Editors' Choice 2022 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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Unclouded Day—J.K. Alwood/arr. Shawn
Kirchner. First written as the bright, opening
movement of Heavenly Home: Three American
Songs, this enduring gospel favorite is set with a
straightforward first verse and chorus. The next
two verses combine traditional bluegrass vocal
style with counterpoint and fugue, resulting in a
crescendo of excitement in roof-raising fashion as
the choir sings "in the city that is made of gold."
10309004 SSAATTBB . . . . . . . . . . . . M 2.50
10910968 TTBB divisi . . . . . . . . . . . . M 2.50
Until I Reach My Home—arr. Brandon Boyd. This
is an excellent primary source based arrangement.
Here, Brandon Boyd provides us with wonderful
compositions for SATB or SSA and piano. A
guide to "hidden messages" and pronunciation
considerations is included.
10945755 SATB . . . . . . . . . . . . . . . . M 2.95
11202068 SSA . . . . . . . . . . . . . . . . . M 2.75
11202070 Rhythm Parts . . . . . . . . . . . . 35.00
11202069 Full Orchestration . . . . . . . . . 75.00
Veni, Sancte Spiritus—Dan Davison. An
original work in a neoclassical style, this offers the
opportunity for younger choirs to sing this Latin text
in a polished and mature style that will help them
sound amazing! In a variety of voicings, all of which
are really just two parts, this accessible piece is sure
to impress at concerts or festival performances.
11397058 SAB SA(T)B or Two-Part Mixed
(opt. tenor) . . . . . . . . . . . ME 2.50
11394023 SA . . . . . . . . . . . . . . . . . ME 2.50
11396481 TB . . . . . . . . . . . . . . . . . ME 2.50
Vox Populi—Giedrius Svilainis. "The voice of the
people is the voice of God..." Vox populi, vox Dei
opens with a fortissimo fanfare-like passage in
B-flat major. The basses then introduce a marcato
ostinato, followed by the tenors with a rhythmically
contrasting theme. The women enter together, with
syncopated rhythms, then all voices unite at the text
"Ubi Concordia" ("Where there is unity"). The music
of the opening fanfare returns to conclude this high-
energy a cappella work.
10190200 SSATBB . . . . . . . . . . . . . . M 2.10
Wade in the Water—arr. Dan Davison. Written
specifically with young developing choirs in
mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn two-
part harmonies. This rhythmic setting abounds with
solo opportunities for a variety of voice types and
presents outstanding teaching opportunities for
style and historical context. Equally appropriate for
the concert stage or worship service.
11370912 SAB SA(T)B or Two-Part Mixed
(opt. tenor) . . . . . . . . . . . ME 2.50
10990226 SA . . . . . . . . . . . . . . . . . ME 2.25
10715332 TB . . . . . . . . . . . . . . . . . ME 2.50
Wade in the Water—arr. Moses Hogan. This is
an exciting setting for a cappella choir and soloist!
All of the drama and soulful depth of the original
are expressed through this dynamic arrangement,
which will be a very impressive concert feature!
3088622 SATB . . . . . . . . . . . . . . . . M 2.10
Wade in the Water—arr. Moses Hogan/ed. John
Purifoy & Janet Klevberg Day. Now younger choirs
can experience the essence and artistry of Moses
Hogan's classic spiritual arrangement in this well-
crafted, accompanied setting.
10070720 Three-Part Mixed . . . . . . ME 2.10
10070721 Two-Part. . . . . . . . . . . . . ME 2.10
Wade in the Water—arr. Russell Robinson. A
bluesy rhythmic motive stacks up across voices,
creating a compelling introduction and scattered
interludes for this fresh interpretation of the African-
American spiritual. Call-and-response verses give
individual sections a chance to shine, and a brief
descant helps build the texture to an exciting finish.
A great teaching moment for younger choirs!
11197210 Three-Part Mixed . . . . . . ME 2.05
11197211 Two-Part. . . . . . . . . . . . . ME 2.05
11197212 P/A CD . . . . . . . . . . . . . . . . . 29.99
Walk in Jerusalem—arr. Rollo Dilworth.
Combining the traditional spiritual I Want To Be
Ready, a powerful piano accompaniment, and a
gospel setting, this arrangement allows the singers
to really dig in and sing with the full power of their
voices. Fun and energetic choral parts will make
this a favorite of your singers and your audience!
3701424 SATB . . . . . . . . . . . . . . . . M 2.10
3701425 SSA . . . . . . . . . . . . . . . . . M 2.10
10734817 TTBB . . . . . . . . . . . . . . . . M 2.25
Walk Together, Children—arr. Moses Hogan.
Your singers and listeners will love this setting
that features the classic Moses Hogan style and
contains many rhythmic and harmonic surprises.
Consider this as a concert closer, or as an end of
the year feature. Dynamite!
3295657 SSAATTBB . . . . . . . . . . . . M 2.10
Wayfaring Stranger—arr. Dennis Allen. This
beloved American spiritual opens with a plaintive
solo accompanied by a cappella backup choir. The
choir takes the lead in subsequent verses, with a
wide spectrum of harmonic color and dramatic
dynamic contrast before reprising the opening solo
for a quiet close. Ensembles will enjoy exploring the
expressive potential of this powerful arrangement.
11393982 SATB . . . . . . . . . . . . . . . ME 2.15
Wayfaring Stranger—arr. Adam Podd & Matt
Podd. Opening with a rubato piano motive and
soloist, this arrangement of a favorite American folk
hymn breaks loose into a mid-tempo swing groove.
The choir becomes primary in much of the setting,
though the soloist reappears at various points. The
piano accompaniment really solidifies the swing feel,
and you have the option to add bass and drums.
11397103 SATB or SSATB. . . . . . . . . M 2.50
11397104 SAB or SSAB. . . . . . . . . . . M 2.50
11397105 SSAA or SSA. . . . . . . . . . . M 2.50
We Are Not Alone—Pepper Choplin. "We are not
alone, God is with us." Here is a piece that succinctly
captures a confident thought and presents it in a
straightforward, honest way. The choir supplies
rhythmic energy while the soloist glides above in
smooth sustained lines. Accessible and effective
with large or smaller choirs, this piece touches
the heart with its simple but profound message.
Originally conceived as an a cappella anthem, the
optional orchestration adds a dramatic element.
8071348 SATB A Cappella. . . . . . . . . . . 2.50
11317770 SATB Accompanied . . . . . . . . 2.50
11317772 SSA Opt. A Cappella . . . . . . . . 2.50
11317773 TTBB Opt. A Cappella . . . . . . . 2.50
We Shall Overcome—arr. Rollo Dilworth. A
prominent theme song in the early days of the
civil rights movement, this was often referenced in
the speeches of Martin Luther King. The day after
his funeral, Blacks and Whites held hands in the
streets of Atlanta and sang this anthem of unity
and social justice.
11385856 Three-Part Mixed . . . . . . ME 2.15
11385854 Two-Part. . . . . . . . . . . . . ME 2.15
We Shall Overcome—arr. Shelton Ridge Love.
A strong, resolute setting of the familiar civil rights
"marching song" vividly calls to mind the images
which add depth of meaning and emotion to the
notes sung. From the distant beginning to the
powerful final statement, this arrangement calls
us to stand with, and for all those in the long fight
for justice. A cappella, this powerful setting may be
sung in any location.
11314193 SATB . . . . . . . . . . . . . . . . M 2.15
11314194 TTBB . . . . . . . . . . . . . . . . M 2.15
We Shall Overcome—arr. G. Phillip Shoultz, III.
This a cappella setting of the iconic American
protest song associated so strongly with the civil
rights movement is both reflective and optimistic.
This is a highly expressive arrangement with an
inspirational finale!
11373332 SATB divisi . . . . . . . . . . . . M 2.05
We Shall Walk Through the Valley in Peace—
arr. Moses Hogan. Rich, velvet harmonies on
the divisi choral opening give an aura of hushed
stillness in this memorable setting of a classic
spiritual by Moses Hogan. As the piece builds slowly
to a glorious climax and then returns to a quiet
conclusion, we become aware of its compelling
message and the artistry that is Hogan's own.
3289667 SATB . . . . . . . . . . . . . . . . M 2.10
Were You There?—Patrick Dupre Quigley. Were
You There? is a meditation for baritone and chorus
written for American baritone Charles Wesley Evans.
The piano accompaniment is a transcription of an
improvisation by Patrick Dupre Quigley. Stunning in
its sophisticated simplicity, this will work beautifully
for both church choirs and concerts.
10994182 SAB . . . . . . . . . . . . . . . . . M 2.80
11369362 CD-On My Way Cd . . . . . . . . 16.95
What a Fellowship—David M. Cherwien. By
whatever title you choose - What a Fellowship
or Leaning on the Everlasting Arms - this 19th-
century gospel classic is sure to please singer and
listener alike. The choral parts are rooted in the old
Tabernacle Hymns style with echoing lines in the
refrain and tightly knit vocals. Your pianist will have
great fun playing the stylized piano with walking
bass line. A great choice for worship or concert.
11394814 SAB . . . . . . . . . . . . . . . . ME 2.25
When Jesus Wept—William Billings/arr. Gwyneth
Walker. The original tune and lyrics for this piece
are by William Billings and have been adapted
for mixed chorus, optional percussion and piano
by Gwyneth Walker. The mournful spirit of early
Americana in the original music is still present,
embellished by her additions and the movement of
the original 3/4 time signature to common time. An
effective and moving arrangement.
10663266 SATB . . . . . . . . . . . . . . . MA 2.60
10682790 Full Score . . . . . . . . . . . . . . . 17.00
10705915 Instrumental Parts. . . . . . . . . 15.00
When the Saints Go Marching In—arr. Mac
Huff. Ever since Louis Armstrong incorporated
this traditional spiritual into his swing-era sets,
it has become a favorite jazz standard. Explore
this vocal jazz setting in that swing style, carefully
crafted for younger choirs to provide a first
introduction to the genre.
11380862 Three-Part Mixed . . . . . . . . E 2.25
11381570 Two-Part. . . . . . . . . . . . . . . E 2.15
When the Saints Go Marching In—arr. John
Rutter. Guaranteed to raise the roof! All the potential
of this spiritual cooker is realized in John Rutter's
full-blown arrangement. There's even a little taste
of Battle Hymn thrown in... "Glory, Hallelujah!"
1749993 SATB . . . . . . . . . . . . . . . . M 3.95
With a Voice of Singing—Martin Shaw. This
joyous work is a choral classic that is appropriate for
any festive occasion. With easy-to-sing harmonies
and unison passages, it is an absolute must for
every choral library. Your choirs and listeners will
always appreciate its vibrant beauty.
426601 SATB . . . . . . . . . . . . . . . . M 2.10
426510 SAB . . . . . . . . . . . . . . . . . M 1.95
Witness—Jack Halloran/arr. Dick Bolks. Dick
Bolks has taken this Jack Halloran classic and made
it accessible for accompanied or a cappella choirs
while retaining the enthusiasm of the original. This
is guaranteed to be the highlight of your music year!
3260411 SATB . . . . . . . . . . . . . . . ME 2.55
3291523 SAB . . . . . . . . . . . . . . . . ME 2.65
10366147 SSAA . . . . . . . . . . . . . . . ME 2.55
10458827 TTBB . . . . . . . . . . . . . . . ME 2.35
Witness—arr. Jack Halloran. If you are looking
for a spiritual that will really show the musicality
of your choir, try this Jack Halloran SSAATTBB a
cappella setting of this traditional spiritual. Perfect
for concert or festival.
1612530 SSAATTBB . . . . . . . . . . . . M 2.35
Witness—arr. Victor C. Johnson. Contemporary
harmonies, cool syncopations in the vocal parts,
and a rhythmically supportive accompaniment
grace Victor C. Johnson's high energy setting of
this favorite spiritual. This work is a marvelous
choice for developing choirs in both concert and
festival settings.
11100325 SATB . . . . . . . . . . . . . . . ME 2.20
10457297 Three-Part Mixed . . . . . . ME 2.20
10457299 Two-Part. . . . . . . . . . . . . ME 2.20
10457513 P/A CD . . . . . . . . . . . . . . . . . 26.95
The Word Was God—Rosephanye Powell. What
an impact this august work will have on both choir
and listeners! Compositionally, this is an excellent
piece using impressive techniques that are truly
captivating. The rhythmic structure develops from
the superb interplay between the voices, and the
layering of sound upon sound creates a musical
tapestry. Written in an almost spiritual style, but
definitely not a spiritual, this will make a stunning
choice for larger or festival choirs!
3030707 SSAATTBB original
a cappella version . . . . . . . M 2.55
8068120 SATB opt.
accompanied version . . . . M 2.55
10055030 SSAA . . . . . . . . . . . . . . . . M 2.35
8064800 TTBB . . . . . . . . . . . . . . . . M 2.45
Worthy to Be Praised—Byron J. Smith. Opening
rubato, this robust work soon breaks into a driving
gospel feel that will raise the roof! If you're looking
for a piece that will give your audience a rousing
experience, this is definitely worth looking at!
1896430 SATB . . . . . . . . . . . . . . . ME 2.20
10452930 SSA . . . . . . . . . . . . . . . . ME 1.95
Yonder Come Day—arr. Roger Emerson. Pulsing
eighth notes in the piano bring instant energy to
this arrangement. A unison rendering of the melody
gives way to part singing, and this feel-good
message will inspire everyone in the room!
11398475 SAB . . . . . . . . . . . . . . . . ME 2.20
11398476 Two-Part. . . . . . . . . . . . . ME 2.20
Yonder Come Day—arr. Judith Cook Tucker.
Based on a traditional Georgia Sea Islands spiritual,
with a rhythmic speech section, this is very
effective in performance, especially with optional
audience participation!
5234422 SSA . . . . . . . . . . . . . . . . . . E 1.95
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