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GENERAL ANTHEMS / LITURGICAL ANTHEMS
You Are My Refuge—Michael John Trotta.
This stunningly expressive work was
commissioned by a number of high school
choir programs forced to cancel concerts
due to the COVID-19 outbreak. Inspiring and
reflective, the rich harmonies capture both
a sense of poignancy and hope. An optional
descant soars above the choir, adding a sense
of expansiveness: "Your voice brings hope!"
11207882 SATB A Cappella. . . . . . . . 2.75
11344334 SATB with Piano . . . . . . . . 2.95
11393186 SA with Piano . . . . . . . . . . 2.75
You Are the One—Thomas Keesecker.
Thomas Keesecker is a master at crafting
tuneful melodies. Here he pairs a new
melody with a Herb Brokering text to create
a graceful and approachable anthem. The text
lists numerous attributes of God's expansive
character, making this anthem useful
throughout the year. Consider programming
it during communion, for creation-themed
worship, or Holy Trinity Sunday.
11373963 SAB . . . . . . . . . . . . . . . . . 1.95
You Do Not Walk Alone—Elaine Hagenberg.
"May you always remember when the
shadows fall, you do not walk alone." This
ethereal setting of a traditional Irish blessing
is scored in a variety of voicings with piano.
Deft strokes of Celtic styling within the melody
weaves throughout the vocal texture. Gradually
building in intensity, it transitions into the final
stanza with a burst of light, aided by a key
change, then slowly draws to a quiet close.
11166201 SATB . . . . . . . . . . . . . . . . 2.35
11210446 SSAA . . . . . . . . . . . . . . . . 2.25
11314797 TTBB . . . . . . . . . . . . . . . . 2.25
Your Word Is Life—arr. Josh Hummel. With
a driving sixteenth-note accompaniment and
catchy refrain, your choir and congregation will
enjoy this energetic setting of the text: "Your
Word converts the soul, and gives us joy!"
11397152 SATB . . . . . . . . . . . . . . . . 2.25
Zion's Walls—Aaron Copland/arr. Glenn
Koponen. The memorable melody from
Copland's "Promise of Living" will be
recognized by all in this revivalist song. This
arrangement takes the masterwork and makes
it attainable by any size and caliber choir. It
has very little divisi, great vocal ranges and a
supportive piano accompaniment. Impressive
in concert or festival settings. Don't miss it!
1478338 SATB . . . . . . . . . . . . . . . . 2.15
3274644 Unison . . . . . . . . . . . . . . . 2.25
1478346 SSAA . . . . . . . . . . . . . . . . 2.15
1478353 TTBB . . . . . . . . . . . . . . . . 2.50
General
Liturgical Anthems
Agnus Dei—Michael John Trotta. Standing
alone or as part of a larger Missa brevis, this
modern setting of the traditional Latin text
is carefully crafted with achievable ranges,
sensitive musical phrasing, and attention to
syllabic stress. Flexibly accompanied by either
piano or harp with optional flute obbligato,
the setting is based on an easily learned
partner song with two lyrical melodies in the
minor mode. A wonderful choice for concerts,
festivals, or worship services.
11370922 Three-Part Mixed
or SATB . . . . . . . . . . . . . . 2.20
10871945 SA . . . . . . . . . . . . . . . . . . 2.50
All My Hope on God Is Founded—Nick
Klemetson. A new tune is paired with a beloved
hymn text in this anthem written for smaller
choirs. Creative writing and text painting give
this anthem musical interest, making it effective
for choirs of any size. Sing this anthem for
services with a theme of trust and guidance.
11349053 Two-Part Mixed. . . . . . . . . 1.95
All Through the Night—arr. William Averitt.
This selection is a gentle lullaby based on an old
Welsh folk song. With limited divisi towards the
end, it has beautifully lyrical writing and will be
a warm and welcome addition to any concert.
11394734 SATB . . . . . . . . . . . . . . . . 2.25
Alleluia—Michael John Trotta. Through the
single word "alleluia," this piece is excellent
for groups looking to explore closer cluster
harmonies, unification of vowels, and musical
phrasing. Moderate vocal ranges and an
optional descant put this sophisticated-sounding
piece within reach of many ensembles. The
second half of the piece may be extracted for
use as an introit or benediction to open or close
your service or concert. Available a cappella or
with piano accompaniment.
11163880 SATB A Cappella. . . . . . . . 2.50
11393169 SATB with
Piano Accompaniment . . . 2.50
Amabile Alleluia—Sarah Quartel. This
joyful setting of the Alleluia was written for the
2020 Amabile Festival in London, Ontario, at
which Sarah Quartel was the guest composer/
clinician. The original scoring was of children's
choir alongside SATB voices, but can also be
performed by an SSATB choir.
11315618 SATB w/Children's Choir . . 3.35
Amazing Grace—Eurydice Osterman. While
largely staying true to the beloved
NEW BRITAIN
tune, this fresh arrangement offers new
textures and a variety of voicing throughout the
hymn, culminating in a triumphant final verse.
11318113 SATB divisi . . . . . . . . . . . . 2.60
Angel Band—arr. Shawn Kirchner. "The
latest sun is sinking fast, my race is almost
run..." The beloved American folk hymn
from Kirchner's Heavenly Home collection
comes to life anew, with soaring descants,
countermelodies, and rich harmonic textures in
this beautiful setting for divisi a cappella choirs.
10348097 SSAATTBB . . . . . . . . . . . . 2.25
As a Deer Longs for Flowing Streams—
Terre Johnson. A flowing and soothing setting
of Psalm 42, appropriate for general use or in
Easter Vigil services.
11373277 SATB . . . . . . . . . . . . . . . . 2.50
11373278 Full Score . . . . . . . . . . . . 25.00
11373279 Instrumental Parts. . . . . . 75.00
Ave Generosa—Ola Gjeilo. This setting of
Hildegard of Bingen's Ave Generosa text uses
a hauntingly joyful tonality, paying homage
to the mysterious story of Mary. A beautiful
middle section is surrounded by contrasting
modal beginning and ending sections.
The juxtaposition of sustained and moving
moments holds true to the composer's
style, while the harmonic structure and vocal
construction offer very fresh textures.
10842213 SATB divisi . . . . . . . . . . . . 3.10
10746480 SSAA divisi . . . . . . . . . . . . 3.10
10994173 TTBB . . . . . . . . . . . . . . . . 3.10
The Call—Gerald Near. The much-loved
text by George Herbert is set here in a lush
arrangement that features the organ and choir
in equal partnership.
11394808 SATB . . . . . . . . . . . . . . . . 2.25
The Call—Mack Wilberg. This simple setting
of the well-known poem from George Herbert's
The Temple features sweeping melodies and
an extended organ introduction. The melody is
taken up first by upper voices, then full chorus,
to create a work of depth and poignancy.
11342505 SATB . . . . . . . . . . . . . . . . 3.35
Cantate Domino—David von Kampen. This
lively and joyful piece composed in 2/2 by
David von Kampen begins with a beautiful
piano introduction. When the choir joins, a
playful dialogue occurs between the Latin
refrain and English verses from Psalm 98.
With a somber middle bridge, the song finishes
triumphantly, declaring "Cantate Domino!"
11204472 SATB . . . . . . . . . . . . . . . . 1.90
Come to Me, O Weary Traveler—Bob
Moore & Sylvia Dunstan. Sylvia Dunstan's
hymn setting of Matthew 11 is transformed
into a serene hymn anthem. The opening
unison women's voices lead to two-part mixed
voices that, in turn, become a rich four-part
harmonic texture. A key change lifts to the final
verse, which adds a descant, before a quiet
close: "Rest in me. Take my yoke. Do not fear.
Come to me."
11369398 SATB . . . . . . . . . . . . . . . . 2.40
Come, My Way, My Truth, My Life—
Thomas Keesecker. George Herbert's timeless
text is reimagined in this lovely setting
featuring beautiful choral writing that varies by
stanza: women in the first verse, men in the
second, and all in the third. The flowing piano
accompaniment propels the voices forward as
they build to a warm close: "Such a heart as joys
in love." This is very accessible and rewarding.
11394778 SATB . . . . . . . . . . . . . . . . 2.25
Cum Sancto Spiritu—Jose Mauricio
Nunes Garcia/ed. Marques L.A. Garrett
and Alec Schumacker. This piece from
Missa Abreviada, CPM 112, has been
edited for choir with solo quartet and piano
accompaniment. Beginning slowly, the piece
moves into a spirited fugal setting of the
traditional Latin Cum Sancto Spiritu.
11384783 SATB and Solo Quartet . . . 3.95
Divine Encounter: I. The Invitation—Craig
Courtney. The first movement of the trilogy
Divine Encounter is a song in which God
invites us to receive His bounty. The first verse
of Isaiah 55 is expressed as a celebration
rather than the meditative, lyric manner found
in most settings. In contrast, the setting of the
sixth verse is regal, earnest, and authoritative;
the architecture of the movement is built upon
the contrast between these two styles.
11375962 SATB divisi . . . . . . . . . . . . 2.35
11375963 P/A CD . . . . . . . . . . . . . . 24.95
11375964 Brass Sextet Parts. . . . . . 30.00
11375965 String Quartet Parts. . . . . 25.00
11375966 Orchestration . . . . . . . . . 80.00
11375967 Alternate
piano accompaniment. . . . 5.95
BEST
SELLERS
General
Liturgical Anthems
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
Do Not Be Afraid—Philip W.J. Stopford.
10514475 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
When Memory Fades—arr. Eric Nelson.
10735114 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
A Mighty Fortress Is Our God—
Kyle Pederson.
10998324 SATB . . . . . . . . . . . . . . . . . . . . . 2.60
Glory Be—Heather Sorenson.
11317634 SATB divisi . . . . . . . . . . . . . . . . . 2.40
Amabile Alleluia—Sarah Quartel.
11315618 SATB w/Children's Choir . . . . . . . 3.35
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