Editors' Choice 2022 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
48
CONCERT
BAND
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CONCERT & CONTEST medium-advanced
First Suite in E Flat—Gustav Holst/ed. Colin
Matthews. Widely acclaimed as the first major wind
band composition of the 20th century, this excellent
work, which has served as a model for the modern
concert band repertoire, is as fresh today as when
it was first written. No band library can be called
complete unless it contains this monumental work.
152645 Band Set & Score . . . . . . . . .115.00
Four Dances from West Side Story—Leonard
Bernstein/trans. Ian Polster. Your audience will
delight in these marvelous Bernstein dances as
realized for concert band. Everyone will recognize
the familiar themes: Scherzo; Mambo; Cha-Cha
and Fugue. A truly impressive work!
2236180 Band Set & Score . . . . . . . . .130.00
Freedom Flight—Ed Huckeby. As you might
expect from the title, this bold original work echoes
with the sound of freedom and victory. Tight
brass scoring with crisp sixteenth-note rhythms,
sweeping technical woodwind lines, and great
percussion writing combine to make this rousing
work the perfect concert opener or closer!
11402281 Band Set & Score . . . . . . . . . .78.00
Gestures—Randall D. Standridge. This four-
movement work is a celebration of conductors
and the gestures they use to communicate. After
an opening of warm-up sounds, an exciting mixed-
meter movement ensues, followed by a Grainer-
esque second movement. The third movement
is a musical hug with rich lyrical lines, then the
seafaring flavor of the finale gives expression to
new ideas and suggests new adventures to be had.
11201801 Band Set & Score . . . . . . . . .110.00
Ghost Train-Complete—Eric Whitacre. An
extremely programmatic work that tells a story
from American folklore of a supernatural train that
roars throughout the Western United States. The
first movement, Ghost Train, is rich in effects in
describing the locomotive. The second movement,
At the Station, replaces the vivid train sounds
with more abstract ideas in depicting departing
passengers. The third movement, Motive Revolution,
has the train resuming its ghostly journey.
2386225 Band Set & Score . . . . . . . . .375.00
Ghost Train-Movement 1—Eric Whitacre. One of
the most popular works of modern band literature;
the first movement is avery effective program piece.
Resplendent in compositional effects that describe
a spectral steam locomotive with the eerie sound
of a train whistle, the gradual start of journey and
its relentless movement throughout the countryside.
A true classic!
2332591 Band Set & Score . . . . . . . . .175.00
Glorious Insurrection—Robert Sheldon. Inspired
by the overthrow of King James II of England in
1688, this dramatic musical essay is rife with
powerful, ominous chords and poignant themes
that reflect the enmity between the warring sides
during those turbulent times. Celtic-style motifs and
colorful, rhythmic percussion parts help to energize
this striking work for wind band.
11203917 Band Set & Score . . . . . . . . . .90.00
Godzilla Eats Las Vegas—Eric Whitacre. An
original work best described in the composer's
own words as being "really out there." The
writing reflects a keen interest in theater, film and
television, with the structure of the piece being very
filmlike in its rapid changes of style. A unique and
memorable work.
2431989 Band Set & Score . . . . . . . . .200.00
Groovy Loops—J. Scott McKenzie. This short,
energetic, and jazzy piece is a lot of fun to play
and listen to. The title refers to repeated patterns
and phrases that provide support for the melodies
and intertwined syncopated lines. A large palette
of colors with moving lines, percussive effects, and
rich harmonies make this an essential part of every
band's library!
10618029 Band Set & Score . . . . . . . . . .85.00
Gum-Suckers March—Percy Grainger/arr. Mark
Rogers. This delightful work is "pure" Grainger!
Originally the final movement of his suite "In a
Nutshell," Grainger rescored this piece for Military
Band, Piano and Tuneful Percussion. Written in his
most popular English "music hall" style, you'll find
lots of those wonderful "Grainger-isms" here, along
with some substantial difficulty.
2357978 Band Set & Score . . . . . . . . .125.00
Handel in the Strand—Percy Grainger/arr.
Goldman. Percy Grainger himself said of this piece,
"...the music seemed to reflect both Handel and
English musical comedy...as if jovial old Handel
were careening down the Strand (London's
"Broadway") to the strains of modern English
popular music." What can one add to that? Try it
and find out!
2040293 Band Set & Score . . . . . . . . . .85.00
Havana Nights—Randall D. Standridge.
Mambo rhythms and exciting melodies unite in
this "ballet" for wind ensemble. Catchy rhythms,
colorful percussion, and a distinct dance feel
engage performers and audience alike. Great for
conductors looking for something outside the norm.
11173572 Band Set & Score . . . . . . . . . .95.00
Haven's Conviction—David Samuel. This
dynamic work features a light and spry melody
on top of accented brass, creating a hopeful and
majestic sound. There are complex contrapuntal
elements, and the lyrical section is full of musical
moments that students will remember long after
they have performed this piece.
11346032 Band Set & Score . . . . . . . . . .90.00
Hoe Down—Aaron Copland/arr. Mark Rogers.
Next to "Appalachian Spring," this is perhaps
Copland's most recognizable composition. It is the
final movement of his suite Four Dance Episodes
from "Rodeo," which is drawn from his Ballet score
of the same name. Wildly exuberant and charged
with energy, this arrangement by Mark Rogers can
fit into just about any program!
2361483 Band Set & Score . . . . . . . . . .90.00
Hymn to a Blue Hour—John Mackey. The blue
hour refers to the moment of day between twilight
and complete darkness, a time of day known for
its romantic, spiritual, ethereal qualities. The colors
of fading light are beautifully reflected in sound by
various instrumental combinations and textures.
Building to a brilliant climax, the brightest moment
is reached before dissipating slowly into a warm,
peaceful finish, as the light fades to darkness. A
stunning work.
10189089 Band Set & Score . . . . . . . . .225.00
Hypnotic Memories—Rossano Galante. This
charming musical offering is a departure from this
popular composer's usual epic style. Originally
scored for 15 players, this piece is more intimate than
his thickly orchestrated grand works. Stylistically, a
minimal approach is used, with memorable melodic
lines peacefully unfolding shifting ostinato patterns.
10999646 Band Set & Score . . . . . . . . . .85.00
Inchon—Robert W. Smith. Honoring the "forgotten
war," Robert W. Smith offers this significant work in
recognition of the 50th anniversary of the Korean
conflict. It's beautifully scored to balance the
delicate oriental melodies with the dramatic and
frenzied passages that mirror the conflict. Colorfully
orchestrated, with percussion simulating the sound
of a helicopter landing and parts for piano and
alto flute (with cues for C flute), it is a thoroughly
stunning tonal collage. A significant, expansive
work, one which experienced concert bands will
proudly add to their repertoire. We give this our
highest recommendation!
2700137 Band Set & Score . . . . . . . . . .87.00
The Inferno—Robert W. Smith. Truly colossal!
This is the first movement of Robert Smith's epic
work "The Divine Comedy." Advanced groups will
welcome the challenges and reap the rewards
inherent in the piece. Very contemporary in nature,
The Inferno includes furious woodwind ostinatos,
huge blocks of sound, tremendous percussion, and
the imagery of Hell's inferno! Not for the faint of heart.
2322691 Band Set & Score . . . . . . . . . .87.00
Irish Tune from County Derry/Shepherd's
Hey—Percy Grainger/arr. Kent. Performable
either together or separately, the first selection
(more commonly known by the title Danny Boy) is a
masterful example of the pure beauty of sound and
melody, while Shepherd's Hey is a sprightly dance.
239228 Band Set & Score . . . . . . . . . .85.00
Liberty Fanfare—John Williams/arr. Bocook. One
hundred years after the dedication of the Statue of
Liberty in 1886, John Williams was commissioned
to compose a fanfare for the re-dedication
ceremony. At this event, Mr. Williams led the
Boston Pops Orchestra in the first performance of
this work, which the composer described as a group
of American airs and tunes of his own invention.
10185740 Band Set & Score . . . . . . . . .215.00
Liquid—Jay Bocook. A vivid depiction of the many
different sounds water can make all around us.
Opening with the sounds of raindrops, a series
of variations depict cascading waterfalls, flowing
rivers, crashing waves, and ripples on the surface
of a quiet lake.
11001677 Band Set & Score . . . . . . . . .125.00
Magic City Montage—Robert Sheldon. This
energetic overture allows us to enjoy the sparkling
skyline of Miami, also known as the Magic City,
from a speedboat on Biscayne Bay. This work is
light and cheerful with some great opportunities
to challenge your woodwinds' dexterity. The lyrical
section is energized by the brass, then the opening
tempo returns with a nod to Miami's vibrant
nightlife before taking us to our boat for the short
trip home. Electrifying!
11354870 Band Set & Score . . . . . . . . . .90.00
Mannin Veen—Haydn Wood. Originally published
in 1933, this outstanding tone poem, based on four
folk songs from the Isle of Man, is an outstanding
addition to any band library. Beginning with a
plaintive melody in the Dorian mode, then going
into a "fiddle tune," a very lyrical melody and then
a hymn, this is a superbly written work that is most
worthy of performance.
150664 Band Set & Score . . . . . . . . .125.00
Marriage of Figaro—W. A. Mozart/trans. Slocum.
This excellent transcription makes this a perfect
selection for concert or contest.
84608 Band Set & Score . . . . . . . . . .85.00
Masque—W. Francis McBeth. A true "classic" in
the modern symphonic band repertoire, Masque is
an exceptionally important, vividly impressive work
that definitely should be an active part of every good
band library.
857524 Band Set & Score . . . . . . . . .140.00
May the Light Forever Shine—James
Swearingen. Here's a fiery original work that can
be used as an opener or a closer. The opening
creates great effect by contrasting swirling
woodwind flourishes over long brass lines followed
by forceful rhythmical impacts. A long lyrical section
culminates in a dramatic climax before transitioning
back. Perfect for the more advanced concert band.
11402239 Band Set & Score . . . . . . . . . .88.00
Mechanica—Karen Kachelmeier Robertson.
Fresh-sounding and programmatic, this work
uses chromaticism, rigid rhythms, heavy staccato
articulations, and a steady percussion pulse to
create the sound of an almost futuristic machine
hard at work. An excellent opportunity to develop
a multitude of playing and ensemble techniques.
Trombone 2 plays some rapid seventh- to first-
position passages.
11398663 Band Set & Score . . . . . . . . . .80.00
Metamorphic Dances—Brian Balmages. This
short four-movement work is based on traditional
dances that have each gone through an amazing
transformation to bring them roaring into the
21st century. Playable individually or all together,
the movements include the fun Polka, playful
Waltz, passionate Tango, and the whimsical and
energetic Cakewalk.
11002222 Band Set & Score . . . . . . . . .150.00
Metroplex—Robert Sheldon. A dazzling view of
the sites and sounds of a dynamic city. Opening is
a vision of the tall buildings and concrete canyons
of the New York skyline, followed by an urban jazz
scene in a club in Harlem. The close is a wild taxi
ride through the heavy traffic of this fascinating city.
10014415 Band Set & Score . . . . . . . . . .78.00
Mischievous Behavior—Rossano Galante. All
kinds of visions come to mind when you hear this
zany, whimsical original work. Perhaps a dream
sequence, maybe the hustle and bustle of rush-
hour traffic, or the shenanigans of clowns under
the big top. A wonderful change of pace for concert
programs.
11402240 Band Set & Score . . . . . . . . . .92.00
Molly on the Shore—Percy Grainger. Even if you
have this classic in your library, you will also want
it in this wonderful new edition! Featuring a newly
engraved full score, this edition contains insightful
critical commentary into the performance practices
of the work. This rollicking Irish folk dance has
become a staple of the advanced band repertoire.
A worthwhile challenge for all good bands!
2472011 Band Set & Score . . . . . . . . .110.00
A Movement for Rosa—Mark Camphouse.
This emotional, moving work was written to honor
Rosa Parks, whose contribution to desegregation
still stands today. Not only are strength and
determination depicted, but also the harsh realities
of the times. An important work in the repertoire.
2312338 Band Set & Score . . . . . . . . .140.00
Nilesdance—David Holsinger. A work that has
become a standard of the literature for concert
band and is certain to remain one for many years.
2189660 Band Set & Score . . . . . . . . . .90.00
PLAN FOR
SUCCESS
Musicianship-Focused Curriculum and
Assessment—Colleen Conway. An in-depth
guide to lesson and rehearsal planning that provides
a concise method for aligning music instruction with
the Core Arts Standards while continuing to
focus on active music making. Part One defines the field of curriculum and
assessment, Part Two presents various approaches to designing curricula,
including incorporating twenty-first-century skills and the Common Core.
Part Three combines these ideas with various approaches to music teaching,
including Orff, Kodaly, Dalcroze, Suzuki, and Music Learning Theory. Part Four
addresses curriculum and assessment in early childhood, adult music learning,
English language learners, preparation for adjudicated events, preservice
education, in-service education, and technology. A complete guide that will help
every music teacher hone and polish assessment goals.
10495599 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.95
Highly effective!
Teaching Band with Excellence
(A Comprehensive Curricular, Pedagogical, and Administrative
Resource)—Bruce Pearson & Ryan Nowlin.
A practical companion to any band method that compiles effective teaching
tools and valuable insight, organized into four sections of focus. The curriculum
section addresses the application of techniques and musicality, including charts
and graphs to reinforce the concepts. The section on instruments covers each
instrument in the band. A section on administration deals with the many duties
that extend beyond the classroom and the paperwork, planning and promotion
and resources needed for educational and community networking. Section four
deals with personal and professional growth, an area omitted in most band
director resources.
10191869 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39.95
