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MULTICULTURAL & WORLD MUSIC
Inscription of Hope—Z. Randall Stroope. A
profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope. With brief narration and the echo of a Russian
folk melody, this is an important contribution to the
concert repertoire for more discerning choirs!
1910504 SATB . . . . . . . . . . . . . . . ME 2.20
3073038 Three-Part Mixed . . . . . . ME 2.20
1910512 Two-Part. . . . . . . . . . . . . ME 2.20
10307417 SSA . . . . . . . . . . . . . . . . ME 2.20
10307418 TTB. . . . . . . . . . . . . . . . . ME 2.20
10006345 P/A CD . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts Strings . . . 29.95
IPharadisi—arr. Brad Richmond. This traditional
South African song celebrates life and the paradise
that is to come. An upbeat a cappella texture is
punctuated with the rhythmic text and singable
melody in a dynamic world music selection
that would make a terrific concert closer! A
pronunciation and translation guide are included
along with a percussion part for djembe.
10830615 SATB . . . . . . . . . . . . . . . ME 2.10
11396576 SSA . . . . . . . . . . . . . . . . ME 2.15
11396577 TTB. . . . . . . . . . . . . . . . . ME 2.15
Irish Country Dance—Kirby Shaw. This cheerful
a cappella original reimagines the sound of
bagpipes with vocables, making it really fun to
sing. After a hearty opening statement, the piece
becomes an up-tempo 6/8 Celtic dance in minor.
Jazzy harmonies, independent vocal lines, and
modal touches add plenty of interest.
11397850 SATB . . . . . . . . . . . . . . . . M 2.20
It Takes a Village—Joan Szymko. The familiar
African saying, "It takes a village to raise a child,"
is appropriately set to tribal-sounding music in this
marvelous cross-cultural feature. A great closer,
this piece is a proven audience favorite!
3277274 SATB . . . . . . . . . . . . . . . ME 2.15
3277266 SSAA . . . . . . . . . . . . . . . ME 2.05
10423621 TTBB . . . . . . . . . . . . . . . ME 2.05
Iza Ngomso—Christopher Tin. From the Grammy-
winning composer of Baba Yetu, this piece is based
on a text by Henry Wadsworth Longfellow translated
into Xhosa, which features prominent clicking
sounds. This joyous movement about clouds from
The Drop That Contained the Sea and originally
recorded with the Soweto Gospel Choir of South
Africa is a dynamic world music concert selection
for mixed choirs.
11348863 SSATBB . . . . . . . . . . . . . . M 3.25
J'entends le Moulin—arr. Emily Crocker.
Hear the steady sound of the mill wheel in this
brisk setting of the French Canadian folk song,
which uses alternate French and English text. "I
hear the windmill, tick-a tick-a tack-a..." Use the
pronunciation guide on the inside cover or the
Teaching P/A CD to practice the French lyrics. This
is easy and fun to sing!
11176683 SAB or SA(T)B. . . . . . . . . ME 2.25
10030298 Two-Part. . . . . . . . . . . . . ME 2.10
10030299 Teaching P/A CD. . . . . . . . . . 22.99
J'entends le Moulin—arr. Donald Patriquin.
One of the Trois chansons folkloriques which also
includes Un Canadien errant and Les raftsmen, this
Quebecois folk song was originally known in France
as Mon pere a fait batir maison. The quickly moving
French text and pure bell-like tone quality along with
the virtuosic piano accompaniment make this a real
showpiece for choirs. The piano accompaniment is
available separately and does not appear in the
choral octavos. A separate conductor's full score is
also available that includes the choral parts, piano
accompaniment, and the optional percussion part.
5462452 SATB . . . . . . . . . . . . . . . . M 2.30
5607965 SS or Two-Part . . . . . . . . . M 2.00
10704718 SSA . . . . . . . . . . . . . . . . . M 2.10
10089569 TTBB . . . . . . . . . . . . . . . . M 2.30
10089570 Piano Accompaniment
for SATB Only . . . . . . . . . . . . . 3.00
10928194 Piano Accompaniment
for SS/Two-Part Only. . . . . . . . 3.00
10928195 Piano Accompaniment
for SSA Only . . . . . . . . . . . . . . 3.00
10928196 Piano Accompaniment
for TTBB Only . . . . . . . . . . . . . 3.00
5627187 Piano Accompaniment
for All Voicings . . . . . . . . . . . . 3.00
5627195 Full Score for SATB Only . . . . . 9.95
5627203 Full Score for SS/
Two-Part Only. . . . . . . . . . . . . 9.95
10928197 Full Score for SSA Only . . . . . . 9.95
10089567 Full Score for TTBB Only . . . . 14.95
Jabula Jesu—arr. Stephen Hatfield. Now
available in an SSA voicing, this choral work offers
a taste of layered ostinatos and African polyrhythms
and may be performed a cappella or with two or
more percussionists.
1956614 SATB . . . . . . . . . . . . . . . ME 2.15
10483839 SSAA . . . . . . . . . . . . . . . ME 2.10
Jai Ho—A.R. Rahmen/arr. Ethan Sperry. Ethan
Sperry's exciting arrangement of the 2008 Oscar-
winning song from "Slumdog Millionaire" has
attracted a lot of attention on the festival circuit, and
for good reason! The song's global rhythms and
combined Hindi and English text give it multicultural
appeal above and beyond its familiarity from the
movie score.
10150628 SATB . . . . . . . . . . . . . . . . M 2.30
Jamaican Folk Song Suite—arr. Marjorie
Whylie. Here are three whimsical a cappella
Jamaican folk songs grouped together under one
cover. According to musicologist and complier
Whylie, these songs are "full of social commentary,
censure, and recrimination in a vehicle of humor."
Including some simple movement options and
a printed guide and online video for learning the
patois language, these arrangements are unique,
authentic, and fun.
11393312 SATB . . . . . . . . . . . . . . . ME 2.05
Jambo—Teddy Kalanda Harrison/arr. Jacob
Narverud. Kenyan composer Teddy Kalanda
Harrison and his group Them Mushrooms received
worldwide recognition with their platinum-certified
recording of this piece. With a fun percussion
accompaniment, Jacob Narverud brings the stellar
work to school and community choirs!
10551975 SATB . . . . . . . . . . . . . . . ME 2.20
10394008 SAB . . . . . . . . . . . . . . . . ME 2.15
10423627 SSA . . . . . . . . . . . . . . . . ME 2.15
10423628 TBB . . . . . . . . . . . . . . . . ME 2.15
Jambo Rafiki—Victor C. Johnson. With lively
percussion parts and call-and-response-style
writing, this engaging and easy-to-learn piece will
make a terrific concert opener! The a cappella
harmonies are so fun to sing and include plenty
of repetition, and the notated percussion rhythms
for gankogui, hand drum, djembe, and shaker
effectively support the texture. A pronunciation
guide and translation of the short Swahili text
are included.
11195595 Three-Part Mixed
with Percussion. . . . . . . . ME 2.10
11195596 Two-Part
with Percussion. . . . . . . . ME 2.10
11379205 P/A CD . . . . . . . . . . . . . . . . . 27.95
Jarba, Mare Jarba—arr. Stacy Garrop. This
exciting Hungarian-Romani folk song, originally
arranged for Chanticleer, has been masterfully
adapted in this arrangement which includes shouts,
calls, claps, and spoken sounds in the tradition of
Eastern European folk music. Sung in the Beas
language, the translation speaks of a deep longing
to return to one's homeland.
11370902 SATB divisi,
or SSAATTBB . . . . . . . . . MA 2.75
Jesu Weja—arr. Eslon Hindundu. This well-
known Otjiherero folk song from Namibia carries
a message of love, joy, and happiness in praise
of God. With a steady, undulating rhythm, this
selection features solo groups over the chorus to
highlight your best singers.
11392449 SATB . . . . . . . . . . . . . . . . M 2.80
Juntos—Jim Papoulis. Here is a Jim Papoulis
original in the style of a Spanish folk song. The words
sing of the strength and power we feel when we learn
to work and walk together. The title, which means
"together," builds through Latin dance rhythms to a
powerful expression of unity, or "unidad."
10363895 SSA . . . . . . . . . . . . . . . . ME 2.60
Kia Hora Te Marino—Christopher Tin. From
the Grammy-winning composer of Baba Yetu,
this setting of a traditional Maori blessing from
Calling All Dawns makes use of haka, a ritualistic
choreographed group dance, and whaikorero, a
form of speechmaking used to unite the collective
will of the people. This is an impressive cross-
cultural selection for your choir!
11348864 SATB divisi . . . . . . . . . . . . M 2.75
Kuimba Nafsi Yangu—Jacob Narverud. Kuimba
Nafsi Yangu is a celebratory song derived from
common Swahili phrases of joy: "Sing my soul,
sing my heart. Sing for peace, sing for joy. There
is so much love here, yes!" Intended as a concert
opener or closer, this spirited piece is pure energy
from start to finish as the piano and djembes drive
the momentum forward while the choir sings in call
and response!
10735191 SSATB . . . . . . . . . . . . . . . M 2.50
Kuimba!—Victor C. Johnson. This exuberant
African-style original work is an invitation to let
music be our guide and sing together with joyful
hearts. You'll want to use the optional percussion
parts with this a cappella piece to help establish
a rhythmic groove for the easy vocal ostinato
patterns. A pronunciation guide is included.
10457263 SATB . . . . . . . . . . . . . . . ME 2.20
10457264 Three-Part Mixed . . . . . . ME 2.20
10590435 SSA . . . . . . . . . . . . . . . . ME 2.20
10457265 TTB. . . . . . . . . . . . . . . . . ME 2.20
10457460 P/A CD . . . . . . . . . . . . . . . . . 26.95
Kusimama—Jim Papoulis. Kusimama is written
in a world-music style that is accessible for choirs,
both young and old, that are just beginning to be
exposed to world rhythms and language - a sort
of introduction to new languages, syllables, body
percussion and style. The text in both Swahili and
English is about standing tall on the earth, not
with anger or aggression, but with hope, strength,
acceptance, and positivity. The voices, along with
hand claps, stomps, djembe, shaker and piano, all
combine for an exciting world-music presentation.
10308964 SATB . . . . . . . . . . . . . . . ME 1.95
10296741 Two-Part. . . . . . . . . . . . . ME 2.15
11202989 SSA . . . . . . . . . . . . . . . . ME 2.50
Kusimama—Jim Papoulis. Subtitled Standing
Tall, this original work combines Swahili and
English phrases about standing with hope,
strength, acceptance, and a positive spirit - all in an
accessible world music style. Celebrating ten years
as a concert and festival favorite, this anniversary
edition matches the original edition in each voicing,
but now with a larger portion of the royalties going
to the Foundation for Small Voices.
11398052 SATB . . . . . . . . . . . . . . . ME 2.30
11398053 Two-Part. . . . . . . . . . . . . ME 2.30
11398054 SSA . . . . . . . . . . . . . . . . ME 2.30
Kuwa Furaha—Jim Papoulis. Kuwa Furaha is a
song about joy. More specifically, it is about the
simple and beautiful way that children have of
showing and expressing their joy. Jim Papoulis is
well known for his world music style of writing. This
rhythmic, energetic song, using a Swahili text and
djembe, will be quickly learned - your singers will
ask for it at every rehearsal!
10609889 SAB . . . . . . . . . . . . . . . . ME 2.25
10429701 Two-Part. . . . . . . . . . . . . ME 2.15
Kye Kye Kule—arr. Greg Gilpin. With lively
percussion parts, handclaps, and a straightforward
call-and-response style, this authentic West African
folk song arrangement pulls together in a snap. A
cappella, with solo or duet opportunities, this
spirited song of welcome will make a terrific concert
opener for developing treble or tenor-bass choirs.
10873063 Two-Part or SA . . . . . . . . . . E 2.05
10873069 TB . . . . . . . . . . . . . . . . . . . E 2.05
Classroom Percussion
AFRICAN DJEMBE
Tycoon.
10515191 6" . . . . . . . . . . . . . . . 99.99
10515192 8" . . . . . . . . . . . . . . 159.99
10515194 12" . . . . . . . . . . . . . 249.00
