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MULTICULTURAL & WORLD MUSIC
Cambiar el Mundo—Jim Papoulis. Here is a work
with a Spanish flair but also in the style we have
come to expect from Jim Papoulis. Positive, with a
message that speaks to young people around the
world. "We can make a difference" rings loud and
clear in this unison anthem.
11202984 Unison . . . . . . . . . . . . . . ME 2.25
Can You Hear?—Jim Papoulis & Francisco Nunez.
"Can you hear my cries? I am calling out to you."
The global community of children speaks together
in this dramatic call for a better future that uses
worldbeat sounds, unified chordal harmonies, and
occasional solos for a stunning effect. This is an
inspiring way to close your concert or festival, or
to set a tone for a dynamic new beginning for a
season of music-making!
3300136 SATB . . . . . . . . . . . . . . . ME 2.25
3701106 SAB . . . . . . . . . . . . . . . . ME 2.15
3294677 Three-Part Treble . . . . . . ME 2.25
3302311 P/A CD . . . . . . . . . . . . . . . . . 26.99
3297611 Instrumental Parts. . . . . . . . . . 7.50
Cantar!—Jay Althouse. Cuban salsa music is
sweeping the country, and Cantar! (which means
"Sing!" in Spanish) is a stylistically authentic salsa
work for choir. The text is a combination of English
and simple, repetitive Spanish phrases, set to a
rhythmically infectious melody. It's a cross-cultural
song for general concerts, especially during
"Music In Our Schools" month. The recorded
accompaniment really sizzles!
3251592 SATB . . . . . . . . . . . . . . . ME 2.05
3251600 SAB . . . . . . . . . . . . . . . . ME 2.05
3251618 Two-Part. . . . . . . . . . . . . ME 2.05
10065134 SSA . . . . . . . . . . . . . . . . ME 2.05
10352513 TB . . . . . . . . . . . . . . . . . ME 1.85
3251626 P/A CD . . . . . . . . . . . . . . . . . 27.99
3251634 Instrumental Parts Brass . . . . 20.00
Catalina La O—Johnny Ortiz/arr. Suzzette Ortiz.
This authentic sounding salsa piece is a fun way to
incorporate Spanish text into your choral program.
A contrasting middle section makes use of claves
and vocal percussion, and the song provides an
opportunity to feature a soloist. A pronunciation
guide is included.
11170494 Three-Part Treble
or SSA . . . . . . . . . . . . . . ME 2.50
Cikala le Pong Pong—arr. Ken Steven. This
Pakpaknese folk song from North Sumatra,
Indonesia is commonly performed at wedding
celebrations, opening ceremonies, and cultural
events in the region, often accompanied by
traditional dancing. By incorporating percussive
effects such as foot stomping, clapping, and
snapping, and utilizing extreme vocal ranges
through glissandi, the arranger has re-created
the energetic, fun, and lighthearted atmosphere
inherent in the song. Translation and pronunciation
guide included.
11366963 SATB divisi,
or SSAATTBB . . . . . . . . . MA 2.20
10733527 SSAA . . . . . . . . . . . . . . . MA 2.10
Daemon Irrepit Callidus—Gyorgy Orban.
Chromaticism, rhythmic drive and lyric melodies
characterize this a cappella work that is dramatic and
stunningly effective for more accomplished choirs.
3094182 SATB . . . . . . . . . . . . . . . MA 2.55
3288230 TTBB . . . . . . . . . . . . . . . MA 2.55
Dobru Noc—arr. Victor C. Johnson. This
hauntingly beautiful setting of a tender Slovakian
lullaby is a little gem! Each stanza is superbly
crafted, with an a cappella verse in English and an
included pronunciation guide. "Close your eyes, do
not cry; sleep, my dear one, sleep on, my child."
11172828 SATB . . . . . . . . . . . . . . . ME 2.20
10275786 SSA . . . . . . . . . . . . . . . . ME 2.20
10275787 P/A CD . . . . . . . . . . . . . . . . . 26.95
Dodi Li—Nira Chen/arr. Doreen Rao. Sung
completely in Hebrew, this delightful Israeli
song, with its text based on a song from the Old
Testament "Song Of Solomon," is an excellent
multicultural experience for young singers. It is a
superb selection for rehearsal and performance as
well! Both a pronunciation guide and translation
are included in this selection that continues to be
popular in festivals and adjudications nationwide.
10093352 SATB . . . . . . . . . . . . . . . . . E 2.15
1852672 Two-Part. . . . . . . . . . . . . . . E 2.15
10093354 TB . . . . . . . . . . . . . . . . . . . E 2.25
Duermete—arr. Victor C. Johnson. With its sweet
melodies, sensitive accompaniment, and optional
flute obbligato, this setting of a traditional Spanish
lullaby is sure to charm your audiences. In addition
to the original Spanish, two sets of English lyrics
- one for general use and the other for Christmas -
offer flexible performance options. A pronunciation
guide for the Spanish text is also included.
11348331 Three-Part Mixed . . . . . . ME 2.20
10307394 Two-Part. . . . . . . . . . . . . ME 2.20
10307395 P/A CD . . . . . . . . . . . . . . . . . 26.95
Dziediet, Meitas!—arr. Laura Jekabsone. A
cheerful folk song proclaiming "Sing, daughters!"
is arranged in a contemporary a cappella style by
a Latvian woman composer and member of the
Latvian Singers, for whom this was originally set.
Brimming with excitement and rhythmic energy,
it is a delightful change of pace for those seeking
something different in the world music genre.
11372834 SSAATB . . . . . . . . . . . . . . M 3.10
Eatnemen Vuelie—Frode Fjellheim/arr. Emily
Crocker. The opening musical number from the
Disney animated feature "Frozen," this song is
inspired by indigenous Saami and Norwegian
culture, a combination of Saami yoiking and
the Danish Christmas hymn Dejlig er jorden, or
Fairest Lord Jesus, by B.S. Ingemann. Yoik is a
very old vocal tradition among the Saami people
of Scandinavia and Russia, characterized by short
melodic phrases that repeat again and again,
with small variations. With English, German and
Norwegian versions of the text, synthesizer,
percussion and optional male yoik.
10519311 SATB . . . . . . . . . . . . . . . . M 2.50
10519310 SAB . . . . . . . . . . . . . . . . . M 2.25
10519158 Two-Part. . . . . . . . . . . . . . M 2.15
3298108 SSAA . . . . . . . . . . . . . . . . M 2.25
Echen Confites—arr. Emily Crocker. This Mexican
folk song is combined with a countermelody for
a showcase that is easy and fun at Christmas or
any time of year. It weaves Spanish and English
together seamlessly with a light, bouncing melody
to highlight the learning potential.
11377216 Two-Part opt.
Three-Part Treble . . . . . . ME 2.15
El Vito—arr. Emily Crocker. A whirling, twirling
Andalusian dancer is vividly portrayed in this setting
of a traditional Spanish folksong. Well-crafted vocal
lines over a colorful piano accompaniment make
this an excellent choice for developing choirs to
show their Latin flair! The text is well balanced
between Spanish and English, with lots of fun "la-
la-la" phrases!
10517164 Three-Part Mixed . . . . . . . M 2.25
10070636 Two-Part. . . . . . . . . . . . . . M 2.10
10070637 Teaching P/A CD. . . . . . . . . . 22.99
El Vito—arr. Greg Gilpin. This energetic
arrangement of the traditional Spanish folk song
is infused with the characteristic dance rhythms
of Andalusia. Easy-to-learn phrases in the original
language alternate with some English text. Plenty
of unison and a fun-to-sing countermelody in the
chorus make the harmonies easy to teach. Add the
optional choreography to complete the picture of
this vibrant dance.
11196350 Three-Part Mixed . . . . . . ME 2.05
11196351 Two-Part. . . . . . . . . . . . . ME 2.05
11196352 P/A CD . . . . . . . . . . . . . . . . . 29.99
Eneza Upendo—Jim Papoulis. "Eneza upendo
uendako, umoja ni upendo" translates to "Spread
love everywhere you go, unity is love". This piece
celebrates the hopeful sentiments of unity and love
through both Swahili and English lyrics. Djembe
and soft metal percussion add flair to this already
upbeat piece. Choirs can get in on the fun with
some light body percussion.
11397457 SA . . . . . . . . . . . . . . . . . ME 2.60
Erev Shel Shoshanim—Joseph Hadar/arr.
Jack Klebanow. Your choir will absolutely love this
delicate Israeli folk song, with the open feeling
of the desert at night while the scent of roses
drifts on the cool air. Vocals weave in a sensitive
arrangement, complemented by a fluid, but not
difficult, piano accompaniment. Translation and
pronunciation guide included. A strong choice for
multicultural programs!
4958831 SATB . . . . . . . . . . . . . . . ME 1.95
1925171 Performance CD . . . . . . . . . . . 5.00
Es Tu Tiempo—Francisco J. Nunez. This Latin
pop song was written as a message of hope from
young people to children to try hard, persevere, and
never stop dreaming. This joyous song features a
combination of Latin pop, Columbian cumbia,
Cuban salsa, and Andean rhythms, allowing singers
to feel the beat and inspire younger singers to take
up the mantle!
11371098 SATB . . . . . . . . . . . . . . . ME 3.10
Famba Naye—arr. Victor C. Johnson. This
exuberant arrangement of a popular Zimbabwean
folk song is a winner! Easy-to-sing melodic
and harmonic patterns, a rhythmic piano
accompaniment, and accessible notated parts
for shaker, hand drum, cowbell, and djembe
all combine to provide an exciting performance
opportunity for developing choirs. A translation and
pronunciation guide is included.
11395976 Three-Part Mixed . . . . . . ME 2.40
11395977 Two-Part. . . . . . . . . . . . . ME 2.40
11395978 P/A CD . . . . . . . . . . . . . . . . . 27.95
Famine Song—arr. Matthew Culloton. This unique
a cappella work captures the drama of the
survival of the Sudanese people during the
famine of the 1980s. "Ease my spirit, ease my
soul, please free my hands from this barren soil.
Ease my mother, ease my child, earth and sky
be reconciled..."
3303263 SATB . . . . . . . . . . . . . . . ME 2.05
10291108 SSAA . . . . . . . . . . . . . . . ME 2.05
Feel Good—arr. Barbara Baker & David Elliott.
Feel Good is a contemporary African-American
gospel song that should be performed with joy,
exuberance and enthusiasm! Highly rhythmic with
judicious hand claps and utilizing a secular text of
positiveness and high self-esteem, this exciting
work is certain to be a favorite of singers and
audiences alike!
1874163 SSA . . . . . . . . . . . . . . . . ME 2.25
Festejo—arr. Diana V. Saez. Composed in an Afro-
Peruvian dance style, this piece for treble choir and
piano with body percussion is so fun to perform!
The lively tempo, engaging melody, and singable
harmonies are a great match for choirs looking to
explore a new style. There is an IPA pronunciation
guide for the Spanish text included.
11337822 SSAA . . . . . . . . . . . . . . . . M 2.50
Five Hebrew Love Songs—Eric Whitacre.
With texts written by Hila Plitmann and inspired
by a reunion of musician friends in Germany,
each song in this suite is a poetic postcard that
captures every lush, romantic moment in full.
An expressive and idiomatic collection for mixed
or treble choruses. The suite is set for piano
and violin, but may also be performed with stri
ng quartet.
3296219 SATB . . . . . . . . . . . . . . . MA 3.55
3299116 SA . . . . . . . . . . . . . . . . . MA 3.65
9520730 Violin Accompaniment. . . . . . . 9.00
5991450 Full Score . . . . . . . . . . . . . . . 40.00
5975230 String Quartet . . . . . . . . . . . . 35.00
Funga Alafia—arr. Jill Gallina. Choreography is
included in this joyful piece, based on a traditional
song of welcome sung in many parts of Africa.
Greetings of good health, blessings, and peace are
expressed throughout. Parts for claves, bongos,
and conga enhance the African feeling, while
phrases of vocal speech seem to invite everyone to
join in the celebration!
10190826 Two-Part. . . . . . . . . . . . . ME 2.50
10190827 P/A CD . . . . . . . . . . . . . . . . . 26.99
Traditional octavos can be difficult for some choir members to read, so Pepper created large-print editions to make things
easier for your singers. Printed on 9" x 12" paper, this music is significantly larger but retains the same pagination, measure
numbers and page turns so no one gets lost. These editions are only available through J.W. Pepper and are a must-have
for church and community choirs!
LARGE PRINT EDITIONS
