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MULTICULTURAL & WORLD MUSIC
On the Faces of the World—Mark Burrows.
Beginning softly with a rainstick, a soloist or small
group, and simple background harmonies, this fun-
to-sing piece picks up the pace with a rhythmic,
nicely harmonized section accompanied by shakers,
hand drums, and djembe. A clever layered section
calling for "peace" in nine different languages
provides contrast and breadth. Wonderful!
11198192 SATB . . . . . . . . . . . . . . . ME 2.25
11370923 SSA . . . . . . . . . . . . . . . . ME 2.25
Oracion de Sancion—Matthew Bailey. Inspired
by the composer's trip to Guatemala, this original
selection celebrates the culture of its inspiration.
With a truly authentic spirit, it includes rainstick
and flute that represent the native sounds of the
forest, along with traditional vocal calls and a driving
rhythm that reinforces the joyous healing of the
Spanish lyrics. This is a truly unique and rewarding
concert piece!
11393569 SA with Flute
and Percussion . . . . . . . . . M 2.50
Ose Shalom—John Leavitt. This timely text
from the Jewish liturgy is brilliantly set in a lovely
original work by John Leavitt. Its simple message
of peace is enhanced with soaring melodies and
lyric instrumental lines, making it a strong choice
as a multicultural or a Hanukkah feature!
3295478 SATB . . . . . . . . . . . . . . . ME 2.10
3295479 SAB . . . . . . . . . . . . . . . . ME 2.10
3295480 Two-Part. . . . . . . . . . . . . ME 2.20
3295481 P/A CD . . . . . . . . . . . . . . . . . 26.99
3295482 Instrumental Parts. . . . . . . . . 25.00
Oseh Shalom—Debbie Friedman/arr. Andrew
Parr. The message and melody of this beautiful
traditional Jewish prayer for peace never gets old.
With ample unison and a simple section of harmony
in a round, this arrangement is quickly learned and
extremely accessible to any choir. The addition
of the clarinet obbligato brings an added layer in
this style. In Hebrew throughout, with a tempo that
increases in excitement toward a brilliant finish.
11204916 Two-Part. . . . . . . . . . . . . ME 2.15
Oye—Jim Papoulis. Full of life and energy, this
work in Spanish and English expresses the plea of
Mexican children to the rest of the world to listen to
their cry for help. The percussion and bass parts
(included in the score) really make it percolate from
beginning to end, and the performance notes make
it easy to pronounce and understand the Spanish.
This is a very cool multicultural feature with an
important message for today's world.
10030085 SATB . . . . . . . . . . . . . . . ME 2.25
11202990 Unison . . . . . . . . . . . . . . ME 2.25
3301378 Three-Part Treble
or SSA . . . . . . . . . . . . . . ME 2.25
10001346 P/A CD . . . . . . . . . . . . . . . . . 26.99
Pamoja—Mark Burrows. Adapted from an African
proverb, this up-tempo original teaches the positive
life message of togetherness. With lively rhythms
and joyful harmonies, this is an ideal concert opener
or closer for young ensembles of any size. Add
djembe and shakers with the notated percussion
part to create a lively statement.
11348333 Three-Part Mixed . . . . . . . . E 2.20
10953831 Two-Part. . . . . . . . . . . . . . . E 2.20
Red Light, Green Light—Francisco J. Nunez.
This piece allows young people to be energized,
filled with ideas, and accepting of who they are and
who they want to be. There is a QR code included
that takes you to a video that shows the fun hand
games and body percussion referenced in the
musical score. Filled with childhood game songs,
this is sure to be a hit!
11366530 SSA . . . . . . . . . . . . . . . . . M 2.60
Responsibility—Mark Sirett. This elegant original
concert work combines the ancient Hebrew text of
Jewish scholar Hillel the Elder with English lyrics to
capture the tension between the need for healthy
self-care and the importance of caring for others.
Part of the five-song May You Heal Project, these
titles offer music of comfort, peace, renewal, and
self-awareness as part of our pandemic recovery.
The cycle in its entirety: When Science Triumphs;
Dona Nobis Pacem; May You Heal; Responsibility; I
Celebrate Myself.
11348352 SATB . . . . . . . . . . . . . . . ME 2.10
11348353 SSA . . . . . . . . . . . . . . . . ME 2.10
Ritmo—Dan Davison. This energetic Latin-style
piece is a great opener, closer or encore number!
Melodic and fun, with Spanish lyrics, handclaps,
finger snaps and other body percussion, it's a party
fixin' to happen! (With four-hand piano).
10065254 SATB . . . . . . . . . . . . . . . ME 3.20
10090775 SAB Or ST/AB. . . . . . . . . ME 3.20
10090829 TTBB . . . . . . . . . . . . . . . ME 2.75
10067378 Four-Hand Piano. . . . . . . . . . 11.50
Riversong—Roger Emerson. Anyone who has
experienced the wonderful sounds of Celtic music is
going to respond enthusiastically to this exceptional
Roger Emerson original which captures all the spark
and color of the Celtic tradition. Collect your own
instrumental ensemble on the optional instrumental
accompaniment, scored for recorder (or flute),
violin, mandolin (or guitar), bass, synthesizer,
percussion and drums. This is an extraordinary
"sound experience" that you won't want to miss!
3144615 SATB . . . . . . . . . . . . . . . ME 2.10
3144623 SAB . . . . . . . . . . . . . . . . ME 2.10
3144631 Two-Part. . . . . . . . . . . . . ME 2.10
10278609 SSA . . . . . . . . . . . . . . . . ME 2.10
3299509 TTBB . . . . . . . . . . . . . . . ME 2.25
3144649 P/A CD . . . . . . . . . . . . . . . . . 26.99
3144656 Instrumental Parts. . . . . . . . . 25.00
Sahayta—Ben Allaway. Here is a truly unique
musical experience for singers of all ages. This
call and response song features soloist, choir,
and audience singing about unity, peace, and
community in ten different languages! Sahayta uses
words and phrases from Arabic, Hebrew, Hindi,
Sanskrit, Spanish, English, Filipino, Swahili and
other African tribal languages, and is appropriate
for any age treble choir. This infectious world-beat
dance unites musicians and audience in the spirit
of love and unity!
3296646 SSA . . . . . . . . . . . . . . . . ME 2.50
Salaam Aleikum—arr. Laura Farnell. Flexible
enough for literally any ensemble, this traditional
African folk song is arranged with English text
throughout. With the option to perform with or
without the piano accompaniment, percussion, and
in unison or almost any part combination, this is easy
to put together and effective to perform. "In your
heart, in your home, in your land and in the world,
may peace be in your heart ... Salaam Aleikum!"
11397070 SATB opt.
Piano Accompaniment . . ME 2.75
11397071 SAB or SAAB, opt.
Piano Accompaniment . . ME 2.75
11394014 SSA or SA or Unison, opt.
Piano Accompaniment . . ME 2.75
10303387 TTB or TB or Unison, opt.
Piano Accompaniment . . ME 2.50
Salmo 150—Ernani Aguiar. A very rhythmic
work, with rapid articulations, this is an exciting
showcase for a cappella choirs. Written by a well-
known Brazilian composer, it has a distinctive Latin
American feeling that will really light a fire under
your singers!
5318514 SATB . . . . . . . . . . . . . . . . M 1.80
3128758 SSA . . . . . . . . . . . . . . . . . M 1.80
3299903 TTBB . . . . . . . . . . . . . . . . M 1.80
Sansa Kroma—arr. Victor C. Johnson. Here's a
flexible setting of a Ghanaian folksong that sparkles
with energy. Whether it is sung a cappella or with
piano accompaniment, the strong vocal pairings,
handclaps, and active percussion parts combine to
create a dynamic concert work.
11370917 Two-Part opt. a Cappella. ME 2.50
Sarasponda—arr. Ruth Boshkoff. This charming
Dutch spinning song has an easy flow and a
sweet melody that is perfect in young voices.
Entirely in the Dutch language, it's repetitive in text
and melody making it easily learned. And, it has
become a widely-used selection in festivals as well
as concert settings.
3265188 Two-Part. . . . . . . . . . . . . . . E 2.05
Sesere Eeye—arr. Mark O'Leary. Written for SSA
with percussion accompaniment, this piece is a
traditional song and dance from the Torres Strait
Islands. Dance movements are notated in the score.
10001408 SSA . . . . . . . . . . . . . . . . ME 2.15
Shake the Papaya Down—arr. Ruth Dwyer
& Judith Waller. A thoroughly delightful calypso
number which can easily be enhanced by
the addition of conga, maracas and/or claves
(suggested rhythms are included in the
performance notes). This is pure fun for three-part
treble voices!
1925650 SSA . . . . . . . . . . . . . . . . . . E 1.85
Shalom Chaverim—arr. Catherine Delanoy. This
flexibly-voiced setting of the ever-popular Hebrew
song works equally well for three-part mixed, SAB
or SA voices. Any way, the canonic treatment of
the melody, lush choral harmonies and artful
accompaniment create a hauntingly beautiful
effect. This is an exceptionally fine choice for
holiday or spring concerts!
10045962 Three-Part Mixed
SAB or SA. . . . . . . . . . . . . M 2.50
Shiru L'Adonai—arr. David Neches. This
well-known Hebrew blessing, set canonically, is
rhythmically interesting and exciting. The simple
Hebrew text, which translates as "Sing to God a
new song. Sing to God all the earth," has universal
appeal and is appropriate any time of year!
10509877 Three-Part Mixed . . . . . . . M 1.95
10501200 Two-Part. . . . . . . . . . . . . . M 1.95
Shoshone Love Song—Roger Emerson. This
tender setting of a Native American poem has
become a standard in the choral repertoire. With
extended legato phrasing, delicate musicality, and
a simple piano accompaniment that supports the
expressive vocal textures, this is a top choice for
concert or festival programming!
10303135 SATB or SAT(B). . . . . . . . ME 2.10
1816149 Three-Part Mixed
or SAB . . . . . . . . . . . . . . ME 2.10
1816131 Two-Part. . . . . . . . . . . . . ME 2.10
10455151 SSA . . . . . . . . . . . . . . . . ME 2.10
1960988 TBB . . . . . . . . . . . . . . . . ME 2.10
Shule Aroon—arr. Ruth Elaine Schram. Create
an authentic Celtic experience with your choir
when you perform this arrangement of the 18th-
century Irish folk song. A mixture of thoughtful
rubato and energetic rhythms, a Gaelic chorus -
written phonetically throughout - and an optional
violin obbligato all contribute to the lively Celtic
flavor and flair.
10519887 SATB . . . . . . . . . . . . . . . ME 2.20
11348335 Three-Part Mixed . . . . . . ME 2.20
10366682 SSA . . . . . . . . . . . . . . . . ME 2.20
10366683 P/A CD . . . . . . . . . . . . . . . . . 26.95
Shumayela—arr. Charlotte Botha. This popular
South African song is an isiZulu hymn with a very
simple text. The emphasis on the syllable "shu"
creates a percussive sound which, along with
the syncopated melody lines and rhythmic vitality,
creates a fun and exciting celebration through
music where each part has the opportunity to shine.
Improvisation and movement are encouraged!
11392531 SSAA . . . . . . . . . . . . . . . . M 2.50
Shut de Do—Randy Stonehill/arr. Greg Gilpin. This
familiar song sounds and feels as if it has always
been a part of the folk song or spiritual genre. In
this a cappella setting, optional percussion can be
utilized to enliven the texture. Equally appropriate
in concert or worship settings, this wonderful
arrangement offers solo opportunities and creative
new melodic material before the final refrain. A
perennial favorite.
10689667 SATB . . . . . . . . . . . . . . . ME 2.15
10689668 Three-Part Mixed . . . . . . ME 2.15
10689669 SSA . . . . . . . . . . . . . . . . ME 2.15
10689670 TTB. . . . . . . . . . . . . . . . . ME 2.15
Shut de Do—Randy Stonehill/arr. Mark Hayes.
Since its publication in 1984, this energetic work
has remained a popular piece in choral repertoire,
and for good reason. Call and response vocal lines
dance over Latin rhythms which are enhanced
with simple but effective percussion instruments.
Exuberant and joyful at every chorus, Shut De Do
continues to merit our highest regard as music of
exceptional teaching and learning value.
4805925 SATB . . . . . . . . . . . . . . . ME 1.99
10036658 P/A CD . . . . . . . . . . . . . . . . . 26.95
Shut De Do—Randy Stonehill/arr. Tom Fettke
& Thomas Grassi. "Shut de do, light de candle,
everything's alright..." Now available with
accompaniment, Caribbean islands-style, Randy
Stonehill's immensely popular work reaches new
heights! Whether or not your choir has already
performed the famous a cappella version, this
is an absolute must for choirs at all levels!
Highly recommended!
10305351 SATB . . . . . . . . . . . . . . . ME 2.50
10305352 SAB . . . . . . . . . . . . . . . . ME 2.50
10305353 Two-Part. . . . . . . . . . . . . ME 2.50
10305354 SSA . . . . . . . . . . . . . . . . ME 2.50
10305356 Accompaniment CD . . . . . . . 29.95
10305357 Orchestration . . . . . . . . . . . . 74.95
10305358 Orchestration CD-ROM . . . . . 69.95
Sigue—Ivette Herryman Rodriguez. A lively
and fun selection in Spanish, featuring a piano
accompaniment characteristic of Cuban rhythms
and harmonies. This is an impressive concert or
festival piece for any choir.
11172727 SATB . . . . . . . . . . . . . . . . M 3.10
10513282 SSAA . . . . . . . . . . . . . . . . M 3.10
