Jack Halloran classic
and made it accessible for accompanied or a
cappella choirs while retaining the enthusiasm
of the original. This is guaranteed to be the
highlight of your music year!
10366147 SSAA . . . . . . . . . . . . . . . . . . . 2.55
The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on
both choir and listeners! Its rhythmic structure
develops from the superb interplay between the
voices, and the layering of sound upon sound
creates a musical tapestry. Written in an almost
spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . 2.35
You Are My Refuge—
Michael John Trotta. This stunningly
expressive work was commissioned by a
number of high school choir programs forced to
cancel concerts due to the COVID-19 outbreak.
Inspiring and reflective, the rich harmonies
capture both a sense of poignancy and hope.
An optional descant soars above the choir,
adding a sense of expansiveness: "Your voice
brings hope!"
11393186 SA with Piano . . . . . . . . . . . . 2.75
