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SECULAR CONCERT
Give Us Hope—Jim Papoulis/arr. Francisco
Nunez. Expressing a powerful message of hope
for a better world, this dynamic piece strikes
a universal chord for all to hear! The quiet and
subdued opening gradually builds to a dramatic
musical statement using hand claps and short
solos for a climactic ending. "Give us hope and
we'll show you the way."
3701107 SATB . . . . . . . . . . . . . . . ME 2.25
10866504 Unison opt. Two-Part. . . . ME 2.30
3294676 Three-Part
Treble or SSA . . . . . . . . . ME 2.15
10011452 P/A CD . . . . . . . . . . . . . ME 26.99
Give Us Hope—Jim Papoulis/arr. Francisco Nunez.
"Give us hope and we'll show you the way." This
popular piece is celebrating its 20th anniversary with
this edition. Identical in each voicing to the original
editions - but now, more of the royalties are going
to the Foundation for Small Voices. A great song
supporting an important cause!
11393443 SATB . . . . . . . . . . . . . . . ME 2.30
11393852 Unison opt. Two-Part. . . . ME 2.30
11393444 SSA or Three-Part Treble ME 2.30
10011452 P/A CD - Give Us Hope . . . . . 26.99
Glorious—Stephanie Mabey/arr. Masa Fukuda.
This inspiring song is about discovering the
uniqueness that lies within each of us, embracing
it, and letting it ring out for the whole world to hear.
We are all truly glorious! A MIDI accompaniment
rehearsal track, which includes a full orchestra
consisting of 15 instruments, is available separately.
11176041 SATB . . . . . . . . . . . . . . . ME 3.50
11176040 SSA or SAT . . . . . . . . . . . ME 3.50
11396827 Two-Part in A, no solo. . . ME 3.50
11396828 Two-Part In B-flat, no solo ME 3.50
11396829 Unison in A, no solo. . . . . ME 3.50
11396830 Unison In B-flat, no solo . ME 3.50
Glow—Teresa Jennings. This bluesy tune is a
song of peace that uses light as the metaphor for
connection to each other, making it a great piece for
any time of year, including a holiday performance.
While scored for three-part mixed voices, the third
part is optional, so it works as a two-part just as
well. The duet at the beginning is also optional but
adds a beautiful touch.
11201640 Three-Part Mixed
or Two-Part. . . . . . . . . . . ME 1.95
11201641 P/A CD . . . . . . . . . . . . . . . . . 19.95
Good Night—Kabalevsky/arr. Doreen Rao.
Arranged for unison or two-part voices, this Russian
song, taught to Doreen Rao by Dmitri Kabalevsky,
may be accompanied by piano or Orff instruments.
1665843 Unison/Two-Part . . . . . . . . . E 2.15
Good Night, Dear Heart—Dan Forrest. This
stunning piece is based on a simple poem by
Robert Richardson, inscribed on the headstone of
the daughter of Samuel Clemens (Mark Twain), who
died in her youth. Appropriate for any memorial
occasion, the work is brief and understated
yet powerful. A cappella with optional piano
accompaniment. It will touch every listener deeply.
10065541 SATB . . . . . . . . . . . . . . . . M 2.25
10503454 SSAA . . . . . . . . . . . . . . . . M 2.25
10527203 TTBB . . . . . . . . . . . . . . . . M 2.25
Good Trouble—Thomas Keesecker. Celebrating
the life and legacy of civil rights icon John Lewis,
this gospel-style song calls us to action: to work
for justice and make the world a better place for
all. Easy to learn, hard to forget, this song will
be an instant hit with groups of any age or size.
Optional text offers flexibility for use in sacred,
secular, and community settings, and the stanzas
are opportunities to feature a soloist or small group.
Inspiring and memorable!
11347638 SATB opt. percussion . . . ME 2.10
Goodnight Moon—Eric Whitacre. Originally
composed for solo soprano, Whitacre has adapted
the tender, whimsical setting of the iconic children's
book by Margaret Wise Brown for mixed choir. The
harmonic structure is transparent and envelops
the melody line in a peaceful, serene setting that
creates an emotive soundscape. Stunning!
10941806 SATB . . . . . . . . . . . . . . . . M 3.10
Gravitas—Jacob Narverud. Narverud's original
text expresses the thought that while the weight of
the cares of this world is very heavy, we can shine
our light into the world to bring hope. Translated
into Latin, this text is set with deep moments of
harmonic complexity that open into shimmering
statements that evoke the sense of gravity and
light in a way that feels both ancient and modern.
A dramatic and colorful concert work for mixed
choirs!
11345236 SATB . . . . . . . . . . . . . . . . M 2.25
The Great Clear Twilight—Austin Schend.
This work paints a picture of Sara Teasdale's
Winter Dusk landscape tied to the thoughts of
one solemnly reflecting on deep themes. A new
and different take on a winter concert piece with
an involved piano accompaniment that thoroughly
paints the scene.
11347959 SATB . . . . . . . . . . . . . . . . M 3.00
Grow—Sarah Quartel. This warm and heartfelt
setting of words by the composer celebrates human
personal growth, comparing this to the change of
season from winter to spring. A rocking piano part
underpins the eminently singable vocal lines, and a
scat section draws the piece to a reflective close.
10945769 SSA . . . . . . . . . . . . . . . . ME 3.35
Grow, Little Tree—Andrea Ramsey. A delightful
treble piece that poignantly suggests that as a
tree grows, so do we. "Stretch your arms, and
spread your leaves. What will you be?" A perfect
piece to celebrate and commemorate the growth
of young singers.
10425343 SA . . . . . . . . . . . . . . . . . ME 2.05
The Hand That Rocks the Cradle—Vicki Tucker
Courtney. Originally written as a solo, this folk-
like arrangement for treble choirs is based on a
poem that honors the role of motherhood as the
preeminent force for change in the world. With or
without the optional violin, this heartfelt selection is
sure to inspire.
11370916 SA . . . . . . . . . . . . . . . . . ME 2.25
Hands—Martin Sedak. This animated a cappella
piece has a wonderful texture and is lots of fun to
sing. The use of notated hand and body percussion
including claps, snaps, and thigh slaps adds a
unique and interesting element to this joyful work.
11171373 SAB . . . . . . . . . . . . . . . . ME 2.10
Hands Are Knockin'—Kyle Pederson. A fascinating
mix of English and Arabic text reinforces the
universal message to open our minds, hearts,
and hands to each other. The lively piano
accompaniment, notated djembe percussion part,
and syncopated vocal lines that highlight the text
come together to create a meaningful piece that
will be long remembered. Exceptional!
10981924 SATB . . . . . . . . . . . . . . . . M 2.25
11196420 SSAA or SA divisi . . . . . . . M 2.25
11313918 TB divisi or TTBB. . . . . . . . M 2.20
Harmony's Never Too Late—Stephen Flaherty/
arr. Mark Hayes. Penned by the songwriting team
from Broadway's "Anastasia", "Once on This
Island," "Suessical," and "Ragtime," this powerful
song is an inspirational original work. With themes
of acceptance, pride, hope, and strength, this
show-tune-like feature resonates with a modern
style and an important message.
11393295 SATB . . . . . . . . . . . . . . . ME 2.25
11393296 SSAA . . . . . . . . . . . . . . . ME 2.25
11393297 TTBB . . . . . . . . . . . . . . . ME 2.25
11393298 P/A CD . . . . . . . . . . . . . . . . . 29.99
11393299 Instrumental Parts
Bass, Drums . . . . . . . . . . . . . 15.00
Harriet Tubman—Rollo Dilworth. Capturing
the importance of the Greenfield poem and the
dramatic story of Harriet Tubman's life, Rollo
Dilworth has crafted this powerful spiritual setting.
Tubman was a conductor of the Underground
Railroad and often referred to as the "Moses" of
her people. In recognition of these titles, the work
incorporates musical themes from the spirituals If I
Got My Ticket and Go Down, Moses.
11398739 SATB . . . . . . . . . . . . . . . . M 2.30
Heart, We Will Forget Him!—Laura Farnell.
Emily Dickinson's haunting poem is beautifully set
over a gently arpeggiated piano accompaniment.
This is ideal for developing voices working on
blend and phrasing, and the poetry is very easy to
comprehend. "Heart, we will forget him! You and I
tonight! You may forget the warmth he gave, I will
forget the light..."
10008889 SSA . . . . . . . . . . . . . . . . . . E 2.10
Heartbeat—Kyle Pederson. Following in the
footsteps of his popular Hands Are Knockin', the
composer returns with another original containing
a positive and uplifting message. With a fun piano
part and speech-driven rhythms in a popular style,
this piece contains a combination of original lyrics
in English and traditional Shona text from South
Africa. A perfect concert closer, this is sure to
quickly become a new favorite!
11391221 SATB . . . . . . . . . . . . . . . ME 2.35
11391222 SAB . . . . . . . . . . . . . . . . ME 2.35
Hero—Pinkzebra. Put on a cape and channel your
inner superhero! Empowering lyrics that reach
toward the future will have your students feeling
like superheroes, rising to meet the challenge
of the hour. Punchy rhythms and a catchy
melody make this inspiring song easy to learn.
Sure to deliver an energy blast to your concert,
graduation, or moving-up program! Perform with
the accompaniment MP3. Rehearse with the part-
dominant MP3 practice tracks, available in a multi-
user bundle to share with your whole choir.
11392299 SATB . . . . . . . . . . . . . . . ME 2.25
11392300 SAB . . . . . . . . . . . . . . . . ME 2.25
11392302 Two-Part. . . . . . . . . . . . . ME 2.25
11392301 SSA . . . . . . . . . . . . . . . . ME 2.25
Heroes and Dreamers—Pinkzebra. An upbeat,
celebratory, and inspiring song about chasing your
dreams, reaching for your goals, and living your best
life. The driving melody and pop-like harmonies set
the tone for this empowering piece that will be a
great choice for end of year concerts, graduation
ceremonies, or any time of year! Perform with
piano accompaniment, string orchestra and rhythm
section, or use the accompaniment MP3. Help your
students rehearse with the part-dominant MP3
practice tracks, available in a multi-user bundle to
share with your whole choir.
11317516 SATB . . . . . . . . . . . . . . . ME 2.25
11317517 SAB . . . . . . . . . . . . . . . . ME 2.25
11317519 Two-Part. . . . . . . . . . . . . ME 2.25
11317518 SSA . . . . . . . . . . . . . . . . ME 2.25
11334243 String Orchestra
and Rhythm Section . . . . . . . 40.00
Ho Boys, Can't Line 'Em—arr. Anthony Trecek-
King. This work song portrays the conditions in
which African Americans found themselves living
and working during the Reconstruction era in the
post-Civil War South. This incredibly dynamic work
is written in a call-and-response style with rhythms
that imitate the task of lining out a railroad track.
11372824 SATB . . . . . . . . . . . . . . . . M 3.10
11190113 TTBB . . . . . . . . . . . . . . . . M 3.00
Hold Fast to Dreams—Susan LaBarr. This very
accessible piece pairs a beautifully written vocal
and piano score with the Langston Hughes poem
that warns us to "Hold fast to dreams... for when
dreams go, life is a barren field frozen with snow."
Perfect for graduation or any event where you want
to inspire.
10406249 SATB . . . . . . . . . . . . . . . ME 2.15
10785762 SSA . . . . . . . . . . . . . . . . ME 2.15
