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Amazing Grace (My Chains Are Gone)—
Chris Tomlin & Louie Giglio/arr. Joel Raney.
This beautiful contemporary ballad is a favorite
of congregations around the globe. Its crowning
glory is found in the powerful refrain, "My chains
are gone, I've been set free. My God, my Savior
has ransomed me." The additional rhythm parts,
although optional, add to the impact of the
piece. Awesome and inspiring!
10090271 SATB. . . . . . . . . . . . . . . . . . . . . 2.70
10341951 SAB. . . . . . . . . . . . . . . . . . . . . . 2.70
10750756 TTBB. . . . . . . . . . . . . . . . . . . . . 2.70
10452000 Two-Part Mixed . . . . . . . . . . . . 2.70
10090272 P/A CD . . . . . . . . . . . . . . . . . . 29.95
10090273 Instrumental Parts . . . . . . . . . 32.95
Amazing Grace—arr. Mark Edwards.
Written to commemorate the 250th anniversary
of the writing of the famous text, this useful
arrangement provides everything needed to
create a memorable worship moment. Men
quietly begin in unison, followed by women
on stanza two. The third stanza in minor
provides choral interest while not being overly
difficult. The victorious final stanza invites the
congregation to join in the praise, and a choral
tag completes the offering. A full orchestration is
available separately.
11397184 SATB. . . . . . . . . . . . . . . . . . . . . 2.10
11397185 Orchestration CD-ROM . . . . . 65.00
Amazing Grace—arr. Robert T. Gibson.
A beautiful setting of the beloved hymn!
A simple piano accompaniment provides
underlying movement, which paired with
lovely lines for cello and violin, add a lush
foundation to the well-crafted vocal lines. The
traditional NEW BRITAIN melody is singable, yet
presented in a very moving arrangement.
11316563 SATB. . . . . . . . . . . . . . . . . . . . . 3.30
10805618 TTBB. . . . . . . . . . . . . . . . . . . . . 3.10
Amazing Grace—
arr. Benjamin David Knoedler.
This marvelous new arrangement of the
classic hymn begins with children "oohing" the
melody over a quiet piano accompaniment.
Their sustained "oohs" continue while the
piano takes a verse. Two sung verses are
followed by the hymn ending as gently as it
began. This is a lovely, effective arrangement
of the familiar hymn that can be sung by
adults as well as children.
11338080 Unison . . . . . . . . . . . . . . . . . . . 2.25
Amazing Grace—arr. Mack Wilberg.
From the opening drone of bagpipes, the long
sustained pedal point, the creative instrumental
interludes, and the field drum part in the
closing verse, this arrangement reflects the
signature arranging style of Mack Wilberg.
The choral writing begins simply with the men
in unison and adds a coloristic element with
each subsequent verse. This is a creative
and inspiring arrangement of one of the most
beloved hymns of all time. Moving!
10190256 SATB. . . . . . . . . . . . . . . . . . . . . 3.35
Amazing Grace—Marianne Forman.
The well-known text is paired with an original
melody in this lovely new setting. An elegant
piano accompaniment adds to the rhapsodic
nature of the piece in this fresh and interesting
treatment. The work explores a variety of choral
textures before ending quietly on a perfect
unison. Absolutely beautiful!
10954529 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
Amazing Grace—Eurydice Osterman.
While largely staying true to the beloved
NEW
BRITAIN
tune, this fresh arrangement offers new
textures and a variety of voicing throughout the
hymn, culminating in a triumphant final verse.
11318113 SATB divisi . . . . . . . . . . . . . . . . 2.60
Amazing Grace—arr. Adam Podd &
Matt Podd. Featuring alto and tenor soloists
throughout, this soulful arrangement of the
traditional hymn has a theatrical modern
gospel flavor. The choir sings stacked gospel
harmonies as they respond to and support
the solo lines. The piano accompaniment
has added chord symbols if you'd like to
supplement the instrumentation to bring the
arrangement to life.
11397112 SATB. . . . . . . . . . . . . . . . . . . . . 3.00
Amazing Grace—arr. David Schwoebel.
Flute, oboe, and hand drum introduce and
accompany this SATB a cappella setting that
pairs Newton's traditional text with the tune
GREENVILLE, an American melody in flowing
6/8 meter. The vocal parts are often spare and
elegant, almost in a Shaker style. A key change
leads to the final, almost rollicking verse.
11199608 SATB. . . . . . . . . . . . . . . . . . . . . 2.50
11199609 Instrumental Parts . . . . . . . . . 15.00
Amazing Grace (My Chains Are Gone)—
John Newton, Chris Tomlin & Louie Giglio/
arr. Keith McKay Evans. With over 50 million
views on YouTube, Brigham Young University's
treble a cappella group BYU Noteworthy has
made this arrangement of the classic hymn with
the modern twist an instant classic. Sing their
exact arrangement with the SSAA divisi version,
or perform the SATB divisi adaptation with your
mixed choir.
10989931 SATB divisi . . . . . . . . . . . . . . . . 2.95
10989933 SSAA divisi, original version . . 2.95
Amazing Grace for the Lost Lamb—
Ruth Elaine Schram. This tender anthem tells
the Parable of the Lost Sheep with beautiful
vocal lines in a pleasing meter. The second
stanza is a setting of Amazing Grace, which
complements the message with "I once was
lost, but now am found." The two melodies
combine to provide a lovely partner song,
reinforcing independent singing in each part.
A gentle unison ending sweetly expresses,
"Jesus carried me home to the fold."
11373704 Unison/Two-Part . . . . . . . . . . . 2.10
Amazing Grace! How Sweet the Sound—
arr. Lloyd Larson. From the hymn collection
A Festival of Hymns, this majestic arrangement
of Amazing Grace resounds in a dynamic
arrangement for choir, keyboard, and optional
orchestra. The congregation can join the choir
on verses one and five. Incorporating a shift into
minor for the third verse, the message is given
fresh life with a powerful key change that leads
into a climactic ending.
11393795 SATB. . . . . . . . . . . . . . . . . . . . . 2.95
11393796 SAB. . . . . . . . . . . . . . . . . . . . . . 2.95
Amazing Grace—arr. Brian L. Hanson.
This beloved hymn text is set to LAND OF
REST with a brief but lovely a cappella section
incorporating the traditional NEW BRITAIN
melody. The engaging piano accompaniment
is enhanced by an optional violin part. This
breathtaking new arrangement invites listeners
into an intimate retelling of God's expansive
grace and is sure to become a favorite with your
choir and congregation.
10757196 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
Amazing Grace—arr. John Rutter. This hymn
arrangement of John Rutter is designed to take
the place of a congregational hymn instead of
being a choral anthem. The hymn is treated with
John's formidable skill, always building on the
hymn, keeping it accessible for the church choir
while adding a new dimension. One of a series,
each arrangement can include the congregation
on various verses.
8023137 SATB. . . . . . . . . . . . . . . . . . . . . 3.35
Amazing Grace—arr. Rollo Dilworth.
This timeless spiritual has been arranged with
Rollo Dilworth's unique signature harmonies
and wonderful piano writing, with some original
material incorporated. The smooth gospel
setting includes a strong mix of unison and
call-and-response passages to bring home a
message of overcoming our trials in hopes of a
bright future.
10981018 Two-Part or SA. . . . . . . . . . . . . 2.10
Amazing Grace—arr. Jack Schrader.
Absolutely inspired! Jack's perspective on this
beloved melody is to use a slow, gospel style.
The authentic piano accompaniment has all
the piano licks you could possibly want, and
supports the arrangement just as well as the
marvelous orchestral track. In a creative twist,
the last verse features the instruments on the
melody as the choir acts as "back-up singers"
to the piano. Part of our American heritage,
Amazing Grace is a hymn everyone knows, and
this arrangement adds a richness to the melody
that you simply must hear to appreciate.
3133154 SATB. . . . . . . . . . . . . . . . . . . . . 2.60
8020703 SAB. . . . . . . . . . . . . . . . . . . . . . 2.60
3133162 P/A CD . . . . . . . . . . . . . . . . . . 29.95
8020711 Orchestration . . . . . . . . . . . . . 79.75
Amazing Grace (My Chains are Gone)—
Chris Tomlin & Louie Giglio/
arr. James Koerts. This contemporary look at
the quintessential American hymn is now one of
the most popular modern worship songs. Sing
this accessible setting with your choir and add
congregation for a moment of inspiration and
devotion in your blended worship service.
10187441 SATB. . . . . . . . . . . . . . . . . . . . . 2.50
10187442 P/A CD . . . . . . . . . . . . . . . . . . 26.99
Amazing Grace -with- Praise, Praise, Praise
the Lord—arr. Becki Slagle Mayo. Filled with
joyful rhythm, the merging of two favorites makes
for a winning combination! The piece opens
with the Cameroon processional Praise, Praise,
Praise the Lord, which transitions seamlessly into
Amazing Grace and infuses the beloved hymn
with jubilant energy. Becki's optional harmony
is a wonderful stepping stone for emerging part
singers. Optional conga and maracas.
11347630 Unison/Two-Part . . . . . . . . . . . 2.35
Celtic Amazing Grace—Michael Ware.
The celebrated hymn Amazing Grace is given a
fresh treatment in this attractive choral offering.
The surprise inclusion of another "grace" hymn
adds a delightful twist. The hopeful message
found in the piece comes alive with Celtic-
inspired spirit. The optional violin part is included.
10803972 SAB. . . . . . . . . . . . . . . . . . . . . . 2.10
CELEBRATE THE 250TH ANNIVERSARY
OF AMAZING GRACE
Whether sung in churches, performed in concerts, or played in clubs, this famous hymn touches
the hearts of all who hear it. Explore the many ways this hymn has been arranged.
