Editors' Choice 2022 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
68
SACRED CONCERT & SPIRITUALS
CONCERT
MUSIC
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The Gift of Love—arr. Hal H. Hopson. Hal
Hopson's pairing of the American folk tune O Waly
Waly with the text of the beloved Corinthians bible
verse is truly inspired! The text on love is appropriate
in church or school settings and welcome at any
time of year. The latest SATB edition is in G major,
a whole step down from the original key.
1475912 SATB A Major . . . . . . . . . . . E 2.50
10906881 SATB G major . . . . . . . . . . . E 2.50
10305832 SAB . . . . . . . . . . . . . . . . . . E 2.50
521559 Two-Part. . . . . . . . . . . . . . . E 2.50
3025632 SSA . . . . . . . . . . . . . . . . . . E 2.50
10310036 P/A CD . . . . . . . . . . . . . . . . . 29.95
10906882 3-5 Octave
Handbell Accompaniment . . . . 5.95
10310038 String Quartet . . . . . . . . . . . . 19.95
Give Me Oil in My Lamp—arr. Kyle Pederson.
This driving arrangement mashes up two iconic
melodies: Give Me Oil in My Lamp and Swing
Low. Written for SAB choir, this work is accessible
while still being meaningful and fun to sing, with a
message of joy and peace that is appropriate for
any season.
11195670 SAB . . . . . . . . . . . . . . . . . M 2.80
Gloria—Franz Joseph Haydn/arr. Russell
Robinson. Give your younger students a taste
of real classical music with this terrific festival
opening selection arranged just for them. Feature a
trio of soloists or a small group along with distinctive
choral writing that has been skillfully adapted from
the original version in the Lord Nelson Mass.
11389512 Three-Part Mixed . . . . . . ME 2.15
Gloria—Noah Reese. Reese's a cappella canon,
based on a descending D major scale, is fantastic
for teaching unison singing, reinforcing part
singing, and developing choral tone, all within the
framework of conservative ranges for the treble
choir. The celebratory Latin text adds an element of
excitement and maturity while helping to shape the
vowels and tone of young singers.
10990292 SSA . . . . . . . . . . . . . . . . . . E 1.95
Gloria—Ondi Yohan Tambunan. With the
traditional Latin lyrics "Gloria in excelsis Deo," this
arrangement is anything but traditional. Including
some chant as well as stomping and clapping
throughout, this almost has the feel of a Maori
haka, and the setting embodies the joy of its lyrics.
11389037 SATB divisi . . . . . . . . . . . MA 2.25
11390316 TTBB . . . . . . . . . . . . . . . MA 2.25
Gloria—Michael John Trotta. This energetic
choral work offers an introduction to the
traditional Latin text with compound meter and
accessible choral parts. Whether chosen for
its educational features, its lyric melody, or its
energetic accompaniment, it is a wonderful
way to open any concert. It can be used in
combination with Trotta's other Latin works Kyrie;
Agnus Dei and Sanctus to create a Missa brevis.
10990313 Three-Part Mixed
or SATB . . . . . . . . . . . . . . . E 2.25
10735245 SA . . . . . . . . . . . . . . . . . . . E 2.25
11370897 TB . . . . . . . . . . . . . . . . . . . E 2.25
11397044 Three-Part Mixed Choral Score
or SATB Complete
Missa Brevis . . . . . . . . . . . . . . 6.99
11162737 SA Choral Score
Complete Missa Brevis . . . . . . 6.99
Gloria Celebration—Douglas E. Wagner. A great
choice for holiday concerts and throughout the year,
this rhythmic setting of the traditional Latin text is
fun to sing and impressive to perform. Some simple
mixed meter and syncopation add to the appeal.
Ranges are conservative in all parts, making this
ideal for younger developing voices. Perfect as an
opening festival selection!
11347664 Three-Part Mixed or SAB. . M 2.20
11393855 SSA . . . . . . . . . . . . . . . . . M 2.95
Gloria Deo!—Victor C. Johnson. Here is a
fresh-sounding concert work that is perfect
for developing treble or mixed choirs. With a
supportive accompaniment, the music ebbs and
flows with forward motion and positive energy to a
powerful ending. A top-notch selection for concert
or festival use!
10871861 Three-Part Mixed . . . . . . ME 2.25
10582862 SSA . . . . . . . . . . . . . . . . ME 2.25
Glory, Hallelujah, the Saints Go Marchin' In—
arr. Greg Gilpin. A great opener, closer, or encore,
this innovative arrangement of selected sections
of The Battle Hymn of the Republic and When
the Saints Go Marching In affords many rhythmic
teaching elements. You'll find many opportunities to
perform this patriotic/spiritual selection throughout
the year!
11198029 SAB . . . . . . . . . . . . . . . . ME 1.95
11197665 Two-Part or SSA . . . . . . . ME 1.95
10510065 TB . . . . . . . . . . . . . . . . . ME 1.95
Go Down, Moses—arr. Judy Arthur. This
arrangement moves! Rhythmic drive, vocal energy,
and articulate piano lines distinguish this setting from
others, and your choir will really sound impressive
when they sink their teeth into it! Dynamic!
11370909 SATB . . . . . . . . . . . . . . . ME 2.25
3282365 TTB. . . . . . . . . . . . . . . . . ME 1.95
Go Down, Moses—arr. Kirby Shaw. Here's a
traditional spiritual with a contemporary stamp
that treble choirs will enjoy. The powerful storyline
is sung above a driving accompaniment of piano,
electric bass, and hand drum, while full three-part
harmony with an optional descant moves back and
forth from longer notes to more rhythmic phrases
with intensity and excitement.
11374098 SSA . . . . . . . . . . . . . . . . ME 2.35
God Be in My Head—Andrea Ramsey. This lovely
work for treble voices and piano is a lyric, fluid
rendering of the familiar text from the Book of Hours
(1541). Elegantly simple, it offers the opportunity for
young choirs to explore tone, blend, and musical
sensitivity while offering a message of comfort. An
ideal way to close a concert or service.
10098665 SA or Two-Part . . . . . . . . . . E 2.10
God Be in My Head—John Rutter. A gorgeous
setting of the well-known English prayer text. A
wonderful way to conclude a service or performance.
1420025 SATB . . . . . . . . . . . . . . . ME 3.00
1693951 SSA . . . . . . . . . . . . . . . . ME 2.60
11381521 TTBB . . . . . . . . . . . . . . . ME 2.60
Goliath—Joseph Martin. "Goliath was a mighty
man, he stood over ten feet tall. Goliath was a
mighty man, he had a lot of gall. He laughed at
David and David's God, He made fun of old King
Saul. Goliath was a mighty man, but you should
have seen him fall." The beloved story of David
and Goliath comes to life in this playful piece. The
quirky accompaniment and finger snaps just add to
the fun! It's truly a musical story for all ages!
10014780 SATB . . . . . . . . . . . . . . . ME 2.35
1918853 Two-Part. . . . . . . . . . . . . . . E 2.10
10014781 Accompaniment CD . . . . . . . 19.95
10014783 P/A Rehearsal CD . . . . . . . . . 19.95
Gonna Sing—arr. Andy Beck. Opening with just a
shaker and unison voices, the percussion ostinatos
(notated in the score) and traditional choral
harmonies gradually unfold into full harmony. Well-
planned key changes ensure successful a cappella
modulations for younger choirs in this traditional
African-American Spiritual arrangement designed
just for them.
11196354 Three-Part Mixed . . . . . . . . E 2.05
11196355 Two-Part. . . . . . . . . . . . . . . E 2.05
11196356 SSA . . . . . . . . . . . . . . . . . . E 2.05
11196357 TTB. . . . . . . . . . . . . . . . . . . E 2.05
Good News—arr. Rollo Dilworth. A powerful new
setting of this traditional spiritual for treble voices.
There is plenty of room for nuance, dynamic
contrasts, independent voice parts, and the full
vocal range required from the singers.
11397552 Three-Part Treble
or SSA . . . . . . . . . . . . . . ME 2.60
Good News!—arr. Rosephanye Powell.
Rosephanye Powell has brought her classic style to
the beloved spiritual Good News, Chariot's Coming!
This arrangement is rhythmic, vibrant, and fun, with
excellent vocal writing and energy. The SATB and
TTBB versions have been adapted and arranged by
William C. Powell.
11197233 SATB divisi . . . . . . . . . . . . M 2.55
3299335 SSAA . . . . . . . . . . . . . . . . M 2.55
11396141 TTBB . . . . . . . . . . . . . . . . M 2.95
Grace Before Sleep—Susan LaBarr. Sara
Teasdale's poem of thanks inspired this beautiful,
melodic setting for a cappella choir. A quiet opening
builds into a gorgeous, resounding climax before
coming to a more reflective, thankful close. The
piece could provide a tender, thoughtful ending to a
concert, or be part of a theme of thanksgiving.
10291013 SATB . . . . . . . . . . . . . . . . M 2.15
10482018 SSAA . . . . . . . . . . . . . . . . M 2.15
Gratias Agimus Tibi—Andrew Parr. Joyful
syncopations propel us forward in this accessible
concert or festival selection for developing choirs. A
contemporary feel freshens up the traditional Latin
text in a piece that your students will enjoy while
sounding their best with the pure Latin vowels and
reasonable ranges. A pronunciation guide is given
for the short Latin text.
11346379 Three-Part Mixed . . . . . . ME 2.05
11346380 Two-Part. . . . . . . . . . . . . ME 2.05
11346367 Multi-Song
Accompaniment CD . . . . . . . 44.99
Great God Almighty—arr. Stacey V. Gibbs. Here
is a fresh, captivating a cappella arrangement of
a traditional spiritual that begins freely, then kicks
in, quiets down, and builds to a fulfilling finish.
This is excellent for church and school as well as
festival use.
10366142 SATB . . . . . . . . . . . . . . . . M 2.75
The Ground—Ola Gjeilo. This luscious setting of
the traditional Latin text from the "Mass" is one that
will give your high school choir a big, rich sound
without being too difficult. Thorough performance
notes give interesting insights into the composer's
process and his desired interpretation of the work.
10276430 SATB . . . . . . . . . . . . . . . . M 3.10
10297378 Instrumental Parts
Strings . . . . . . . . . . . . . . M 40.00
Hallelujah—William Walker/arr. Jean S. Applonie.
Arranged in the standard Sacred Harp texture but
for treble choir, this strophic folk hymn presents the
opportunity for solid four-part a cappella singing
with a focus on placement and blend. Charles
Wesley's lyrics ring out strong and clear in this
arrangement that features the second sopranos
on the melody line throughout. Appropriate for both
concerts and services.
11397168 SSAA . . . . . . . . . . . . . . . ME 2.95
Hallelujah Chorus—George Frideric Handel.
This is the G. Schirmer edition that has become
part of every musician's experience with Handel's
masterwork. A "must" for every library.
401042 SATB . . . . . . . . . . . . . . . . M 1.95
Hallelujah Chorus—G. F. Handel/arr. Hal Hopson.
Don't miss this opportunity to sing the magnificent
Handel classic! In the key of C, this setting is every
bit as effective as it is practical for today's choirs.
Comfortable choral ranges, optional congregation
parts, and a wide variety of instrumental
combinations, including handbells, with organ
accompaniment, make this a very versatile and
accessible edition. Perfect for Easter or Christmas,
or any time of year.
8037830 SATB . . . . . . . . . . . . . . . ME 2.80
10669595 SAB . . . . . . . . . . . . . . . . ME 2.90
8037848 Instrumental Parts. . . . . . . . . 32.95
Hallelujah Chorus—G.F. Handel/arr. Adam
Podd & Matt Podd. G.F. Handel's iconic Hallelujah
Chorus is an annual tradition for thousands of
choirs around the world. Here is the standard
version in all its glory for SATB choir with a piano
or organ part carefully edited to be playable, not
merely an orchestral reduction. Or, use the fully
orchestrated accompaniment MP3 to create a larger
presentation. Also available as a virtual choir kit.
11388901 SATB . . . . . . . . . . . . . . . . M 2.50
Hallelujah Chorus (Adapted)—G.F. Handel/
arr. Adam Podd & Matt Podd. If the original version
of the Hallelujah Chorus is a bit daunting for your
choir, then this is the virtual version for you! It's a
step lower, quite a bit shorter, and treated with the
utmost musical care to bring out the best in any
choir while preserving the essence of the original
composition. The piano accompaniment included
in the octavos is a simplified version, but there is
a more advanced piano accompaniment available
separately that is more akin to the version found in
other editions.
11388904 SATB . . . . . . . . . . . . . . . ME 2.50
11388905 SAB . . . . . . . . . . . . . . . . ME 2.50
11388906 Two-Part or SA . . . . . . . . ME 2.50
11388907 Unison . . . . . . . . . . . . . . ME 2.50
11388912 Advanced
Piano Accompaniment . . . . . . 1.00
Hark, I Hear the Harps Eternal—arr. Mark
Hayes. Mark Hayes delivers a masterpiece with
his arrangement of this nineteenth-century
American shape-note standard! The brilliant four-
hand (optional two-hand) piano accompaniment
and inventive choral treatment accentuate the
celebratory text. Accessible and energetic, this
highly effective selection is sure to become a
favorite of singers and audience!
10307596 SATB with
opt. 4-Hand Piano. . . . . . ME 2.50
10307597 SAB with
opt. 4-Hand Piano. . . . . . ME 2.50
10307598 SSA with
opt. 4-Hand Piano. . . . . . ME 2.50
10307599 P/A CD . . . . . . . . . . . . . . . . . 26.95
