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MULTICULTURAL
Let Us Talents and Tongues Employ—arr.
Doreen Potter. This is a delightfully different
piece for your programming. Based on a
traditional Jamaican melody, optional hand
chimes will add an island feel to bring the spirit
of joy, hope, and love into this communion
anthem. The writing is approachable and
perfectly crafted for this unique message that
celebrates the community of faith.
11374120 SATB . . . . . . . . . . . . . . . . 2.30
11374121 SAB . . . . . . . . . . . . . . . . . 2.30
11374122 Two-Part. . . . . . . . . . . . . . 2.30
Miracle of Grace/Milagro de Gracia—
Curtis Stephan. Combining rich Eucharistic
imagery and text with a deeply moving
contemporary melody, this assembly song
is sure to resonate with young and old
alike. Presented bilingually with a new
Spanish translation, this song will reach new
communities of believers. It is scored with
keyboard and guitar accompaniment.
11396593 Two-Part. . . . . . . . . . . . . . 2.85
Noyana/Come, Come, Ye Saints—arr.
Trevor Johnson. This clever combination of
an African spiritual and an English folk song
creates a world music showcase for tenor-
bass choirs. A solo feature with stacked
harmonies and improvised vocal percussion,
this arrangement was made popular by
Brigham Young University's a cappella group
BYU Vocal Point.
10989969 TTTBBBB . . . . . . . . . . . . . 2.95
O Sifuni Mungu—arr. Roger Emerson. This
phenomenal work, recorded by First Call, is
certain to be in great demand by a wide range
of choirs! Based on All Creatures Of Our God
And King, it features a powerful African chorus
with fiery syncopations, great opportunities for
soloists and a full complement of percussion
instruments. This is a uniquely vibrant,
spiritual work!
1914175 SATB . . . . . . . . . . . . . . . . 2.30
1914183 SAB . . . . . . . . . . . . . . . . . 2.25
1914191 Two-Part. . . . . . . . . . . . . . 2.25
10278880 SSAA . . . . . . . . . . . . . . . . 2.25
3303885 TTBB . . . . . . . . . . . . . . . . 2.25
1914217 P/A CD . . . . . . . . . . . . . . 26.99
1914209 Instrumental Parts. . . . . . 20.00
Ose Shalom—John Leavitt. This timely text
from the Jewish liturgy is brilliantly set in a
lovely original work by John Leavitt. Its simple
message of peace is enhanced with soaring
melodies and lyric instrumental lines, making
it a strong choice as a multicultural or a
Hanukkah feature!
3295478 SATB . . . . . . . . . . . . . . . . 2.10
3295479 SAB . . . . . . . . . . . . . . . . . 2.10
3295480 Two-Part. . . . . . . . . . . . . . 2.20
3295481 P/A CD . . . . . . . . . . . . . . 26.99
3295482 Instrumental Parts. . . . . . 25.00
Oye—Jim Papoulis. Full of life and energy, this
work in Spanish and English expresses the plea
of Mexican children to the rest of the world to
listen to their cry for help. The percussion and
bass parts (included in the score) really make
it percolate from beginning to end, and the
performance notes make it easy to pronounce
and understand the Spanish. This is a very
cool multicultural feature with an important
message for today's world.
10030085 SATB . . . . . . . . . . . . . . . . . 2.25
11202990 Unison . . . . . . . . . . . . . . . . 2.25
3301378 Three-Part Treble or SSA . . 2.25
10001346 P/A CD. . . . . . . . . . . . . . . 26.99
Sacred Silence/Paz Sagrada—Tom Booth
& Jenny Pixler. This beloved anthem is now
available as a bilingual two-part piece with
a carefully crafted Spanish translation. It
features keyboard accompaniment, an easy-
to-use two-page guitar accompaniment with
vocal harmonies, and newly added composer
notes detailing the Spanish translation
process and the inspiring message behind
the lyrics. A lasting addition to your bilingual
musical ministry!
11347354 Two-Part. . . . . . . . . . . . . . 2.65
Salmo 150—Ernani Aguiar. A very rhythmic
work, with rapid articulations, this is an exciting
showcase for a cappella choirs. Written by a
well-known Brazilian composer, it has a
distinctive Latin American feeling that will really
light a fire under your singers!
5318514 SATB . . . . . . . . . . . . . . . . 1.80
3128758 SSA . . . . . . . . . . . . . . . . . 1.80
3299903 TTBB . . . . . . . . . . . . . . . . 1.80
Salmo 33: Gusten y Vean/Psalm 34: Taste
and See—Estela Garcia-Lopez & Rodolfo
Lopez. Intended specifically for bilingual
children's choirs, this setting is primarily for
use as a responsorial psalm or communion
processional. Its accessibility makes this
setting an ideal choice for English-speaking
choirs (adults too!) who may be new to bilingual
music. This setting has numerous opportunities
for use throughout the entire liturgical year. A
descant is included, as are parts for solo
instruments, to add variety and interest.
11396598 Unison . . . . . . . . . . . . . . . 2.85
Santos de Dios—Tony Alonso. This
assembly song unites the Spanish and English
texts of the Song of Farewell and In paradisum
musically, linguistically, and liturgically for
bilingual funerals. This setting uses short call-
and-response phrases to support congregation
participation in the two languages. Well done
and effective.
11374283 Unison . . . . . . . . . . . . . . . 2.60
11374288 Guitar Part . . . . . . . . . . . . 7.00
11374289 Flute & Cello Parts. . . . . . . 8.00
Shelter Me—J. Michael Joncas. Written in
response to the COVID-19 crisis, this piece is
based on the beloved Psalm 23 and seeks to
help the faithful find God's presence even in
difficult times. The Spanish text by Santiago
Fernandez, while not a literal translation, is
faithful to the concepts and imagery of Joncas'
text. "All will be well if only you will shelter me."
11301162 SAB . . . . . . . . . . . . . . . . . 2.70
11374285 Two-Part Mixed. . . . . . . . . 2.70
11301163 Flute and Oboe Parts. . . . . 6.50
11301164 Guitar Part . . . . . . . . . . . . 6.00
11301165 Instrumental Parts
Lead Sheet . . . . . . . . . . . . 6.00
Singabahambayo—arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of
freedom and hope is sure to have instant
appeal. Lending itself to simple stage
choreography and with an exciting, driving
beat throughout, it will enthrall choirs and
audiences alike.
10736801 SATB . . . . . . . . . . . . . . . . 2.20
10513128 Three-Part Mixed or SAB. . 2.35
10882886 Two-Part with
piano accompaniment. . . . 2.20
11348337 SSA . . . . . . . . . . . . . . . . . 2.20
11172871 TTB. . . . . . . . . . . . . . . . . . 2.35
11199207 P/A CD . . . . . . . . . . . . . . 29.95
Siyahamba—arr. Ruth Morris Gray. Perhaps
the most well-known South African song, but
offered here in a unique arrangement with
original material in between verses that layers
in with the traditional melody and harmonies.
Ranges are reasonable, and the well-crafted
harmonies are singable, rhythmic, and easy to
master. Both the Swahili and the English text are
utilized for a cohesive experience. Suggested
percussion lines are there for shaker, djembe,
and bongos to add to the lively texture.
11198942 SATB . . . . . . . . . . . . . . . . 2.25
11198943 SAB . . . . . . . . . . . . . . . . . 2.25
11198944 Three-Part Treble . . . . . . . 2.25
Somlandela/Come And Follow—Alan J.
Hommerding. Based upon a traditional Zulu
melody, this arrangement includes both Zulu
and English texts. It relies on two-part vocals
rather than tuned instruments, so it can be
used spontaneously in many circumstances. A
cantor guides everyone through the verses for
ease of community singing and percussion and
hand claps may be used to enhance the music.
11167490 Two-Part. . . . . . . . . . . . . . 1.50
Umoja Tunaimba—Victor C. Johnson. This
energetic original composition proclaims a
message of justice and peace. Perfect for
school, church, concert, or community, bring
voices together and stand in 'Umoja (Unity)!'
A piano part is included, but performance
can simply be accompanied by the included
percussion part.
11393661 SATB . . . . . . . . . . . . . . . . 2.60
11393662 P/A CD & Split Track . . . . 29.95
Virgencita del Tepeyac/Virgin of Tepeyac
—Jose Luis Castillo. This beautiful song for
the feast of Our Lady of Guadalupe has been
a favorite of the Spanish-speaking community
for over two decades. Translated here into
English by Pedro Rubalcava, it will enhance
bilingual worship for this important Marian
feast. Written as a cumbia, the refrain melody
begins slowly and steadily builds toward the
verses. The lyrics describe singing to the
Virgin, showering her with admiration and
loving titles. This octavo includes SATB and
two-part choral options accompanied by
keyboard, guitar, solo instrument I & II, and
trumpet in B-flat I & II.
11396603 SATB . . . . . . . . . . . . . . . . 2.65
We've Come a Long Way, Lord—arr.
John A. Behnke. This fresh gospel-style
anthem calls out as an invitation to the walk
of faith. A celebration of unity and promise,
the Liberian song reminds us that Jesus
gives us strength for our journey together.
Sections where soloists interact with the
choir are distinctive and effective, bringing
joy and confidence into worship.
11317475 SATB . . . . . . . . . . . . . . . . 2.10
Yesu Azali Awa—arr. Mark Burrows. This
dynamic Congolese folk hymn is given a
spirited arrangement for SATB and percussion
from composer Mark Burrows. The Lingalo
text is learned with ease, and the percussion
groove locks in this exuberant assurance:
Jesus is here with us! A perfect selection to
remind us of God's presence in our world,
particularly on World Communion Sunday and
throughout the Epiphany season.
11202618 SATB with Percussion . . . . 2.25
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