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JAZZ
ENSEMBLE
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BLUES & SWING medium
Hey Pachuco!—arr. Shane Porter. Your
students and audiences will love this burning
swing tune made famous by Royal Crown Revue.
The groove is set up with a drum solo laying
down a Sing, Sing, Sing Krupa feel before the
band enters. A trumpet with plunger solo leads
into a sax soli section. Next, the trumpet section
is featured on a soli section before a half-time
feel gives the brass a chance to shine. Returning
to the original groove, a written solo for tenor sax
heightens the excitement. Finally, there's an open
drum solo before the band enters and takes it on
home. Pure excitement!
10050989 Jazz Ensemble . . . . . . . . . . . .55.00
Hittin' at Minton's—Paul Baker. Named after the
legendary Harlem nightclub where bebop was born,
this medium swing chart speaks the language of
bebop from the first measure to the last. Trumpets
and altos state the melody echoing Bird and Diz.
Solo space is provided for alto sax and trumpet.
A challenging shout chorus follows, leading to
the grand finale. Trumpet range is to written high
C; trombone range is to G. Give your students
experience with the language of bebop!
11207706 Jazz Ensemble . . . . . . . . . . . .50.00
Honeysuckle Rose—Thomas "Fats" Waller/arr.
Paul Baker. Here's a swingin' jazz classic played
around 156 bpm with written suggested solos
provided for alto sax 1 and trumpet 2 with cues
for piano and trumpet 1. The sax soli, drum fills,
a few familiar quotes, along with well-notated
rhythm section parts all come together to create a
fine chart that will make developing groups shine.
A nice swing chart done well!
10997198 Jazz Ensemble . . . . . . . . . . . .48.00
How High the Moon—Morgan Lewis/arr. Dave
Wolpe. Now this is classy! Dave Wolpe puts the
trombones out front in this solid swinger, and boy
do they sound great carrying the tune! This sits
comfortably for bands at the medium level, and
three of your bone players get a chance to solo,
with suggested solos offered. What a great chart!
2472224 Jazz Ensemble . . . . . . . . . . . .52.00
How the Mind Wanders—Lars Halle. Add some
variety and a change of pace to any program
with this buoyant, medium-tempo swinger for
advancing groups that evokes classics like Li'l
Darlin' and Cute. Although written or improvised
solo space is provided for alto saxophone and
trumpet, it's the band that truly shines on this
outstanding chart. Additional features include
standard instrumentation with trumpets on
flugelhorns and optional vibes. A very helpful
guitar chord chart is included in the set. This is
not to be missed!
11191611 Jazz Ensemble . . . . . . . . . . . .55.00
Hurricane Season—Troy Andrews/arr.
John Wasson. From the Trombone Shorty CD
Backatown, this tune features the powerful
underlying pulse of a New Orleans second line
feel along with elements of contemporary rock.
There's written or improvised solo space for
trumpet. In this exciting chart, the ensemble
alternately screams with the full band riffs,
then settles into a simmering rhythmic groove.
Also included are written bass lines and piano
voicings. A real treat to perform and hear!
10490297 Jazz Ensemble . . . . . . . . . . . .55.00
I Left My Heart in San Francisco—arr. Quincy
Jones. Quincy Jones wrote some incredible
arrangements on very popular tunes for the Count
Basie Orchestra. As recorded on This Time By
Basie, Quincy's arrangement of I Left My Heart in
San Francisco features great interplay between the
ensemble playing the melody, and the piano with
written solo fills. With a tempo around 108 bpm,
and a relaxed swing feel, there's also short solo
space for tenor saxophone, and the ranges are very
moderate. This chart is playable by a lot of bands.
It's a true classic! Highly recommended!
10368506 Jazz Ensemble . . . . . . . . . . . .55.00
I Mean You—Monk & Hawkins/arr. Mike Tomaro.
Written by Thelonious Monk and Coleman Hawkins,
this chart features a freewheeling, New Orleans-
style street beat alternating with straight-ahead
swing. Mike Tomaro's setting is unique and
creative on this Monk classic. Trumpet and tenor
share the melody, and solo space is included for
trombone and piano with suggested solos included.
Highly recommended!
10033678 Jazz Ensemble . . . . . . . . . . . .55.00
In the Mood—Joe Garland. This Glenn Miller
classic is a must for every jazz band library!Carefully
edited and available with a full score, this
arrangement has everything you need to recreate
the original including a trumpet solo, and a short
call-and-response passage between the alto and
tenor saxes.It's a guaranteed crowd-pleaser!
2090959 Jazz Ensemble . . . . . . . . . . . .50.00
Indiana—arr. Greg Yasinitsky. Greg Yasinitsky has
made this great jazz classic into an up-tempo, flag-
wavin' swinger. This excellent chart features terrific
sax solis, a written or ad lib tenor solo, some stop-
time interludes, and a rousing shout chorus. A fine
opener or closer, it also includes optional parts for
expanded instrumentations. Highly recommended!
10302793 Jazz Ensemble . . . . . . . . . . . .52.00
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Ralph Ford. You may
think this very clever chart is all swing, but it begins
as Latin then alternates with a swing feel. The tempo
is bright at around 190-200 bpm with suggested
solos for trumpet and tenor sax, a few piano
montunos, and a big shout chorus leading to a huge
ending closing this fine chart appropriately. Additional
wind parts and a vibes part are included for optional
expanded instrumentations. Highly recommended!
10756380 Jazz Ensemble . . . . . . . . . . . .48.00
It Is What It Ain't—Jamie Roth. Wow! This is a
blues with serious attitude! It comes out of the gate
roaring and includes plenty of interesting details
that make this a standout chart for high school
bands. Great dynamic contrasts are built in so
there are some moments that whisper and some
that explode. It's a great addition to the swinging
blues repertoire at this level - you may even hear
Basie's influence on this one!
11346108 Jazz Ensemble . . . . . . . . . . . .50.00
It's Oh, So Nice—Sammy Nestico. As recorded
on the great Basie-Straight Ahead album of 1968
by Count Basie, this swing outing features solid
section and full ensemble writing, brass buckets,
sax scoops, drum fills, and piano in the solo role.
The tempo is not taxing with the quarter equaling
120; however, paying careful attention to dynamics
will be especially important. The rhythm section
parts are partially notated with chords cued.
2477338 Jazz Ensemble . . . . . . . . . . . .55.00
Just Swingin' Along—Ed Gaston. Clocking in at
a medium swing tempo of 148, this chart is a great
teaching piece as well as being a good concert
selection. It features solid ensemble scoring and
creative harmony throughout. There is an extended
solo section for Trumpet 2 that is interspersed with
eight measure Saxophone soli passages. A unique
and interesting swing selection.
11393555 Jazz Ensemble . . . . . . . . . . . .50.00
Just When I'm Thinkin' 'Bout You—Rob
Vuono, Jr. Beautifully written in a slow swing
style, this impressive swing ballad is an excellent
showcase for your lead trombone player.Rob keeps
the ranges modest throughout, yet achieves a
most sophisticated sound by way of a well-crafted
melody, paired with a distinctive set of chord
changes and well-written ensembles. The solo
is accessible and melodic, plus there is terrific
ensemble writing for the full ensemble.The rhythm
section parts are fully notated along with chord
changes to ensure success.Sure to be a favorite in
any book, this chart has the timeless feel of a true
standard.Highly recommended!
10050263 Jazz Ensemble . . . . . . . . . . . .50.00
Lady Bird—Tadd Dameron/arr. Mike Tomaro.
Written by bebop composer Tadd Dameron as a
tribute to Billy Holiday, this jazz standard belongs
in every jazz musician's repertoire. With a short
16-bar form this tune is a great introduction into
the harmonic language of bebop. Mike Tomaro's
setting in the little big band format also includes
some added bebop inspired lines. It's flexibly
scored for six horns and rhythm section with
optional parts provided. Nice!
11105226 Jazz Ensemble
(Little Big Band). . . . . . . . . . . .45.00
Late in the Quarter—Mike Dana. Here's a funky,
but swinging New Orleans street beat feature for a
front line feature of trumpet, tenor, and trombone.
A great groove, catchy call-and-response and
swinging ensemble sections, reasonable brass
ranges, and ample solo space, with suggested
solos included, come together to make a unique
and exciting work for developing jazz bands. The
clever ending is as if the band has passed by and
fades down the street, all the while continuing on
their funky, swinging journey!
10604654 Jazz Ensemble . . . . . . . . . . . .55.00
The Main Attraction—Kris Berg. "The Main
Attraction" is a hard drivin' shuffle in the style of
Basie, Thad and Mel, and Phil Wilson, but with a
slightly more modern groove. This is the perfect
opener for any concert or festival! The tune is based
on a 16-bar blues, features lots of ensemble for the
band, and has solo spots for any saxophone, brass
player, guitarist or pianist. Your performance can't
go wrong if you're featuring "The Main Attraction!"
11206980 Jazz Ensemble . . . . . . . . . . . .55.00
Marionette—Len Pierro. This medium swing is
a killer chart that swings hard! Muted brass add
some intriguing colors, and a great trombone soli
will engage those players in your group. There is
also some quality shout-chorus writing that will
expose your students to all of the challenges of
great ensemble playing. Highly recommended!
11354666 Jazz Ensemble . . . . . . . . . . . .50.00
Midnight Voyage—Joey Calderazzo/arr.
Alan Baylock. Here is an outstanding tenor sax
feature chart that was composed by pianist Joey
Calderazzo, recorded by the late, great Michael
Brecker and arranged by Alan Baylock. A haunting
medium swing groove- tenor sax as the melody and
the solo space, and lead trumpet range is to written
high C. A beautiful tune and superb chart on this
hard-swinging feature!
10068300 Jazz Ensemble . . . . . . . . . . . .60.00
Moanin'—Charles Mingus/arr. Andrew Homzy.
Here's a playable yet very effective arrangement
of this signature Mingus composition. The familiar
baritone sax riff is handled by three saxes, and there
is also a substantial soli for the entire saxophone
section. Optional parts are included for flute,
clarinet and French horn. A terrific introduction to
the genius of Mingus!
10041748 Jazz Ensemble . . . . . . . . . . . .55.00
Moon River—Henry Mancini/arr. Billy Byers. As
recorded by the Count Basie Orchestra on their
album This Time by Basie, Billy Byers arranged a
wonderful, easy-swinging masterpiece. Cleverly, he
set this Mancini classic in 4/4 to accommodate the
Basie band's iconic style. This is a terrific big band
chart that belongs in every library right alongside
I Can't Stop Loving You, Nice 'n Easy and I Left
My Heart in San Francisco. There's space for a
trumpet solo, and the ensemble writing is quite
playable by most bands. This is oh, so nice and
highly recommended!
10530081 Jazz Ensemble . . . . . . . . . . . .55.00
Moten Swing—Buster & Benny Moten/arr. Ernie
Wilkins. There have been a lot of published charts
on this great Ernie Wilkins arrangement, but this
is the original version as played and recorded by
the Count Basie Orchestra. Moten Swing is possibly
the most played piece of music by the Basie band
and has been recorded countless times, making it
a must-have for any band's library as it exemplifies
wonderful roaring ensemble passages with soft,
soft sections which will make your band sparkle.
This new Finale edition includes a transcribed
piano solo throughout, detailed rhythm section
parts which are written except during the solos, and
clearer, cleaner, more complete parts. Additionally,
there is solo space for tenor saxophone, trumpet
and piano.
2387306 Jazz Ensemble . . . . . . . . . . . .60.00
My Man Sam—Gordon Goodwin. A tribute to the
late, great, brilliant arranger and composer Sammy
Nestico! This medium swing chart has written or
improvised solos for trumpet, alto, tenor, and
trombone. Superb writing provides sweet sax solis,
great dynamic contrasts, and a wonderful shout
chorus. Optional parts include flute, vibes, and
more. Sammy would love this chart!
11355036 Jazz Ensemble . . . . . . . . . . . .52.00
Naima—John Coltrane/arr. Craig Skeffington. One
of Coltrane's favorites and played by jazz musicians
everywhere, this sweet bossa chart is magical.
It opens with alto 1 on the written melody, then
the sax section, followed by the brass taking the
bridge. Features include a very nice, written tenor
solo and lead trumpet range to written B-flat above
the staff. Perfect for any jazz performance, you'll
be delighted with Naima! Highly recommended!
Optional expanded instrumentation.
10093179 Jazz Ensemble . . . . . . . . . . . .52.00
Nice 'n' Easy—arr. Quincy Jones. As recorded by
the Count Basie Orchestra on their album This Time
By Basie, this Quincy Jones chart is a laid-back,
swingin' masterpiece. It's a wonderful, classic big
band chart that belongs in every library right along
side I Can't Stop Lovin' You and I Left My Heart in
San Francisco. There is space for a trumpet solo,
and the ensemble writing is quite playable by most
bands. You can't go wrong with this exceptional
chart on Nice 'n' Easy!
10455874 Jazz Ensemble . . . . . . . . . . . .55.00
A Night at the Golden Nugget—Gene Roland/
arr. Bob Curnow. This is one of the highly original
swinging charts featured on Stan Kenton's
Adventure in Blues album. This edited version is
written for standard big band instrumentation. This
edition eases some of the challenges of the original
along with changing the instrumentation. Alto sax
and trumpet are soloists on this medium blues
swinger. It is a lot of fun to play!
11202786 Jazz Ensemble . . . . . . . . . . . .55.00
Non-Stop Hustle—Mike Tomaro. This jazz samba
will provide any program with some interesting
variety. The strong melody is orchestrated
beautifully, and the chart also provides solo space
for your featured soloists (written or ad lib). Perfect
for concert or festival programming.
11199506 Jazz Ensemble . . . . . . . . . . . .55.00
On Green Dolphin Street—Bronislau Kaper/
arr. Dave Wolpe. Only arranger Dave Wolpe can
make On Green Dolphin Street the ideal address!
A combination of swing and Latin feel, suggested
solos for alto 1 and tenor 1, a lead trumpet range
to written A above the staff, a tasty sax soli and
a hot shout chorus make this an impressive
chart. Optional parts are included for flute, horn
in F, baritone horn/tenor sax and tuba. It's a
superb chart you will enjoy for years to come.
Highly recommended!
10049712 Jazz Ensemble . . . . . . . . . . . .52.00
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