Editors' Choice 2022 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
186
JAZZ
ENSEMBLE
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POP HITS medium to advanced
Pop Hits
Medium to Advanced
Africa—Paich & Porcaro/arr. John Wasson.
Originally a #1 hit for Toto in the early 1980s,
and recorded again by the group Weezer, this
powerful rock anthem features a distinctive groove
and memorable lines. In this chart it's given a
contemporary spin while maintaining the feel and
drive of the original. There's solo space for trumpet.
Highly recommended!
10960648 Jazz Ensemble . . . . . . . . .M 55.00
Beauty and the Beast—Alan Menken/arr.
Gordon Goodwin. Gordon Goodwin pays tribute
to the great Count Basie on this famous Disney
tune. With a slow Basie groove, solos for piano
and tenor sax, dynamics galore, and a fabulous
shout chorus, this is a fantastic chart from start
to finish. As performed by Gordon Goodwin's Big
Phat Band.
10012004 Jazz Ensemble . . . . . . . .MA 70.00
Blackbird—Lennon & McCartney/arr. Mike
Tomaro. Perhaps one of the Beatles' lesser known
tunes, Blackbird remains one of their most creative
and memorable. Mike Tomaro's smooth setting
uses a blend of light funk along with a brief samba
section to create a truly outstanding effect. The
theme is stated simply in the beginning by trumpet,
followed by an array of orchestrational textures and
harmonies. Highly recommended!
10098755 Jazz Ensemble . . . . . . . . .M 55.00
Blackbird—Lennon & McCartney/arr. Mark Taylor.
The haunting and distinctive Blackbird, from The
Beatles' White Album, is adapted here in a moderate
and soft samba style in the Little Big Band format.
Trumpet and alto sax are featured on the melody and
for written or improvised solos. This creative chart
also has some nice ensemble trades with the drums.
Flexibly scored for three saxes, two trumpets, one
trombone, and four rhythm with optional additional
parts for alto sax, tenor sax and trombone.
10909026 Jazz Ensemble
(Little Big Band). . . . . . . . .M 45.00
Blues Brothers Revue—arr. Roger Holmes.
Fun and exciting, this rousing production number
features those rompin' tunes made famous by the
Blues Brothers! A great way to provide something
a little different at your next jazz concert, this
invigorating medley includes Everybody Needs
Somebody to Love, Soul Man, Soul Finger, and I
Can't Turn You Loose. Yep, they're all there..count
'em! Highly recommended!
10005181 Jazz Ensemble . . . . . . . . .M 55.00
Bohemian Rhapsody—Freddie Mercury/arr. Rick
Hirsch. Yes, this is for real! Queen's magnum opus,
in a jazz language, orchestrated for big band, with
jazz solos for Trombone (also cued in Trumpet 5/
Flugelhorn) and Alto or Baritone Sax thrown in for
good measure. Additionalfeatures include multiple
tempos and feels ranging from 76 to 304 bpm, to
styles including an a cappella sax soli introduction,
jazz ballad with double time, shuffle, and swing
sections culminating in a rubato ending. This is a
major work for jazz ensemble at 9 to 10 minutes
that students and players will want to work on. Solid
saxophone parts, tempo changes, mature brass
figures, and a whole lot of fun! Instrumentation:
5 Saxes (AATTB), 5 Trumpets (on Flugelhorns), 4
Trombones (3 Tenors and 1 Bass), Guitar, Piano,
Bass and Drums, with optional parts for Flute and
Vibes. The lead trumpet range goes to written high
D with an optional F, and the rhythm section parts
are fully notated.
10371013 Jazz Ensemble . . . . . . . . . A 70.00
Bridge Over Troubled Water—Paul Simon/
arr. Alan Baylock. Arranger Alan Baylock delivers
his distinctive, lush and in-demand ballad style
to this wonderful song in a more contemporary
setting. It's set at 92 bpm, there are no individual
solos, just delicious harmony throughout. The
trumpet section frequently carries the melody
and the lead trumpet range is to written high C.
There are optional parts included plus vibraphone
for expanded instrumentations. Sensational ballad!
Highly recommended!
10355580 Jazz Ensemble . . . . . . . . .M 52.00
Cold Sweat—arr. Allen Gray. James Brown had
many great hits, and this one translates into a funky
jazz band chart that's sure to be a favorite. Set at
around 116 bpm, it exudes all the soul and funk
of the Godfather of Soul with authentic ensemble
and sectional passages that are so important
to this style. The solo section features room for
improvised solos from any of the saxes, trumpets
or trombones. If you've got the hardest working
band in show business, you'll dig this chart!
10605780 Jazz Ensemble . . . . . . . . .M 65.00
Don't Stop 'Til You Get Enough—Michael
Jackson/arr. Dallas Burke. This funky hit from
Michael Jackson's Off the Wall album translates into
a groovin' jazz chart everyone will enjoy. With lots of
tasty licks for the winds and very playable grooves
for the rhythm section, this chart is a winner!
10456820 Jazz Ensemble . . . . . . . . .M 65.00
Eleanor Rigby—Lennon & McCartney/arr. Eric
Richards. Commissioned by the U.S. Army Jazz
Ambassadors, this Eric Richards chart shines new
light on the beauty and depth of this classic Beatles
hit. An up-tempo Brazilian groove gives way to hints
of samba and songo, but always with a smooth and
laid-back feel. A piano solo is featured off the top,
followed by a trio of tenor, trombone and guitar on
the head, and later solo space for one or more of
these players. A brief nod to the classical feel of the
original Beatles track helps build to a climatic shout
for the full ensemble. Nice!
10343782 Jazz Ensemble . . . . . . . . . A 60.00
Family Guy Theme—Walter Murphy/arr. Roger
Holmes. From the brash, irreverent and wildly
popular television series Family Guy, comes this
supercharged, big band style theme that swings
hard! The tempo is medium, the style is swing and
it features an alto sax solo and hot ensemble hits!
2482160 Jazz Ensemble . . . . . . . . .M 55.00
Feeling Good—Bricusse & Newley/arr. Dallas
Burke. This Bricusse and Newley Broadway classic
has enjoyed immense popularity since the version
recorded by Michael Buble. This chart begins with
with an epic and swingin' full-ensemble section
reminiscent of the Buble version. There's a sultry
trumpet solo before the band cranks into an
uptempo Latin groove featuring room for soloists
and lots of inventive horn lines. The chart goes back
to the original swing style to bring the house down
for a big ending! Highly recommended!
10752067 Jazz Ensemble . . . . . . . .MA 65.00
Get It On—Bill Chase/arr. Victor Lopez. This chart
is exciting jazz-rock...pure and simple! From the
jazz-rock group Chase, it features the trumpet
section and has written solos for tenor sax, trumpet
and trombone. The lead trumpet range is to written
Bb above the staff. There's also a cool cascading
chorale section. Optional parts are included for
flute, horn in F, baritone/tenor sax and tuba. Hit it
hard and keep the energy pumping!
10049714 Jazz Ensemble . . . . . . . . .M 52.00
Higher Ground—Stevie Wonder/arr. Mike
Tomaro. From Stevie Wonder's acclaimed 1973
album Innervisions, this infectious funk tune has
been covered by a variety of artists over the years
and found its way into several movies. With a
distinctive rock shuffle groove and memorable riffs,
Mike Tomaro has transformed this into a sizzling
version for jazz ensemble.
10188761 Jazz Ensemble . . . . . . . . .M 55.00
I Can't Stop Loving You—arr. Quincy Jones.
Every jazz fan knows it, loves it and has wished it
was in print! And now, this quintessential big-band
arrangement is finally available! As recorded by the
Count Basie Orchestra on their album This Time
by Basie: Hits of the 50s & 60s, Quincy Jones'
arrangement of I Can't Stop Loving You will bring
your audiences to their feet. Beginning with the
Count's rubato piano tremolo, this laid-back shuffle
chart features in-your-face ensemble writing at its
finest. There is short, written-out solo space for
trombone and piano, but mostly this chart simply
swings its tail off with the entire ensemble from
beginning to end! Never has a sad song sounded
so happy! Very highly recommended!
10368505 Jazz Ensemble . . . . . . . .MA 55.00
I Got You (I Feel Good)—James Brown/arr. Allen
Gray. This iconic hit from the great James Brown
should be a staple in every jazz band's library! With
funky horn licks and a driving groove in the rhythm
section, this tune gets off to a rousing start. The
solo section features a written or ad-libbed alto sax
solo or improvised solos for tenor sax, trumpet or
trombone. Optional parts are included for expanded
instrumentation. After the solo section, it's back to
that infectious groove and a recap of the melody
before the band gets a chance to yell "Hey" to close
it out. The Godfather of Soul! Need we say more?
11000480 Jazz Ensemble . . . . . . . . .M 65.00
I Left My Heart in San Francisco—arr. Quincy
Jones. Quincy Jones wrote some incredible
arrangements on very popular tunes for the Count
Basie Orchestra. As recorded on This Time By
Basie, Quincy's arrangement of I Left My Heart in
San Francisco features great interplay between the
ensemble playing the melody, and the piano with
written solo fills. With a tempo around 108 bpm,
and a relaxed swing feel, there's also short solo
space for tenor saxophone, and the ranges are very
moderate. This chart is playable by a lot of bands.
It's a true classic! Highly recommended!
10368506 Jazz Ensemble . . . . . . . . .M 55.00
I Wanna Be Like You—Sherman & Sherman/arr.
John Wasson. What happens when one of the hottest
swing bands in the land cuts loose on a Disney
classic? Cranked up excitement! Big Bad Voodoo
Daddy takes a mambo spin on I Wan'na Be Like You
from "The Jungle Book," and with lots of tutti writing,
your band will get a real powerhouse sound!
2433704 Jazz Ensemble . . . . . . . . .M 50.00
I Wish—Stevie Wonder/arr. Mike Tomaro. This
tune makes tons of sense for jazz ensemble! With
its invigorating style, the arrangement is true to the
classic sound of Stevie Wonder's original. The solo
section is flexible, so you can tailor it to your band's
strengths. The medium slow groove on this one is
pure magic!
2470798 Jazz Ensemble . . . . . . . . .M 55.00
In the Stone—arr. Paul Murtha. With no solos
required and only a driving rhythmic groove, here's
an authentic-sounding version of this Earth, Wind
& Fire classic. The trombones are featured on the
melody and all the signature riffs from the original
are beautifully captured. Guaranteed fun!
10033677 Jazz Ensemble . . . . . . . . .M 55.00
The Incredibles—Michael Giacchino/arr. Stephen
Bulla. Mix the stylish spy music from the 1960s with a
dose of cool jazz and you have a winning combination
for jazz ensemble.From the Pixar hit animated movie,
here's a high-energy and entertaining chart that
captures the essence of the soundtrack perfectly,
with three themes from the movie that offer a ton
of variety and entertainment!A middle section in a
jazz waltz style is framed by exciting rock styles that
will be appealing to both audiences and developing
players.Highly recommended!
2480196 Jazz Ensemble . . . . . . . . .M 55.00
Isn't She Lovely?—Stevie Wonder/arr. Mike
Tomaro. Recorded by Stevie Wonder in 1976 on
his acclaimed album Songs in the Key of Life, this
beautiful song is a good example of combining
elements of jazz with pop. Keeping the same easy-
flowing shuffle groove of the original, Mike Tomaro
adapts this very nicely for the contemporary big band!
10462702 Jazz Ensemble . . . . . . . . .M 55.00
Long Distance Runaround/The Fish—Jon
Anderson/arr. Ryan Fraley. From British progressive
rock band Yes, this iconic moment in pop and rock
history is scored neatly for big band with the option
to feature either a vocalist or tenor sax soloist.
Just like the original, powered by bass guitar and
sprightly jazz drums, this version captures the spirit
of adventurous art rock. Two brief open solos for
any instrument cap the long outro.
11207410 Jazz Ensemble . . . . . . . .MA 60.00
BEST
SELLERS
Pop Hits
Medium
Best Selling Charts! These selections, listed in
order of their popularity, are chosen most often
by directors like you.
Sir Duke—
Stevie Wonder/arr. Michael Mossman.
10297508 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
The Incredibles (Medley)—
Michael Giacchino/arr. Stephen Bulla.
2480196 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
Blackbird—
Lennon & McCartney/arr. Mike Tomaro.
10098755 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
September—arr. Mark Taylor.
10016127 Jazz Ensemble . . . . . . . . . . . . . . . . 50.00
I Wanna Be Like You—
Sherman & Sherman/arr. John Wasson.
2433704 Jazz Ensemble . . . . . . . . . . . . . . . . 50.00
Pick Up the Pieces—arr. Victor Lopez.
10068806 Jazz Ensemble . . . . . . . . . . . . . . . . 52.00
In the Stone—arr. Paul Murtha.
10033677 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
What a Wonderful World—
Douglas & Weiss/arr. Alan Baylock.
10997206 Jazz Ensemble . . . . . . . . . . . . . . . . 52.00
Africa—Paich & Porcaro/arr. John Wasson.
10960648 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
Over the Rainbow—
Harold Arlen/arr. Alan Baylock.
10093177 Jazz Ensemble . . . . . . . . . . . . . . . . 52.00
The Omnibook Series
Charlie Parker
Omnibook
trans. Jamey Aebersold &
Ken Slone.
This is a fabulous
collection of exact transcriptions
taken from Charlie Parker's
recorded solos. Every student
of jazz will benefit from studying
Bird's solos, so this is a must-
have! Available in B-flat, E-flat,
C, and Bass Clef books. The
contents include 60 solos such as
Anthropology; Au Privave (Nos.
1 and 2); Billie's Bounce; Blues
for Alice; Chi Chi; Confirmation;
Constellation; Dewey Square; Donna
Lee; Ko Ko; Moose the Mooch;
Ornithology; Scrapple from the
Apple; Shaw 'Nuff; Yardbird Suite
and more. Spiral bound, with chord
symbols, metronome markings,
record information, and practice
suggestions. The three-CD set
contains rhythm section play-along
tracks for all 60 songs in the books.
10293197 C Instruments. . . MA 22.99
10293200 Bb Instruments . MA 22.99
10293201 Eb Instruments. . MA 24.99
10293202 Bass Clef . . . . . . MA 22.99
