J.W. Pepper Catalogs

2022-23 Fall Concert Band & Jazz Catalog

J.W. Pepper Music Catalog

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Editors' Choice 2022 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision 160 JAZZ ENSEMBLE Go to cart VOCAL SOLO WITH JAZZ ENSEMBLE Hallelujah I Love Her So—Ray Charles/arr. Victor Lopez. Ray Charles' good-time, happy, swingin' and infectious tune is immortalized here by Victor Lopez as a vocal solo feature chart with lyrics provided to accommodate female or male vocalists. The tempo is around 142 bpm with a few stop-time sections, and there are no horn solos, just a swingin' vocal part and ensemble all the way. Optional parts are provided as vocal substitutes for any C, B-flat, or E-flat instruments, and trombone. The vocal range is from B-flat below middle C to third space B-flat. We're proud to say this one is highly recommended! 10753965 Jazz Ensemble & Vocalist (or Any Instrument) . . . . .ME 54.00 Have Yourself a Merry Little Christmas—arr. Dave Wolpe. This sentimental Christmas favorite will never go out of style, and Dave Wolpe's satisfying arrangement is a great way to feature your vocalist during the holidays. Vocal in G. 2188910 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 48.00 Haven't Met You Yet—Buble, Chang & Foster/arr. Scott Ragsdale. Michael Buble sang this hit song and now it's time for your vocal soloist and jazz ensemble! Arranger Scott Ragsdale captured the essence of the Buble arrangement with his terrific adaptation of this familiar tune. The vocal range is from F below middle C up to third line B, and the lead trumpet range is to written A above the staff. A wonderful chart on a cool tune! Highly recommended! 10277798 Jazz Ensemble & Vocalist . . . . . . . . . . . . .M 54.00 How High the Moon—Morgan Lewis/arr. Dave Wolpe. All jazz students should know this great tune! Dave's straight-ahead, swingin' vocal solo feature is written in two keys to accommodate both female and male voices. There are also brief solos for trombone and trumpet. The version in C has an optional shout chorus with the ensemble. Low vocals in C, high vocals in F. 2701962 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 62.00 I Can't Believe That You're in Love with Me— Jimmy McHugh/arr. Darmon Meader. Feature your vocal quartet or SATB vocal ensemble with your jazz ensemble! Plus, this chart also includes an additional part for vocal soloist if you prefer. A medium-swing arrangement by Darmon Meader, the musical director and chief arranger of the sensational jazz vocal group, The New York Voices, this was arranged for them with jazz ensemble. The solo vocal range is from G below middle C up to F top line, treble clef. The lead trumpet range is to high D above the staff. Jazz vocal quartets/groups are happening! 10069098 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . .MA 62.00 10067398 Octavo . . . . . . . . . . . . . . . . . . .2.95 I Could Write a Book—Richard Rodgers/ arr. Darmon Meader. Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group New York Voices. This stellar tune is scored for SATB voices and jazz ensemble. Also included are female or male solo parts in the event you want to perform it as a vocal solo feature. The vocal group arrangement and the jazz ensemble chart are both superb. Solo vocal ranges: female part is G below middle C to top space E; male part is D below middle C to G above treble staff. Check out this outstanding chart! Highly recommended! 10049782 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . .MA 62.00 I've Got You Under My Skin—Cole Porter/ arr. Dave Wolpe. Dave Wolpe delivers a classic swing vocal feature chart in the Sinatra style. Arranged in two keys for flexibility, this one features a full band interlude in the middle and a trombone solo in the shout chorus.High key is Eb (range is Bb below middle C to top line F), low key is Bb (range is F below middle C to third line Bb). There is an alternate tenor saxophone solo part included that substitutes for the vocal solo. Highly recommended! 10028161 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 62.00 It Don't Mean a Thing (If It Ain't Got That Swing)—Duke Ellington/arr. Victor Lopez. Swingin' and singin' with big band! This vocal feature chart with a hard swing feel practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. The solo space is for tenor, trombone, alto, and trumpet, or optional vocal scat, all written out. It's Ellington, it's Lopez, it's great! Highly recommended! 10310223 Jazz Ensemble & Vocalist . . . . . . . . . . . .ME 54.00 It Had to Be You—Isham Jones/arr. Rick Stitzel. Few standards have maintained the staying power of this popular ballad, having been recorded by such luminaries as Frank Sinatra and Bing Crosby to more recent versions by Harry Connick Jr., Barbra Streisand, and Michael Buble. This silky- smooth chart is a perfect choice for your vocal or tenor sax soloists. Vocal key: E-flat 11172103 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 55.00 It's a Most Unusual Day—Jimmy McHugh & Harold Adamson/arr. Mark Taylor. Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's 1957 version caught everyone's attention thanks to a television commercial. This chart is perfectly paced with a feature spot for the full ensemble as well as a short solo for tenor sax. 11401143 Jazz Ensemble & Vocalist . . . . . . . . . . . . .M 55.00 It's Only a Paper Moon—Harold Arlen/arr. Jerry Nowak. Natalie Cole's Unforgettable album met with incredible popularity and acclaim, and this great old standard is hot! Jerry Nowak's solid, medium swing chart cooks all the way, and is a fantastic feature for your vocal soloist! Vocal in Eb. 2262590 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 55.00 Just Friends—John Klenner/arr. Dave Wolpe. Dave Wolpe's superb chart on this great jazz standard is for vocalist and jazz ensemble and it is arranged in two keys for flexibility. The low key is C and the high key is F...just flip the page for the preferred key!In addition, an optional part is provided for tenor sax as an alternative to the vocal.A terrific stop-time sax soli and a jazz solo for 2nd trumpet are more highlights of this swinger. The low key vocal range is Gb below middle C to second space A.The high key range is B below middle C to fourth line D treble clef.A great vocal feature that swings all the way home! 10028165 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 65.00 Let It Snow! Let It Snow! Let It Snow!—Jule Styne/arr. Roger Holmes. With the vocal part in the key of Db and modualting to the key of Eb, this great holiday standard works super in a swing feel and is a perfect choice for your holiday concert! 2249704 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 50.00 Long Distance Runaround/The Fish—Jon Anderson/arr. Ryan Fraley. From British progressive rock band Yes, this iconic moment in pop and rock history is scored neatly for big band with the option to feature either a vocalist or tenor sax soloist. Just like the original, powered by bass guitar and sprightly jazz drums, this version captures the spirit of adventurous art rock. Two brief open solos for any instrument cap the long outro. 11207410 Jazz Ensemble . . . . . . . .MA 60.00 Mack the Knife—Kurt Weill/arr. Dave Wolpe. Look out, old Mackie is back! This fabulous vocal chart modulates four times, up a half-step each time and has a written tenor sax solo and a big shout chorus. Arranged in two keys, the high key begins in B-flat and the vocal range is from middle C to F top line, treble clef. The low key begins in E-flat and the range is from low F below middle C to B-flat, second space. A "must-have" vocal chart! Highly recommended! 10277802 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 62.00 My Funny Valentine—Richard Rodgers/arr. Dave Wolpe. Here's a wonderful ballad for solo vocalist and jazz ensemble arranged in two keys for flexibility. Arranger Dave Wolpe, one of the best in the business, has written this swing ballad in G minor and C minor with reversible parts, just flip the page! There are no individual solos, but plenty of superb ensemble work and the usual, excellent band chorus in the middle. The vocal ranges are: low key, G below middle C to third line Bb and, high key: middle C to fourth space Eb. This just may be the ultimate jazz ballad, done here in another great Wolpe arrangement! Very highly recommended! Vocal in G minor or C minor. 2480791 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 62.00 (You Make Me Feel Like) A Natural Woman— Carole King & Gerry Goffin/arr. Paul Murtha. Written specifically for Aretha Franklin, the "Queen of Soul" released this as a single in 1967 and it became one of her signature songs. This chart is a powerful version for vocal solo and jazz ensemble that's sure to be a concert highlight! No vocalist? No problem! An optional tenor sax solo part is included. Highly recommended! Vocal Key: A-flat 10960656 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 50.00 The Nearness of You—Hoagy Carmichael/arr. Rick Stitzel. This iconic jazz standard has remained a favorite for over 80 years, and is arranged here for vocal or tenor saxophone soloist in a straight- eighth ballad style. A brief trombone soli provides nice variety and the full ensemble lends beautiful support throughout. Vocal Key: C 10759370 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . .ME 50.00 Night and Day—Cole Porter/arr. Dave Wolpe. Night and Day never sounded so good! Here's a solo vocal feature with jazz ensemble arranged in the Sinatra style with a tenor sax solo and superb ensemble writing. It's arranged in two keys for vocal flexibility... just flip the page for the best key for the vocalist. Vocal solo ranges: female key (low) key of C, G below middle C to 3rd space C; male key (high) of Eb, Bb below middle C to top space Eb, treble clef. An excellent chart on this timeless standard! Highly recommended! 10049773 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . .M 62.00 BEST SELLERS Vocal Solo with Jazz Band All Levels Best Selling Charts! These selections, listed in order of their popularity, are chosen most often by directors like you. Feeling Good— Bricusse & Newley/arr. Roger Holmes. 10297513 Jazz Ensemble & Vocalist (or Alto Sax) . . . . . . . . . . . . . . . M 50.00 Don't Know Why— Jesse Harris/arr. Paul Murtha. 2473701 Jazz Ensemble & Vocalist (or Tenor Sax or Flugelhorn) . . ME 55.00 All of Me—arr. Rick Stitzel. 10522920 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . ME 55.00 Sway (Quien Sera)— Pablo Beltran Ruiz/arr. Mark Taylor. 10098760 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . ME 55.00 At Last—Harry Warren/arr. Dave Wolpe. 10093215 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . M 62.00 EXCELLENT JAZZ CHARTS WITH CHOIR OR VOCAL ENSEMBLE Great for combined performances with your school's choir or vocal ensemble! I Can't Believe That You're in Love with Me— Jimmy McHugh/arr. Darmon Meader. Feature your vocal quartet or SATB vocal ensemble with your jazz ensemble! Plus, this chart also includes an additional part for vocal soloist if you prefer. A medium-swing arrangement by Darmon Meader, the musical director and chief arranger of the sensational jazz vocal group, The New York Voices, this was arranged for them with jazz ensemble. The solo vocal range is from G below middle C up to F top line, treble clef. The lead trumpet range is to high D above the staff. Jazz vocal quartets/ groups are happening! 10069098 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . . . MA 62.00 It Don't Mean a Thing (If It Ain't Got That Swing)— Duke Ellington/arr. Mike Carubia. This one is pure Duke Ellington magic! The band really cooks, and the support for the vocal lines is just right. Give this one a serious look if you've got some hot vocal jazzers! Vocals in F. 2325017 Jazz Ensemble & Vocal Group . . . . . . . . . . . . . . . . . . . . . . . M 54.00 On a Clear Day (You Can See Forever)— Burton Lane/arr. Darmon Meader. Jazz vocal quartet, jazz choir or an individual vocal soloist...any way you like it, this is a great chart! It's arranged by Darmon Meader, the musical director and chief arranger for the New York Voices. This chart is for SATB choir and jazz ensemble, but also includes a solo vocal part for performances by a vocal soloist and jazz ensemble. A swing chart with wonderful jazz harmonies throughout, it has a written vocal scat solo plus a written tenor sax solo. The lead trumpet range is to written B above the staff. If you have the vocalists, it doesn't get better than this! Highly recommended! 10093219 Jazz Ensemble & Vocal Group (or Vocal Solo) . . . . . . . . . . MA 62.00

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