Editors' Choice 2022 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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FOLKSONGS
Howdidow, Deediddleumday—arr. Vicki
Tucker Courtney. A fantastic piece to teach vowels,
diction, rhythms, and pitch precision, this English
folk song is fun to sing and impressive to perform.
The nonsense syllables represent birds and bats
chatting to one another in a rhythmic, witty fashion
that your students will love to sing. An excellent
opening festival selection for developing choirs!
11197753 SATB . . . . . . . . . . . . . . . . M 2.25
10990717 Three-Part Mixed . . . . . . . M 2.25
11197754 Two-Part. . . . . . . . . . . . . . M 2.25
11197755 SSA . . . . . . . . . . . . . . . . . M 2.25
I Bought Me a Cat—Aaron Copland. Copland's
sparkling, lighthearted folk song setting is available
in a variety of voicings that makes the humorous
children's song accessible to any choir. The short
solos and comical animal sounds are always well
received and fun to perform!
1316702 SATB . . . . . . . . . . . . . . . ME 2.75
3274610 Unison . . . . . . . . . . . . . . ME 2.15
158493 SSA . . . . . . . . . . . . . . . . ME 1.95
1327675 TBB with TBB soli . . . . . . ME 3.25
I'll Tell My Ma—arr. Erik Jones. This playful Irish
children's song has been set with rousing clapping
and stomping, and the result is a festival showcase!
The vocals are set in a simple homophonic
style, which makes the body percussion
achievable. Performed with or without the piano
accompaniment, this is a fantastic feature number
or concert closer!
10561631 SATB . . . . . . . . . . . . . . . . M 3.10
10842209 SSAA . . . . . . . . . . . . . . . . M 3.10
Jack the Sailor—arr. Larry Shackley. This
traditional British folk song comes to life styled
as a sea shanty in this buoyant and bustling
arrangement for tenor-bass choirs. Sensible voice
leading and vocal harmonies coupled with a hearty
piano accompaniment make this piece easy to
prepare and exciting to perform.
11395988 TBB . . . . . . . . . . . . . . . . ME 2.55
11395989 P/A CD . . . . . . . . . . . . . . . . . 27.95
The Journey—Joseph M. Martin. Combining
Simple Gifts and the Going Home theme from
Dvorak's "New World" symphony in partner-song
format, this is easy to perform with a minimum
of rehearsal. A favorite with two-part choirs for
many years.
10595002 SATB . . . . . . . . . . . . . . . ME 2.10
3080314 Two-Part Mixed. . . . . . . . ME 2.10
8069443 Two-Part. . . . . . . . . . . . . ME 2.10
Kookaburra—Marion Sinclair/arr. Audrey Snyder.
The kookaburra is a terrestrial tree kingfisher native
to Australia, and this charming nursery rhyme
song details its distinctive and humorous call
which sounds like laughing. The simple melody
is presented first in unison, then canon, then a
descant texture, and finally, harmonized by a lower
ostinato - all harmony techniques that are easy to
learn for young developing singers.
11348340 Two-Part. . . . . . . . . . . . . . . E 2.15
11348341 P/A CD . . . . . . . . . . . . . . . . . 26.99
The Lake Isle of Innisfree—Eleanor Daley. This
simple, delightful setting of a Yeats poem embraces
nature's beauty and the secret joy of solitude. In
recent years this has become a popular choice with
festival choirs.
11392385 SAB . . . . . . . . . . . . . . . . ME 3.35
8061509 SSA . . . . . . . . . . . . . . . . ME 3.00
11372371 TTB. . . . . . . . . . . . . . . . . ME 3.00
Land of the Leal—arr. Michelle Christensen
& Tracey Craig McKibben. This lovely folk song
from Scotland with rich history and biographical
significance has been recorded and performed
by many Scottish artists. The song is tender and
emotive, and this setting beautifully highlights
its poetic character with choral textures and
conversational arranging between the choral
parts. The pianistic accompaniment adds a layer
of musicality that is an ode to the folk history of this
beautiful song.
11393890 SATB . . . . . . . . . . . . . . . ME 2.95
Li'l Liza Jane—arr. Greg Gilpin. Toe-tappin' fun,
this arrangement of a beloved American folk song
features ostinato-like call-and-response patterns
for a nice interplay between voice parts. An optional
descant adds a bit of shimmer, and the accessible
piano accompaniment provides support for the
voices while allowing them to shine.
11197773 Two-Part. . . . . . . . . . . . . ME 1.95
Loch Lomond—arr. Earlene Rentz. This
arrangement of the famous Scottish folksong uses
open fifths in the accompaniment to enhance the
Scottish flavor. It will give your ensemble a chance
to show their expressive side. "...but me and my
true love will never meet again on the bonnie,
bonnie banks of Loch Lomond."
10735225 Two-Part Mixed/
Opt. Alto . . . . . . . . . . . . . ME 1.95
10735210 Two-Part. . . . . . . . . . . . . ME 2.25
3701152 TB . . . . . . . . . . . . . . . . . ME 1.80
3701168 Multi-Song
Accompaniment CD . . . . . . . 25.00
Loch Lomond—arr. Jonathan Quick. This a cappella
setting of the traditional Scottish folksong has
become a popular choice with festival choirs since
its publication in 2000.
3287281 SATB . . . . . . . . . . . . . . . . M 2.75
9503706 TTBB . . . . . . . . . . . . . . . . M 2.75
Loch Lomond—arr. Mary Donnelly & George L.O.
Strid. This sweet setting of the famous Scottish folk
song generously passes the melody from voice to
voice while gently stretching the traditional rhythms
of the piece. Piano players will enjoy the flowing
arpeggios of the supportive accompaniment, and
singers will savor the long legato lines with ample
unison and simple harmonies that showcase tone
and expression.
10997464 SAB . . . . . . . . . . . . . . . . ME 2.05
10997465 Two-Part. . . . . . . . . . . . . ME 2.05
10997466 SSA . . . . . . . . . . . . . . . . ME 2.05
10997480 Multi-Song
Accompaniment CD . . . . . . . 44.99
London Bridge Is Broken Down—arr. Meredith
Tompkins. This old English tune is a less-familiar
pairing with these well-known lyrics, making it
a charming selection for young choirs. Flexibly
arranged to be either unison all the way through
or with two-part harmony, it may be performed a
cappella or with the notated piano accompaniment.
Through repetitive and imitative phrases that build
from simple to more complex, the musical roadmap
encourages exploration within a fixed structure.
11370893 Unison/Two-Part
opt. a Cappella . . . . . . . . ME 1.95
Lord of the Dance—arr. John Rutter. With
sensitivity and flair, John Rutter has created the
consummate arrangement of this Sydney Carter
classic! In his music, John perfectly balances the
suspenseful sweep and full range of emotions that
the text exhibits. At times it is playful and dance-
like, and at other times it is very dark, gloomy, and
dramatic. Beautifully orchestrated, this Shaker
melody takes on a new character that is vivid,
colorful, and accessible to every choir.
8058549 SATB . . . . . . . . . . . . . . . ME 2.80
10305829 SAB . . . . . . . . . . . . . . . . ME 2.80
8020414 Unison . . . . . . . . . . . . . . ME 2.80
8020422 P/A CD . . . . . . . . . . . . . . . . . 29.95
8020430 Orchestration . . . . . . . . . . . . 79.75
The Mermaid—arr. Jack Zaino. Here is a
traditional sea ballad that is equal parts authentic
and enjoyable. Dating back to the mid-1700s,
this rollicking nautical adventure tells the story
of a ship's captain who spots a mermaid in the
distance. A chorus of sailors, the captain, the chef,
and a parrot take turns expressing their woe - often
in a comedic way. Singers will quickly be hooked,
so directors can sink into the educational merits to
uncover many hidden treasures.
11346391 Three-Part Mixed . . . . . . ME 2.20
11346393 Two-Part. . . . . . . . . . . . . ME 2.20
11346392 TB . . . . . . . . . . . . . . . . . ME 2.20
11346394 P/A CD . . . . . . . . . . . . . . . . . 29.99
A Merry Round—arr. Russell Robinson. Here's a
cheerful traditional English round with two sets of
lyrics that make it useful for holiday programs or
at any time of year. The melody is lyrical and lovely
and develops into a round setting that is ideal for
young voices. An optional descant and key change
build a more robust final presentation. Easy to learn
and impressive to perform!
11346395 Two-Part. . . . . . . . . . . . . . . E 2.05
11346367 Multi-Song
Accompaniment CD . . . . . . . 44.99
Nine Hundred Miles—arr. Philip Silvey. A perennial
festival favorite, particularly for younger choirs, the
arranger catches the mood of the train theme of the
piece in a most artistic and delightful fashion.
3300727 SATB . . . . . . . . . . . . . . . ME 2.15
3302243 SAB . . . . . . . . . . . . . . . . ME 2.15
3296659 SA . . . . . . . . . . . . . . . . . ME 2.05
3297566 TBB . . . . . . . . . . . . . . . . ME 2.15
No Time—arr. Susan Brumfield. This outstanding
setting of a traditional camp meeting song is growing
in popularity as a top choice for festival choirs!
10291521 SATB . . . . . . . . . . . . . . . . M 1.90
3225539 SSAA . . . . . . . . . . . . . . . . M 1.95
10436447 TTBB . . . . . . . . . . . . . . . . M 1.95
The Oak and the Ash—arr. Philip Lawson. Here
is the traditional English North Country folksong in
a delightful setting. "Oh, the oak and the ash and
the bonny ivy tree, they flourish at home in my own
country. While sadly I roam, I regret my dear home,
where lads and young lasses are making the hay..."
This is absolutely gorgeous!
11374761 SAB . . . . . . . . . . . . . . . . ME 2.20
Oh, Watch the Stars—arr. Greg Gilpin. A simple
yet beautiful arrangement of an undiscovered gem,
this American folk song is accessible to all levels of
treble choirs. The addition of an optional violin part
perfect for a beginning player will add even more
depth to this setting.
11348186 SSA . . . . . . . . . . . . . . . . ME 2.15
Old Joe Clark—arr. Dwight Bigler. This
Appalachian folk song is tremendously fun.
Fantastic and fun vocal lines are supported by a
lively yet accessible piano accompaniment. Add
spoons and clapping or stomping for a great time!
11121877 SATB . . . . . . . . . . . . . . . . M 3.20
11167747 SSAA . . . . . . . . . . . . . . . . M 3.20
11195649 TTBB . . . . . . . . . . . . . . . . M 3.20
Over the Sea to Skye—arr. Roger Emerson. This
traditional Scottish folk song is beautifully set with
an optional classical guitar accompaniment. A QR
code is provided with the music that takes you
and your students to added content including SEL
teaching resources and a video from the arranger
to help you identify intersections between the music
and text.
11393144 Three-Part Mixed . . . . . . ME 2.30
11393145 Two-Part. . . . . . . . . . . . . ME 2.30
The Parting Glass—arr. Joseph M. Martin.
This traditional Scottish/Irish toasting song, made
popular by groups from the Clancy Brothers and
the Dubliners to Celtic Woman and Hozier, is an
expressive parting song that will close your concert
with that classic glee club sound. With additional
text added by the arranger, this arrangement with
piano accompaniment is a full presentation of the
beautiful ballad in all its glory.
11391013 TTB. . . . . . . . . . . . . . . . . ME 2.15
The Parting Glass—arr. Sarah Quartel. This
traditional Scottish song is often sung as a farewell
at the end of a festive gathering. These a cappella
arrangements are very straightforward and singable,
featuring close harmonies, Scotch snap rhythms,
and the warm sentiment of good wishes for all.
11342506 SATB . . . . . . . . . . . . . . . . M 3.00
11392391 SAB . . . . . . . . . . . . . . . . . M 3.00
10981711 TTBB . . . . . . . . . . . . . . . . M 3.00
Pastures of Plenty—Woody Guthrie/arr. Emily
Crocker. With a tune based on the beautiful
English ballad Pretty Polly, Woody Guthrie's lyrics
describe the challenges facing migrant workers in
North America as well as their dignity. The choral
writing is ideal for smaller developing high school
choirs. Like Steinbeck's Grapes of Wrath, this song
encourages discussions around American farm
workers, from the Great Depression and the Dust
Bowl to today.
11398219 SAB . . . . . . . . . . . . . . . . . . E 2.50
Poor Wayfarin' Stranger—arr. Jamey Ray.
Melodically rich and expressive, this well-known
America mountain ballad is a wonderful teaching
and piece with high performance value for treble
voices. With long lyrical lines, it is an ideal melody
for singers to develop tone, blend, balance, and
expression. Simple harmonies add to the palette
and give opportunities for easy independent part
singing. Lovely!
11348167 Two-Part or SA . . . . . . . . . . E 2.00
Red River Valley—arr. Connor Warren Smith.
This American folk song has been traced back to
the 1870 Red River Rebellion and is believed to
have been sung for a departing soldier. Set in an
accessible arrangement, it possesses beautiful
arching phrases and swelling dynamic moments
that lend a level of maturity and sophistication that
will make your ensemble shine.
11393038 SAB . . . . . . . . . . . . . . . . ME 2.00
Risseldy, Rosseldy—arr. Blake Richter. Tons
of fun! Younger choirs will be delighted with
this energetic folk song composed of absolute
nonsense! Great for teaching concepts like
articulation, diction, expression, and dynamics - a
total show-stopper!
11392529 SA . . . . . . . . . . . . . . . . . . M 2.65
Rock Island Line—arr. Greg Gilpin. All aboard for
a bouncy rendition of this authentic American train
song! The largely pentatonic tune chugs along with
a few blue notes while the independent harmony
lines, engaging rhythmic counterpoint, and even
a few vocal train whistles add to the fun. Add the
optional choreography and accompaniment for the
total package. Woo woo!
11346418 Three-Part Mixed . . . . . . ME 2.05
11346419 Two-Part. . . . . . . . . . . . . ME 2.05
11346420 P/A CD . . . . . . . . . . . . . . . . . 29.99
Sally Gardens—Benjamin Britten. This unison
setting by Benjamin Britten of an Irish folk tune is
a popular contest/festival choice. Poetry by W.B.
Yeats combined with Britten's music completes the
aesthetic experience for younger choirs.
1292804 Unison . . . . . . . . . . . . . . ME 2.10
Scarborough Fair—arr. Matthew Brown.
Lyrical lines and beautiful melodic construction
are the hallmarks of this traditional folk song, a
perennial favorite with singers. A gorgeous artistic
piano accompaniment presents a fresh voice
with harmonic twists and turns that add a new
layer of interest. With musical nods to medieval
counterpoint, sonorities, and dissonances, this is a
lovely and mature choice for SAB choirs.
11347950 SAB . . . . . . . . . . . . . . . . ME 2.80
